After Effects : Create Sketch Watercolor Story SlideShow | Maggie Osama | Skillshare

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After Effects : Create Sketch Watercolor Story SlideShow

teacher avatar Maggie Osama, Skillshare Coach: Follow Me :)

Watch this class and thousands more

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

12 Lessons (1h 15m)
    • 1. Course OverView

      1:50
    • 2. Introduction To Paint Elements

      2:03
    • 3. Animate WaterColor Stain Element

      10:41
    • 4. Animate Brush Stroke Element

      8:48
    • 5. Create Your Footage Reveal Matte

      4:08
    • 6. Create Your First Photo Slide

      10:54
    • 7. Add As Many Slides As You Wish Quickly & Easily

      6:32
    • 8. Create Video Slide

      5:33
    • 9. Create Your Intro & Ending Slides

      4:42
    • 10. Place Your Slides on Canvas & Add Camera

      7:05
    • 11. Animate Your Camera

      9:22
    • 12. Finalize Your Project

      3:08
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About This Class

A step by step course guiding you through creating watercolor slideshow using Adobe After Effects .

In this course you will learn how to use the extremely powerful Adobe After Effects to create a sketch watercolor story slideshow like the one in the promo video.  I will walk you through the motion graphics process starting from preparing your paint elements till we reach the final details and finally exporting your project.

You will learn about some interesting effects such as roughen edges, turbulent displace, cartoon in addition to using 3D Camera, adding sketch videos to your slideshows and much more.  You will also get the project file and paint elements to work along with.

This course will help you to feel comfortable with these features as well as teach you the workflow that I use to create sketch watercolor story slideshow.

I am confident you will learn a lot from this course. I am here to help you with any questions you may have. Wishing you all the best and looking forward to seeing you inside!

Meet Your Teacher

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Maggie Osama

Skillshare Coach: Follow Me :)

Teacher

Obtained my first degree in Computer Science and a post graduate degree in Integrated Marketing Communications. Obsessed with learning & acquiring knowledge, a person who always believes that applied knowledge is power. I love sharing knowledge with others wherever I go. I'm here on Skillshare to teach what I know in an approachable way and make complex topics easy to understand.

