30 Days of Watercolor Landscape Paintings - 4 Parts Abstract Art

1. Introduction: These beautiful landscapes and all the natural scenes always keep inspiring me to do something new and try out painting all the beauties that are there. That's why right now I am here with a neocortical, a class of 30 days of landscaping things. So let's take this beautiful journey together and paint some beautiful different types of landscapes. The shadow will be the beam. Things will be on for 30 days. Each day, I will be uploading and different new painting. I'll be using one single topic for new ones. And I'll be painting, do different types of bending offer similar topic. And after that, the next topic that we'll be covering 15 different topics with totally different drawings for a continuous month. And they'll be trying out all different possible landscaping things as much as I can. For those who you don't know me. I am sonic gun and I also go by the name R D waves on various social media platforms. You can keep following me on Skillshare if you are not already for regular updates, I am on Instagram by the name R D waves by Seneca. If you post any of your drawings on Instagram, just make sure to use hashtag Skillshare with Sunny costs so that I be able to find all your paintings in one place at the time that you can definitely upload them on Skillshare as well. The Gettier water coloring materials ready and join me in this beautiful painting journey for the next 30 days, which will be on for the entire October month. Don't worry, even if you are a beginner because I'll be getting your everything in detail. I'll take you through all the drawing part step-by-step. I let you know all the fellows that we are using in detail. I let you know all the types of painting techniques because we will be using different techniques for each of the painting. And you will be almost mastering all different types of landscapes still VDS, the end of this complete class, I'm super excited for this class and I hope you all are. So let's start our beautiful painting journey for this month. And I'll be waiting for you all to join me and to read all your beautiful feed bags and see all your beautiful paintings. 2. Materials Required: So let's go through the materials that we need for this class. So mainly we need a watercolor paper, which is completely a 100 percent cotton and 300 GSM, because we'd be doing different lighting techniques, so we need a higher GSM, 100 percent cotton possibly. Apart from that, I'll be using A4 sheets for this entire class. So this is A3 I just Carter in blue parts and me getting to eat for say this. So I have a three sketchpad. That's why I'm just making blue parks and use it as a four. You can use a A4 size watercolor paper that you have. Apart from that, if you don't have exactly a full-size, that's fine. You can also use a slightly lower sized people then the A4 size. So for this matter, this group of people which I have, it does slightly smaller than the A4 size. So I'll just show you this is my e four sides. You can see it does comparatively maybe inch bigger from all the sites than these people. Please don't take already small people because we need a bigger size people for this particular class as we divided people into four different parts. And we'd be doing abstract painting by dividing it. So you will need a slightly bigger people. Then for dividing your papers or for keeping the agency will definitely need a masking deep and the scissor door. So cadet, so we'll be keeping all the vapors and I will be covering that in detail in the next lesson. Apart from that, you will need watercolors obviously. So you can use a smaller cities where the colors that lesser shears or you can also use many words. Leg whichever brand new have, just make sure that because our best grade watercolors that so like Mac OS, you can use differentiates. I'll be mentioning the shoes as we do the main things because we need radius for all the different bindings that you will need brushes. So you will need bigger sized brushes, a mop brush, a flag brush to get the washes for initial. And you will need smaller sized brushes for being. So I'll mainly be using this brush around rush and do number round brush which I have. So I'll be using these two brushes mainly for all my drawings. You will also need a smaller size brush, maybe like a 0 number brush for some details. So only are 23 brushes, even if you have 34 brushes like this of different sizes that could be enough apart from land to be obviously need to work at the lab. I'm Gino's like this. So we need to because we need one bulges. Do, you know, clean our brushes and one though just Lola brushes with nice clean water and paint with it for washes and everything. Then you will need, this should be behind these soldiers. Keep a practice of keeping your distributed, but in your left hand, whenever you are painting, you will need to just, you know, nav off excess water from your brush or anything. So just keep it handy always, whenever you up anything for any glasses because that will be really helpful. And I think apart from large villages still need a pencil. So I have this regular Ben Stiller does a Lego technical events in Europe and Benson. So I'll be using this for the basic sketching which we need for a few hours, the bindings, and you will also need an eraser, so I already have this attached, so engage a few, make any mistake, you will need it so you can use any normal it is over there. Yeah, I think that's it. We are here with all our basic materials between the need for the, so this is all the medallion that we mainly need for the painting. So let's see the basic lessons now and then start painting one by one every day. 3. Preparing the Paper: So for this class we'll be doing a slightly abstract theories so that it will give us a different look to are in diabetes. Then once it's done. So I'll be keeping my people to divide it into four equal parts. So first, let's start by keeping the edges. So even if we are just painting one single painting directly, we usually take the edges like this for any watercolor painting. So for that, I am using my E4 sized, a 100 percent cotton, 300 GSM cold pressed watercolor people. And I am taping night on all the four sides by my masking deep. So this is a normal, regular masking tape of rewritten science which I am using for the evening. So in case you want to go ahead and just make the bending direct clear naught divided into four parts. Then you can just ignore the apes in the center and this defect on all the four sides. But I am taping it so you can see I have forced the sides. Then I went on with the center deep rooted at approximately divide the people in rural parts and then the part which are already divided. I am going with the FAPE in the center of that, so as to divide the other two parts into two equal parts, which makes the diode is also a sheet into four equal parts. Then I'm going with my dog most underwater, more steep. So you can go in any order. So you can for state doc or node for devs. And then you can go on dividing the people with the central full 3D shapes so that it just gets divided into four parts. And if you don't wish to put the central devs, it's totally fine. You can just do this fandoms as a normal bending, regular painting series as well. So that gives you well-adjusted the before on all four sides and not put on the central deeds. And you are ready to go with your knowledge painting style. So you can do it either leaves not a problem. So we are almost done dating all the devs nicely, just make sure they are stuck nicely. Like the edges come out nice and crisp. In your deeps, are those sticky? You can just stick them on to another surface force. And then they feed on the people so that they will be easier for you to remove their gifts. I'd also just prepare my watercolors by activating them. So I have my watercolor fans and I'm just using my eye dropper to just take some water. I'm drop a few drops of water into each band because this will activate the gallows nicely. And it will be easier for you to take out science pigment grid library in sheets. So I am just dropping a few drops of water on all my fans to make them slightly with and activate the colors so that it becomes easier for us to beat once we start up in them. I'd also like to tell you that I might use different types of watercolors for different paintings. Just to give you an idea of how watercolor, ink or watercolor sheets or fields or funds, etc, everything works. So you can use any type of watercolors that you have, but try to just use our discrete watercolors or professional-grade watercolors. Please don't use any student grade watercolor paints because they are not really good for me, then don't blame the well, and they look very done. So please stick or switch to artist grid off or professional grade watercolor so that it will be easier for you to paint and you will also enjoy bidding war. You have prepared everything. Let's start painting. 4. Ways of Painting Style: So this is one of the painting which we have covered in the classes. And you can see I have divided in four different parts. So you can just do it like a compete single painting as well. If you want to estimate the parceling dense, then you can just mean that completely on the single people. And just take your deep to the edges and use it in that way. I can show you another way in which you can this beam thing. So I have actually, for this particular class, meet all the paintings in this manner with four different parts so that you can also use it adds a nice abstract painting to put on your wall directly. So in this type of pain, then they usually have such four parts and you'll be set at a certain distance. Lake of one centimeter distance may be. And it will be in four parts. So it looks very beautiful and unique from this. Another way in which you can use this is just by using one of this things, each part as a bookmark. So you can just use one single part, one shareholder or you can maybe tie a ribbon or something like that. Um, use this as a nice bookmark for your books. Basically, there are many ways in which you can use these paintings for. So we're going to do all of these being things with such for by technique. And just to keep it off a unique and abstract me too because I love how it looks when we just make fires are just gives you another character to this, completing them. So you can just use it together like this. You can just keep it with white lines in between. I naught gagega goal. Or else you can just make one single painting and not just dig any deeper in-between. See you can just meager than two-fold bars and use it as a beautiful abstract painting or also use all of these individual as full bookmarks. So it totally depends upon you how you wish to use it. I have just tried to incorporate four different ways in which you can use it. You can instead use it completely differently, like for a greeting card or just a simple plain painting to put up on your wall. Main thing is too low and painting this beautiful scenes. So let's move on and watch all of them one by one Bailey, to get your materials ready and start painting with me. 5. Day 01 : Beach - Top View: So we will be painting a beautiful between. Now it is going to be the top local for beach when the leaves are hitting the shorter the signed area. So for the admin magnetic white or the beach sheets, which are going to be the blues, are the sea greens. And we need our sand colors. So for that we need or yellow ocher or brown suggests that the alkaloids lady with some Waldo, just document them. And now I just make a few shares which I need. So first of all, I'm taking my portion blue and I'll add a little amount of black to it. So I already have a darker black issued on my palette. So I'll just take the ocean blue honored and Mexico dark black to get a darkest blue shade. And I didn't want it to go black to it to make it darker. And we have quite a beautiful dark blue Shield. Next, I am making some quotient rule again on another side. This time, I have no direct the black to it. Instead, if you feel like that is too dark, you can just mix a little amount of cobalt blue to the portion view. Then I am taking out some cobalt blue color. And last but not the least, I am taking out my light blue color. I'll you start getting a nice water wash to this idea, people DO practice side by convect technique. So as always, I start with a nice gross sort with water, which means that I give vertical wash oil might be for part. And then I'll give a nice horizontal washed away completely so that all the parts of the people are nicely evenly covered with water. And then we can move ahead with direct on wet technique as we go and start the ending. You can use the biggest brush that you have to give this wash and just break the water nicely and evenly on the people to give a nice wet on wet wash, you will be able to see the shine. And once the washes completed, you can start doing things so forth to foil. I am using a bigger stretch to being this time. So I went with my 16 number round brush because I have a very large area to cover and I am starting with the bushing you follow. If you're pushing new is too dark, you can just mix a good amount of white blue to it and then start being done. After giving the darker blue at the top, I'm taking my light blue color and with that I am going on for the central area. This is just the very late fourth layer, so don't worry, you don't need to make it too dark. I am keeping it light. Oh, deliberately, we already have our water wash, which is again making the colors a bit more like 80. So don't use Verdi hi pigment, good dark colors right now, we'll add mobilize horn when we go for the next layers. Since we are doing the wet on wet technique, you can see my brush strokes are not visible. They are nicely getting blended on in the people as I want building. So that is what we want to achieve for the forced wash. Then I'm starting with my yellow ocher color at the base. And let's just paint are saying that that again, keep it very late. In the central part of the sand and the water meets, just take a wet brush and blend. Both of these scholars don't add too much color at the Michigan juncture at this moment. So the Eigen without food stores, immediately when the washes are still great, I am starting with my voice shouldn't blue. You can see I'm using a moving mandibular right now. I'm just observe the strokes in which I'm dropping the Palo Verde randomly. And just the weight accordingly. This I am doing with the Bush and new Palo when Maya force latest spin rate. I'm also taking some cobalt blue color and dropping it in some areas. And then I am going with my light blue color as we move downwards and I'm dropping my light blue color with the similar random strokes. You can see I'm leaving some white spaces deliberately in-between. And I'm just pressing my brush, I'm making random strokes to get this effect. Then let's take our darkest color between me by mixing Guassian blur with that. And with that, I will start dropping a few strokes are the dark and you can see how immediately the water they are nice depth to it and it gives a very beautiful effect to it. So take your darkest color and start dropping the color in the similar manner which I am doing. Again, make sure that you just don't go and follow the entire thing. Keep the strokes limbic area. Does it abortion you that I am using as we have moved downwards. And I'm just repeating the same technique. And then I will be the same, the dark sky blue or light blue color again, you can use a light blue for those or you can also use a C grade and state. I'm also adding some cobalt blue now. And again, the darkest blue at the top areas to just give an ice sheet do it. You'll need to do this lightly quickly so that your layers have been tried up because you will need the paper to be wet when you are doing this. Now I'll go on adding more of the darkest blue, which is going to be RC. Importantly, hopeless lack cutoff. Just observe the strokes carefully and do it accordingly and you will get Wh affect their IPO of a tree. Now I will again give the secondary to the sidebar. So I've just taken some yellow ocher color again. And that they are local. Can also see I'm going with a nice week. Hello, because our earlier layer of water has already greater. So I need to rewrite the paper in that car. So I am going with the word that he forced and giving a nice wash. You can see I'm giving the alert the bottom more pigment good. And as we move upwards to a daughter, I am just using my white brush to blend into callow. And in the bottom most portion, you can just take some burnt umber, yellow and just mix a little amount of waterfalls and start dropping it and blending written at the corners and the bottom part. And after that you can again take some yellow ocher and just blend it again with that just to spread it nicely upwards. So again, dropping the bone, Dumbledore burnt sienna color at the bottom, and then just use your weight brush to walk it all the way upwards and blended nicely with your wet brush. It does take some weight watercolor in your brush and drop a few drops like this on the people. Once we are done with this, we need acrylic white color. So you can use your acrylic gouache or fabric weight or white gouache color for this. Because we need a few opaque color effect for the waves, since the leaves are going to be very frightening for me and will not be able to achieve the same effect with the watercolors. So that's why he was any other medium or big white that you have. So I am using my acrylic way to wheel and I'm starting to mark my wave line for the edge. So you can observe I am doing this without full number round brush. You can use a smaller brush also. And just absorb the mean which I'm spreading it. So f was from the ln and then I am just using smaller strokes of my brush. I have not added love Lego. Large amount of water to this though, color is quite dry. And I'm just adding small strokes going from the border line upwards so that it forms a nice view as we do this technique. So I'm just really small, small lines going up force. You can also use your dry brush technique. You are like this. So you can either pick your smaller strokes going upwards like we did for the first week. What else? You can take a very dry Kahlo and just press your brush against the paper and brushes upwards in the upwards direction of where motion. So any of the techniques you can use, like I am doing right now, see, I'm just pressing my brush and gliding it upwards. Like this is a very dry align dry brush to that's fine. Getting an ace effect orders. You can also draw smaller lines to make the waves. So we like to three more weeks in the similar way, using the same technique of the brush and using the same byte acrylic color. So just observe my strokes carefully and do it accordingly. You can see I'm using the dry brush technique again to just take the strokes upwards. Okay, now that guy leaves argon religious, take some white color on my brush. I have added a little amount of water to it now and I just factored some small white drops all over the beach. And when staggers done, we'll again big our darkest blue color. You can take the ocean view or the bush and blue with black. And we'll just mark some shadows below the weaves formula. Border diagnostic. Just look at the places that I am doing, the dawn and mark the shadows accordingly because we want to eat them limited to certain places only. Otherwise it will not look that good. The central half leave I am marking the shadows window light view, but only because the barrier is already Lido. For the sign, I am taking the raw umber yellow to match the shadows. So if you don't have to run machine, you can just mix. You're going downward with your yellow ocher to get the similar shape. You can see I'm keeping it lighter when we do the fourth layer because we wanted to show the awake part of the sign. And after that we'll go without becoming good share of this fellow. I'm going Mach than darker shadows. So now we're done with all of the shadow pipes. So you just out of fuel because I'm doing this with my burnt amber ala, which is the dark brown color. And I'm using a smaller size brush for this. So let's just add some views or shares or something like that on all the parks to just give it a nice effect. I will also need to add up the shadows a bit more with the bottom but only accident pieces and keep it ready man, minimal. Use the smallest brush that you have for this and don't always do this. Now let's draw a few stars and shells. And, and the food part we can trust footprints so you can use all born burnt sienna color for this. And just draw or EEG forced. I'm draw small phi dots at the top of our code. Just make a footprint so that easy. Just keep them small. I don't draw them too big. And we are going to draw them and ordinate position. So we are done with this painting now. Just wait for it to dry up completely before you start peeling off the beam. Otherwise, they'll beep. Beep will not come out nicely. And I'm taken out the central devs and the upward motion that is slowly. Make sure you don't. Aereo people were doing this and the corner dips will be removed in angular motion outwards away from the people and the swathe of people were not paid off. And we are done with this beautiful being things. So mark the lines to guide. There's an equal bar. So just mark a line in the center. What else you can collect your sukha. And we'll add all the full bars. And you can use it as bookmarks or as you can use it as an abstracting them. I hope you all enjoyed painting this that me and I'm really waiting to see all your work. So don't forget to post them all on the student project section and don't forget them even, even for this class, will meet each day with new building for 30 days. So stay tuned and keep painting along with me and reading to see your drawings, I need all your feedbacks. So see you again tomorrow for our next lesson. 6. Day 02 : Beach - Front View: So here we have a very complicated thing. You just need to draw a nice horizon line. So I am drawing that. It's okay even if you don't draw this with the pencil right now, we can just directly be in there because those are not going to be quite visible when CBD. But if you want, you can do this or it's just really relies on this exam, just drawing it ready so that you just get a rough idea of what we are going to be composing. After that, we'll draw the beach or line. So this is going to be where our last we will be coming. And now let's make something like a nice umbrella shader. So we'll just draw a nice semicircle. And lets me go boiled wort which is going into the sand. And after that we'll also make a nice resting jet or something just on the beach side. So just carefully observe how I'm drawing it and do it accordingly. We, if we started with a slightly longer-term L shape, we'll just double the thickness of it. And agonizing will make the back rest of that chair. Let's just add the thickness on to this. So adding another line. And after that we are the frank part which is slightly visible. It's very simple. And you can just pause the video and draw it if you want, and then play and continue the video for the rest of our building. Let's just add a little support at the back to this chair, and we're also either legs of the chair. So the left side is nicely for love. Fidelity means high, maybe either a small sialic acid or sand Mountain Lake thing in the right side. To decide a nice element to it. We'll just meet tonight, sand castle, Mountains or door and maybe few shells besides that. And then we're almost done with our drawing book, and we'll move on to our painting. So we have completed our drawing and now let's start painting the sky forced for that, I am giving a nice day later for the wash to the entire sky area, which is going to be diarrhea about the horizon line which we have drawn. But I'm just giving an eigenstate laid off water wash do this entire area, make sure to use clean water for this. And once you are done with a nice smooth, clean wash to the upper part, we'll start with painting our sky and the clouds. So for that, you will be needing your light bugler call your provides new color. You can use any of these Googlers whichever you like. So I'm starting with megabyte VUCA law, this is not very big. My data have epic laid out by adding a little amount of water to it. And you can see, observe the strokes and reach I am doing. I am using my six number round brush for this and just see that kind of strokes that I'm meeting. I'll be making smallest, small Gulf strokes as we move inwards. So I've just been injured the upper part first and then I go on by just adding small round Garvey strokes. So you can see I am deliberately giving rake spaces in between. That is because I don't want to color the entire Skype lean. I wanted to show on a SQL lovely effect. So that's why I'll be doing this. So you can see I'm just adding little strokes and dropping by lower accident barks only. So just renamed accordingly and don't keep up alert little bit vendor. We want there to be laid out in the forest lead and we'd go on adding more color as me move ahead. So now I have taken MOOC on my brush and I'm adding few darker strokes, but I'm adding those mainly at the upper box as you can see. So I'm starting with are now Quebec vendor single-byte view at the upper parts and still rate. So that's why the color is nicely becoming less smooth and blending in with the background really nicely. So that is what we want to achieve. So that's why I make sure that your background is completely wake up before you start doing this because we want to do a nice wet on wet technique here. So you can see it's getting a nice effect of this guy being cloudy. I'm just keeping it completely begins. So that is what we wanted to achieve. That's why we're leaving some white spaces in between and we are just dropping color in sodium bar. So this technique will really help you get this type of sky. And without any much like efforts, it is a very easy technique which you can follow. You can add more slightly darker color, pigment and few videos if you want, again, after your second layer is done. But we are doing this when the colors are still wet. We have not let them dry before we do this. So you need to do the sky in one goal to achieve this effect. I'm quite satisfied with this, so let's move on to the next part we will do though C bar now, which is going to be either water or the central part of this and diabetes. So let's start again by giving a nice layer of water wash. Do I worry about you can read for your side to dry completely before you move on to this audience, you can just directly start doing it as well, not a problem because you can see my iCloud galleries running one below in the order alien, like the dagger sign because we are going to do the blue shades we'll need for the water is well, so that's a major problem. You can just smoothen it out and just continue working. You don't need to waste your time reading for the site to drive it. If you want, you can read and then start with the word abide. If though what the watch has gone inside the umbrella portion, you can just tap you're there should be put on it. Just take off the or the washroom known trilobite. Let's start with the water. So I'm going to use my light blue for the waterfalls. If you have an easy green or blue or aqua blue, yellow, or any similar Citi branded idea was that if you don't have a similar shape or you can just mix your and really green with Yoko by two to get this sheet, which is slightly closer to a sea green sheet. And you can paint with that. So you can see I'm mixing water with my beam before I do this, because the color is very light, it is not really big main data and I am doing that deliberately because fourth layer, I want to give it later. So you can see I have a blank some negotiate at some areas and I'm just using my damp brush and I'm just liking the spreading naturally with my regiment ground so that I get a nice light wash when we begin with our first layer. After the force that is done, I just again the exam late Duke, hello. And I entropic uncertainty is this again. So this swash, we'll just add a little more color to it. I have Dickinson goodbye to you again in my brush. And with that, go back to Uganda. I am dropping again in sodium areas to get slightly bluish, darker shade. Again, just see I am only dropping it in some areas, so don't overdo it or don't use very big magnetic gonna keep it light though, because then even if you ordered some there by mistake also then also it's not a problem because we can definitely cover it up very fast. But if you use a really big magnetic either in the start only then it will become very difficult for you to offer your mistakes. So that's why we start with later layers and like milk alone so that you can add on more of your color pigments and beautiful you're thinking more. So right now I'm using the abortion bugler when I go for