Part-6-Raw Image Editing & Processing Workflow- Master Adobe Camera Raw | Harsh Vardhan | Skillshare

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Part-6-Raw Image Editing & Processing Workflow- Master Adobe Camera Raw

teacher avatar Harsh Vardhan, Photo Editing-Video Editing Classes

Watch this class and thousands more

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Intro final part 6 final editing

      2:38

    • 2.

      1-Basic Adjustments in Image in Adobe camera raw Final Chapter

      4:37

    • 3.

      2-Fixing Image with Curves-Details-Noise-HSLand Lens Correction in Adobe camera raw Final Chapter

      4:06

    • 4.

      3-Perspective Correction in Adobe camera raw Final Chapter

      1:59

    • 5.

      4-Enhancing Sky with Graduated Filter in Adobe camera raw Final Chapter

      3:28

    • 6.

      5-Fixing Focus with Radial Filter in Adobe camera Raw Final Chapter

      3:25

    • 7.

      6-Dodging and Buring with Adjustment Brush Adobe camera Raw Final Chapter

      4:20

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About This Class

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Part-6-Raw Image Editing & Processing Workflow- Master Adobe Camera Raw for Professional Raw Image Retouching

In this Final Part, You will learn :-

  • Raw Image Editing
  • and Processing Workflow                                     

We will take one Raw Image and we will Enhance that image in Adobe Camera Raw using various Tools and Editing options available within the Adobe Camera Raw.

You will learn exactly what tools and Techniques I use for Editing or Processing my Raw Images in Adobe Camera Raw. 

The techniques and Tools I use are very simple, yet effect and these produces Professional results. 

DON'T FORGET TO CHECK OUT ALL THE PARTS OF THIS 6 PART SERIES.

GO AHEAD AND ENROLL IN THIS CLASS!

SEE YOU INSIDE THE CLASS!

Link to Part-1:-http://skl.sh/2eptnZE

Link to Part-2:-http://skl.sh/2eeuGto

Link to Part-3:-http://skl.sh/2eUcPuL

Link to Part-4:- http://skl.sh/2fEZhlR

Link to Part-5:- http://skl.sh/2fgVEA6

Link to Part-6:- http://skl.sh/2h96lKg

LEARN MORE AT :-

My Skillshare Profile:- HARSH VARDHAN ART

Meet Your Teacher

Teacher Profile Image

Harsh Vardhan

Photo Editing-Video Editing Classes

Teacher

If you want to Learn Top Professional Effects and Techniques then You are at the Right Place. My Classes will teach you Top Professional Effects & Tricks which you only dreamed of or wondered How to create them. 

My Classes are about-Photography, Photoshop, After Effects, Premiere Pro, & other useful How-to Topics. 

Best Photography Photoshop After Effects Premiere Pro & other useful Classes!

Learn the Top Professional Skills Fast & Easy!

Learn More at My Youtube Channel or My Website HarshVardhanARt.com!