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Transcripts

1. Course OverView: Hey, guys. Thank you so much for checking my course. My name is Maggie Osama, and I'm here to teach you how to use adobe after effects to create a sketch Watercolors to re slide show like this. Oh, dear Jungle, - I will walk you through the motion graphics process, starting from animating your paint elements to reach the final details and finally exporting your project, you will learn about some interesting effects such as rough in ages, turbulent this place, cartoon polar coordinates, Sisi, Bender and more, in addition to using three D camera adding sketch videos to your sly chose and much more. This course is for intermediate users of adobe after effects. It will help you to feel comfortable with these features as well as teach you the workflow that I used to create sketch watercolor stories. Slideshow, I'm here to help you with any questions you may have wishing you all the best looking forward to seeing you inside 2. Introduction To Paint Elements: Hey, guys, In this lecture, I will introduce you to our paint elements. We do have one brush stroke, one watercolor stain, and the last one is our paper background. You can get any of these from Google. So, for example, if we opened up Google and searched for brushstroke, you'll find a lot. Same thing for the water car stain on for the paper background as well. There is also a website called free pick where you can find tons off free stuff to use. So here, for instance, if we searched for black watercolors thing, you will find a lot which you can download and use. All right, so these are so far our paint elements. In the next lecture, we will start animating our watercolor stain element and get ready for our slideshow. Thank you so much for watching. And I will see you next. Lecture 3. Animate WaterColor Stain Element: Hey, guys, in this lecture, I'm going to show you how to prepare our paint elements in order to get them ready to use in our sketch watercolors like Chew. If you are opening the adobe after effects now on falling up that I do recommend that you download the efforts that we need for this project. Now just download this than import everything toe after effects. Just let them all on drag it into the project panel. We will start with our watercolor stain, so I'll select the watercolor stain on drag it into the composition I can here to create a new composition. As you can see here, we can't see anything because it is black on black. So if I activate my transparency grid, you can see now this thing, I'll change this toe white on this by going to effect some presets panel and search for invert effect select and dragged off my layer. Now I can turn off my transparency grid again. Now I'll create a new layer by person control or command. Why I'm a keyboard and named this layer reveal mutt. So now I need to create a circle. I will use the generate circle effect from the facts and presets panel, and this will generate us a circle. We can't really see it here because it is white, so I'll change the color. And now I will use this circle to create a reveal Matt that looks organic for my water Costain here. So, first of all, I want to want to make my radius. My time indicator is set at the beginning of my timeline, Saul said. The radius value to zero and click on the stopwatch beside radius that I'll drag my time indicator toe one second and five frames and set the radius toe a value that covers up all my watercolor stain. And now you see that we have a circle grown and now we need to make this review math, and it makes in an organic way so as to appear realistic and natural because this is actually not an organic looking paint splatter at all. I will add turbulence to this circle, so go to the effects and presets panel and search for turbulent this place effect and drag it on my circle or the reveal my player. And now we will play around with the settings to create something like organic looking pain Flatterer that we review our watercolors pain. It's all changed the size value to something like 10 and change the amount value to maybe 420. Let's see how that will look if I set this layer to an Alfa Track matte toe the watercolor stain layer. And as you can see, we have got already a very simple looking buildup. Now I'll add another effect to make the reveal looks more interesting. The effect is cold, rough in ages. Drag it on our view, Mott. I will now turn off my Alfa Matt to see the reveal math and see what we're doing here. Let's start playing with their often ages. Effect toe. Make this look a little more organic, so I will increase the border value to 20. Then decrease this scale value to 28 and this to give us find your age is then increased the age sharpness toe 1.99. You can play around with these values. It's totally up to you. Which kind of style, which kind of look you create now? I reset the Alfa Matt again and click on the ramp review What looks really good now? Also like both key frames, Click on this graph shaped I couldn't hear, Then go to the graphic editor. I also love this point and add easy easy in, then dragged this point here while holding shift keep. So, as you see, it starts very, very quickly than slows down. Now back to our timeline on Let's Create a few copies off this. Select both layers and hit control or command Z twice, and now we have three copies of our reveal. What I want to do now is to change the transparency off this layer. So so like the layer then hit T on keyboard to get the opacity control, then said the opacity value to 50%. Then set the opacity value off the second layer here to 75% and leave the last 1 200%. And now let's sequence them a bit, so let's go to five frames by person. Page down five times. Select both off these layers