these dark leaves. So you can see I am only using the tip of my brush. I'm just dropping the color in very limited APIs to get this effect. Me wait for the forest fire right now and we'll start with thickness sign abortion. So for this angle, means in bleeding are yellow ocher, yellow. And we'll give an IEP later for the voice for. And these are the yellow ocher color at the corners. And just spread it about with the hyperfine damp brush. We are not going to vote more Geller as they move about. So we are just using the gouache brush to weight those I embark forced after that we are taking the yellow ocher color and we'll be dropping it in the Wartenberg forced. And we'll meet or darker wash at the bottom borrowed with our yellow ocher color and readjust it evenly as we go up. I'm just work it out with the weight brush. I'm just wants bedding good about because the upper bound, we want to keep it right there for now in the corners. I am also adding a little about dog bone Cenacolo, so I still get a slightly brownish effective descend. So I just take a little amount of burnt sienna. And I added at the corners and the bottom part of this sign to slightly regard Dockers here. We are doing this whenever those are still red. So it will be easier for astronauts. The blended Buddha colors don't use too much amount of Wednesday now, it's just a very legitimate cellphone center which is going on mixing widow, yellow ocher, Tommy Douglas lately. So in diabetes, fourth layer is completed. And now for the C O or big white. So to get an opaque white fellow, I am using my acrylic waves Ballard do so I just take out some way color from macro ecology. You get a nice opaque white. You will not get that nice effect with a vertical away. So that's how you can use any opaque fellow at you have. You can even use fabric colloids or wash Gallo, but don't use watercolor, try to get some other opaque gouache fellow. So I'm using my radical, I adjust, slightly, add a little amount of water to it, and then we'll start making the weeds. I'm using a dual number brush for this. And I start going with a nice Bordeaux. So I'm wondering my v which is there right now. And afterward it in you will need to use the dry brush technique. I'm just pushed upwards. So if you don't know what dry brush technique is, you just have to take your dry brush and you will just have to push the Ballard. Virtue had already been lately up force to blended with nice rough AC, short strokes. So you can see I'm just pushing my brush slightly upward. Smart goal much, but very little amount. And you adjust, blend away. Upside, keeping the bottom border vaguely defined by the upper border. We don't want to define it, so we are just slightly try and do more with your form just to give a nice waterfall effect. I think I just get my join clause and give you a closer look for this. Because document help you understand this technique by dl, by dz is show you another wave right now which is a backside bead. So that is going to be tonight in the vert. Come back to those laws to b, which we have drawn. Since it is going to be far away from our site. The friend wave is where the newer ones compared to the back. So that's why the weaves backside are going to be very close to each other and are going to be thinner in size compared to the old Frank one. So right now you can see like I did earlier, I am just dropping a nice stroke of Vive and I'm not mixing anything. We're not doing anything to it. I'm just pleasing a nice clean stroke to begin with. And later on, we'll just spread it nicely to get a nice wave effect. So firstly, just to observe that I am putting the weight color and do it in those places accordingly, in the lighter areas which we already had. And then by using the brush, just tried straight the upper portion of the wave stroke with you. See, you can see I am just slightly mixing it, like spreading it uploads. Just so dagger define Lane has been broken. So that's what we want to achieve. So just lately, spread the upper portion. You don't need to go too much farther away with the white color because otherwise you are in dialogue with Gateway it and we don't want that. So we just wanted to split it very lightly just to get a nice spread wave effect. Now we are done with the white we've art. So let's add a nice background element. Do this. So I am taking my portion blue-collar and making our ground lane at the back part, I think we need to add some element to the array because we already have many elements to the left side of this painting. So that's why ages still make a nice dark edge Lane near the horizon. And we might add slate hillock auto Island lately line at the backside of the C portion. At the rate, you can take a very dark blue color for this. Or as you can also start with your black ballo domain, this mountain. I am using my normal round brush. So just to observe though V in which I am drawing it and just draw its a mellow live with me, we will be making denote as it moves towards the left are only slightly, why don't all dollars at the right part. So I am using my black color, got anti-doping this. And I'll just draw our little amount of dark blue with black and start making the trees. So for the trees, I am just using my brush and with my brush, I'm just tapping it, as you can see here. I'm just pressing the point of my brush in a particular way, the ghetto trees perfectly. It's not very difficult. It's very easy technique to make these moieties which are thought of v. So this is the easiest way in which you can meet. I'm using a very dark Lugano. Don't need these. Once we are done with the tree is part, we'll start adding details to our leaves. So we may adding the shadows just below the leaves without ocean blue. Make sure to make it very thin. And we don't want to draw effect bordered weird because we're just adding shadows, exotic places. So we'll just observe the cases in which I'm adding those up and do it accordingly. I am only adding them at very limited places because if we draw a dire border, do it, it will look very funny. It should look natural and that's why we are just adding it in sodium lasers to denote the nice shadow of the view. When I don't do the beauty of this diabetes. Just like we added the weaves shadow with abortion go Palo for the C part. We'll also have to add a little shadow that I provided via this meeting are sang. But for the idea will be using I burned on Mercado to make the shadow. So you can either use your barn dot volcano or as you can go with your yellow ocher shade, or you can go with your Robert Gallo and easily redo. But again, don't make those shadows looking funny or don't just border the entire thing. Just easy them very limited because that will actually enhance the effect of the entire drawing. So just observe me. I'm drawing them very thin and only limited to certain parts of the exam you are supposed to do it. So just carefully observe the places in which I'm doing it. And they sacked we enrich I'm doing it and do it accordingly slowly. Now we lie details to those sign castle Asia. I am doing this with my yellow ocher color. And also when I'm adding the darker share, I'll be adding a little amount of Bowen Center to my yellow ocher and I'll be painting with that. So just looked up positions in which I am being done across and do it accordingly with me. Clear, I did color to the background. Then I took my brush and dab recover. They should be for a nice damp brush and I'm spreading my color that I crash. So this is the yellow ocher color that I'm using. And for the border and for the Indonesia lower part, I have used my buoyancy and tablets, yellow ocher together now. So again, I am having their local guide, my brush, and I just spread it slightly and just use their rough actual Michael repress people. So I just dab off the excess color my tissue paper, and I use the boilerplate section of my watercolor paper and just get a nice picture in the ground but of the same media. So you can see IMG's grading the Gullah with my dry brush to get earlier of action because I want those sign the weight effect will be shown a wheel in this art. So that's why I'm just reading it roughly on the label. You get a nice lecture and get that may sort of effect of the side reins on my being done with some yellow ocher baloney orbital B2B five because the sign new Jacquard will also be red and wake cycle scientists generally darker in value lambda, normally dry sign. So that's why we'd be just adding a nice layer of sang beat that's likely to be adding a darker yellow ocher. A lot of the beach near the shore. Don't make it too dark, just let me shade darker than our first layer. Let's add a little darker, rough sign here as well, just to show the continuation of the bar to the right. Now let's start painting the chair. You're going to actually be doped with any color you want. I'll be using reddish brown shade for this. You can use any color that you want. Just observe the areas in which I am painting it. I'm for this chair, make sure that your strokes are as thin as possible. You can use the lowest number brush that you have for this, I'm just copying slowly and steadily. You'll get a nice exact detailed stroke. For the umbrella part, I'll just give, oh, nice yellow ocher water wash over the entire semicircle portion of that gray levels. And after that, we'll start giggling or out. Once the washes done. So first of all, just take some yellow ocher colonial brash and give a nice thin layer of yellow ocher color wash to the entire semicircle. Let them wash dry up a bit. And after that, the example and Cenacolo in your brush and start painting small, small strokes in slightly golf the vertical position to me, details onto the umbrella portion. These are small vertical strokes like I am doing. You will be able to see clearly now. So I am just drawing small vertical strokes in rows of lines like this. Button below to adult, you get a nice texture to this entire umbrella. With this inborn Cenacolo, right side of your strokes to the sign gasoline. I'm just, you know, more shadows to it will just make it look more beautiful and just make it look a little more striking. I'm also adding electron amount of burnt umber below the VMs at certain parts to give them a nice darker shadow. Only adsorbed and Bart's, let us see him burnt umber alone, excite a few stars or shells or just of you always shapes here and there to add more detail to our entire drawing. So now I'm taking off their deep slowly. But actually after taking off the Gabe, I just realized that, you know, my leaf abortion, which we had decided in the start to draw, to open it leaks coming out inside the drawing from the left side. I have just forgotten to add them. So after removing that, if I just realized back, so after removing the tape, I'll name them out. So if you are just watching it right now, you can just if you warn the weight, I'm forced finish though, open it leaves and then only remove your entirety because that will be helpful. So I just realized that when I came to the last step and that's I have added the leaves later on. That might be indirectly after removing the deep. So you can just wait for some time and forced been the leaves and then remove the tape and direly, sorry for the mistake. So just get ready with your sap green color directly or else you can also add a little amount of dark green or a little amount of dark ground to your Sap green to better differentiate offline. So I am using literal amount of brown either to the green, Sakhalin ballo to meet the shape of the leaves. And then I'll start painting the leaves directly with my door number brush. Mostly dry, nice thin straw coming out from the edge. Deliberate and Bart. And then for the leaves will be just pressing the brush and lifting it up with the point nicely. So decolonize pigment, hair color for this. And we'll be trying to leave on the either side of the stroke. So just press the brush lightly and lifted up with a nice point and go on adding these beautiful leaves. So now we are done adding the two leaves, which the left. So let's remove the last deep but is there slowly and nicely? And after that we are done with this beautiful between thing. And I really hope you enjoyed doing it, so you can just keep it as it is. I love how the effect looks with apes in between. So it has a nice smart effect, which I totally love. So I hope you all are also loving this effect. So after this is completed, you can just start adding the paper into parts, and I'll just start typing them slowly to divide them into four parts. And we are done the best thing. I really hope you enjoyed doing it because I had too much fun painting this one. And I totally Lau how it look, really waiting to see your being things that don't forget to post them in the sorting protects section. 7. Day 03 : Northern Lights - Dancing Aurora: So we'll be doing these folder for another night. Bookmarks supposed to find. Let's prep above P by P thing yet and dividing it into four parts. I have already told you how to do that in the earlier lessons. So if you haven't seen that for c, the earlier lessons on wrapping up your paper. And later on you can continue watching this. So now I'm using my flat brush and giving a nice water wash. So I am deliberately using some colored water to give this water wash just and you will be able to see exactly how to give it. But you are supposed to use clear clean water for this wash. So I'm just using a little colored water so that you will be able to kind of see the kind of wash that I am giving with the water. And you will get an idea of how much water you should use and enrich direction. Are you supposed to spread it? So carefully watched the strokes that I am doing because the water wash is also very important when it comes to wet on wet painting techniques. Because once you get the water wash, that is what helps you to blend in nicely with each other later on. So we have given a nice gross wash or the watch. And after that, you start the intent. So first of all, I'm using my light blue, which is the sky blue color. I'm carefully observe the strokes that I am the intention. So I'm using a round brush which is number sized. So just observe the places in which I am giving the ILO. In fact, the best part is since the paper is divided into four parts, it will be easier for you though, exactly locate the places in which I think does strokes. So right now I'm using a light green Gallo. And these colors which I am using, the Bruce drew our district watercolor tubes, which I have converted into pans. So if you want to know more about that, you can watch my class on everything about what the colors or the beginner guide towards the close, which is already there and nice culture. And that will help you with converting your dogs and two unknowns and much more. Now I'm using my ultramarine blue. The ultramarine blue, I am adding few more strokes. So see I am not kind of going over and over again with the colors. I'm just dropping them in and slightly the edges are blending. But I'm not exactly blending them much as well. So since we are practicing of a gun back technique over the advantages fact our papers already rated and the appending quickly when a paper is wet itself. That's why the colors are already blending in nicely. So that's a portion new collaborator I'm using right now. And then I add a little yellow. You can observe carefully how I am blending it slightly with the blue which is just beside sick. So not quite very careful about how exactly the strokes I'm getting rid. You can see how that will turn out to be 13. Go on adding our darker shades. So again, I'm adding some portion blue hill to get in some depth in the lighter parts and some green, just to make it slightly more wide ring. I'm laying the edges nicely. Now I'm using a darker tone, which I have made by mixing a little amount of black with my Prussian blue. So this is going to be the darkest shade that we have in the northern lights. And we need that to get some nice depth on to our painting. And that's what will make it actually look more beautiful because it does have a Docker sheets. So have made that again by mixing, washing blue less than a certain amount of black. So again, just adding a little popup in the same area to make it slightly more vibrant. See, you can observe that I am doing all of this when the paper is still wet. You can observe this strokes and you can see that the veins which are there or the people which is there's still awake. So this is again back Dakpo. Share that as though caution V0 plus black. And carefully observe my brush movement. I am placing my brush making these strokes and as I'm going down in a curve, I'm lifting up my brush to get slightly, you know, a stroke which is narrowing towards the angle. Take a class going on broader from the adjacent tapering around that, which is there in an ice cold. So that is how you are supposed to do work so carefully observe my brush movements and continue doing it along with me. I will suggest you to pause the video in between. If you are doing it with me and do it along looking carefully because that will be great. Your paintings will dine out. Even more amazing if you do this. Scientists lifting up some of the color from your, for that, I am just cleaning up my brush completely, dabbing it on a tissue paper and just moving it in the scene, stroke to lift up some color. Again, adding some Bhopal. Hello, I let deliberate Joe on the same beauties. And going in again with the darkish shared with the whole line. Yeah. And I'm painting is done and I have either for some time to dry it completely. And once you've been done has completely dried up. Just take some black callow and we'll add a few details. So I am adding some mountains in the forced vital for painting, maybe hiding different elements to each of the parts. So then once we have those individual bookmarks that will really look great and different. So you can add the same element if you're warned, but I want all of them to be different. So I am showing you different techniques. So in the first part, I'm just making some mountains with my black. Simply. For this, I am using a phone number brush, which is a round brush again. So you can use any size brush, whichever you are comfortable with for making the details. So I am doing this that the plain water color black. And the first part is almost done. So in the next part of some ground maybe and some shrubs are vastly things which are coming. We can make a dry drill, reduce some few branches. So you can see I am voiding where brush vertical, perpendicular to the paper to get very fine strokes. This is because I want that only the tip of my brush to touch the paper. This is how I will achieve, cannot draw. So you can see I'm using the same phone number brush, but I am getting nice thin strokes and that does though technique in which I am painting. So now, well, making the drunk, I just use the brush normally in a slang, I shouldn't have used regularly because I wanted the stroke slate heat tickle. But here I'm using the tip to get the nostril. So these are some smart, smart depths which you really get along as you have one painting more and more. So basically, the size of the brush, as I always say, does not make a rectangle. You can think echoed antenna lines at the same time that the same number brush. I have actually given this step in the watercolor classes well, in which I have shown actually how to use a brush to mix different thickness strokes by using the same brush. So you can keep on practicing that to make your strokes look perfect. Let's make some ground again Hill. In the third part, I'm using the same black fellow everywhere. Okay. Let's add three here again, I think, delighted in the right side this time. And that tree will be with some foliage. So this is going to be slightly differently. So for the foliage, I'm just dabbing my brush on the paper with my black color. And let's make some drowned and branches. We are going to read aloud. All the elements don't match. And in the right part lets me some pine trees. So for that I'm making a straight line and again, tapping my brush and getting some stroke source, most scribbling like things basically. And the shape of a pine tree to make the foliage. If you want to know how to draw different types of trees, everything in detail. For your tolerating things are watercolor paintings. Then you can watch my class and making different polarized paintings. Because in that I have actually given a separate lesson on different types of dealing elements like these which we are meeting and we are also covered different blending backgrounds. That means is that say you can watch that. So I'm just detailing out the tree more. And the I've drawn two trees. I think that's enough. So are they dealing elements are done now and I feel something and B, yeah, we are lefty, I do, I guess stars, which will definitely add beauty to this entire beam thing. So we'll just add some stars for that. We'll just use the particular writer itself. You can use a wash right color, acrylic white color if you want. And make sure that all your painting is completely dry it off before you do this, does take some white colonial brush and tap on the brush like this in the way I am doing to just, you know, drop some spots, spots which will create some stars. So this is known as a splattering technique. So I'm adding those at the top parts of all the four bytes which we have. And we are done with this beam thing. So let's remove off the leaves carefully, nicely and slowly. It's already looking so beautiful. And you can directly do this on a single sheet of paper is wet and dividing it into four parts to meet for the frame bookmarks out of work. So let's divide it in the same day you can draw a line with a pencil to just map the division. And then you can simply carpet with AP Carter Odyssey. So when this whole bookmarks are done, you can interact with them as a single painting. Them are used that I spoke moths. 8. Day 04 : Northern Lights - Colorful Sky: So here I have eight people, like a hex showed you in the earlier lessons. And for this particular painting, I'll be using the watercolor ink colors. So you can use any type of watercolor is that you have. But in this entire class, I would be trying to make it a bit familiar with other different types of watercolor mediums other than their dealerships and the normally banks sick as well. So that's why I am using watercolor ink for this. So I'll be using my blue coloring. You can take the goodbye. You are the light blue for this then some void of pink color. This is the full shopping that I have. And I take dot chrome yellow color. So you can use any watercolor is that you have and make the similar shapes of them and do it with any other colors. I be doing this with ink so that you'll get a nice idea of how water color inks work. So if you want to try them in the future, you can do that as well. I don't have a black belt in the word decoding, so I'll be using my normal white and black since it is not available in the ink colors I'll be using my normal. You can work at been sick for this purpose, for using the black and rate. Now let's start rebelling that people with an ICE laid off ten word the wash. So use your clean water for this and we'll be going with the grass swatch, which means that we'd be going with one single plane horizontal wash completely for diabetes. And then we repeat the same with o would be good for the entire people. This ensures that our paper is nicely for data with even laid off then what they lead. So that's why we'll be going with a nice crush source so that no spaces on the people that are left without water wash. This. We'll be using a regard MAC technique. It is for vaso advisable to use a 100 percent, more than 300 GSM watercolor paper. For the giveaway of this class, I'm giving out these kinds of papers. So make sure that you are using a nice vertical up people. Because that is really important in regard with techniques. Now API, but it's really select start being then. You can use these in colors like this by just sticking out few drops of the gallows on to any day short ballot, and then paint with it because the ink colors are very nicely concentrated and pigment good balance. So you will need a very little amount of color to be also directly with them on the papers or just dig them out on the brush directly. So right now I am just taking out all the full four colors that I have on the dish. Then I'll start painting with them when my one. So I'm starting with a blue color from the top left corner. This is slightly a grayish blue that I have, but if you have a carbide blue, you can go with that instead. I did not have a cobalt blue in this ink color sex. That's why I'm using this one for now. Then I'm taking that weight color and going with that Willett color at the rightmost corner. So you can see how these colors are. That's why they are best for my gunmen techniques because we already have an ice water wash in on the people. That's why I'm not mixing any good amount of water with the ink straight now as we are going to clip it over a nice whitewash already. So I'm just randomly giving that below at the right corner you can see. Then I'm going in with my food shopping color, which is a very nice vibrant pink. So if you don't have the exact same thing you can use, any similar thing gets shaped like you have or else you can also use a measuring Dian stated. Also, don't add your weight to your algorithms and not any other follow to make this white because I'm adding weight to watercolors phonetically makes them very dull. And we don't want that to look very dull. So that's fine. Just use direct any big band, good watercolors, you can mix any other colors. Even black is good to mix with water balance by the fuel mix weight, they angle, make your followers vary by looking. So that's why I don't mix weight. So now you can see I am just going with my brush and mixing the colors into each other. I'm going with the yellow sheet like I have. You can use any chrome yellow color that you have for this. And you can see, I'm going with the smallest, small circular strokes to just get the Gallo mix in 93 with Malvolio gallows, the right now, very many lakes strokes visible in this painting. But don't worry, those are only because I haven't used a lot of biopic. That bi-lipid mainly I used is less compared to the people. So this is how you will be able to know if you're using the correct amount of bellow on your people. So right now, the paper is not nicely covered in the beam. So that's why there are many visible strokes on the paper and we don't want looking for Exactly. So right now, I'll start adding more pigment to make it nice. And even I'm very much pigment did and blamed it nicely. So I am again starting with the same colors which I gave for the first layer. And I will just go on adding more pigment, do it. And I'll just warn blending the colors. So you can see I just dropped the alert directly on the paper. So that's another technique in which you can use these in colors. You don't need to meet them in the palette every time you can just directly drop them on the paper as well. But only if your paper is already wet. That is only if you are using the wet on wet technique. So right now my entire be but as standard weight and I am just going on directly painting over it because the paper is evaluate if your paper has dried up slightly in certain parts before you start doing this technique, then what you can do with, then just wait for your entire paper to dry. Then just repeat one thin layer of water wash over you like diabetes. And then again start blending if you need another lead, if you have fought the perfect defect in the first layer itself, then you don't need to add another layer to it. So I'm just putting on the same domain psychology was just to increase the big main because it was less when I did the first attempt. So this time I'm just going in and dropping the yellow is directly on my B, but I'm showing you how it works because I want to get a darker pigment. I'm just dropping one drop of follow and then I'm just spreading it nicely with my gouache brush. So you can see now we are getting nice rich topic makes. You can just go with random small circular motions with your brush and go on mixing the color nicely. So I'm just dropping a drop of yellow and I'm just going with my vector brush and just going with the small strokes of the brush to blend the colors nicely with each other. This is happening because all the values are still wait, so I am nicely able to blend them in with each other without ruining this entire thing. So your paper needs to be nicely right? Techniques rate. So now I'm quite satisfied with the upper painting backgrounds. So I just take my watercolor wide, glide my brush. And I start dropping a nice array of stars. They come galaxy ARE going from boiled them, build a dog in a nice cluster. So take some weight color in your smaller round brush and just be careful about the position in which you add holding yet we live very close to the people