See full profile

Level: Beginner

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Transcripts

1. Intro final part 6 final editing : Welcome to the last and the final part of this course, master Adobe Camera Raw for professional role in age retouching. In this part, you will learn the row amazing editing and processing workflow from start to finish. In this spot, we'll take this image. First of all, what we are going to do, first of all, we'll make some basic adjustment to this image using the basic editing panel in Adobe Camera Raw, we will fix it. The exposure, contrast, highlights, details, sharpening, etc. Thereafter will enhance its colors plus the contrast using the tone goes. In the tone goes panel. Drafter will enhance this foliage or these green grass and we'll give it some pleasing look in the HSL or the Grayscale panel in Adobe Camera Raw. Thereafter, we'll add some details to this image using the Details panel. And we'll be adding the details or will enhance the details using the full control, using the mask option in the Details panel in Adobe Camera Raw. And thereafter we'll make some adjustment to this image using the Lens Correction panel. Using that Lens Correction panel, we are going to fix the lens distortion in this amazing like you can see over here on this poll, this is little slanted to ours, the statue or this shanty stupa. So we are going to fix that. We are also going to fix some chromatic aberration, which is our hair. As you can see a little bit over here, this green line, or French, this is called the chromatic aberration. So we are going to fix that and thereafter we'll be using the graduated filter tool and the radial filter tool to bring out the details in the sky. And finally, we will be using the adjustment, brush those, and burn the sky so that we get more details in the sky and we don't get to see this dull and boring sky. If this sounds interesting to you, then go ahead and join this course. And I will see you inside the course. 2. 1-Basic Adjustments in Image in Adobe camera raw Final Chapter: Welcome to the final part of this course. In this part we'll be taking this raw image and we'll add it this amazed from start to finish. Alright, so I've already done some editing to this. So what I will do, I would first of all, remote setting or it's editing settings so that we get start from the beginning. All right, so what we can do, I will right-click on this image and select dwell upsetting. And then I would come over here on this clear settings. You can see over here we have these presets which we have created in the lecture on the presets and the actual pattern. So if we want to make the edit on this image with that one, so we can click on these presets. And it is going to apply those settings to it. So if I just click it, you will see that now it has applied that setting or that preset to this image. But we don't want that. We want to start from the beginning. So I'll right-click and select develop setting. And this time I'll come to clear settings. Alright. Now we have the plane starting image. Alright, so this is the raw images stored NEF for the Nikon cameras. And if you have the Canon camera, it would have been CDR. I think. If I just double-click it, it is going to open in the Adobe Camera Raw, since it is Adobe Bridge. Now as you can see it, at the moment, camera 9.7, it doesn't matter. Only a little bit interface has changed, otherwise everything is same. Alright, so now it has opened. First of all, I'll go for the auto, as I've told you number of times, there's most of the time, auto settings does walk very well. In this case also, it has done a wonderful job. Alright? But I would increase the exposure a little bit so that I get to the brighter image and increase the contrast a little bit, alright, so that we get more of the white over here. As you can see. If I take it this side, it's getting dark and it is bringing me some details. Maybe something around here is little bit, sorry. Little bit plus five is fine. And let's bring down the highlights. If I bring down the highlights, you can see over here in this guy, we started to see some clouds, but it has taken away the highlights from the means, the object that is this shanty stupor. Alright, we don't want that. So I'll go back to highlights. All right, if I just double-click this slider, it is going to go it's on default version or make it, or take it to the 0 position. Okay, Now, let's bring down the, or, sorry, increase the shadows so that we get some dynamic range on these darker areas. All right, let's increase white a little bit. And black as well. All right. And let's increase its clarity. Maybe around then on 16 would be fine. I think. Yes. Let me zoom in 100 person. This was before the clarity applied and this is after the clarity applying. Maybe around then on 15 is fine. Then let me go for it in June and increase its vibrance a little bit. That way we will be having more saturated colors and the contrast would be increased to LAMAs. It would look really appealing to the eyes, alright? And if you want, you can increase the saturation of it. Otherwise, there is no need if you are using the vibrance. Alright? So for the moment, I have used plus three, all right. 3. 2-Fixing Image with Curves-Details-Noise-HSLand Lens Correction in Adobe camera raw Final Chapter: Now next come to the point curve or the tone color panel. And I'll create 1 over here and drag it down. And 1 over here and drag it upwards. The movement will do this. You can see it has made our colors and details pop up. So if I'll just press P, which is shortcut for review. So this was before and this is after. You can see it has made a lot of difference to this image. Now let's come to the Details panel or the Sharpening panel. And we'll press the ALT to create a mask and we'll drag it until we see the answers. All right, and now increase the sharpening. Let's zoom in 100% and increase the sharpening a little bit. I think over here it's fine. And increase the luminance little bit. So that little bit of noise or grain is removed. Though there is hardly any noise or grain. And as you can see, this is the purple french, which we are going to fix soon. And that is purple french or here as well. Alright. So now let's come to the next panel, HSL or gray skin phenol. So let me fit in June and take the luminance of green to RC lighter, lighter site. We want these classes to be lighter. Or if you want, you can bring it too dark, but that will not look good. I'll take it towards the lighter side maybe around here. And let's take the yellow as well. Alright. This blue or aqua, make it that lighter as well. This one also. I think this is looking wonderful and come to the hue on the green, take it to us, the yellow site so that we get wonderful looking color of the grass. As you can see now, it's looking good if I press P or pursue this was before and the after. Now, no need to touch the saturation, etc. Next is the split toning. We are not going to use that for this image. Let's come to the Lens Correction panel and overhead on the profile, select the Remove Chromatic Aberration and movement will do this, is going to fix this purple fringe. As you can see. This is the chromatic aberration and this is very hardly visible, but it has does the job. It has removed that purple french. If you are watching in full Azure AD, then you might be able to notice this. Alright? So it has removed as purple French from here and from here as well. Alright. And select the Enable Profile Correction. And let me show you my fitting in June or fitting in view. And this was before and this is after ends. You can see how it has adjusted or character of the distortion. And it has automatically selected the camera. Nikon lens 1855 MM basic wetlands. And you can see over here, this is the profile. If you want, you can manually do the corrections as well in distortion and vignette effect as well. But here we don't need to because it has automatically does the job. 4. 