and hit open bracket to move there in points to the time in the cater, then go to five frames, select the top copies and hit open brackets as well. And if we played, you would see it is getting more and more organic. Now let's play the settings here off our second copy maybe changed the evolution off the turbulent this place. This will give us another shape in order to look for more random. You could also play with the size, and maybe you can play the border and scale in the rough in ages. And now we can do the same for this last copy up here. This is totally up to your preference and how you want your paint splatter that will the real your watercolor staying to look like the last thing we will do is to create an adjustment layer and then add turbulent this place effect. Toe this layer. And as you can see here, if I played around with the amount, I'm actually moving all the layers below which exactly what I want. So I will animate this amount control drag the time in the caterer that beginning on my timeline, said the Ammon Value to negative 50. Click on the stopwatch beside it, move two seconds, then said the Amman Value to zero and then take the size down to 50. And as you can see now, it gave us an additional organic feeling. Now, let's add easy. Easy in on dragged us here. Okay, great. So now we're done with our first element. The next lecture, we will start working on our brushstroke. So few guys next lecture. 4. Animate Brush Stroke Element: Hey, guys will come back. So far, we have animated are watercolor stain, and it's spreading out to be used in this lecture. I'll show you how toe any made our brush stroke as well. Saul start with dragging the brush stroke PNG here on this Aiken to create a new composition, and again, I'll add an invert effect to make it visible. And now we'll create a review. Matt, for our brush stroke. This time I'll use a shape lawyer and to create a shape layer, I'll use my pen tool to create a stroke. I'll drew a straight line by making one click here and another one here while holding shift Key. I wanted to have a stroke, and I want anything to cover up the whole brush something like 210. Now I'll create a quick animation, so select my shape layer and go to the AB bottom. Here, an ad True path, our name, this shape layer to reveal Mott. Now I'll open up the trim pass, said the and value to zero. My time indicator is at the beginning of my timeline here, quick on the stopwatch beside and dragged the time indicator to two seconds, then said the and Value 200. Now go to the graph editor, select the last key frame here and add Eazy e's in, then dragged this point here in order to increase the velocity in the end here. So let's see how it will play. Looks good. It starts faster at the beginning, then slows down at the end. Now let's go back to our timeline year and start adding some interesting details. And to add some details we will use again the rough in ages effect. Drag it on our revealed my clear. Let's start to play with some values here. First of all, let's increase the border. Do something like 45. Now let's decrease this kill bit to get some finer details and maybe increased the age sharpness a bit to make it a little bit of a short per age. Now, if we used the Alfa Matt, we would see that we already got a kind of a good looking buildup toe our brush here. Maybe we can add a little bit more detail here, so let's turn off our Alfa Matt. Then go to an option here, cold stretch with or height. If we moved this value to positive, you see that we stretch these on horizontal access, and if we move it to negative value, then we stretch it in a vertical direction. Here, we want to stretch it horizontally to get this nice looking age here that looks nearly like a brush. Now let's decrease this kill bit on decreased the border to 42 and the sharpness can be a little bit bigger. So if returned on the Alfa Matt again, we would see that we have a nice looking brush age here. You need to always check the age of the brush here and change your settings till you reach the results that you admire. The only problem we do have here is that the direction of our brush details here is not following the direction of our stroke because of we take a look at our stroke here we would see that it has a slight curve year. We want to simulate this shape, so let's turn off the Alfa Matt for now and lower the transparency to see what's happening underneath my mat. Now let's go to the effects and presets panel and search for CC bender, then dragon. Drop it on our reveal mat layer. So as you can see here we have these two points here. If we change the amount value here, you would see it is bending everything in between these two points here. So we need to adjust these points in order to make our review. Matt, follow the path off our stroke. And this by moving these points like this to match our format Now, we will duplicate this effect to adjust the other way. We need to bend it down here and now I'll do another third copy. I think this so far. Looking good. So let's see how that will play Now. Now, if we take a look here, we would see that our reveal Matt is nearly a nicely following the path of our stroke. So finally, we are done with animating our paint elements. And we're good to set up our project, which will start in the next lecture. So we'll see you guys there 5. Create Your Footage Reveal Matte: Hey, guys will come back. So far, we have animated are watercolor stain on brushstroke. I hope you are enjoying so far and learning something new in this lecture I'm going to show you how you can use the watercolor stain that we have animated to make your own water color paint splatter shape to reveal your footage. How you would like to be is totally up to you and to your preference. I'll just show you the