who get concentrated, split those in when Ang, we don't want the spectral is to go in the other direction so much. So just told them close to the people. And you can see the outgoing from this second barbs left-hand corner there, almost the fourth byte top corner. So that's the motion between one ductless story starts in the other box. You can just hold your brush a little away from your people, will get normal stars, which are lakes factored all around. He modernized Aleksey of stars in the Central Park. That's why I'm just taking some bright color in my brush and I'm just dropping some weight color in very random strokes or dogs you can see. So this is a different galaxy started fact that the algorithm, so I'm just touching the tip of my brush and small, small strokes or dots. You get this nice effect and I'll go with a nice slanting line from the corner to corner in a diagonal direction. So now I've taken a muddle and shear. You can just mix some black caliber TIAA-CREF, gentle get this orders. You can also use your born debacle of ludus. And with that sheet, I am just adding smaller strokes on this bottom portion to just make some Dakpo clouds in the sky. Don't overdo this, just keep them limiter. Now we'll just be in the bottom part. So the bottom part is going to be water and censored is going to be water, will have to show the same reflection of the apocalypse in the bottom parts. So I have first given a nice thin layer of water wash to the bottom portion, and then I'm starting with my color pigments, but this time in the opposite direction of VC because that's going to be reflecting in the water. So I've started with my yellow color and then I just go with the blue shade forced at the corner and some boil it. I'm dropping some might only Scala which we use for the clouds. And also add a darker colored by mixing violet, that black at the top corner and the right. And very dark blue by mixing my abortion blue with black in the left corner, I got to just slightly blended nicely with the remaining background color. So this will give a more depth to happy ending completely. So now we need for a diabetic to dry completely. And after does dry it just take some darkest brown or dark blue color, like very similar to black. You can also directly take your black color instead. And I have drawn a nice horizon line, but that follow. And then I'll start by drawing some stones and land area from the left part because we are going to draw some lines in Blackboard. So to do that, I am using my ground gallo, you can use the bondable for this. And I will be also adding some black door do the markets and shadows and darker areas. So you can see I have just been good at the areas randomly with burnt sienna and burnt umber color off the bat. I am just taking my black color. I'm going in with some random strokes in between on that brown color to give a nice dark shadow effect to it. Now and just make some trees fight away. So for that, I am just pressing my brushes, PIP at the edge of the mountain or the languages there to make some nice trees there that easy, just press your brushes. They bought the people that you're black Palo to get this. And we'll also draw a small mounted at the left-hand side. So these mountain ranges are very behind on the back-end. So I'm keeping them very tend not very high oil or something. Just keeping it like a nice small hillock be supplying that the behind side and needle. So either afflictions of the theme. So you can use some darkest brown or luckiest modeling for this. And just go with the tennis sized brush that you have with very thin strokes below the mountain students to market though reflection of them in the water will also add a few weeds at the left-hand corner because that left-hand corner is looking very Andy. So we have a lot of elements in the right side. So I just add a little element in the left by just drawing some nice dry leaves at the corner and a little piece of line for them. And the white color. I'll again start to just add a few highlights to the galaxy stars, which we're going upwards. So you can see I'm just pressing my brush with random strokes, just putting that tip. I'm making very small random strokes to just get this nice effect. I'm using my watercolor itself for this, but you can also use any opaque white, but you'll have a few one-day effect to be darker. And I'll just back out of your mouth starts with my white color here and there. And then again read for the painting to dry up completely and after it straight up, start meaning of that beeps nicely and slowly so that you don't pay it off the people. Again, as I mentioned, for the same period, dates go very slowly in one direction. You would remove them and for the corners, just ate them away from your beam, then iodine, so that your paper doesn't get off. Hell again, repeat one more instruction that if your lips are the E, then what you can do is just stick them onto any other rough bits of gloves that you have or any other surface. And then just build them again and then use them on the people. This will help you reduce the stickiness of the deep and it will not dare your people because it will not read those sticky for your people so that it will be easier for you to remove the deep. So that's the derivative which I can give you. So if you are not getting the exact same results that I am getting right now, don't worry because I have been doing these kinds of being bank since a very long day now, the full step either them wasn't actually the time I got them rate as well. So you will definitely keep on improving with more practice. So don't worry if your, some of your being dense get ruined or not, come exactly as you wish, keep trying and you respond getting better at it. So after building the deep, you can either just use this lake because or else you can just articulate and do all four parts and use it as a beautiful abstract scenery. Do just stick it on your own boil or just frame it and use it. Or you can also use them as individual bookmarks or anything that you wish, anything innovative that you can think of. Also, if you are liking this, just drop a feedback or if you have any doubts, let me know in the discussion section. And you can also upload all your student projects under the project section. So it'll be reducing them, really looking forward to see all your beautiful creations. And that this paradigm with this painting, I hope you enjoyed doing this view again tomorrow. 9. Day 05 : Cityscape - Bridge & Water: So here I have meat might be ready with their deeds. And I have just drawn a very simple bridge and the offense. So for the bridge, you just firstly make a horizon line at the lower 1 third of your people. After that, you make the slant lane at the left part, then the straight line, that is the horizontal line at the second part, and another blank line at the top part, and then draw the complete bridge as I have drawn. Sorry, I did not record the process of drawing it, so you can just pause the video and draw it. It is not very complicated or difficult. It's a very easy one. So just pause it, draw it for SVD late if you're Benson and then start digging out the Hello Stephen need. So this is going to be a nice warm evening kind of scene in which the sun is when do state. So it is going to be all of warm, yellow, orange. So we'll be using a nice warm gullibility for this. So for that, I'd be taking out my chrome yellow color. Then I need my audience read. I don't see some wooden gallows so you can mix your crimson, red and black to get the darker maroon shade. So forth given start by giving a nice thin layer of water wash. So I'm just using my little Roberto to show you how this wash is given again. So in case you have missed out on the earlier lessons, you will get a rough idea of how it's done. So I am going with nice vertical strokes and horizontal strokes. And I'm trying to my entire people with one team lead off water wash. So you just use your clean water instead. So we start with our chrome yellow color will leave the sunlight as it burns, and we'll go in small circular motions like this. So right now I'm not using very vibrant colors like medium vibrant, and I am going in circular motions around my drawn son. So I have started with so goods of chrome yellow in the central part. And then I'm going outwards like deep yellow color and the same circular motions. After the yellow color. We'll start with the audience color. We'll again go into seem circular direction from the sun going outwards radially. Hello, So try do blamed the audience into the yellow, but for Stein just giving the audience color besides, they are loose open in the same circular motion. And after that, I will slightly go inside the allegation and start blending the audience with the yellow. So right now my color pigment is less so you can see that our visible strokes on the relative and I'm blending in, so we don't want that. So that's why we have again either MOOC alert word, but forest, I'm just finishing this spark. Now repeat the similar process with bank scarlet, red, or yellow. Do we want the sky like argon, only the corners. So in their meaning middle part, I just again go with my orange color and blend it nicely with the bottom and top. Hello again In this ocular direction only. Now I am just going with more darker pigments in the reverse order. So that's why the pigments like I'm adding now our weight saturated compared to the earlier ones because I think that the pigments are looking less saturated than what they should be. So that's why I'm just adding more color in the same direction and I'm just waiting on legging WAS nicely. So I'm just using the yellows and the scarlet, red and orange colors again in the same direction, on the same bars, in the same technique. But just adding mobile epic grandeur, it will make it look more bright and nice and to blend the colors mobile fatty. Okay. So now that our background is a great colors, we'll start adding some clouds on here. For that I am using my dopamine won't share it, which I had made by mixing some crimson and scarlet with a little amount of black for this color. You can also mix your silage and a little amount of motion blur to it already. You can also directly with your buoyancy and have a law for this. So I am just, you know, dropping some color on the sheets and sheets. So just notice how I am dropping the follower and do it accordingly. Now I'm also dropping a dog, go see the axon places. So for getting this darker shade, you can just start a very little amount of black to your color, which you'll need to get a little darker shade on to the earlier one. Don't add too much black and white is it will create demand. So just click off black. Then just clean your brush, dry paper, donor distributable, and lift up some of the colors in this manner. So that will give you a nice scale of silver lining to your clouds, which will be due to those sunlight which is falling on them. So I am tapping my brush off, glean and lifting up some of the fellow from the BBA, I'm doing this. My main colors are still wet, so don't wait for them to dry. You can also use another technique which is just to make a tip off your district people and just use their day should be Bird Lake, a brush to just pick out the exits Gallo. So in this way also you can pick up some of the finer or feel people to get the nice white glow to the glands. There's only on some places that I am doing it right now. We are not doing this for all the clouds, and we are doing it in different angles. So some clouds are getting the light at a dog, but somebody, I think the highlight of the sides are bought them so it will differ. So you just, just observe and do it accordingly, like I am doing. Finally, use my Apple Madonna sheet. I just started a legit amount of black to yellow. You can also use your bone down, but instead and I adjust, add some darker clouds at the Wharton volition. So I'm just adding on to the earlier ones when they are still wait. So you need to do this spending a bit. We've got, if possible, if you are not getting the same results, like I am getting great Now, don't get discouraged because I have been doing this for a long time. And you will go on getting more better with more practice. So you can try it out again if you did not get the same impact or same effect at the first time. So just don't do i e, just make sure that you are using the right people because using a 100 percent cotton and minimum 300 GSM paper is a really good thing for these kinds of being dense because those papers are good today, good amount of layers onto it and keep your B but wait, nice time. Did you some bleed your entire drawing? So that's the reason using a good paper is really important for water coloring. You can use any label of brushes that you want because they don't matter as much as the people does. I am taking my scarlet red color and then just starting to draw horizontal lines at the bottom portion. Read my work that is going to be so I'm just going to fade, lean on them strokes, you can see I'm not worrying too much about the bank of strokes like I'm getting. I'm just going with random horizontal strokes because I have to meet those four dots. So I'm just adding some leaves or reboots, do it at the bottom by just below the horizon line. So the best part about this painting is that though, you don't need to wait for a long time for things to dry it a VSD, because I am continuously going on using the wet on wet techniques. So let's say it makes it less time consuming because you don't need to wait for each layer to dry and then start with a new one again and again every time. Okay, so I am again using the same technique of just making a point to my district people. And I'm just lifting off some color just below the sun to get a nice reflection of my son in the overdose ogling beautifully. So just lift up some of the colors just below the sun by tapping your foot should be postscript. After that is done, I am starting with my moon valid again, that horizontal strokes going from the corner. I eliminate these drugs are not meet them in the central portion. I emit them to the bottom portion on the corners. Now you need to wait for your entire painting to dry up false because we start adding the details now. So you find that you're painting has dried up completely condensed state, already dug ground valid and your smallest number round brush, and start making the details, adding the leaders on to this beautiful building. So I'm using my phone number round brush for this. Firstly I made the diagonal line, the horizontal line, and another you could diagonal line going downwards through the water. And that's the bass part of our bridge between meet. After that, we'll start making the goal lines of the BCE. So make sure to get the thickness of the line like similar to mine. And then in between these two lines will either very thin crosses. So just draw the alphabet x very close to each other to make this small detail. This goal with small, small X shaped crosses and complete filling up the entire part between these two lines. Make sure your lines are very thin. If you're not comfortable using the brush for this, then you can also directly with a sketch but instead, but I'm just using my brush because that gives you a better effect than using any other ink. Then I add three more lines again, which are Adelaide YB, these lines, these lines are for the healing of this bridge. Also Danio people or just to ensure detection if you wish to get a better detection for tonight lions, I start adding thin vertical lines in the central portion of these two lines which we are drawn to draw the drilling for the bridge. So I'm just slowly and steadily growing and adding simple Lean vertical lines. Try to maintain the distance in order a link similar, and also try to keep the thickness of these lines similar. This will give you a perfect nice practice to get a nice thin strokes. So if you are new to this, if you're not getting this right and don't worry, you can just keep on practicing your smooth single strokes on another plane people and enough people that you have. This deals any value for that, for your practice, the exam watercolor in your brush, and just keep practicing. Straight strokes, horizontal strokes, diagonal strokes, crosses circles because that will actually give you a very good practice of, you know, getting different strokes. So you see, now I just don't might be but according to my convenience, and that is helping me get very thin strokes and also helping me do them very faster than the earlier ones. So you also need to get this technique rate. You just need to adjust your people are in different directions and see what suiting you see, how, if you are drawing the stroke, which kind of stroke, which direction you feel is better for you to draw that particular stroke because that will really help you teams and upgrade your style of making the stroke. So just feel free to just convert lake, just own your people are in any direction. You're warned. See which direction you are comfortable in. See what type of brush holding is comfortable for. You. See which, you know, Agawam length. When you hold a brush, you are comfortable drawing thinner stroke. So observe died. Maybe you will be good if you hold the brush more towards the tip because that will give you a firm grip on it. Try and exploit in mind that which style suits you the best. Because that you will get to know only if you try different things out and with more practice. So just drag figured out which is working better for you and then do it accordingly. So now we are done with the mean bridge part or the most, I think I just highlighted the horizon line a bit more. Scientists highlight the horizon line a bit. So I just use the dilemma of burnt sienna color automatically recolored. Don't use it. I lipid mandate to start a little water to it and draw a very thin line. We don't want it to get to over babbling by just store to the market the exact sizing. I have just drawn it very thin and very light. Then I'm taking some white color and I just mark my son again. So I just beat or small circle with my weight forward the sun. And I'll also add the white highlights for the reflection. You can also do this with any other medium or big white color like the gouache or acrylic if you want. But I'm just using the watercolor alone only because we had already left the weight spaces on the people. So I don't think I need docker shield for this. Wait, I don't so splatter some weight Galileo domain, just a litany are the reflection part just to show those ogling water. Now, start adding the reflection of the bridge in the water. So for that, use their dockets but wouldn't a little bit too high heels for the clouds. If you want to know how to make good, I'll distribute again. You can decide a little amount of black or abortion. Blue, toyota, scarlet, red to get a darker shade of maroon. And then go with horizontal strokes. And we are making this the opposer chief of the bridge which we had already drawn. So just go with light quarters under strokes with your brush and go in that direction like a semicircular shape or a U-shape in the order. So it will give a nice effect of the reflection of the bridge under water. This would be this available. These are the lines very lightly with binoculars sheet again, India at the corners. And after that, I'll just black or some right, hello again In the window. So I'm just using my watercolor for this and just collecting the ortho Spock in a bit more. We'll then move on to IT and other eaten at the right corner. So we'll add some branches to make a nice tree. I'm using my number one brush for this and going with the dark brown color to make the branches try to lead them as thin as possible, and try to follow the similar pattern like I am doing to meet the trees. The branches, Start with a slightly thicker stroke and angular tennis stroke that you can get. Then I'm adding some burnt sienna brown color stroke. The vacuole is doublings in a brown color or late maroon color to just tap the brush on the tree and get some nice little foliage. Then I use this technique and tap the brush on the paper. But this time with my darkest brown shade, you can use the burnt umber for the audio, can use the darkest, but one which we need for this. Now let's add a little element to the right bottom portion of this paper. So I'm using my maroon color. I think this is going to live. So I just use a dark red balloon sheet and just mix a little amount of black to this maroon to make a darker. And then we'll paint some weeds with the same color. Just draw these small strokes and being finished them with an ice or WE dot with that brush. So now that this painting, you can start from moving your tape slowly one by one. After you have removed. It looks so beautiful. So let's just start packing it into four parts and then we'll be done. So it can be ANCA, see how it actually looks when it's completed. So we are done with this maintain and hope you enjoy doing this well, I think the CEO walks and a certain project section. See you again tomorrow in the next class. 10. Day 06 : Cityscape - Buildings & Water: So here I have David might be put as if he had died for the earlier lessons. I know I'm just making a horizon line that my pencil. So you can definitely use the skill or any real like you have for this and just draw a horizon line below the half part of the people. So I have drawn it below the middle part of the entire horizontal people. I now will start showing the nice beautiful skyline of the city with all the building site out there behind the water. So you can just go with some random railings and just observe how I'm drawing them and you can do it accordingly. This makes sure that you are having lake co-variation in your drawing. Don't keep all the buildings of the same size or same height. I just try to draw different shapes and different heights and everything. So somebody violate somebody butanol, some will have a point that the dog so edges regular, weary or my feelings. So now that we're done with the basic trying need to start with the painting. Fascia file. I'm giving a nice thin layer of water washed my upper part, which is going to be this guy part. Just try to avoid the readings and your wash because we don't want up a law going into the building section. So you don't need to be to get it will execute some of the color goes into the building part, the district or avoided the wash for the billing part, just to give the entire water wash off the inlet of water, wash it with other meaning sky part new other buildings. You can use a smaller size brush if you want to just be more grateful that the Washington can go inside the building. And now we are done with this entire sky wash. So once we are done with the word awash, I start just taking the bellows from a valid and painting it sine firstly starting with my yellow color, this is my plate, this yellow color, you will need to be slightly quicker way painting the state of being done because we need to be ended by not water wash is nicely bed. So since we are doing an extract on wet technique, tried to be quicker, as quick as possible. So I am using microbial locally with very nice lake pigment. And I'm going with it new or doubling lines. You can see I'm not going too much on the upper side of the people. I am just limiting the follower. Then the bottom portion, I'm trying to keep it more towards the central portion. I'm just a little bit when we move towards the corner abortions, I need to mark my son. So for that I just take my dish. People just hold it in this way and I just tap it nicely on the beeper to pick up some of the color. So you can see I've got this beautiful white circle in the center just besides the building. So that part I adjust EBRD as this is back, is going to be our sandwiches second down. Then let's take the pink color. I'm starting with night. If you don't have a pink color, you can just sneak any other similar sheet. I do have a majestic W2 or anything else that you have will be fine. So I'm just going with my pink color. I'm forcing you can see I'm just stopping just about me. I look, I'm not lying about blending it first. I'm just piloting one bind about my yellow yellow with the Benkler. And after that, I just clean my brush nicely and water and then I start blending mode. You can see they are so robbery I do because I am slightly quick while I'm doing this. So that's we already had our white background and it becomes easier for us to blame both the Carlos nicely you to the white background as we are doing the wet on wet technique. You're so that's why you will need to walk a little quickly. So in case you are not getting this perfect blend, don't worry, you will get it slowly with practice, so you will need to find yourself by DOE. And also one thing to remember, again, I repeat, you must use a nice quality or develop people, which is 300 GSM and 100 percent cotton at least. But it's actually actively help you get better desserts. So, yeah, so you just want good, you're blending nicely. If you want, you can add more pigment. If you feel like a colored pigment has less, you can just add more bang or more yellow to it whenever necessary and continue blending in nicely with each other. After blending the pink and the yellow, we'll continue with our purple or violet color sheet at the top. So for that as well, we'll just go with a single layer of Public Health at the top, and then we'll continue blending nicely with a pink color. So you can I will do the topmost portion or the corner positions to make it slightly darker. Main data sheet and then you can continue blending the shear which is there below. And we'll do blame you again, forced clean your brush and then start mixing the two colors are the ways your Docker, fellow villagers overbar the gallery to their below. And it will just stolen the entire bi-layer into a darker version, which we don't want. So you can either linear regression start lending, whereas you can just stick though. Second, Galatia, which is the lighter value amongst the two in your brush. And then with that, you can start blending watercolors. So here you can see I'm just taking something by letting my brush. And with that I'm going on my book because I think it nicely with the pink color sheet. So that is how you can go on blending it and just tried to achieve the smoothest blame that you can. Lemon yellow again, you can just meet some kind of editing your brush. I just make sense with the thing that they colonized the blender. And see I'm at the sky and not wait until it dries because we already have a lead of our readings in between. So we don't need to worry about mixing into each other. We can directly start by being denied water portion, which is the bottom-most portion. So I am starting with a thin layer of water wash with the bottom portion again. And I then start building the waterfall ocean. And the ocean is going to be the one which will be painting in the last, the water washes done start with your pink color and go with horizontal strokes like this. Starting from the corner, we will again be the ending the sky in the reverse order of the fibers. So we'll have our yellow insight in the central part. I mean half the surrounding area pink and we'll add the doc way let alone later on do I do it? So firstly, I'm starting with my pink color in horizontal strokes you can see I'm just keeping them very rough and nitrile. Then I'm going with my yellow as we go in the central part. Just fill it with the sign. We'll be doing more of yellow. Yeah. So this is just the fourth layer of water wash which we have given. It gets very light as you can see. I have just taken some issue, but in my hand and with the above, they should be put I'm just trying to take off some excess color below the sunlit area because we need to make our reflection of the sun there. I'm just picking up some of the Olympic men from dipole declared IDA with my gosh people. Now we'll start adding the darkly pigmented layer. So I'm going with my chrome yellow color now and I'm going with thin horizontal lines. You can see that my stroke movement, I'm just pressing my brush against the people. I'm lifting it up on distinctly. I'm going to move it rapidly because I want naturally horizontal strokes. So in the central part just below the sun, I have deliberately left some white spaces, as you can see and their meaning, but I am just using my beautiful, gloomier color to make those horizontal strokes. After that, I am using my slightly DB or local law. Or you can also use the orange color for this to make few more strokes to psi exam move away from the central part. Centered barcode is, which I am referring to is the bar just below the sun. So it does on the total byte technically, as we see the drawing, but I am considering that to be the main central part. Then I am going with my pink color again with those small horizontal strokes. You can see I'm just barely touching the brush, does flip. I am using my du number round brush for this. And I'm just barely touching the tip