3-Perspective Correction in Adobe camera raw Final Chapter: But there is one more thing that in Camera Raw 9.7, they have moved to this perspective tool or the transform tool as a tool. It was over here. It was over here within this panel as well. But now they have created a new tool which is called the T transform tool. It is basically the same, but they have moved it over here, so we'll click it. And this one is the option for auto, so it will pass auto, it is auto apply and you can see it has straightened this poll. Now, if I offered, you can see it is slanted towards the statue. And if I press it, you can see it has fixed that distortion. If you want, you can manually play with these settings as well if you want to. All right, now let's press the June so that we get to see other options over here. Now, it's the effects panel. So if you want, you can add little bit of vignette to it, but I'm not going to use it. Or if you want to add greens, that can also be done and dehaze as well. Since this image is very good, we don't need to add or remove the haze. So I'll just double-click it and it will be on its default position. Gto. And camera lens calibration don't need that. Presets don't need that. If you want, you can create a police hits for this. So click over here and call a GTX. Sure. It would be applied over here. So with one just one-click weekend, do the editing. Alright. 5. 4-Enhancing Sky with Graduated Filter in Adobe camera raw Final Chapter: And now let's come to the graduated filter. Select this and we'll click and drag it down. And then we'll make the temperatures towards the blue and exposure will bring down these settings. I have already been applied because these were the last Lee used settings. Okay. So if I just press this one, I can plus in green. I can adjust my pressing plus or the minus. Or I can simply click and drag these sliders. So I'll bring down the exposure a little bit. Let's bring down the contrast as well and bring down the highlights so that we get to see some details in the Cloud. At the moment we are not able to see it. But the moment we'll make some adjustment, it is going to show us that as well. Okay? And let's bring down the temperature back to its suasion. Alright? And if you wanted to again, bring down the clarity or increase the clarity, I think there is no need to do that. And let's click and drag over here. On this site. Now, might be able to see some details in the sky. Clouds. If I bring down the exposure too much now you will be able to see it. So let's do the same. So we have to select the Spin. I'll select the Spin and bring down the exposure a little bit more. I think now it's going to look good. Weekend. Click and drag this as well to any direction we want. Okay. I think this one is good. Bring down the exposure a little bit more. And let's change its temperature. And tint. Think. On the greener side, it's going to look the natural. Increase the saturation a little bit. Select this spin as well, and let's do the same editing. Bring down the temperature, tend towards the greener site in please the saturation. And now we see some details in the sky and click and drag to create one mole. And this time it's looking ugly. So what will do well and NADH will take up the exposure equals we don't want that much of exposure over here this time. All right. Let's bring the temperature back. I think that it would look good. Bring down the highlight. Let's click and drag it upwards so that it affects little area over here. All right. I think this is fine. 6. 5-Fixing Focus with Radial Filter in Adobe camera Raw Final Chapter: Welcome to the radial filter and click and drag. To create this old ship. Let's increase it so that we cover the entire sample or statue. I think it's fine. And this time we have to check this one outside. Okay, So make sure it is jagged insights. So now it is going to affect the inside area. Just double-click it, increase the contrast. In Greece, the exposure that this one gets darker or lighter and increase the contrast as well. You can bring down the contrast, the highlights back to 0, and bring down the saturation back. Okay. Let's increase, drag it to a little bit upward. Increase it on this side as well. Okay, Now let's take the adjustment brush. I think this area is, this area got little darker. So I'll paint over here. You can see the mosque. This is the mass which we have applied. Now increase its exposure. That it gets mixed with the entire statue. Increases clarity. Bring up the highlights. Let's bring up the exposure a little bit more. Contrast increased within trust. And this one is looking good and now paint a little bit or hair as well. That way we can make it, sorry, It's to undo it. This way. This will also get lighter. And if you wanted to create a new, so select New. And this time bring down the exposure a little bit and paint little bit over here. On this side, these little logger, little bit over here, a little bit on this guy. And let's bring up the exposure this time. 7. 6-Dodging and Buring with Adjustment Brush Adobe camera Raw Final Chapter: Now let's create new, and this is this time we are going to dose and burn the sky so that we get a little bit more details. Alright, so leave the setting as it is and start bending on these clouds slowly, okay. You don't make sure you have the feeder to 100% otherwise, the strokes would be very hard and that would not look good. You can adjust the size of the brush by red bracket and the left bracket, okay? So you can do as that as well. All right. You can see now the, see some details in the sky. Alright. Make sure you do it very subtle, okay? We'll do it extra, or you'll do it more than it is required and it will not look good. Okay. It won't look natural. Paint a little bit on here as well. Okay, and now we will use the new tool or new brush to create the burn effect. I'll bring down the exposure the string, and start painting on the darker area. Like here in the sky over here. You can adjust the setting later on as well. It will bring down the highlights, shadows. Look at this. We'll take it way back towards z minus a and we'll look ugly. So I'll just double-click to make it to the default patient and bring down little bit around minus five or minus ten. So that would look good. Okay, I think we are done. And if you want to let stick a new brush and let's paint little bit over here. This also become little lighter because it has become little darker and it's not looking good. And let's increase the exposure of this area so that it gets mixed with the rest of the picture, okay? And we get a little bit more dynamic range on this side as well. Alright, so now we are finished with the editing. So if you want to begin open this image in Adobe Photoshop, or we can simply press down in that way. It is not going to open in Adobe Photoshop, but it would retain the settings which we have just applied. Okay, So if you want to open it in Adobe Photoshop, select Open Image. It is going to open in Adobe Photoshop, as you can see, it's reading camera raw format. And it is going to open with all the settings which we have just applied to this image. And you can see it has opened and now you can save it as a JPEG format. So from this drop-down menu, select the JPEG format and come to the place where you want to save it and press, save and press. Okay. And now it is saved. So if I'll just go to the branch and I'll show you. So this is the final image which we have just edited.