way and you can then go wild with your imagination. So the first thing I'll do here is creating a new composition. Go to composition in the menu, bar new composition or simply hit control or command. And on keyboard, I will rename this composition to footage. Review Mont leave everything as is unhitch. Okay, And then in the project panel here out, select our water color, composition and drag toe our timeline. How Then do a copy of it using control or commanding, Then start moving and rotating each around till I reach the shape that I would like. I could also do 1/3 copy move. It's here and maybe make 1/4 copy. So, as you can see here you can do as many copies as you want for your watercolors thing. Move each around till you build up the shape I look that you admire. Now put them in sequence. It's also lent this layer drag my time indicator to the beginning of my timeline. Move five frames forward by pressing page down five times, then hit open bracket to move this selected layer in point to the time indicator. Then so, like the Slayer and again hit page down five times, then hit open bracket. Keep doing the same thing to we reach the last one here at the top. So now we have built up our footage. Reveal Matt Shape. Let's click on the ramp review to see how it looks like. Looks very good. So let's quickly revise what we have done so far. One we have animated our watercolor stain to We have animated are breast stroke and three. We have used several copies off our animated watercolor stain to build up our footage Review map. Now we are ready to create our very first slide in our amazing and powerful slideshow. Thank you so much for watching. I'll see you next picture 6. Create Your First Photo Slide: Hey, guys will come back in this lecture. I'm going to show you how you can create your first sketch watercolor slide. So first thing, I'm going to import all my footage. So long, Jamal. Drag and drop them on my project panel. And maybe we can put them all together in one folder and call it footage. Now I'll create a new composition. Name it footage, slide one. Leave everything as is and click. OK, then I'll drag our footage. Review Mad Composition to my timeline. Here it is. Maybe move it a little bit here. Now I'll drag my first photo to my timeline down below. The footage reveal Matt, then in the track. Matte column Beside it. Select the footage. Review Matt to be loom amat, toe our photo here. And by doing this, we told Adobe after effects to make anything that is white get shone through and anything that is black got blacked out. So here we will be able to see our footage on Lee through our animated watercolor paint splatter. Now also liked the photo layer and hit us on my keyboard to get this kill control, then dragged down. Always make sure you're not cutting off the mat with the photo border, as you can see here. So I need to increase this kill. Drag it down a bit. Now this looks much better. Let's click on the Rand Preview and see how that will play. Looks great. Now I'll select the photo layer, duplicated using control or command Z. Drag it down at the bottom of the stack and change this aluminum at two. No track matte. Now go to the effects and presets panel and search for an effect. Cold cartoon dragon. Drop it on the copy it photo layer and let's play with some some things here Change the render toe ages. And by doing this, if we turned off the other photo layer, you would see that we got this. Copy it. Photo layer turned into a drones Catch. You can play around with these something's Did you get the sketch? Look the to admire. So, for example, here let's decrease the detail radius increased the detail threshold, and maybe we can increase the shading steps. I'll decrease the date health threshold of it. So this so far looks good to me. I'll turn on again. This photo layer the colored one. You can leave it as is if you want to, or you can decrease its a pass. It's a bit to give it a more organic look of water color paint. I will apply some sort off color correction on this by going to effect some presets panel and search for curves Dragon. Drop it, toe the colored photo layer and play around with this graph to reach the results that you admire. Maybe I will decrease the apostasy a little bit again. Now let's sequence our layers, so I'll drag my time indicator here, then select these two layers and hit open bracket to move both of them to the time in the cater. Let's click on the ramp review and see how that will play. So as you can see here we have these catch. Then the water color paint splatters come in smoothly to color our sketch and a very beautiful, very amazing wait. I'll just move it a little bit and maybe killed down a bit. Now, to make our animation looks more interesting, I'll create a mask toe this sketch layer using my pen tool. Make sure to select the layer first. Then click on the pen tool from the toolbar and start making some clicks around my sketch to define our mask like this. Now select the layer and hit, um on keyboard to get the mask properties. I'll increase the mask feather to maybe 155 pixels and then I'll animate damask capacity. Solve Drag my time indicator to the beginning. Set the mass capacity to zero. Click on the stop. What's beside it? Drag my time indicator here, then said the mass capacity Value 200. Select both key frames and add easy. Let's click on the round preview and see how that's what play looks very powerful. Very interesting. Now I'll add my text and to act text. First thing. I'll go to the project panel, select our brushstroke that we have animated and drag it down through the timeline. I'll put it here and now I want to change its color. And to do this I'll go to the effects and presets panel and search for an effect. Cold tint dragon. Drop it on our brushstroke, clear