of the brush to get these 10 horizontal strokes. I'm keeping my brush movement rapid from left to right. Dial go on adding more of these things, strokes in the remaining marks. I'm just trying to overlap them slightly with my audio to a local law. Also, this is not a dry brush technique I am using. My fellow is mixed with water or does not dry. But just don't follow everything I don't do start trying to maintain this stroke which I have shown you right now. Just try to keep some distance in between your strokes because that's how you will get this nice dark and light effect, which I am getting the kind of beautiful ripple effect because I am using my brush directly. So I start with the watercolor again now because I want the corners and the bottom-most large to be the darkest. So just observe my brush movement. I'm just going with left and right strokes, but I'm not making them very close to each other. I am deliberately leaving some distance in between them. So that's how we are getting this nice, beautiful food and that is resulting in a beautiful texture effect. Ignored following the entire thing like we did for the sky, the sign is different than the order is different even though the shapes our scene. So that gets what you'll need to achieve. Wheel. So this is another different technique which I am teaching you through this class. Which will actually help you in many more drawings, whichever are related with what those, you can definitely use this technique that as well. So just I am adding the darkest color pigment of well-lit and the bottom areas more. You want. You can also follow your son portion with the white fellows. I'm just using my watercolor wave itself. I'm just feeding the so-called nicely with the white color. And if you want, you're going to assign it to some great color to the reflection portion with your brush with just small thin lines and using the watercolor light itself for this because I already had left survives visas. So there is no much need of adding the separate highlights to this. I'm start building. The building's my upper and the bottom Buddha layers the sky and the water has dried up completely. So they're not the after-tax start painting our buildings for the buildings mostly I am going with microbial local, and thus sides facing the sun are receiving light correctly. So that part, I'll be adding yellow to share because I want to show my buildings lately highlighted from that portion. So that's why our NACADA doublings directly I voiced gave a phosphate off to the side of the building which is facing my son. So just observe wherever I am giving this alone and do it apart easily. We leave it, be adding the color in the brush and start adding back. Just watching your group in a local server will automatically start spelling and go to Columbia Law because you're still awake. Now we'll start adding our black color. And you can see I'll start adding the black Palo to the remaining portions and then I'll slowly blend in nicely with my burnt sienna brown color, which I had given. Just use the smallest size brush that you have for this focus and do this very slowly, have some patients, and just observe me carefully and do it along with me because that will really help you in doing it perfectly. I have my gosh. I know what you're doing after your advocate and they are innovating with it. So that's the key site of a, instead of going up or down, I got the answer. I should say that I have, if I go a tiny amount of embarks on economic ended up back on our predictions. So just give me the upcoming academic year. Yes. Okay, and so on. So now we can start adding the reflections of this buildings in the water. So for that, I am using I already darkest boiled egg shell. So I have just mixed my black color with my toilet color to get this perfect doc is shear and with that, I'll go on meeting thin strokes in the water just below the reflections of my Berlin in using my grandfather's, you can use any thin brush that you have. After this black strokes are down at the bottom portion. I started with my buoyancy and our yellow. Now I will add more reflection in a slightly similarly of those shape of the land below the buildings. I slightly add those burnt sienna small lines to make a nice reflection. So I do this for many of the buildings here. So just again, keep observing the places in which I'm doing it and do it accordingly. Now I just add a few words. Don't make them. Keep them very thin. Brush that you have for this photo and draw them do. And now it's time for one of the satisfying bytes which are going to be removing the beads like me I taped onto our peoples. So just slowly and carefully start doing it helps. It just started giving out, coming out from one side. If this happens, just switch to another side and start removing or deep from that side. Because if you're continuing from one side, there are chances that your people might come off with a deep and liquid when you are in diabetes, thanks to the star. If you feel that the people coming off, then you can just wait and start removing the leap from the other side. Okay, so just remove the deep. I'm wow, I just know how these beautiful clean lines have come up once we remove that deep. But just add sound to the beauty of these paintings I feel. So let me know if you are loving this abstract series or a few are doing it in your own other style. Even Bagehot BI, amazing. I'm really waiting to see or you're being Deng's. You have removed their daily lives and it looks already beautiful. You can keep it as it is right now, are as you can just cut it into four equal parts and make a beautiful abstracts enough where to place on your wall disagreement or stick it with anybody who just beautiful interiors with your own work. 11. Day 07 : Space - Planets & Asteroids: So it might be good on all four sides and also meet by patients in-between. Then I am joined us, okay, now for the planets, so I'm drawing it on the upper side of the first, second part. You can use any down thing that you have or is you're going to likely we see are rounded or Brussel going to draw this so-called, just draw it lightly with the pencil. See the approximate size of this, and you can decide the size of your so-called depending upon the size of your e-book or a bush neatly. I'm also drawing a very small, a small semicircle at the rightmost part, which is the full byte. And then I also draw an ace asteroid debate, which is going just behind the planet, which we have drawn to the right. So we'll be starting with smaller size stones. I really want increasing the size as we reach the border most part because it will be seen in books perspective. That's why the stones which are there at the very back will be smaller in size compared to the students at the time you are to us. So we are drawing this nice asteroid buried, which is, and then add just behind the rightmost value that we have. And it is starting from the third byte from you. Once that gets done and once we are done with the drawing, we'll start by letting this. So first of all, we need to start with a nice thin narrow for the wash for this particular building IV was in another small pilot and I'll be covering the diet. So you can use any type of watercolor is that you have. And these are like Penn State alert, which is, I am using right now, or Leonardo palette, which I was using Word. You close on record in Japan gallows, which I have already done in the lesson on beginner's guide to where the color. So if you need to know more about that, definitely check out my class on DAG watercolors, beginner's guide and everything about them reading the job's into bands is mentioned over there. So these fellows, which I'll be using for this particular building, our Angular still a key that I'll be using. I'm trained to use different mediums of watercolors, like different types of watercolor mediums that I have so that you'll get a better understanding of them. Okay, so now what I'm doing is I'm just tapping off the excess water from the land today. Yeah. Because I just want to call out the background and it was easier for me to give a nice wash to that in diabetes. But for scientist, you're not pick up the word abortion from the planet area of 32 people. But you can also, instead of just avoided Atlantic Ocean and give though in Diodorus sugar, meaning areas than our daphnia that with the same letter for divorce, I start painting, starting with my toilet color from the rightmost stop or no. Just drank, do a double load on the paper. I'm just going to add random strokes. This is a bygone make technique that we are doing. And just observe my brush movement. I'm trying to do it accordingly along with me. So now we'll go with that aqua blue color. This is the color that I'm talking about. And we'll start being, being nicely with that. Follow this look at the pieces when I'm giving it carefully observe and give the fellow in those places exactly. You can then start blending your equilibrium Gallo, but the book will shear, which we had done earlier. So you can see the colors are changing slightly when we do the blending near the planet. Don't follow that ADR. I have lifted weight if you can see. So I just take some water in my brush and I just smoothly blended near the planet area because we weren't back though, surrounding area of the planet to be lighter in shear now will give us shine to the corner of the planet. So for that app, your brush cleaner nicely and then start lifting of the bello off your people. So you can see I am lifting it up with lines going radially from 1. So that will actually denote the shine which is there on the corner of the planet. So we'll be using this technique later on for SME. Let's follow the entire background and then we lift up data, meaning color again. So now I'm going with my darkest blue, yellow. You can use the quotient rule for this and start being the corner areas. I think I'll also just still be in the mobility of this view because let's just try to eat this being dig more of a bluish green one because we already have next galaxy painting. The next planet being language is going to be off for publishing issues. So yeah, so I just need this one blue enough. So I'm just adding more pigment and I'm gathering with the similar colors, which are the ocean blue and aqua blue. And I want to link the data if you look up the exact same balance, don't worry, you can use any similar. So you said you have, you can use occupied, you insert any light blue that you have. So if you want to make a slightly bluish shade, you're gonna want some accelerated amount of Green Gallery two-by-two bellow to get these shapes. Just go on blending your triangle only, do it when the background be, but it's still awake because that is what will help you get a nice blend. We'll just continue adding more pigment and blending all the colors nicely. One, adding more color pigment if necessary. And we'll keep on blending the colors nicely when not be, but it's still awake. Okay. So now we've stopping being a planet. So for the access to fall, we'll give a nice thin layer of water wash lighting planet. Even if it has gone inside the planet lined on body, just stick to your original pencil line which you have drawn the so-called 1. Hello dot. I mean, give out a wash that are in dire, so-called completely dark pencil markers. They're back in diapers and just give us a net of water wash. Just start dropping and drag and gallows and different motion. So you'll just talks about the locations in which I'm dropping the class and do it accordingly. So this is a cobalt blue color which I'm starting with. So the idea is to make a random lowered manage right now. So I am just starting with my job. I denote by lower. Now let's add some olive green to yellow to certain places. You can use this app green instead. Or you can also use your dark green color instead of this. So I think I adopt green color will be better for this. I just added it to the amount of dark green color to this directly. And now and start with some dark bush in blue below. Hi. And then I add some yellow ocher color to this. Now we repeat this process for the second planet. So for that firstly, I'm giving a nice thin layer of water. Wash my pencil line. After that, I'll start with my light leaf green color and I just don't give up clean water. You wash off the screen. The entire planet topmost. So as this gave us a net of wash with the lightest green. And then I'm taking my dark green color and I'm just dropping it accident places. And I just left it to me, gets on at dawn on the planet to get a nice feel to it. So this makes sure that your lawyer just don't get covered a diary in the entire planet, so just drop it, it only certain places and you can just make it flow and different direction. You can also, if you want a little amount of ocean blue at certain places at the corners or something just to add depth to it, to just darken the entire thing a little. You can also just pick up your people that I'm tilted slightly to just let this flow and create some beautiful patterns. So now we are done with this panic. I mean, stopping that strives with that, I am forced giving a well-lit call obese to it. So I'm just subliming, think the entire rocks that might open to start with. And then I'll start that they're dark gushing to say you can either use your portion blue for this or else you can also go with your darkest on Bushehr, which is the brown SharePoint. So you can also use stack instead. I'm start just dropping the ballad from the rightmost side for all of these asteroids, rocks. So you can see I'm just tapping my brush over the right-hand part and the bottom part of this asteroid rocks. So I'm using my burnt umber color now, this is the sheet that I'm using which is not exactly a number of idle. It is somewhere in between the open. So you can also just mix your violet color that you are burnt umber color to get a similar shear and then you can start adding your pigment. So now you will need to wait for your painting to dry up completely. And after that, just take any opaque white that you have. I am using my acrylic gouache color wheel. You can also use a graduate and steady and just start Baker in the brush. I'm using a very dry candidate now and we'll be doing a dry brush techniques or we're going to be, but it's already cold pressed people with a nice texture to it. So I'm just using my normal round brush and I am doing a dry brush technique with my acrylic gouache aligned. I just draw some random strokes with my dry brush. You can see I'm getting a nice differently. No, I don't know you. So just to observe carefully where I am doing the patterns and in which minor and discharge weight accordingly. Pause the video if necessary, and then you can do it slowly. I'm then again, watch me do it. After completing the light your pen to start the exam portion, viewing your brush, I'm at a certain depth to your planet so that backwashing global, I'm just dropping it in certain places to just darken it more on the shadows and the depth. I'll also add highlights with the white color on our planet and the asteroids in the similar manner in which we did for the first planet. Now we are done with the painting. So let's do the best part. That is splitting off the gate from the people. So do it nice and slowly. And I'm sorry, but I just forgot to splatter the stars on the paper, so let's just add some beautiful stars. Do this being done for that, you can decide elected amount of water to your acrylic reinforced because we need a little amount of consistency otherwise the drops are not your fault on the people. So that's like just add a little amount of water we are right, could afford. And then just take some color on your brush and start splattering with the brush to get these beautiful stars all around your background. So just follow the process for your entire background and after died of ETL. And so I did though, highlight to the planet that we had drawn earlier. So it's not looking that prominent. So that's why we'll again just either highlight the spotlight to the planet with the white color again. Now we are almost done with the painting. So let's just factor out a four different parts and you can just use it by sticking or the full parts differently on your wall, or you can also use these as individual bookmarks. We have completed with an adolescent. I hope you are enjoying this series and even to see all your projects. See you again in the next lesson. 12. Day 08 : Space - Planets & Galaxy: So we have the baby bird nicely and we'll start by drawing organics and this using my scotch tape for this, but you can use your browser good, or you're rounder do meet this sulcus. So you can see the four silk is that adult forced fart and a little bit of it is under second part of the beeper. Then another semi circular shape I am drawing in the foot five. And after dark, Let's draw a smaller circle in the center, like New York told Bart. I think the socket is looking a bit bigger. So I just draw a so-called one centimeter is smaller than that in the earlier. So good. So this is a four-sided sheet that I'm using. So if you want approximate sizes, you can take or maybe four centimeter silicon for the 1.51st, 13 for the rightmost planet. And or 2.5 centimeters. So good for the center one which I am drawing now the smaller one. Or else you can just randomly, you know, just see the approximate sizes and the propulsion and which are hydrogen bonded. And you can just store a draw them accordingly. You don't need to be very specific with the sizes. Okay, so once you are done with the benzyl trying, Let's start giving a nice thin layer of water washed wearing diabetes. So for the word the wash, As you all know, we'll go with the gross wash, which is going with vertical plane brush strokes, and then going with horizontal brushstrokes on the entire people so that each and every corner of our people that it's nicely regulate one single layer of water wash because then it will get easier for us to do that by going back techniques for flaky. So just evenly spread your water oil across the BBA nicely. You can use the biggest size brush that you have for this. And after that, we'll start paintings. I'm using my round brush for this and forced to, for it to start with, I am going with my light blue, yellow. You can take any light blue that you have. What else? You can also go with the aqua blue color if you don't have to lately right now. I'm doing with my light blue. You can also use your aqua blue instead, or any, any lighter blue, yellow, whichever you lake. And just carefully observe the strokes in which I'm doing the gallows and then do it accordingly. You can see I am gapped or a slight curved lines in the same light. And I have done that deliberately. So just try to match the dawn of the color that I'm using as well. So right now I'm using the ultramarine blue, yellow and I'm going with the same direction of stroke. And I'm just trying to blend the yellow is nicely into each other by lamb being one by one. So this is the black color that I have gone with. And I'm just trying to measure nicely with the ultramarine blue color just beside set. You can also go on adding more color pigment exogeneity as if you feel that the color pigment that's right though. Like I am adding the ultramarine blue again here now just to, you know, I don't motor development. So just remember to observe my strokes carefully and go with the same strokes. And just deep on blending your colors besides each other. And keep on observing nicely and do accordingly in the direction and the gain of strokes that I am giving the four parts and the people that will actually help you get a very perfect stroke, which is similar to mine. So that four bars will actually help you guide by dotting these kind of being. Thanks. So again, I'm using the ultramarine blue slightly. I'm going with a different stroke this time for the fourth stroke. So I wonder slightly like it though, it by it in the center. So you just clean my brush, African, my tissue paper, and I lift up some of the balloon from this central park like this. So we have already used this lifting up technique in our earlier lessons as well. Then I take my green galore and being with that so you can take any shade of green which is similar to a cooler side. So don't take a sap green or anything like that. They are green which is white ink lose to the cooler side of a green colored sheet. That is by cooler side, I mean, it should be a green which is closer to blue. I'm not closer to your yellow or orange. Then I'm taking microbiome to BYU, got loaded my brush and I will add a few strokes adapt. And after finishing with the cobalt blue, now I am taking my blue color and adding that. The corner part. I just pick up some of the color from the other planet area because we are going to show the planet the border of the planning later. So that's just lift up some of the color besides your planet and the rest of the area, just to give you a completely. So I am again taking my portion blue and starting with that. So maybe slightly right up. So in case you feel that you'll be but just straight up, you can again give a water wash to your people that have meaning but the weight bite of your people for, let's give it a water wash and then only start being thing. So if your earlier being triggered via steam, then the other area will get dry. So in that case, forced give it a nice watercolor wash to the meaning part of your people which is weighed and then only start coloring because that will actually help you get a nice wet on wet technique. I'll again go with my green color. And I like the black fellow for the topmost fives to make it nice doc. Now for the remaining bar by this team that she could compete key. So I'm just taking my purple color. I'm going in with my purple color first. Then I'm taking mycobacteria. Well Blanco by 20 nicely to give it a nice smooth blend. So it will actually give a nice color transition. So now at the edge, I'll go with my darkest YA lit by law. So here I'm using my dark violet color instead of black forced. Well, so by doing this, remember that D1 nor supposed to go over the planets. So just leave the planet circular area. And apart from that, gave the color for the background. Then I'm going with my full biblical law and I just mix the normal 80 piccolo widow, dark while loops here, blended it nicely in the corners. I'm also adding a few black colored strokes at certain places. Until this remaining portion, I just give a late late Bureau wash and then I'll add maybe some trauma in blue to it. We can also go on adding more color pigments to certain areas if you feel like the Kola Peninsula. And after doing that, just take some watercolor brush. Splatter it all around your people with your brush like this to make some beautiful stars. So I feel dig a big weight color, any opaque white color, but also do instead of vertical away rhetoric. Now I'm just using my watercolor weight itself, but you can also use your acrylic weight or wash color for this. And once you're done with a beautiful slide dollars, we did start painting the planets one-by-one. So for that force will give a nice thin layer of water wash Dwyer, forced biggest planet. And after giving that the net of water wash will start with the being done. So for the planner, just have some fun, but the alkaloids start dropping your fellows in the similar manner in which I am trying to do it. And don't worry if you don't get the exact same result this star try to experiment with the planet. I will also drop some gallows landed me. Just make sure that your edges are nicely around lipophilic because we don't want to lose the sheep. We wanted to be a perfect circle. So make sure your edges nicely finally done. And after that, once your edges are done perfectly, you can play with the colors inside the planet in whatever way you want. So for the edges I fall asleep, are they the green and a blue color? You can take any similar green and any similar blue. So I'm just painting with my four-by-two but are eight now. And just, you know, the wet-on-wet technique will actually help you explore more with these beautiful colors. So you can see I am doing very random strokes for this planet. And I'll go on adding more and more bellows to make it look more beautiful. So I'm adding microbiome. Blue. Gallo does a nice big men could go by the OVO, but that I take my portion local as well and start adding some color pigment with the ocean blue color. You can see I'm just tapping my brush on doc Gallo. I have already done when it is still red. So that's why I am getting these beautiful icons on my planet. And that is what I am actually aiming for. And now I'm taking my darkest color, so I have added a little amount of black to my abortion blue coloring the dad I'm making these different pipe Dylan's randomly. I adjusted my watercolor weight Gallo and give a nice border to my entire planet with my white color. And doing that by inoculated still weight. So I'm not waiting for it to dry and just start giving a nice white border or background Gallo. And after now make a nice shining light at the edge of my planet. But my work elevated self. And then I'll also add some white by guns inside the planet. In this video. Now let's give it the net of water wash to our second planet as well. And then we'll start coloring it in a similar way, but with different colors. So first of all, I went with my light blue Gallo, observe the strokes and the word accordingly. I am deliberately leaving some spaces and making her lecture kind of thing on the planet. When I'm painting with my brush. Then I'll add some ultramarine blue to this. Again. See the strokes that I'm making. I'm not coloring name diverting, but I'm making a backdoor norm toy. But just keep observing and doing this along with me as an when I am adding the colors so that you will get a perfect technique. After this, I'll add a darkest violet color to it to add nice depth planet. So I take a little amount of black color and blend it slightly the adult way to add color to give it a nice effect only at certain pieces don't all or to the black. We are done with the second planet as well, and now we'll move on to our smallest toward planet so forth. I have given a state-led of water wash do it. And then I'm starting with my light blue color again with some random strokes. After the light blue, I am taking my Apple Pencil here, so you can use a popular magenta color for this. Our planet is nicely circular in shape, and then I am adding some darkest violet color pigment at certain places to give it a very nice effect. So you can see I am making this beautiful random strokes which are creating these beautiful pipelines on our planet. So you have to walk your way accordingly similar to mine. I start adding a few byte color details on the second block that we had drawn. So I'm just using my watercolor write-only for this. And I'll just start a little amount of white strokes and certain random directions to get this beautiful air movement on the planet. We are also adding a nice shine. Do our planet without white color. I'm just using the watercolor white only for this. You can also use any opaque white color that you have instead. So the iodine with the beautiful painting and now's the time to remove that beeps. So slowly peel off that keeps off your end Gaia people. We'll be cutting the painting into four equal parts. Like we can just stick it nicely next to each other on the way to create a beautiful four-part speeding. Or else you can also use them as individual bookmarks or in all sorts of ways, creative ways that you can. I hope you're enjoying the series and liking this lessons and really waiting to see all your painting. So don't forget to upload them all on the student project section so that I can have a look at it and give you my feedbacks. We're free to ask any doubts to me anytime you want, and I'll definitely reply to you all. As you all know, I'll be uploading new lessons every alternate day in 30 days. So see you again in the next lesson. 13. Day 09 : Colorful Sky - Sunrise: So today we will do yet another beautiful scene for that. We have for stepped up B, but nicely, as I had shown you in earlier lessons and today I'm using this different color palette, which is a smaller one compared to the one that I already used. So the earlier one was my eyelid, which I had converted from Duke bellows and do my own bands by this ready-made vertical look onset, which I'm going to use today. So first we'll start by wrapping up up people guy giving you the nine Spinlet off for divorce. So use ugly murder for this. I'm just using a little colored dots so that you'll get to know exactly where I'm applying the word though. So 19 SLI completely give up blending single letter or diverge together in diode people. And then we'll start with that being them. So today I'll be using these bands sets directly. So I'm trying to cover it out. Different types of watercolors which are available. So I have used stoops converted to balance. I've used direct bands, I've used inks. I'll also be using watercolor sheets in my coming up lessons. So first of all, I'm taking the yellow color. This is the acromion locally when take any of the similar shade of yellow, you can also take four deep yellow or medium yellow shade, any similar shade of blue. We are going with the wet-on-wet technique again today. So I fostered my yellow color. You can see I'm done it in the central part, only mainly in the most about the media. After that, I'm going with my food shopping color. So if you don't have the exact food shopping, you can use anything that you have ordered this. You can also use your magenta yellow. I'm just observe the way in which I am. The final so forth. Yeah, I'm not touching the yellow area that much. I'm just putting that being color onto my third portions. This is because if we go in the yellow area to blame that being at the moment right now, then the Bingo don't endorse slightly oranges sheet because it will get mixed with the yellow color. So that's why I didn't want died in the first place. So now after we are done being being awake portion, then I will go and slightly blamed the yellow with the pink to get a nice, even smoother blamed. So we are doing the sky right now. So that's why I want a nice smooth transition. You can also add some orange ADI I just move the yellow area late. I just I had my orange over the yellow part because yellow is becoming like a drastic difference from big to yellow. So that's I've just decided to warn, and orange in the centric bite and then I'm deciding mode of pink pigment and besides ADR and just go on getting it. Now in this I dread part, again, just my water has dried up for the people, which is that about so I just given a sort of wash. And in the central area you can see I'm just spreading that pink color itself with a little what DO upward. So we have almost covered though, same like the bottom half of the beat, but exactly. So just to blend nearby lowest naive SLI, this wash is marked diag I bring Berger does not also a delayed. You can see how dark of the pigment we have given a wheel. So after that, we'll start with the blue color. So I'm going with my nice aqua blue color. You can use your peacock blue orders. You are a quad blue or you can also hold with your light bluer or bite you if you don't have these exact sheets. I'm the dad, I'm starting from the topmost part of it, more for the Olympic mink. And I'm going below, and I'm just like Great Lakes lately trying to blame the blue with my pink color sheet as I move below. Just try to get that nice graduate smooth blamed if you're B, but it's nicely read, it will evoke well, after that is done when the baby, but it's still read only real quickly, need to make some beautiful colors. So for that I am using my portion blue, yellow, and I'm using my normal six round brush. And the dad just see the kind of strokes that I'm making to make this cloud as megaliths getting light though, I am using it to just draw about clouds. So I'm starting with the darkest shade. And after adding the dark share, automatically the gullible go on reducing in my brush and it will start getting lighter. So whenever you need more help again, just take MOOC Olympic, maintain your brush and continue doing it. And if you have some lighter pigment left in your brush, then use it to just stop him some random clouds at vetted as just, you know, feeling like it's staggering around and just merging with this guy. Well, so remember we are not going to overcrowd the sky with the clouds. So just keep a control on your number of clouds and the kind of graphs, brushstrokes you are making. So if you are not confident enough and making the flowers, then it will be great if you just keep on observing me slowly. You can also keep on pausing the video. And this do not locate the approximate placement of the clouds, which read, I am drawing them and then draw it accordingly, orients you can also try them according to your own wish. Not a problem, but just remember that door. Don't make many of the clouds. Just try to give them limited. One observing and drawing painting accordingly, don't worry so much. You can see I'm just making very random strokes, but just remember not to add too much of the strokes. Now the thing you need to remember is just see where I am giving a darker pigment. I'm bad, I'm using the lighter pigment. So by lighter big main di mean that for the dark pigment than the pigment is very dark. I'm using more of pigment and less of water. But when rate now, when I am using a very light bulb codon, that is then I'm adding a lot of water to it to get the lighter sooner. So see, now I have a bit more of the Olympic rings. I've taken modal fortune blue, violet on my brush to add some nice Deb, thank shadows to the ground. So that's why I'm using very pigment good gallery now. Whereas for the areas in which I've used the lighter strokes that I have used mode of water and less of the calories the same. I am using only the motion blue to create all kinds of clouds. But the lighter beverage is the one in which I have added a lot of water. And the darker one which I'm using right now is just direct color pigment. So now that we're done with the entire sky will start making some beautiful elements to add in the bottom. This I am making with my black color only. Just keep on observing them. We'll start with some buildings, then we'll move on to some other buildings. Then in the third part, we'll just read a mixture of buildings and trees. And in the fourth part, we'll mainly draw some trees. I'm something like a village background. So you can use any of these four backgrounds. You can make the complete when dealing with one single type of background or as you can just draw it accordingly like I am doing by just using the free and the dealing elements for each mind. It's totally upon you. So even if you use four different elements and complete dying database, I'll keep them such that even if you use them and keep this as one single bending, it will still look nines. So I just make a gradual shift from the city to the violet side. C, you can choose to draw any of these. I adjust one, adding them, victimizing somebody around grass, you can use this smallest brush that you have to get thinner lines. And just keep on observing how I am painting those. And just go on being done accordingly along with me. Hi. Hi. Hi. As we speak. Hi. Okay. Ok. So we are done with the word DOM elements now all the above by this, just this guy. So I feel like adding some more elements to the upper byte. For that, I'll just add a few electric wires and a few birds sitting on those wires. So you can just still see those gates fully Android accordingly, you can use the smallest size brush for this. If you wish to use a marker or abandoned steady, you can go for that as well. But I prefer drawing a diode thing, leave it typings, so I just go ahead and do that. Don't worry if you're going good, Perfect. Ten lines or anything, doesn't matter much. Just feel free to paint along with me on this job so carefully and keep painting. In this lesson. Possibly. And we are done with this too, and just add a little amount of foliage at the left corner. So I'll just assume my tree is, some branches of a tree are coming from the corner. And I just add a little foliage file forced make some branches coming in from the corner, like a part of the tree which is coming in the frame in aperture frame. And after adding the planters, I'll just add some foliage or the leaves to it. So for that, I'll just, I'm just using my black Palo watercolor and I'm just tapping my brush on the paper to get a nice stippling effect of the leaves. So it's not very difficult. I'm just pressing the brush and wet random strokes to get these beautiful foliage or the leaf effect. So you will, you can just observe this. The wind much I am doing it and you can just tap your brush to get this beautiful effect of the leaves. It's very simple. And now we are done with this view, the full sky. And I'm just loving the beautiful shapes of it. So just remove that. They absorbed slowly. Don't have any way to in this school slowly and removal of your beeps. And after that, let's see how it looks. Oops, a little part of my beeper came off my levels removing the deep. But don't worry, I'll just let you know how to fix that problem if it happens with you. So we'll just remove all the DFS forest and I let you know how to fix it. This happens with deal. We'll just stick a slight amount of similar color in your brush, which is there in that particular part. And just go and paint over the part. Just do this very carefully. And you will not be able to notice any problem in that particular part as much. So this, you know, fix the small problems or defects that you'll see in the being dense. It's very easy, like decider. And if, you know, after doing all the painting, if something happens and I know you feel like it is ruining European thing. It's not always like that, that are Greeks by which you can fix up all your bean things. So don't worry, don't get this. Are there any such small problem happens after you have done being dangled almost when you're finishing up. So don't worry, you can always fix up, just try to get some feedback. You can also contact me if you feel any such difficulties, moral problems I did definitely held under this, we are done with the painting. Hope you enjoy doing it. It, it didn't. The CEO walks, you get next lesson. 14. Day 10 : Colorful Sky - Sunset: Somehow be but it is ready. I sleep, sleep. So we start giving an ice water wash toward forced because we will be doing again the Reagan right technique here. So I'll give a nice thin layer of water wash domain via people. You can use the biggest size brush that you have for this wash. You can also use a big o flag brush. So it will be easier for you to give a nice, even worse, make sure that your entire paper is covered with one single thin layer of water. You can go with the cross worse, which is go with a horizontal brush moment for the entire paper first and then go with our vertical movement. So that will help you covered all the parts of your people, even leave it one single layer of water wash. So for this particular painting, I'll be using these watercolor ink colors. So these are the fellows by any of the blind follower's work ready similar. So any watercolor ink with voc similarly. So I'll be starting with my aqua blue color. I just drop two drops of my watercolor ink on the people at the top part, then I'll just quickly start spreading them with my brush. So if you don't have these watercolor ink colors, don't worry, you can just use a similar shade of blue from any of your watercolor tubes or pans and continue painting this, it has this same thing. I'm, it will almost give you similar results. The inks are more pigment than your normal bands. That does work. I have absorbed by any of them will really well. So you don't need to worry. The millennia have dropped some food shopping color at the bottom most fired. And I just go on spreading it As I move upwards. So the bottom most part as big mentored and you can see I am just reading it on my clean water wash with my normal clean brush. I'm not as violent as getting a nice gradient. I'm just blending the two colors at the central part, but there's a great bargains later because I have no direct and Nikola becoming dead. So the top part is nicely blue. This bottom partners may sleeping. And the central part is just the blend of both of them. And without much pigment, hair color, I've taken me a number round brush and this time I'm dog dropping the ink on the paper. I am just taking some purple color or violet color watercolor ink on my brush, on my brush. And then I am just going on adding few strokes with DAG seem big mentored brush to make some beautiful abstract clouds on the building. So you can see the Incas more pigment it now and we have taken it on the brush. And as it does, getting the color is getting on, you'll stop. I just spread it like some parts and then a date more color. Then I start from the left-hand corner. And again, I'll just go on adding few strokes, randomly, smallest molecule of strokes. And the moment the pigment gets lighter, you can keep on taking more color into your garage and repeating the same process. Or else you will also need a light pillar, the old color clouds at some places. So you can use the brush with lighter pigment to add little lighter clouds like so did places like this. So we're going to keep it warping, mentored at the top part and the corner of marks. And in the same tree barks we adjust US law pigment, good color to get some lighter clouds. So now we are done with this beautiful background evening sky. And now we'll start adding some details onto up in dealing with the black color. So these I am adding with my phone number, round brush, pen, then stick the black color in the branch and observe how I am being triggered and go on doing accordingly. Just observe carefully the steps that I'm using to draw the particular trees or bushes at everything. I'm just go on doing accordingly. Whenever you invent to get to know alliance or points, make sure to use the tip of your brush only. And whenever you want darker colors, you can use the rest of the brush surface area. To get those. You can use the same type of blanks for the entire picture or you can use the variation like I am doing. So I am just showing you a few variations of small bushes are crops that everything that you can use, you can choose to use any of these that you lake and complete your being with me. Hi. Hi. The image. Hi. Okay. Hi. No. Yes. So now we are done with the black detailing part as well. So let's just Lolita more wipes off from the paper. Go very slowly. If in case this happens on the paper, is coming out with the team, This start taking it out from the other side. So just slowly remove all the beeps one by one. I'm starting with the central ones and then going afterwards with Docker. No one's like peeling off the tapes from this tires. Make sure too, that are more dark an angle away from the people. After removing the ellipse, I'm just clicking my brain bringing the 40 yard I met yet another beautiful painting. I hope you enjoyed doing it. See you again in the next lesson. 15. Day 11 : Forest - Evergreen Trees: So as usually we have a nicely and divided it into four parts. If you haven't seen how to do that, just go ahead and watch the earlier lessons on preparing your paper first, and then continue on with this lesson. So then I'm giving a nice thin layer of water wash domain diet. People go with a nice growth swatch for this, which means Skype goal with nice watercolor wash. And then the totals on below wash. So this will make sure that you'll be but it's entirely nicely covered with water it on all parts. After that, this time, I am going to use a very limited color palette. So first of all, I'm using the light green color or the leaf green color that I have. So you can use any similar, whichever you have. And here we are again going with the wet-on-wet technique. So just apply the greens on the places that guy I'm doing. And for the rest of the bar, just go on spreading the green with your normal water. And just use the correct technique so that the colors will nicely set date on and there won't be any prominent visible stroke so that I don't read technique will actually help you with that. And that's why I really recommend you to use a 100 percent cotton and 300 GSM watercolor people. Because that will actually help you get a nice blend with the wet-on-wet technique. After that, I'm just taking some brown color so you can use abundant bird Audubon cnf orders, or you can also use your yellow ocher for this. Any of these fellowships will be fine and good that I'm just making a rough random pathway for the forest. So right now we are doing the full slate of the drawing. So don't worry, they'll be intimate. Start getting more and more enhanced as we start adding one more layer stored. So I'm using another open ground Gullah, that guy have you. So you can use any similar shade or if you don't have the similar shape, you can instead use your bond on board for this. But you can see hello is that I'm using right now and not back pigment datasets. We are just doing the full scale and we are using the wet on wet technique. So I'm not using very highly bit ventricles. They are just like the first layer of watercolor, which we do. So just to keep on spreading them with water whenever you feel. Also keep looking at the places where I am making those and keep doing it accordingly because this is already the technique of painting which we are doing today compared to our previous lessons. So now I'm taking my olive green color and I'm putting that accident places. So these ground and olive green areas when I'm making these slightly darker pigment, good practice. Going to be our grassy areas. The center one is going to be our pathway of the forest, and the above ADR is going to be the entire forestry areas. So this is an evergreen forests, so we'll be adding many, many green trees there later on as we move on to our next layer. So this layer is only beginning stage, the fourth layer, so just nicely blended. And then it also just died on more pigmented color, the central part because it was very late, so I have just started late or she does not highly recommended. You can see it is just a light light green wash. And again, I'm just studying or liberally in desert in Bart's. Again, adding a little about Darfur lived in at the back side. And I think I learned some little amount of my late when balance sheet to the corner areas of the background, Bart. I just want them to be slightly darker compared to the central area. That's fine. Just adding a little more color pigment at the extreme DHAP and the corner parts of the spending and the sensory part is comparatively later. So just spread it nicely. Now we'll start darkening are certain areas. So I'm starting with the olive green color again. I'm just see the kind of strokes that I'm making. I'm making slightly slanted strokes. So these are slightly the texture of a grass. So that's why I'm doing these watercolors are slanting strokes with olive green, yellow. And you can see my bottom layer is still wet, so I'm not waiting for any layers to dry before I start doing this. I'm just starting small thin strokes with my olive green, yellow to make some nice grass effect and the grass texture onto the ground. Okay. I'll just start adding a few details to that. Or you can use your yellow ocher color for this directly or else you can make silicon amount of burnt sienna, yellow ocher color to make this. So first of all, I have given a thin layer of water color wash to this area of my yellow ocher color mix to it by buoyancy and alkalosis. After that time, adding as little amount of pigment and strokes at the corners as you can see, the horizontal strokes. So now as we did for the left area, I'll also add a few strokes of bone down, but again to my right side to make a few dark glitter glass strengths. For the dog bark. I have taken the light green color in my brush now this is a big painted color DACA have Kraken. And I'm using my phone number round brush for this. You can use any brush that you have, whatever you're comfortable with. But it was a smaller size one for making these. And we are trying tree trunks which are going straight about, don't draw them, do take, keep them are for limited size of an approximate size that you can see right now. This is around 0.5 centimeters. So that's like half of one centimeter. So maybe that much take you can meet them off around four to five m m thickness and just make them fit one single brushstroke. Or you can do this when your background color is semi dried or is fully dried. Don't do this when the background colors do it, otherwise, you will not get my stroke. So that's why we were doing the bottom portion force. And meanwhile my background Boltzmann semi dried. So now I'm starting with my trees. After that, I'm just adding like tapping my brush with the same gallon the people to make some foliage of the same trees on yet so did leases don't always do the foliage. So now we are done with the light green stems of the trees and the trunks and the foliage, everything. In this entry parts. We are going to keep the center parts later and we are going to add darker trees as we move to the edges of the beat, but off the beam deck that we are being done. So now I am just using my olive green balance. So does is rather dark or liquid in it is our middle shade of the light green back I'm using and of my Docker or live green. So I just show you for making this shared. I just mixed a little amount of olive green and I mixed my lighter green to this shape to create though between shear, the middle shear, which was between light green and olive green color. So I just mixed olive green and I am excited by light or green to get the sheared. If you don't have this lighter green, then you can create this light green by mixing your lemon yellow and a little amount of olive green or S, for me, kinda middle share that you can mix olive green and a little more of lemon yellow. So in that way, you can also create olive green sheets that differentiates or for leptin basically. So with that, I'll go on adding the trees with the similar technique. And after the later olive green share, we will move on and we'll add another layer of fees which are in the foreground. And those will be with the darkest olive green, which is the direct olive green color. So these trees are seen and three letters, so the later ones are the ones which are very far away. Then there are the little medium colored trees which are linked in faraway. And the please, which are very close by, are going to be the darkest. So you can see I'm making the leaves. I am deliberately leaving some white spaces in between them. I'm just dabbing my brush on the people to get small, small dots like stippling or small strokes. And then with that, I am making the foliage. Just keep observing which Laura I am using. I am using the medium Galilei rate now that we are more leaf color. And after that for the Cornell, use a media molec, olive green color forced. And after that, I'll either darkest olive green gonna do are the foreground trees. Hi. Okay. Hi. Hi. Hi. Hi. Hi. Okay. And with the beautiful alanine easy trees. So here are a few darker sharp grasses. The charges, you're not age of the pathway. So for that use your doc is stream follow. You can use olive green borders. You can also use your darkest, any darkest green that you have, essentially use that. And with that, just use your smaller brush and make these small thin vertical strokes. Just started small lines below the grass with the same green color. And then I'll take my or liquid in Gallo, which was lighter than this green. And I have the grass behind with the olive green color for though ADRs which are to weaning which are behind. I like that though, olive green color and the brown color. So you can take the bomb tomorrow or else you can also take your bond sienna color and then add a few horizontal strokes like this, which are just at the edge of the pathway. And then just slightly a little amount of work. Do lake, just clean your brush and clean water. I'm just slightly split these strokes inside that or to get a nice dark edge. And which will also the market, the shadow of these like grass and everything. But that will also be the same grass strokes for the left-hand side grass. So we'll go for the darkest graphs with our darkest green Gulotta, which is near the water media as barks. And after that we'll also go with the olive green color. So didn't bars, which are they behind? Let's increase. So now we're done with this being 10, and we'll just go and score later. Bullfight beeps. If you feel like your deepest coming out wrongly from anyone barges him away from the other eye. And it will go and our good and the deeps for the edges remove word just with an angled away from the people so that your people will ignore it off. And once your deeps are removed, then you can just start cutting your painting and do different parts to get a nice abstract look. Do it or else you can just keep the building like this hazardous and use it as a nice picture frame or calculate and use them as individual bookmarks or in any other way, whichever you can be creative and use it accordingly. And so if you are enjoying the class and trying out different being things, don't forget to upload them on the Suilin project section so that Eigen also have a look at them and get the chance to appreciate your work as well. Let's read to see how this painting looks, whether it's gotten done. This is the beautiful forests we created today. See you again in the next lesson. 