and in the settings here, go to the map white to field. Here, click on the color picker beside it and change the color to this red one, for example. Now I'll select that's tool from the toolbar, said the Fonte. Want. I'll change the fund color to White, then start typing my text. I'll increase the font size. You can also use an effect here called polar Coordinates on that, in case you want to add some sort of distortion to your text, interpellation here specifies the amount of distortion. So here you can play around with the settings until you reach the results that you admire. Yet Oliver at is without any distortion. So all delete this effect. I'm just giving you an idea about this effect in case you want to add something like that on your tax. So now I'll duplicate the breaststroke layer dragon above the text layer and said it as an Alfa Track mont to the Taxslayer. Now I'll select those three layers and move into the time indicator by hitting open brackets. Let's click on the Rand Preview and see how that's will play perfect. So finally, we have created our very first slide in our sketch watercolor slideshow. Now let's had right away to the next lecture to add more slides quickly and easily, so I'll see you guys next lecture 7. Add As Many Slides As You Wish Quickly & Easily: Hey, guys will come back after we have created an animated our very first line in our sketch watercolor slideshow. In this lecture, I'll show you how you can add as many slides as you want quickly and easily in a very few steps, without needing to go through the whole process again from scratch. So the first thing I will do, I'll go to the project panel here, select our footage, flied one composition, duplicated using control or command the then double quick on forage flight to toe. Open it on the timeline. Then I'll go to my footage folder in the project panel, and simply I will replace the old photo with the new one that I want to be in slide to. And to do this, I'll go down to the timeline, select this photo layer here and then hold off key on keyboard, then go to the slide to image, drag it and place it over the old one while holding all key and then release. And suddenly the old photo got replaced with the new one, as he can see year on our composition. Now I'll do the same thing for the other old photo layer here selected. Then why? Holding off key drag, slide to image and place it over the old one, then relief. And now you can apply some simple adjustments to the position and scale if needed. Toe both off. This captured on colored food to all our slide to here. Also, you might need to remove the mask off this ketchup layer and do it again, in case you don't like how it looks on the new layer. And this what I'm going to do now select the mask here and hit Delete. I'll just move those layers a bit, then I'll turn off the rest of the layers here. Now, make sure you are selecting this catched photo layer. Select depend tool from Tools bar and then start drawing your mask. Now go to the layer quick mm toe. Get the mask Properties said the mask value 254. Then animate the mass capacity, as we have done before, select both key friends at Eazy E's. Now I'll turn on the rest of the layers, click on the Iran preview and see how it will play. Great. Now let's quickly do another slide together just to make sure you got it and understood all these steps. So first thing, duplicate the footage. Slide in the project panel double quick toe. Open it on the timeline. Select the photo you want to replace. Then why Holding off key dragged the new one till you place it over the old one on the timeline, then relief. Do the same thing on the other photo layer as well. React just the skill position or whatever settings you want to adjust. Remove the mask off the sketch layer and do it again in case it is not matching your photo from your perspective. And now we're done and added 1/3 slide just a couple of minutes. I'm just going to change the color of this brush stroke here and now let's click on the ramp review and see how it will play. Perfect. I guess you can do now the rest of the slides on your own so easily. So far, we have added photo slides in our slideshow and the next lecture I will show you how to add a video slide if you want to. Thank you so much for watching and I'll see you next lecture 8. Create Video Slide: Hey guys, what's up? So far, we have added photo slides in our water color slide show. And in this lecture, I want to show you how you can add video slides. If you want to first thing, I will import my video Dragon, drop it to the footage holder here in the project panel. Then, as we did before, I'm going to duplicate any off our previous slides. Composition se footage slide to, for instance, I'm going to rename this an ad video at the end. Now double quick toe, open it on the timeline, then replace the photo with our video. So, like the layer, then while holding off key Dragon and place it above the photo layer, then relief, then do the same thing with the other layer. Now I'll select both layers, hit us on keyboard to get this scale control and increased its value. Okay, so if we take a look here, you will find that both this catched on the colored video layers are not matching unlike the photo layer, simply because it is a video, it has moving objects. So we have to move this video layer in point to the beginning off the timeline. So now both players are matching and playing same frames together. I'll drag down this kill a bit. Now let's click on the ramp preview button and see how it will play. Okay, What I want to do now is to freeze the video at some point, let's say at this frame, then make a both the Walter color paint splatter and text come in. So how I'm going to do this simply, I'll select this layer at the