16. Day 12 : Forest - Autumn n Deers: We are back again with another lesson. This time I have again did the people nicely. If you want to know how to do it, then just referred to that lessons before this in the starting. I have already since I'm taping the people and preparing your people, you can watch them out first and then start painting with me. So I am just going to draw a beautiful or dim for the scene with some dealers. So I'll just start making a few doors with my pencil. I am going with the process slowly so you can just observe how I am doing it and just simply draw with the pencil along with me. It would be better if you draw it like though I am disjointed now goes to that though. This clearly visible to you on the camera. But you can definitely draw it later in the course fleas because if you see the pencil lines very dark, then it will be a problem after being done. Because in watercolors though, pencil marks will be seen even after being Things sensor. There's not an opaque medium where there's very transparent. So white watercolor lettering. Always remember to keep your pencil marks very late. If you are working with a reference strain off your pencil when you start before the being done. So I've drawn this one video which is just facing the credit side. Then I think we draw another one at the back in the right corner. Looking the other direction may be at the right side, so I just draw it very lightly. And the DoD which I am drawing now is in the file backside. So the size of the deal will also be small local bank Didot when which we have drawn in the front one. So make sure to draw it of a very small size. This see the proportion. So the bytes of the beeper will actually help you get the proportions right. So the first year retreat rule was on the top part and it was almost like half of the height if you consider from the horns. So it was just like half of the paper and hide and it was almost gobbling name, diode, word by word. The fourth one, if you can see, is very smaller in height as well as in the word. So it does basically are labour proportionate, smaller size. Now we'll draw another third one. Again sideways looking at the left part. So again, the width will be like I'll be covering the entire forced part and I'll just draw it completely sideways. Lake, it's binding on to eating something. So the end, the start doing the width is almost like covering the entire first part. And you can slightly among the height, it's, you know, just in the central part of the fourth portion. So disproportionately tried to draw it. And once you have completed with the drawings than the pencil lines are looking very dark, you can just lightly erase them off to make them lighter. And after that, we'll start giving a nice thin layer of water wash to add in diabetes. So again, go with a nice growth towards that goal with the vertical brushstrokes with your water wash for us to handle and go with horizontal strokes with your NDI order wash. This will help you get the water nicely and evenly throughout the beeper and you will not leave any unwanted dry areas. Then let's start with the first wash of IV in this painting is going to be in different layers. So for the first voyage, I'm just mixing my orange follow with micro Mia local mode of orange obviously, and the little amount of yellow by law, just to meet God intelligent later. And with that, I start giving and I watched the entire people. So while giving the voice, you can either just, you know, go being done with a smaller brush lately and give the entire watched like diabetes or else you can just completely cover your people without bigger sized brush and give a nice wash. So we are going to leave the area for the sun in between. So you can leave it like this. Or it is, you can just spin their diet EDR and then bigger tissue paper and tap off that by learning the sender to mark your son. So I'm just showing you the frequency isn't which you can start with the first wash. So this is one way in which you can just go on being bandwidth the smallest size brush, and apply your beam evenly on the entire BIBO audience. You can also leave their deal is if you want for the forced wash. But all of this becomes very tedious to do one by one. I'm go with a smaller brush to get that even wash to the entire people. So this you can see is becoming difficult. So that's why instead, what you can do is just stick a bigger sized brush. I'm date by letting the brush, I'm just simply give a brainwash, do your entire people. So just stick some more Gallery in your brush. I'm just give a complete wash to yachting diode people. So you can see now I am just giving a plain wash off my orange color. Do they in diabetes? So you can simply say don't do this technique and it gave a blade wash because we are going to be adding layers. I'm divorced wash. We're not my God like much, but just make sure that you are. Using a lighter color to give you an entire wash forest. And after that, just add a little more pigment. Good girl at the top, but I'm at the bottom part. So we are going to keep the top and the bottom parts lately that go come back to those central parts. The central part you can see it does a very light wash or does very, very late on the bottom and the top part are slightly bigger minded. I again, just remove the central Gallo, do mock my son. Now let's make another slightly darker here. So for that I am taking my audience color in my palette first, and I just add a little amount of rate do this so you can go with those Skyler dread. But any other similar red learned over the crimson red go with the warmer red shade. So I'm just mixing a little amount of scholar trade with my orange. And with that, I'm just making some strokes at the border most fired the Mach, some grass. So this is what I'm doing. We're going rate. So you can see they are not very defined grassroots, so I am just making vertical thin strokes with my brush simply, um, they will automatically get slightly blended with the background. So that is the effect. We want to get the wheel a little softer effect. And after the grass will be done, we again mourned and others are perfect for the upper foliage of the trees. So for that, I'll just again take some orange color. So this is just a highly pigmented orange color. And I'll just go on dabbing my brush on the BIBO to make some foliage. So again, we get a little soft effect for this one as well because our background is still rate and we are doing the wet-on-wet technique used for the background foliage because we want the background to be soft good. So this is another trick which you can use for those who don't know where to use wet on wet all the way to use regarding dry. What suggestion I can give you is for the most like the behind the most elements or the background elements you can go for with the red dot right technique because those will create a nice soft effect for the background. Or if you wish to show like a bladder effect, or if you wish to show something is there in the white Arthur distance from you, then for DAC, you can go with this technique because that will create a nice soft effect for your building. Whereas for the friend elements or for the elements which are weighted focus, for those elements, you can go with a wet on dry technique factors. You will have to wait for the painting to dry up completely before you start painting those elements because then those elements will be seen very crisp, fine and you know, ready for effect with strong edges. So those elements will be your foreground elements or the elements you want to be in focus. So for those elements you can go with a wet on dry technique. So we'll be using both of these techniques, combination for this particular beam thing. And you can just remember this combination and you can keep on using it and all your other buildings as well. Now we have again taking some orange blood sky literate. And we waited for the entire painting to dry up before we are going with the sled. So once you have been doing is dry, we'll start again with a wet on dry techniques now, and we'll start adding some dark wood foliage and darker details onto our painting. So I'm just tapping my brush again to create some leaves of the trees and some beautiful foliage. So this magnet leases, but I'm tapping it. Just observe carefully. I'm keeping painting along with me. Hello. I'm simply tapping my round brush to get this foliage and I'm leaving some spaces in between. As you can see, I'm not just coloring the diarrhea, but I'm just making small as wiretaps on the beeper to get this. Beautiful abstract strokes which can create beautiful foliage ready easily. I will again use the same color to mark some stems were enjoying these stems are branches. Just remember that you'll need to get them very, very fine. So I am, I am simply using my round brush for this because I am They used to create them thinner lines with the same brush, but I'll suggest you to use the thinnest brush that you have to get these lines. Because if these lines thicker, it will not look nice. So use the thinnest tennis balls that you have used. The smallest number you can use 0 or triple 0. Use any fine brush that you have to create these very, very thin lines for the branches. And again, you continue your bronchials that finessed brush to create. These could ask stroke scientists using my same brush and I'm just stop drawing vertical lines and a slightly thicker bottom and autonomic edge. So you can do star control your brush in a way that you will get thinner edges or going through the edges and slightly broader bottom portion to create this grass. And the bottom-most EDR, I am just slightly, I'm adding some horizontal strokes to discover it slightly with being because we are going to add another darker layer of grass onto it, 80. So I have drawn the cross for the entire horizontal surfaces. I'm just slightly pinker though boredom media with the same color. This is again, the same colors you use for the trees like this, orange plus a little amount of scarlet red. What we are doing this layer after that forced background lead of the beam has completely dried up. So you can see the beautiful soft effect which has created in the background. Are you ready? So that is what we wanted a allele. Then I'm just adding some graphs are though backside. So this part which is that in between the backside grass and the front side could ask this water. So you will see the audio software effect which we created is automatically looking like a beautiful reflection of the trees already. So that's the little twist in this painting. The central biters going to be water. So the grass which is there behind, is the other side of this shallow water body. I am the grasp is that in the friend is the edge of this, or the body, which is the front side. Now we'll create some doctest gallo to make both most foreground elements. So for that, you can just simply take your orange color and add burnt sienna color to it. The data, we'll start getting the leaders in the similar way which we did for the earlier layer. So you can again wait for the earlier layer to dry up and then start with these. So we'll add the foliage at. So didn't bards to make a dongle will not added on all the bars. We'll just add a layer, do so didn't Barb stomach, some detail radius. We'll also do the same for the grass which is there below the water. Most EDR will add a nice dark stripes of grass at the end of the BIBO? Yes. Yes. But that will start painting IDEO's one-by-one for the OS will require to shear so on as the dock is shared, which we already have on our palate, which we used for the auditory areas. And another shell is going to be unshaded like dartboard, which is going to be a board of orange angle, very little amount of currency and outward. So with that said, I'd start building their dealers. So this is the lightest shade, which is my audience. And I have added a good amount of buoyancy and Abdullah do it. And the dad I completely beyond the entirety or forced. And then we'll start adding the darker shade, which was mode of bone CNI and less affording to add some details. So I adjust either darker shade later on when my first orange color is still wet, I just either limited amount of Dr. Shin do highlight so the media so I'll show you how to do it. So this is the light dot audience shared image behind me. And we add phosphine, take the entire deal with that alone Completely. We'll also add the nice ones for the deal. So make sure that your mean Han is lately takeoff, but the branches that you'll have for the Han are very, very thin in size. So you can use the thinnest brush that you have for this again, the darker color which was the bone CNR plus orange, I mean, art that but the bottom portion of the video to mother declutter areas, the deorbit just there and on the other side of the water body, which is that far away from though frank one, is going to be just in one single plane, lighter color because that is not visible to us in that much detail. So we are not detail in the Cloud. We are keeping it for as a background element. And with one single lego sheet. We just started a little cross here and dead Besides there with the self and the slate reflection. Then for this year, which is also in the water body. So the friend one was standing on this side of the line and the second one which we are building right now, it's standing in the water and the total one is almost to the other side of the water. So again, this one will be emailed out, so we'll start with the later color will just completely be the entire deal with the lighter color which we hide, which was more photons and less of points sienna color to it. And then we'll add the Dockers here, which was mode of going insane. Amount of orange. Videos are done. We'll start with, I'd like dot audience here, which was orange glow, certain amount of burnt sienna. And with that color, we'll start adding details onto the water. So this is the shallow part of water which has some grass in it. So we'll add a little amount of grass at so didn't leases and we'll just draw some horizontal lines for the reflections. Simply adding a lot of water to my orange color. And then I am just slightly making the trees in the background. Taco. So for this, I have I did a little amount of water to my orange color to make it lighter. And then I am drawing the trees going up from the bottom portion of the ADR, which has the grass in the background, which is at the end of the water body. And then just darkening the trees which I had already drawn for the forced background. Dark with the same orange color, which is the late DACA alone after started with that amount of water to make it lighter. We'll just add a few details for the reflection. Some orange mixed with born sienna. I'm just slightly dark on the edge line of the water body and also me, a little amount of grass to mock the exact what the bodies and make it very thin with this one it says trash amino side of you reflection lines with the same color. We are done with this being things. So just slowly they move off your hips. Make sure that I move that beeps after you are in dire. Painting has dried up completely, or else there will be chances that your paper will get ripoff, but that beep and we don't want that. Make sure that your leaves completely dry it up before you start taking it out. This will reduce the chances of ruining your people. And the deep side the edges make sure to remove it at an angle of V from the lake this slowly so that you'll be but will not get better. You can stop guarding the people to use them as individual bookmarks or as an abstract painting or as you can just keep it as it does lake now, I'm just free might unquoted on your wall or on your shelf to just showcase your beautiful artwork. Also, don't forget to add your paintings onto the student project section as a menu competed, I definitely keep taking the predict project section, Bailey and all your feedbacks do. So I really get happy when I see you being, things come out so beautifully. The U and M in the next lesson, I hope you're enjoying this class. 17. Day 13 : Snow - Mountains n Sky rope: So now we have again the Flappy Bird and cryptic up for the next feeding. Reinforced start by drawing a very light pencil sketch. It is going to be already simple sketch or for snowy skip. So just stop. So how I am drawing it and destroy it simply with me. Make sure to use your Benson lately I'm just drink it dark forces to show you how it is exactly the host to be. Like. You can draw this very lightly. We just draw a simple skyline virus Dido kind of cards at the top of a people. And then we'll mark a nice ground line at the bottom. And we'll add some Mao been. So let's just start drawing this one by one. So now we have got basic drawing Savile start painting it. So the phosphate is going to be ready light for that. I am just taking out some blue color. I'm taking on and sky blue color and some cobalt blue color in the same place. And then mix both of these color to create a light blue shade. And I also had a lot of water to it. As you can see, I'm not using them very pigmented. I'm adding a lot of water to it because I want the colors to be very light. So this is w, which we are going to be using for the first layer packet will be our light wash, and then we need another darker yellow. So for that you can get a clear, you use your portion Gallo or as you can mix it a good amount of fortune and ultramarine blue with again, don't depict very big man, good, we are going to use it for the second layer. So just a little amount of water do it because we don't wander topic mentored. Now let's start with the water wash for using the wet-on-wet technique, use an artist brush that you have for this, but this time we are going to give the water wash only for the sky. So I'll just give the wash completely to the sky. Why our cards as well. But I am not going to give it to the mountains angle the ground area. So just give it up to your mountain ages. That is about abortion, dot-dot-dot, powerful fuel before you can give our the washed away nicely. Then we take the lightest color which we hide an art brush, makes sure that the color is diluted nicely with what do I not very big mentored. And then we'll start just dropping the color with our brush. Exogeneity does to being the lightest layer of the sky host. You can see I'm deliberately leaving some white spaces in between and I'm only putting the blue color onto some ideas. And you can see it is very light because we are going to item would add more layers to it. So the host name, we wanted to be very light. So after doing their forced Lynn, we just stick more of a blue color and we'll start dropping it in certain areas to make some beautiful blue flowers. So I'm just dropping this big branded color and the shapes of different Clouds. So I'm just drawing these small, small strokes with my brush. This is the same six number brush that I'm using for the entire building now. And you can see just dropping accident pieces and don't use, again, you'll be gender color. I am using the same bellows which we used for the fourth layer, just the references like this time it has less water as compared to the earlier one, but you can see the consistency in watering. So don't use of eddy drag a logistics lately or dirty. And they are doing this when our earlier Larry still read, only do it at certain places. We don't want the clouds to wheedle patchy. Now after this guy is completed, we will start with our groundwater. So just given Einstein letter for the wash to the ground area. And then I have taken the earlier lightest blue color in my brush again. And then do. Randomly placing some strokes on that, what doors you can see this very light. And after that, I have taken my book, we'll color and then adding few more strokes. Again, make sure that you have added water in your beaker. We don't want the beans to be documented because this is just a very light-colored snowy scene. So we weren't a gallows to be flaky feed it. And right after that we'll also use the same biopolitical to add it to the clouds at certain places. Also, I like to tell you that my upward cycle at a steady rate. So I am doing this quickly when my upper layer is red because I want to do a return rate technique here. So that's why I am doing it quickly and make sure that your color is here. You can see, I'm just adding this fate, they just poeple, that's it. Not topic maker color. Then we are done with this guy. So let's move on to the mountains. For the mountains was to find me. You just apply a thin layer of water wash today, Diane and diode a mountain bike. Again, we'll take this view below that we have. And we start giving a slight shade of blue on one side of the mountains, which is going to be the darker area. So, you know, we had drawn those pencil marks at the very beginning. So on the right part of the mountains we are going to just being a very light blue color. You can see it as very light. It is not very big man, good color. We just want to give it a slight Doppler shifts. So that's why we are being taken with the blue over the right side. After that, we'll take a darker blue colors. So for those you can just make C occupied with your ultramarine blue and just started a drink enough black to it and also add lots of water to it. Because again, we don't want this color to be very pigmented. So you can use any similar shear which is nearby the scholar. I'm just give us light color at the right side, as you can see here, I'm using the wet-on-wet technique again for this, make sure that the opposite is not really big. When did you start a little drops of water to weight to make it lighter. And now we'll go again without slightly darker layer to the abundance. Again, this one is the breakdown record one. I am doing this immediately after being in the know Leo callow. And you can see I'm deliberately leaving some spaces in between the color that I'm using, a black color mixed with caution view below, you can also use any darker blue color that you have other than this if you want. And you can see, again, I have mixed a lot of water with my Kahlo because again, this is a lighter layer. I don't want it to be the darkest because the dog is bad is going to be a less clear. So this is just the layer before that. So I'm not keeping it very big Mender, I have idler deliver amount of water to this as well to make it slightly lighter. I'm just to observe that kind of strokes that I am doing. I am getting a nice picture with these strokes. I'm in the final layer. We're definitely add more texture to it. And I beseech you are differing by Don dry on dry technique for this, but for now we'll just copy this layer with the same method for all the mountains. Now, I have tapped off the excess color off my brush and the same color, the darker blue one. I'm just adding a little texture to the left side of my mountains. So you can see this time my color is very dry. Brushes they drive, does not hold any water. And I'm using the picture of Michael repressed people to get this nice rough texture with my dry brush. So I'm using the dry brush technique here. I'm just adding texture onto the left side of my mountains with the same darker blue column. You can just stop your distributed but on your brush to just take off the excess water from it. And then try this out if you're not getting this texture technique, but don't worry, you can force try it on any other rough people. Do get your brush completely dry and then you can add these strokes slightly Glady or gradual over the people to get the texture of the oil price people. And just keep already amount of color and water in your brush to get this texture. Now we'll start with the darkest layer. So make sure that you are. Painting has lately dried up before you start with this layer because this is not the wet-on-wet technique. We are going to need some nice crisp edges in this technique. So that's why make sure you're painting has dried up completely. And after that, start painting with this. So you can see right now, I am just making small, small strokes on the mountain with my darkest color. So I have mixed a black with my Gaussian blue. And this is a very big maintain color now and that I am meeting some small strokes with my brush, as you can see. So this is simply the normal painting technique which we use that I don't dry one and you can use it like this. Orders what you can do is stop your excess paint off on a dish. People, I'm just glide the brush across your people in this model to get the dry on dry technique. So this is their dry brush technique that we are using now. So you will get this kind of effect with the dry brush technique. I'm using the same, but the difference is that I am not using much of water. So I just tapped off my excess water on the tissue paper from my brush. Then with my dry brush with very little dry color on my brush, I'm just using my cold press watercolor paper spec sure. To get this nice effect. I'm texture on the people. So we just do this similar process for all the mountains. We are done with a beautiful snowy mountains. I adjust my lavender color and I just add a few strokes with my lavender color on the ground. Again, this is mixed with what those, so it is not very big mentored. And now let's be the card. So we'll start painting the sky where guard. With Homogeneous Doping Kahlo, you can use any color of your choice for this To problem because this is not our dedicated element, like a sky or a mountain, which will be in a particular color. So you can use any color of your choice for being dig this, I am taking the magenta color to go with the color scheme. And I'm just painting the guards slowly and very simply directly with my color paint on my brush. This is normally wet and dry technique that we are being done with. So just observe carefully and we'll go on painting with the gallows and the ELBO zinc black color for detailing some of the areas. And I'll be mainly using the agenda for the guard. I'm weekend just died or danger blue for those central mirror part of the card. Just keep observing. I'm painting along with me. I am adding a big amount of boy electrodes to give it a little amount of shear to my card. Then we'd start dealing out with the black color. Because same process for my other smaller card, which is that fight distance. And then I'll add the black color. I'm just with the 10 brush. I'll complete my sky wires that my black color. We are done with this beautiful no escape. You can slowly take off your peeps from the people. And after being off the tips, we'll see how the painting books once we cut it into four parts. So you know, you can simply cut the parts and use them as individual bookmarks or else you can frame the entire thing together after cracking replace an actor does sanctify yourselves, so on. So I hope you are enjoying this class and see you again in the next lesson. But another beautiful painting. 18. Day 14 : Snow - House n Snow : So we are done with the basic, easiest drawing. Now for the painting will only need a very light blue color. So for that gate, the lightest blue color that you have in your pilot and just mix a lot of water to it because we don't want up a little bit opaque vented or the library. So that's why I'm adding a lot of water to it. As you can see, that it's very late and not developing printed. I have added a lot of water, the wave, and just skip this colored Valley because we needed to share certain parts of our anti-doping them after giving that color AD legal amount of oil, that color radio if you want. We'll required later on. So again, don't keep it very big advantages of a relate Euler. Euler by adding a lot of water. Do it. After that. I am just giving a nice water washed my entire sky area of the painting. You can see I'm only painting though upper portion of my drawing with a thin layer of water wash. Now that the washes on most computer wheels just steak or light blue color on our brush. So I'm using my six number round brush for this. And I'm just taking the earlier, lightest color from my palate. And you can see the kind of strokes that I'm making to just mark or danger of blue in the sky. I'm not painting the entirety of lean. I am keeping it slightly cloudy and that's fine. I'm just feeding random strokes, leaving some white spaces in between to create a nice texture for the sky. Now when the background is deliberate and agent start a fuel strokes lines going vertically, marketers solve trees which are visible like a very long distance. So I just want that danger of green and a slight texture. So I'm just marking some vertical strokes with my light green color. Again, it doesn't look very big mentored. I'm just letting it slightly mix with the water, the background which is there. And I want these things to be very soft as they are long distance, far away, so we don't want them to be prominent. I just add a little more off the light blue accident bars, a little pigment than the earlier one. Just to mark some nice clouds. Again, don't overdo this just at certain places. And set lousy done. Just give a light layer of water, wash your entire ground forced. I just missed out this step in the recording, but just give a nice thin layer of water wash to that diagram forced, I've after that start giving our danger of your lightest blue at the ground level at certain places. And after they're given pinch off, your latest OpenShift. Again, you can see there's mixed with water, not very vibrant. We are just using the wet on wet technique to give us late, dangerous lead sheet of types or even gelato. To our ground. I round is going to be all snowy, covered in snow. So that's why we just want the delta inches of blue just do mock though, you know, slate, blue shear. So now we are done with all the background elements. So we'll move on to our cows. For that. You can see I've taken these cribs inner shell and this is, again, are not very big mentor, I have added a lot of water to the color. Don't make it very light. So that's why I'm using this nice, beautiful light color. And I will give a nice single layer off complete light color wash to this end guy. A house with this crimson shared, which is by adding a lot of water to it, an accident. I slightly big banker crimson DO mock some darker areas. So just observe carefully read I am writing those darker areas and do it accordingly when your followers are still great. Yeah. Okay. So now we are done with the crimson Gallo. After that, I just have to add the border for the rooftops. So I am leaving this white strip to Mach mice norm, which has fallen on the roof and accumulated there. So that's why I am just adding my blue color actor roof edge. And I'll just blended Paisley with my weight brush on the sky background to create this predominant snowboarder for my roof. Will repeat the same on the other side. So you can see for Sam going with my blue color for that edge, just outside the roof edge. And after that, I'll clean my brush, just paid the weight brush and spread that edge so it just softens nicely. I mix this one with the sky. So you can see immediately the roof has got a nice, you know, prominence in the age offered. We'll again just use the light blue color and then slightly either at for the window panes, the blast means of the windows and the door. Again, use a very lighter color by adding a lot of water to it. And I'll again add a little amount of blue to my sweet young, just to mark some shadows. So for this, you can just state the light blue orders. You can mix a little amount of ultramarine blue in your earlier light blue, which was the watery blue to just create some darker shade on INH shadows. Seconds done, we'll start adding nicotinic Dre branches and the background we'll just draw the tree is at the background. I'm doing this with my gray color. Make sure to use the thinnest brush that you have for this, I'm using the same brush, but you can switch on to those more or less side stretch that you have to draw a really thin stems and trunks for the trees will compete this for the entire background region. Hi, sightly I found that his White House, so for DACA have taken migraines and drag my brush. This is slightly pigment hair color. And with that, I'll add the lines for the panels to my entire house. So the lines for the bottom portion are going to be horizontal, that as I be adding vertical lines for my roof area. Okay, awesome. Now I amount of black people by crimson red to get our darkest midtone share and the tax shield, I adjust the border, certain areas like the frames of my door and window and some householders as well. So just observe the areas on which I'm giving this talk is for Gallo, I'm just follow me accordingly and do it with the tennis size brush, go, I am meek. Some thin strokes don't make them very thick. Keep them as thin as possible. Yes. Hi. And now we'll go for almost our last element, which is going to be either three at the right side. So in the rightmost side, just take your black color and start making a tree strong, which will be thicker at the bottom and will go on getting thinner as we move about. Pseudo membrane vibrate the branches as well. You can start with slightly thicker ones. I'm go and meet them pointy at the edges. Go and adding branches as I am doing, just keep observing and just keep on adding them as I am doing. We're almost done with the painting. Let's just take out our hip slowly and steadily. Don't tear your paper by taking off the apes be very Zhang then make sure that you wait for your entire paper to dry up first before you start taking off your pips. Otherwise, there are chances back though, our paper will come out with the deep and we don't want that. We gave this drawing very light. I'm pleasant to get a different kind of mood and affect for this entire beam thing. And I don't really allow how pleasing it looks. So I hope you all are also enjoying these different types of buildings every day with me. If you are doing these findings with me, don't forget to upload them onto the student project section so that I can also have a look at them daily and just appreciate all your work. Now we're just fucked up being Dean, as you all know, into four different parts. So you can vibrate orange, you can avoid cutting it and directly use it as it is for your framing it unjust. I'm putting it on your wallet in order signals about them and use them as individual bookmarks. You can give them to your friends so that they can have a piece of your art as well. So just be creative and innovative and use your skill in different ways as you would like. But I'm definitely waiting to see all European banks. So keep uploading them and let me know if you are enjoying the classes. See you again in the next lesson. Have a great day. 19. Day 15 : Night - Moonlight n Mountains: So we have again crept up, up a file for our next painting and for sleep, I just draw a basic line work really lightly with my pencil. I am dragging slightly darker for you to know, visit clearly, but then you can make sure that you draw a flaky because we don't want the pencil marks to be seen later on. So for this particular painting, it is a very simple drawing that VV drawing. In fact, it's even okay if you don't draw it voice, you can just draw the center horizon line and just start with your painting directly as well or the problem audience, you can just draw the basic skipped. So what we're going to do is that central part is the mountain. The bottom portion is going to be the water, and the topmost portion is going to be this guy obviously. And we are just starting small rocks in our water. And we'll draw a nice reflection to it later on when we up the Internet. So you can just randomly add a few rocks, don't know where do the rocks or just keep them limited and scheduled. And we'll also draw a moon in the sky since we are doing a night scene today. So just draw a small circle in the sky, Drake, closer to the mountains. And now we start digging out the colors for this being doing. I am going to do this painting with a well-lit sheet. So I take off my purple and violet color. So I have two shades of well-lit guided me using, and I'll take out the black color to add the darker layers and details. So you can just take out any similar colors that you have a few, just tie one shade of purple. Then what you can do is you mix a little amount of Bush and build your pulpal to get that darker shade of the bull's eye. And you can mix a little amount of measuring that we are open to get the lighter shade of purple guy up. Oh, piece I'm just using the excess pencil marks. I'm just trying to meet them later because I don't want the pencil marks should be visible once we are done with the building. And just flaky, make them later and then start giving a nice thin layer of water wash. So again, either give them water wash, do when bite either dime and competing factors, give it to the sky area falls and then complete your Skyping them and then give to the what ADI and complete your order being more dense, you can just give it to though in diabetes or forest as we do it. This in most of our paintings are giving the washer and just tap off the Colonial, the moon barred because I don't want the colors to flow in the moon. And after that, we'll start being things. I'm starting with my darkest violet color. You can see I'm using nice pigment hair color the same. We are going again with that. We're done right technique and the book. Well, we literally every time giving topmost part, but I have left a bank, a bow, as you can see. And then I am going in with my lighter purple color and with that, I am coloring the bottom portion delta horizon line. And as I do so I'll go on blending my open with my toilet color to get a nice smooth gradient to the entire sky. And after blending the purple color, obviously the member do leave the speeds near the moon. We are not going to follow the moon, so just get fully been on ice, so-called near the moon ADR and leave that space. And after that, I go and start adding it at the topmost part once we are done with these blending. So if you think that your colors are like big main gear, you can add more yellow, the same gullet, obviously, you can add more layers of that same galore do just in Greece, the Olympic made a few wish orders if you need to district yes, you're blending, just make a dry, then you can again go with another lead or undo it. And remember this I am doing when my early alkalosis didn't wake. After that, I go with my black below and I'll just give a black shade to the topmost part. Don't overdo the black. Keep it limited with the topmost EDI and then slightly blend the black with your Docker boiler to balloon in a nice, beautiful gradient. Make sure that there are no visible strokes on your painting dry to smoothen it out into a nice smooth gradient. After that, we'll start with water media. So since might be just straight up a bit. So I just give another layer of water wash domain dire bottom portion of the people before we start with another add-on technique for the work area. For the word that again, we'll be using the same shapes because the order is just a reflection of the sky and do it. So fourthly, I am going in a reverse order, so I'm going with those later color. For now. And you can see for the water I'm not trying to achieve was Muda blank, but I'm trying to get some strokes going from the edge of the paper to the central part. And in the center part I'm keeping it light bearing shared because that is where our moons that reflection is going to be. So we want the center part to be laid out in the shear. So just go with horizontal strokes. Keep them lake visible. Strong strokes if you want. Give it lighter in the central part and darker at the bottom and the edges. So next time going with my violet color, and you can see how I'm blending it with horizontal strokes. So these strokes will help us create a nice shirt off, you know, smooth water. And it will kind of create some extra of water ripples over the water. So that's why I'm not smoothening these strokes, but I'm keeping them as it does because I want, but literally texture domain dialogue portion. So now I'm done with this. So week 4, your thigh, your painting to dry up because our background layers are done now. And after that, take some black color on your brush. I'm just start adding the details. 30. Those are going to be mainly the mountain ranges. I've done horizon. I'm the rocks which are going to be in the water at some portions. So just keep observing carefully the kind of strokes that I'm giving, the shapes that I'm making, the locations in which I am making them. And keep on doing accordingly slowly with me. Oops. Hi. No. So since Awesome. Hey, okay. So here we also added those strokes of the reflections of the mountain Central ox in the seawater, but that same black color. And after that we move some white wash color. You can use either wait, wash color or white acrylic color for this because that way it will actually help you get a nice opaque white color. So I'm just taking out some of my white gouache color. And I'll mix a little amount of water to that. And after mixing the water, we'll start adding some reflection strokes with the weight. You can use the thinnest brush that you have for this because we want the strokes to be very thin. So just slowly Guan placing strokes at certain places like I'm doing with this stopSelf carefully where I am giving those strokes and do it accordingly along with me. Yes. Awesome. We are done with the reflections. I will also add a little sprinkle of the weight dots on to the sky to make some beautiful stars in the sky. So you can just take some colonial brush and tap your brush like this with one finger to get these rotifers black or white sports. Also, if you want to avoid this part's going on to the mountains, then you can just keep any paper like this and then just drop your spot so that the sports will not get dropped on the manganese. Audience if you directly do it like this, since I'm using a wash color, that's not a problem because I can just color the mountains with my black color with some blacking directly and it will get Keeler. Also, if you are a moon shape is not perfect. You can just edit it nicely into a perfect circle by adding some whitewash or white acrylic color onto it. So Island. So I did a few spit or sprinkles onto the water to make it nicely shine. And after that, I am just going to correct my white spots on the mountain, so I just add a little amount of black color. Then automotive article a black color on the mountain areas to cover up my white spots. There are almost done with the painting and here comes the satisfying parts. So just let's peel off IPs from the painting. I'm see how it looks. You can use it as it is, but this beautiful for bitrate abstractness or else you can cut it out into different parts to use them as an individual bookmark so that you can cut it out. I'm free entered into the print frames to make it look beautiful, like a one, nice beading. You can use it in all your creative business. So just keep watching and wait for it to see the completed jointing once we have cut it out and remove the hips. But with this being done, I hope you are enjoying the class. So again, in the next lesson, and I'm looking forward to SEO. 20. Day 16 : Night - Moonlight n Trees: So we have again Beckwith API, but they fit nicely and we'll just start with a single line basic drawing. So I'm just drawing a very simple drawing with my pencil. First, I have drawn the land area in the corner, and then I'm adding a tree. It's okay if you don't need a lot of the tree at the moment, just keep in mind the position of the tree and then we can just go on the delineated out 300 liter on. So I'm just drawing this so that you'll get a nice sort of idea of how we are going to Google about the entire drawing. You can keep on adding branches to it in whichever rewarding and keep on dealing of the treaty drawn when you are being done. So after that, we'll again to align BCE at the second end, which is going to be finally from the earlier one. And in-between is going to be the water body and destroying lines. So that reference for the trees. Let me draw a nice big moon. So just draw a so-called feedback. You can use any or circular object if you want to draw the Silk Roads, you can use your compass to draw it and destroying your dragonfly freehand. And so painting these veins, then I'll be using these two colors, which I have already converted into bands to have all these tubes in my custom-made bands. So it's easier to just take the indigo. Then we'll give an Einstein letter for the voyage to adding diabetes. But just go with the significant later for the wash and cover all your people evenly with water. Avoid the moon byte because we don't want the background color to go into the moon. We pink. Let's try don't give them more doors inside those so-called which we have drawn for the moon. Rest of the area covered with water and now in start being denote water forest. So for that I am using my bushy blue-collar and I'm just going with horizontal stroke. So the water, I'll be painting with a maturity of ultramarine blue. I'm blushing blue. And I'll just go with horizontal strokes to mark the water. I tried to keep the strokes are dark, good and big main debt at the edges. And I'll keep them slightly lighter. I'm slightly more weight in the central part, still just the market though, reflection of the moon. So that part is going to be wider and the other HBr there's going to be pigmented and darker. So you can just organically go on using your abortion blue and ultramarine blue. I'm just go on adding horizontal strokes to give a nice wet on wet technique here with both Effect warp those strokes. So we are doing horizontal strokes to get a nice picture of Waldo. If it gets below the moon area, if you feel that your colors getting too much, then you can just tap it off from the beat but by our distributed but, and then again, find in your painting. So I just took off some glow from that bullshit with my dish people. And again, I'm continuing with my horizontal strokes with my ultramarine blue. I'm sometimes with migration view originated around and I'm also leaving some white spaces deliberately. As you can see, I'm not just like continuously painting world apart, but I am just giving horizontal strokes so that we get a nice texture of the water birds or whatever leaves. So that's why we are just going horizontal strokes and I'm slowly, slowly going on, adding more color to get it slightly darker. I'm not concerned about the rightmost corner, which is in the bottom because that portion is going to get the data out with the black color Leto. So I'm just leaving that area hazardous, but the rest of the area of the water, I'm just continuously working on adding more strokes to being a beautifully. Hi. Okay. So again, we'll be painting the sky for that. You can give another water wash layer has completely dried up, so my lead hydride up on moisture, that's fine. I'm just again, avoiding the moon part-time for the rest of the part. I'm just giving you a nice thin layer of water wash. To start again the debate on wet technique. So again, for the upper part, I'll be using a mixture off. You can just directly it was ultramarine blue auto or shouldn't be ocular also. So I'm just going starting with my ultramarine blue color and I'm just spreading it evenly for the sky area as you can see, OVO. Just be careful when COP intake near the moon. So don't just go inside the moon. Bark tried to go slowly and just get a perfect circular edge for the moon. And rest of the part, discover it plainly with your argument in a wash like this forced end, you can go on adding more galloping mango maker DACA. So I'll just give a nice even wash for the sky. And after that, I'll be taking my portion blue color. I'm just going on the edges with my boss should be like this. I'm just blending it again with my earlier callow. And after that, I'll add some black color at the corners. And then I adjust braided again and blended in with the sky to get 0 darker corners for the sky. Wait for your painting to dry up completely. And once it's completely dry, we'll start just building the moon. So for the moon, I'm just giving her water wash for sand off the bat. I'll just go with my yellow color. I'm dropping a few drops of yellow to mark some texture on the moon. You can use a chrome yellow color or else if you don't wish to do the moon yellow, then you can simply use a gray color to give the grades. Shoot for the moon. Disrupt already, like very few strokes and digoxin are open-minded and let it dry completely. After that, we'll start detailing out up in things. So for that I'll be directly using the black color and the black color. I'll go on adding the details so we'll IDO foreground. We like the background lined. We'll make some by increase on the background land that as we'll mix some grass on the foreground line. And after that we'll be drawing branches for the tree. And again, we'll add foliage for the tree. So now you just keep observing how I am doing these one by one and keep doing on accordingly along with me. We'll also I reflection's to the water later on. So let's just finish off RD equaling elements forced. So just quietly, nicely observe it and do it along with me. You can use any size brush, whichever you're comfortable, Waco two days, depending upon the size of the details, keep on choosing the smaller sizes. Brush. Yes. Basically it will do this by entry. We have drawn a straight line and after that I'm just starting off my brush and small, small strokes or just my basic strokes to get the triple faculty make sure to leave some white spaces in between. I mean, leave some spaces in between through which the background part is visible so that we actually enhance. And I don't do that, you'll be offered. And we have drawn the line part and after drawing the land part, we'll start guiding the grass. So for doing that, you can again get that in a size brush that you have if you want. I'm the dark brush. Just start from the land area. Just slightly press your brush on the line, the area. I'm just swept clean, lifted up as you move your brush upwards and upwards direction stroke to get a perfect grass with a nice upon doing. So, that's how simply you can just go on adding these small, small strokes going up first to get a nice grass. Hi. Then we moved onto the tree. So for the tree before street with a main trunk of the tree and after that he started adding some branches stored. So why drying the branches always remember that the trunk is supposed to be the thickest. After that, your main branches will be slightly thicker and then the branches which are branching out more and more will go on getting thinner and thinner in size. So always remember to do that. You can use, you can use different sized brushes for this. If you wanted to make thinner branches, you can use 0 number or even triple 0 number 59 brushes. And the brushes, whichever you're comfortable with to get some smaller, thinner strokes at the edges. After that, I'm just using the same brush and I'm just tapping it on the people with my black color. I'm doing some stippling to get these simple nice foliage for the tree. So again, mark the places like I'm making the foliage. I'm do it accordingly. Just up your brush very highly. Otherwise it will create this black actress on your paper. And we don't want that. I am making very fine dots on the paper and I'm also deliberately leaving some spaces in between as you can see. So that's how it will look more natural like a foliage Umberto, you just painting some splashes. So again, remember to make it act only certain places and not everywhere. So just keep observing where I am doing it and how I am doing it, and just do it accordingly. Do storming. Sure that you leave spaces in between these dots because DAG is the most important part, usually what mistake people do is that they just Go on tapping. They're in dire brush and do a random shape. And that does not look very natural because what that does is it creates a block, big black spot in one place. And we don't want that because the picture of the leaves is an art scene. So when you actually see or three and you will see the leaves of the tree, then that time you see the gaps in it and through that crack gaps, the background is also visible. So dark is what we want to achieve or we are. So that will actually make it look more natural and beautiful. We are going slowly and just sticking on do leaving some gaps in between adopting the brushes at certain places in certain way to get that perfect action for the leaves. So it's not very difficult and you will definitely keep on getting it more and more beautifully with practice. So don't worry, just try to observe carefully and keep doing accordingly along with me. And I'm sure you will just nail it perfectly. Now I've taken their darkest blue color, so I've mixed my portion blue, but my black color to get this color and the dark colors start to add some reflections in the water at certain places scientists, when one adding some strokes then strokes below the land area which was there behind and also I'll add it in certain places on the water. Okay. Yeah, and that's it. And we are done with this beautiful painting. Let's just slowly remove off the clip and then let's see how it looks when it's completed. So keep watching and dying to find it out, how it completely looks after it's done. As you know, you can cut it into different parts and use it as abstract painting or as individual bookmarks. Or you can just leave it as it is on one single people and keep it like bag. So I hope you enjoyed doing this painting with me. I'm already happy to see all your beautiful paintings that you are uploading Bailey from this class and waiting to see this when either do it as well. So keep painting and see you again in the next lesson. 21. Day 17 : Mountain - Paraglider n Birds: So I have again be prepped up, might be bold with deeps and I start drawing the basic drink for this one. So I'm destroying simply mountain ranges one behind the other. It's okay even if you don't draw it with a pencil, I might not use the exact reference, but I'm just drawing it so that you get an approximate idea of how we are going to go about dying diabetes. Then I also draw an ace bag later gliding in the sky. So let's draw the parachute forced, right will be the seed and a man sitting on it and we just join it through the strings. So this is an element onto the painting and the left side is MB. So in the left side we can maybe add a few boards so you can just directly, directly to run with your beam as well. And destroying them right now just for your reference so that you get an idea of how the entire picture is going to be formed all together. So make sure that you draw all of these elements ready lately with the urban cylinder is if you draw it like draw them doc, then just remember to, it is them off slightly to make the lines later because you don't want the pencil lines to be seen once you start your watercolor painting. Okay, so for this binding will be using a monochromatic color scheme. So I'll be using my crimson red mainly and the decrement syndrome, I'll be covering this entire thing with shades of crimson. So I either use direct green or a legitimate of black and microbes and rate dummy good for maroon Gallo. So we will be mainly using mood of the shares and B1, adding water to our colors to make them lighter when we want. So just mean legal follows the crimson red color and the modelling bylaws and taking mode of radio. And until we either need a crimson red or your bank did any similar shape to documents in there. And for making a darker shade, just added a good amount of Blackberry of the Doppler shift. Okay, so now we have the pillars enough, please select start giving a thin layer of water wash the entire sky. And for the styling will be going with the wet-on-wet technique for the rest of the drawing, new won't follow that down with it. But for the stymied me, we be going with the wet on wet technique. So just avoid though by regulating collection part and the rest of the sky just given a state-led of king or the wash. After giving the word Awards, we'll start with atoms and right below the sky, we don't want it to be very beginning good. So we just go with a light wash for the sky with the gradient technique. So we'll start at the top with a darker yellow. I'm just spreading it without wet brush to get them a smooth gradient wash. So let's start with the coloring part of the sky. So I'm just taking my round brush and you can see I'm putting the value force on the topmost fired and then I am just going one, spreading it slightly downwards with my wet brush mark making more color as Ibotta worse, I just dropped their darker pigment at the top and one spreading it down words to get a nice gradient wash, a smooth wash. So let's just complete this, this, this, this. And now we are done with the radian Skywalker. So once you have a burst sky wash has completely dried up, then you can start with your crimson red by law. They just mix a little amount of water to it because we don't want the layer which is behind to be very big render. So slightly add some water to your friends in rate. And then go with though for the farthest mountain ranges with that Gallo. So you can see my color is not very big. Main directors made through the portal, so I get a medium, but one of the yellow, I'm the dad, I just nicely draw the sharp mountain range. Make sure you get a nice fine edge with this mountain lake. This, I'm actually our skies compete. Figure it out before you start with this one thing, lead. Once this layer is completed, wait for it to dry up completely and they are painting has dried up completely. Then only start with the second layer. The second letter is going to be a little more acquainted crimson, red color. So you can see it is a very nice dark or bright pigment organs and reticle Levittown giving for the second layer. Now this is just the wet on dry technique. So I have mixed a little amount of work with my color just to get a nice being developed consistency. I'm my report is already dry. I'm not using the wet on wet technique hill. And we'll just draw the entire mountain one single range with this. So the bottom part, I'm not giving much attention to it because we are a window overlap with the darker colors. So let the bottom line be anyhow, but the topmost line should be nice and sharp. So remember to wait when you add all your layers have dried up. So even after this layer is done, I'll be waiting for this layer to dry completely before we move on to the next layer. Because this technique we want to achieve sharp edges and V of an evil god Chief Software images, then we not have to move with the wet-on-wet, but instead we have to do the wet on dry. So that's why wait for it to dry completely before you start putting your next scholars. Meanwhile, with the same crimson red, we can start painting the lighter than the bottom layer is drying up. So let's just be injured and disrupt the coloring the topmost ADI and then I just clean my brush with water and with a wet brush I just spread the flow downwards. Okay. I'm giving the same frames and drag to the chair as well. And after that, Let's start with the tall mountain reach. So for this mountain range again, wait for the second mountain layer to dry completely before you start doing this. So this color is crimson red mixed with a very little amount of black to get a slightly maroon is shear. So that's what I'm using for this mountain range. Again, make sure to get a nice sharp edge Act among the name and the bottom part. You can just keep it random as you wish. So let's just complete the entire mountain range with this color. And I do and starting a photo layer. So I just leave the bottom right portion for adding the fourth column. We also just detail out the part of later a bit more of a diesem. Hello. Okay. No. Thank you. Now again, we'll mix some more amount of black toward crimson red color to get the darkest modern share that with which we do the last mountain range, as well as though boards with that same color. So just keep observing me carefully and just keep on beating accordingly along with me. No. Hi. So now that the app completer with the painting part, we can just start moving off one by one. Again, remember the steps data had given your puppy love that apes and Daladier lesson and do them accordingly. Just sweet forward and seeing how beautiful this painting will look. One studies are removed. After removing the devs, you can just cut out the BIM data into four equal parts and use them apps, individual bookmarks or is you can just bring them together for making a one beautiful 45 sprinting or else you can just keep the main thing either does, don't cut out and just use it as evidence. You can just be creative and find out your own ways to use this beautiful bisulfite. I hope that that means that I am teaching you all through the diode lessons of this class proved to be helpful for you to create more unique paintings of your own. I'm definitely waiting to see all your creations. Don't forget to just upload your projects once you're being done. And I'm really looking forward to see them all and give you great feedbacks. Also encourage you to post your feedbacks onto the feedback section so that icon to know how you are liking the class, what is missing, what does the data is actually proving out to be helpful for you? So make sure to write them out. Definitely looking forward to see your works till then, bye, bye everyone, see you again in the next lesson. 