bottom. The sketched one go to edit in the menu bar, then click split layer. So here I've flitted this layer at the frame where I want to pose my video. The next thing is that I'll select this layer here that starts with the frame. I want to freeze, do a right click, then go to time and select freeze frame and also ill apply the freeze frame on the other one here. Now. If we clicked on the ramp review, you would see that the video starts playing in the sketch mood. Then, at some point, it pauses on the water color paint, splatters and text them. Come in off course, you can leave it playing till the end without doing this. Paul's if you want to. I just wanted to show you how you can do it. Now I'll do some quick adjustments to detect and brush stroke here. Let's click on the ramp review and see how it would play. Looks so good. So now we are done with adding a video slide. Hope you're enjoying so far. In the next lecture, we will quickly create the intro and ending slides. Thank you so much for watching and I'll see you next lecture. 9. Create Your Intro & Ending Slides: Hey, guys, welcome back In this lecture, we would create an intro and ending slides to our water color slide show. Using our brushstroke, I've created two more additional photo slides Here. I'll close all these compositions for now. Out. Select all my forage slides compositions and add them is hurt. Folder Name. It slides in order to make things more organized here. Now I'll create a new composition. Go to composition in the menu bar new composition. Rename it toe interest light. I'll add it to the slides holder, Then select the breaststroke composition and drag it down to the timeline out selected. Hit us on my keyboard To get the scale control and increase its value. I will align it to the center using the Align panel. Then I'll go to the effects and presets panel. Search for a tent dragon. Drop it on my brush stroke lier. Go to the map white too few and change its color by clicking on the color swatch beside it . Choose whatever color you want. Then I'll start writing my text. So selective tax tool from the toolbar. All right, watercolor slideshow. Then I'll add some distortion to the DAX and this by going toe the effects on presets panel and search for polar coordinates Dragon, drop it above the taxslayer and start playing around with the settings. So we reached the level of distortion that we want. This looks good to me now. I'll select the brushstroke composition duplicated, then dragged the duplicated layer above the tax and said it as an awful track. Matte the taxslayer. Let's click on the ramp review now and see how it will play. Very good. So now we have an interest lines and we will quickly create the ending one and this by going to the project panel here. So, like the entry slide composition duplicated using control or command V renamed the Duplicated copy to ending slide, double click toe, open it, Then I'll double click on the text layer and changed the text. All right, thank you for watching. Instead, I'll increase the phone size a bit, and now we have unending slide as well. You can change the brush toe color if you want, and that by selecting this layer and changed the green color here, I'll set it to purple, for instance. And now we are done with creating are in true and ending slides. And the next lecture we will add all our slides on a canvas to start our slight true animation using a three D camera. Thank you so much for watching and I'll see you next lecture. 10. Place Your Slides on Canvas & Add Camera: Hey, guys, welcome back. So far, we have created all our slides on in this lecture. We are going to place them on a canvas to start animating our slideshow, so I'll start off by creating a new composition. I'll rename it Canvas the Knell, drag our paper background to the timeline, hit us on my keyboard to get this kill control and scale it down a bit. Say to 86%. And then I'll start dragging our slides and place them on the canvas, starting with the interest light. I'll scale it down and place it here in the middle of the canvas. Then I'll drag slide one skillet down and place it there. Drag flight to at the right, scale it down and place it on the right there. The now drag slide three. Scale it down, employs it over slide to drag flight for and scale it down. I'll place it over. Slide two and three now I'll drag slide. Five year skilled down drag Flight six here scaled down and finally dragged the ending slide. Scale it down on our place. It's here Over Slide six. Now I'll start putting them in sequence. I'll drag the time indicator toe 15 frames here hit open bracket to move the interest slide in point to the time indicator, and I'll do the same for the rest of the slide. Still, I reach the last one here on the top. Now, if you cooked the ramp review, you would see that we have our slides playing in sequence. If I zoomed in, you would see that we have a kind of like wide by ground in East Slide, which doesn't look nice in order to get rid off this white background, I'll go to the blending moods here, and shoes multiply. So as you can see here, I got rid off. This white background on the sketch is displayed as if it is drawing on the canvas. I will apply the same toe all my layers here. So here we have placed all our slides on canvas and we are ready to animate our slight. True, the transition between each slight and this by adding a three D camera before adding a three D camera. You have to make sure that you have enabled the three D option toe all our layers here, so I'll take the three D option here, then go to the layer in the menu bar and select camera. I'll set it to one note camera, and I will said the preset to 24 millimeter. I will also add a null object layer enable three D, then parent the camera to the null object. And now we are ready to animate our camera by playing around with the null object. And this in order to make the transitions between each slide in our slideshow. So let's start working on this right away. Next lecture. Thank you so much for watching. And I'll see you in a while. Next lecture. 11. Animate Your Camera: Hey, guys, in this lecture, we're going to start playing around with the null object in orderto animate our camera and create our slideshow. Starting with the interest lined first thing, I'll place it in a different Z position. So all change. It's Z position value to negative 364 and now I'll go to the position control minor object , drag the Z position value ackwards to you no longer see the interest light. It's all set it to a value like 520. Drag my time indicator to the beginning. Click on the start parts beside position. Go forward, then I'll drag down the Z position value. Select both key frames at Easy East. I'll drag this key frame here to make the movement faster. If we play now, you would see that our camera starts to zoom out and reveal our interests light. I'll move the time indicator over so you could see it more clearly. Okay, so here I want to make the movement seems more interesting. So I'm going to add some kind off wiggling movement on this by using expressions. So hold my off key and quick on the stopwatch beside position and start typing. All right, wiggle open bracket open five, coma 20 then closed bracket. And this will cause the movement to wiggle once every two seconds. 0.5 translates to something that happens 1/2 a time per second. So once over two seconds now, I'll drag my time indicator here and click on the diamond shape. I couldn't beside position, and by doing this, I'm telling after effects, Do not change the camera position between 10 frames upto one second half. Let's click on the ramp Review. So as we can see, the camera is moving with a wiggle. Now let's move to slide one. I'll drive my time indicator to a point in which I have the whole first light display, and now I'll simply dragged the null object over slide. One. Always make sure not to leave any black parts this plate. That's why I'll drag these e position value upwards to zoom in and drag the Y position value upwards to drag it up. I will zoom in again. You can keep playing with the X Y and the position values till you settle on the position that looks good to you and Now let's make some twist by adding a little bit off rotation. Saul. Create the rotation key frames here and at just the position. Accordingly, I'll add Easy East, the rotation key frames. I'll drag those key friends here. Let's see how that will play. So as you can see here, it is so much like as if you are directing a movie, you control every movement of your own camera and go wild with your imagination. Okay, now let's go to slide to which is here. I'll simply dragged the null object the right and start adjusting the X Y in the position value accordingly. So far, that looks good to me. Now I've dragged my time indicator say here. Copy and paste those key frames on. By doing this, I'm telling after effects to keep my camera displaying Flight one on. Not to move to slide to between those key phrase. Now let's click on the ramp review and see how it will play. Looks very good. Now let's go to slide three, and here we are going to do something different, since Slide three is placed over slight to I will animate the position off flight to I'll click on the stopwatch here, go forward, then drag the Z position toe a negative about you till I no longer see flight to on my composition. I'll select both key frames at Eazy E's. Now let's click on the ramp review and see how it will display. Okay, so now here. In order to fix this, I'll just change the the value off this key frame. Drag it more downwards, say to negative 320 and now I will adjust the camera position over slight three. I will zoom in a bit, and I also gave it a rotation twist. And now let's click on the ramp review. So, as you can see here are camera zoomed in slight to display slide three. So this is basically how you can play around with your camera and do some powerful, beautiful and interesting things. And now I want you to continue any meeting the camera yourself for the rest of the slides. You can then uploaded on YouTube if you want to and share the link on the discussion board so we could all seat. Thank you so much for watching Good luck with your practice and I'll see you later 12. Finalize Your Project: Hey, guys, In this lecture, we will finalize our project and make it ready to export. We can add some vintage to our slideshow, and this is by adding a solid layer. I'll leave everything as is here. Click. OK, then I'll go to the tools panel. Make sure you are selecting the solid layer. Then select the Al Apps tool here, then double cook. And as you can see here, this has created an al apps mask on my solid layer. I will open the drop down here beside the mask and choose, subtract and then I'll select the solid layer and hit among keyboard toe. Get the mask properties. I'll start playing with the mask, feather and a positive values till I reach the amount Vantage I want once done quick on the ramp Review looks very interesting. Very powerful. I guess this looks perfect. And now we are ready to exploit our project. So how go to file export at to render Cube quick on the name here. Selective folder. You want your project file to be exported to, Then I'll click on lossless here and changed the form it to H 0.264 If you have added background music to your project. Make sure to take on the audio output here and finally click render to start exporting your project. I hope you enjoyed and learned new things throughout this course. Thank you so much. And I will see you next lecture.