22. Day 18 : Mountain - Mistical Trees: Here we have prepped up a bit, but again with the deep and let's start getting off the fellows. This is going to be a completely different technique that we are going to use today. So just keep observing carefully throughout the trying and keep on being done accordingly along with me for this painting, mainly I'll be using the groom, your local law. Then we'll also need a shade of orange and black color. So we'll be adding a lot of water to disclose. So just keep observing and just take out the colors first. I'm just making the orange color a bit dull. So I'm adding a little amount of roundness shape to it. You can just directly add some little amount of burnt sienna to your quarter-inch to me. This way, photos, you can add a limited amount of black duet for maybe some burnt umber, do it. So you can add any balance sheet, do it omega slavery. And then we'd be using the black color marker. In the black below. You can, if you want, you can add a thing John, born Dumbo filler to make it slightly reddish, but I'm just completely using the black color directly. But just remember to add a lot of water to all the three colors because we will be doing a complete wet-on-wet technique for this feeding. So first of all, it definitely photo I don't read technique. I'd be writing might be put in plain water wash. Make sure to use clean or die. I'm just using slightly a lot of water to just show you our slate idea of how exactly the water wash should be given. So you need to cover your entire paper with the layer of water wash because the water wash is really essential for this feedings since it's going to be a very abstract mystical being thing. So that's why I make sure that you give a nice sort of wash layer. The word also, it would be best if you use a 300 years, I'm 100 percent cotton paper for this painting with us. In that way, you're painting reserves will be graded on the beeper will not wrapped. You are using lower-quality people that recreate a problem in this kind of a wash bin them. Then the fun part about this painting is that we'd be just giving follows in a very randomly. And you're just trying to enjoy the process and create something really beautiful and unique. So just observe how randomly I'm giving the followers swatches and go on adding the followers like this accordingly along with me, this goal, very free with your followers. Don't worry, don't match, just, you know, go on adding strokes. So I'm just mean getting her direction of the stroke as you can see, slightly angled horizontal direction. Other than that, I'm not much concerned about what effect I'm getting. I'm just going on writing fellows and these are the only three colors like I'll be adding, which is the acromial local load orange shade on the black. So let's just thank you, you're doing it when you are adding black, just remember that you are not suppose to just go on adding black at many places. Otherwise, it will just take all your other colors. So keep adding water to your black. We don't want the black to be fairly dark. So you can see my black is so light in the consistency and I am just slightly mixing it nicely with my other colors. So it's not creating a proper black effect. It's creating a kind of a roundish shape of the black. So that's why I'm not using a very good mentor black. Just make sure to add a lot of work to do your black before you use it. And just keep on observing how intense I'm using the followers. And you can see I'm not giving any specific stroke circles, I'm just keeping them as abstract as possible. And the color pigments are also very late compared to the other paintings that we have done so far. And this is because this is just the background layer. And after that, we'll be adding the details with black color for the trees and mountain ranges. So right now, just keep it as abstract as you can. We have competed with our desired effect and wait for the entire painting group triumph. And after it's completely dried up, then start with your black color. And we'll be adding a few mountains and trees with the black for suffer me come out in like this with your black bean Ganymede around brush that you have. After that, just clean your brush in water and tap the excess water off on our district people. And then with the red graph slightly to start spreading the word abortion. If your color is getting back good, Then again, clean your brush and again with clean water, just splendid mode to give it a nice soft edge at the bottom of the mountain. And then we'll start adding little, little pine trees on the top of the mountain so you can use any brush, whichever you're comfortable with, and just make a few lines and a few strokes to create the smallest one. Trees. Yeah. Since Dao Dao wash is still wet, you can see the border of the mountain is nice, dark and pigment gets, goes on, getting lighter and more just with the background as it moves downwards. So now we'd be using the same that needs to create more such Mao been centuries. And just keep on observing each time that I am basing everything and just keep on doing accordingly along with me. Okay. Okay. As we speak. Yes. Okay. Yes. Hi. Yeah. No. It's no secret. Hi. So now we are done adding all the regions such as remove the gates one by one, maybe slowly. And after the morning. That leaves me be cutting the drawing into four equal parts and you can use them as individual bookmarks. I'll just frame it as a single abstract painting. Wait for the anger, see how it looks when it's completely done. There's a completely new they both mean pain which we have not covered yet. Attorney who was on the color schemes were completed a frame size. Hope you enjoyed doing this, something new. And I'm waiting to see on your project. See you again in the next lesson. 23. Day 19 : Fields - Grassland n Mountains : So here again, I have crept up the paper like we did for our little things. And I start giving a nice thin layer of water wash because we are again going to go with the wet on wet technique for this particular beam. Makes sure that you covered all the bark. So few people with a nice thin layer for the wash. For that you can go with the crosswords, which means that just give a nice horizontal wash ones. And the watercolor wash ones do just make sure that the paper is evenly covered with water. It on all the sites. After that, I start coloring some clouds. So for that I am using the global W. Hello, I'm Michael. Start putting some strokes with my round brush on my whitewash. So just observe the way in which I'm dropping the strokes. Make sure that you are very smart, very big remainder. So you can see I am just placing the stroke set sold in parts and just going with some strokes and leaving the way the ideas is well in between. So just observe very carefully where I am placing the strokes and is do it accordingly. Make sure that you are not supposed to cover the entire Bieber video kylo, then just take some gray color on your brush. So basically if you have a regular directly use a gray color. If you don't have a glacier, then you can just simply add a lot of water to your black color and use that color to make a grade on. Again, remember that you are not suppose to all where do this. So only do word accident limited species like I am doing to get the nice cloud effect. After that, take your lightest green, yellow and the delayed start painting the bottom most portion for the grass fields. So we covered our dock portions for the sky and the clouds ADR. And after that we are building the grass fields. You can use the late green color. If you don't have the light green color, you can use your normal medium green color and you can add the lemon yellow color at the top to get the nice lady. I'm at the bottom, you can use your darker green color or green color to green effect. So just simply go on using similar colors sheets. So give him that double fixtures more than a shoe. You can just visually see which shapes are closer that data for data you have and use them. Okay, So we have just mix lemon yellow and the greens here. I'm random wash is still wet. I am starting to add some strokes for the grass. So if you wish to do a loose painting like this, a loose watercolor painting, then this is how you add the grass. So I'm just showing you one method of adding the shrubs or the glass rate. Now you can also just pop your brush like this to get some small grass effect. But I did my clear IRB just going with another layer and I'll be detailing out my grass more. So this sort of effect is just the landscape effect for a soft landscape, so forth, I am feeding you are very soft landscape technique in this painting because this is a very easy painting. And after that, I'll go with my own style and I just create those sharp edges, which I usually do. So fourthly, I am right now I've just highlighted a few clouds with ME. Yellow ocher color. You can mix a little amount of burnt sienna, yellow ocher if you want. But again, I'm not using very big. It's very watery, and after that it is dropped some green. You can use your sap green or medium green shade for this. And I'm just dropping it very softly when all the colors as deliberate. So whenever you use a wagon wreck techniques like this, you'll get 30 soft effect for your entire landscape as you know, because the strokes are not very defined. I'm sharp, but they are very visibly soft and smooth. So this gives an entire different factory or in via landscaping thing. So that's where we are. I'm just showing you how to do that soft landscape sting by. After this, I'm just going to go over Taiwan style and I'm just going to give those sharp edges for most of the things. I didn't go into detail out. So if you wish, you can just get over it with your drawing at this particular Steve's itself UP big Lego, very soft landscape. So now we're going to do is I slowly started just giving this a more detailed look. So for that fourthly, we start painting the grass over again. So I am just adding MOOC Olympic Mengele grass, and just mix a little lemon yellow at the job. And I again, just add my lemon yellow and green. I'm just blending the bottom portion. So you can see I've got a nice smooth grass field we'll forced. After that, I go or niggling out my grass at the front. So for the friend grass part, I'm using the darkest green color that I have and I just one adding darker strokes. So this effect is. Wait more vibrant and prominent Panda or year one. So since we are doing very vibrant landscape paintings for this particular glass, I just keep it to that and I just modify my painting accordingly. So they just weren't adding nice dark strokes for my grass at the start. At the front portion of my painting. This is the dark is deep green dragon using after that guys start detailing out the mountain submit because I don't want this soft look like I want very prominent mountains at the back. So I am just using my yellow ocher color. You can also accelerated amount of bones center if you want. And I am just marking nice sharp mountain so forth. This, my background has now dried up before we reach this stage. So that's why I'm getting nice, clean and sharp lens compared to what we got earlier that all your fun week or soft edges for the mountains because the background was still awake. And now when the background has dried up completely, when we do this, we get soft edge, sharp edges. So the second lumping, which I am doing is the same here locally. But this time I have added some amount of water to it because I am considering that that particular mountain is behind the first one, so that will be later in shear as compared to the Frank Day 1. So the Frank one, you can add more color pigment and make it nice and sharp. And the back one is also shot in the strokes by the colors like I'm faded. So for that I have, I read a little bit of water to it. Now, the bank and is done after they're saying dilate, drag it up, just go ahead and decide a few birds flying in the sky. Again, one important thing that you need to remember while adding the balls is that make them pin with an Einstein pointed brush that you have. Meet them all in this same sheep or seeing position, which is like a normal flame, would just try to make them off different shapes or on inflaming the frame directions or something like that. Just don't make them off the same shape. Otherwise it will look copy these generic weren't looking at matcher out. So make sure that you decide the front side and backside. So the bolsters on your on the first part of my thinking, I'm going to be saleable, good in sales as compared to the voltage are there in the second part because I'm considering that the boys in the second part of that fight of v and r are flying from amongst the mountains towards our side. So that's how I'm imagining the flock of the boys play. Let's try though, all such that at the leftmost side of the paper are going to be slightly bigger than the ones which are at the right time in the boardroom. So again, I'm just using the black color simply for these boards and making them smaller as you move downwards. And the upper bursa have drawn them slightly more cluttered. You can see the variations in sizes and shapes and directions that I'm giving for the birds that will actually help you make it look more natural. So we are done with the birds as well. Now is the time to peel off the beep slowly. Just slowly. Taking more of the beeps one-by-one from your people. One that I like to do. The full feeling of their deeds is that make sure you are in diabetes and has dried up before you pull out the Gibb's. This will help you get your bills Bohr effect rather than building it out when your paper is way too, because once your B, but it's dry it up, it will actually easier deep to come out very nicely and smoothly. The paper here at the bottom has already gone on. So it's not because of the defect was already laid back. So nobody, obviously the iodine with the dp log. And I just love how this looks very bright and beautiful. I hope you are enjoying this meeting as well. So let's just crank it up into four equal parts as we do for the rest of our paintings. Make sure that you drivers out, you upload your beam things on the district project section. Because the giveaways are definitely on for those who are poor or if they're being things. So just don't miss out on the chance and make sure that you upload or you're being done. So that I'll be able to just give you a nice feed backs on them and have water at all. My students works. Okay, and I just realized that I have been constantly talking in this particular lesson. I hope you don't mind likes. So I hope you enjoyed this lesson and see you again in the next one. 24. Day 20 : Fields - Bright Sunflowers: So here we have again crept up by the people with the Gibbs. And now I start giving a nice thin letter for the wash to about portion of my paper. So I'm just covering my top third people, but attain later for the wash and back out. Ocean will be our sky. So first of all, need to be doing a nice breakdown by technique to create some beautiful soft clouds. So after giving the wash, just stick some cobalt blue in your brush and start giving stroke. So again, make sure that your pilot is not very big main data. So keep it good though. Not very vibrant public minor defect later, this diluted with water, you'll get a nice light dough to blame. And just make sure that you leave some white spaces in between. Just don't color the entire thing with your blues. Keep it gave the white spaces in between and disrupt the blue in certain cases to mark some beautiful clouds. And in the bottom portion, we'll do the same thing with our orange color. And after that, we'll also add a little amount of re-issued. Do that loud, so just keep carefully observing. Don't, you know, lose your focus. Just keep on focusing on observing carefully vein, I am placing the gallows and how I am doing it. Also, just keep marking the intensity of the colors that I'm using so that you will get to know how much pigment, good data you need to use, or how much water you need to add in the colors to get this. I'll just keep doing accordingly. Make sure that you don't use do that bellows to see with the darker pigment sacs only certain places and rest of the areas eat them later and you also need to keep certain areas white. Also, while adding the orange color, remember that you are not supposed to go into the Abuja so much. Otherwise, the mixture of orange and blue will create a rather shallow lake or del browsers shared or a grayish shared which we don't want. So just keep your orange strokes as well, limited. And later on, the greens, which I'll be giving, those will be even more deliberate. So just carefully observe and do it accordingly. Or where do your strokes are overdue, overuse your colors. Hi. We are done with the grades when they are finished with this guy part. So now I can just give a nice letter or the washroom I bought the media which is going to be my field. And falsely real beginning, a nice thin layer of green color wash to the more downfield ADR. And then we'll go on adding our beautiful send flowers onto the green ground. So firstly, let's just give the getting Wash U again. Maybe you can use a bigger size brush for this. So let me just stick my flight brush. And with the bigger brush, I just give a nice green color wash. So again, you can see my color is not very big main grid I am, I'm using a lighter below because we are going to draw our yellow sunflowers on this figure, darker wash for success, then our sunflowers would not look like both at the yellow. So after getting the wash. Just take your acromial local on your brush. I'm going to start dropping droplets on the way to green color itself. So these yellow drops are very big main grid, as you can see, I'm using a lot of value unless afford the way you doing this and that automatically producing soft circles by merging into the background slightly because their background washes still wait. So in the similar way, just go on adding more of your yellow dots and just complete the entire boredom fear with your beautiful flowers. We'll be dealing them out later on. So don't worry, just, this is just a rocket of watercolor sketch that we are trying right now. So this watercolor landscape is going to be a very fun, very easy, slightly abstract and a free form landscape which we are going to do. So the anode, when do we delete out too much because we are drawing a nice soft landscape here. So that's why I'm using these techniques to give the look nice and soft and a big abstract. So just compete all your yellow sand fluffiness below. And after that, you can just start making some, digging out some brown yellow. So you can use your burnt umber color for this, or you can use your buoyancy and now for this, and with the brown color, start dropping the brown in this same drill part of each of your sunflower. So I'll just finish off by adding small, small yellow dots in the fears that habitat are any spaces left. And after that, I'd be adding the browns later on. Okay. Okay. We have added the grounds in the center of the flowers, and now I just take my sap green color and I'll add a few stems of the flies and skill grass stalks and leaves in between the areas wherever there are spaces between the flowers. So I'm just going with small, small green strokes. Use this ministers that you have for this. I'm just going, go on adding strokes for all the areas and between your flowers. Hello. Hi. Hello. Okay. Hi. So now I'm taking my deep yellow color and the dark. I'm just slightly bigger than now because it's off certain floors. Psi naught be doing this for all the Florida. You just add these because they are very nice, big magnetically to sort and fliers on Lee. And just lately lead in them out. Don't worry too much. This is going to be abstract so you don't need to read it out very much so just to give us late by dilution effect. Besides are your floss. So don't do this for all the flashes, do it mainly for the bigger flowers that you have and that will be enough. And after doing that, just take some bone that vertical align your brush and use a tunnel, say it's fresh for that. And with the bone number by lower, do still go on highlighting this central part of the flowers with dots from your brush with the burnt amber brown Gallo, just tie these doors in the central parts of the flyers friend side of the flowers. So those flies which are there in the front of your people will be having more bigger doors in the central part of the flowers and the ones in the back, you can just draw a daughter doing the central bottleneck that be enough. So just continue doing these technique which we did for the first bar to the entire part. So keep observing how I am doing it and the which flowers I'm doing. You're dead particular how I'm using my brush now I'm doing it. I'm just worn doing it accordingly for the second, third, fourth byte as well. But make sure that you are observing me slowly while I am doing this in the video. And then we do it accordingly along with me. Yes. Asynchronous. Sec. Hello. Hello. Can just type these details at the end of the fear but your yellow and green Gallo so that sandflies in the far most regional visible dead. And after dark to start adding a few boards in the sky with the black color. Make sure the user to Nebraska others and just slowly absorbed the shapes that I'm making and do it accordingly. Okay. Now then below, if you're beep slowly by to make sure that you are in dire, being done has dried up before you start doing this step because that will help you to guide the deep of very nice VMT and it will not ruin out there your beepers. So just dig them out very nicely and slowly. And after taking out the day apps as you want in order now, villages are the spin down into four equal parts and you can frame it in one single beat Deng orders. You can use them as individual bookmarks. You can add a ribbon on toward Mecca who will adopt Bart or in the corner and use it according to your wish. So I'm definitely, we're going to see all your being Deng's industry and project section 2. Don't forget to upload them all. And I'm already so happy to see all your walks and they are so beautiful. So make sure that you keep on uploading your works because I definitely keep on taking them every day. See you again in the next lesson. Hope you enjoyed this one. 25. Day 21 : Galaxy - Vibrant Sky n Pine trees: So let's paint another painting together for that I have wrapped up might be bought by the fingered as per my requirement. So you can keep your people forest and then start with a nice thin layer of water washed or you are in dire people. You can use the biggest size but dredge that you have for giving this watch. And make sure to go with the crosswords and cover the entire people within letter or doors. After that, for this particular building, I'll be using watercolors sheets. So they come in this state, they are sheets and you can just either few drops of water and they got up the color from them and start being done. If you don't have the sheets, don't worry, you can use any watercolor is that you have the results will be same. So I'm using my big old blue-collar force. You can use a big or blue or light blue or any aqua blue that you have for doing this. Just observe the places in which I am giving the below because I am just going on with random strokes only I told him places because we are going to do a nice galaxies or it is going to be two steps, Track Mixer fold clothes. So firstly, I have given Go Blue at certain places. After that I'm starting with my four shouldn't look how low. So you can either use bullshit blue or you can use ultramarine blue for this. And make sure that you'll be but as nicely weight so that all the glows Nicely margin to each other and just go on spreading the Galois beautifully in any abstract manner and not necessarily like you. You are the exact same result as I am getting because this is a completely abstracting things. I am just showing you the techniques to do it and just go on doing it and have some fun being dangerous because you don't need to be ready, rigid or strict re-doing this being done. But you can just go and enjoy yourself, have some fun with yoga clothes and go on mixing them. You lake with just making sure that lately all your colors are visible. Don't just cover all though, the whole people with a single color. Make sure that your fellows and it's invisible. After that, we'll be digging my light green color and I'll go with my light green. For the remaining places are interested in following portrayed on the BIBO and displayed it. I just love how we bring these are she'd colored side. These are from VV while sheets so you can check it out if you wish. And yeah, so I'm just going on mixing all the colors one-by-one and just Screen1 slave leading, reading the paper excellent in bars where I am going to add the beam and then a one adding the PMs. And in this way we just go on using only these fellows to meet our entire galaxy background. Hello? Yes. Okay. This and now we are done with this beautiful background and mean here when the diode background-color rise up. And just look at this word, do I just loved the gallows so martyrs looking so beautiful. Okay, So now in dire background wash has dried up and so we'll just start adding a few by increased and the whole ground or make it look like something completely traditionally do. So. I just go with the black colors. I'm using my sleep black color for this and the dyed black color and just go on adding, I increase. So for drawing the binaries, I'm trained to use different methods lately to draw each of the tree. So for the three, I just drew a line in the center first. And after that, I'm just, you know, drying kind of small small cough strokes were in from the center to the outside, as you can see like this. And I'm also leaving some spaces in between. You can see I'm not covering the entire thing black, but I'm leaving certain species through which the background colors visible. So that actually helps it look more leaky loud. So that's why I'm doing this. So this is one way in which you can draw the pine tree by a straight line and then going with small strokes when from the central part to the outside. This lately going a bit. So that's how we draw the first one. After that, I will slightly show you another technique in which you can draw the tree. And it has like almost similar to the first one. But it will slightly give you a different effect. So I just tried to cover three to four techniques in which you can draw the tree so that these techniques will also be useful to you for your entire building journey of drawing any other the indignity warned you can just go on adding them to your being tanks to make them look more beautiful or more leader. So let's start with the second one now. For the second one again, I'm just going with the street lane and I start drawing the foliage. Also make sure that you use or suitable sized brush for this. So in the second one you can see, I am not drawing too much of foliage. Also, those strokes that I'm drawing are more abstract and also more ticker. I'm just pressing my brush, accident eat farts and just leaving it, pulling it outwards and leaving it like that. So this is how we take this second one. You can see it is slightly different than the worst one, but not entirely different. Then let's see the third method. So we'll just draw with the stem start. And then I just go on adding again a little amount of foliage on both the sides. So this time I am going with more lens foliage, so I am going to go strokes. I'm just pressing my brush on the paper in random directions. So you can see this one is even more thicker strokes. So the first one was the thinnest medium and then the thickest. This, another type is with, is like the tree having the least amount of knowledge. So we'll be drawing your thin and religious stop our brush on one's sodium bards just near the central line of the DRI to make little amount of foliage. Again, let's go for the next one. So in the next one again, I started with the central line first. And after that, I am working on adding a few strokes. So now you can see I am just sticking to the Central Park mainly while I'm doing this strokes. And I am again making lesser foliage to slightly different shape and effect by no earlier ones. So now, as we have gradually process from the four still hear that time you will not be able to see a lot of a difference, but a few combat this tree which I just drew do for street like beaded, then you will be able to see slayed the friends and the building's style and in the complete look of the entire tree. So that's how you can simply just go about making these fine trees. You can use these in different paintings in different ways. You can just change the sizes offered. Do you know, make it look more natural and beautiful. So once we are done with the trees, I just need my wash right color. So I'm using my gosh rate color. You can either use your wash, right? Or even possible for your acrylic or both two-color white, orange. If you don't have any organ, simply use your watercolors. I'm just making some stars, so I will just add a little amount of water to my weight. And then I adjust my brush to splatter the entire thing over my people. I have just covered the repulsion with my tissue paper because I don't want to buy starts growing on the trees. Apart from that, on the entire people, I'll be just tapping this spidering few stars domain, the look of the sky, study and beautiful, obese. And now we are done with this being done. And we'll just start doing the satisfying part, which is peeling of the Gibbs. Make sure to dig it out very slowly and just follow their tech stack I have given you in the earlier lessons to you off the deep specifically, after painting of the devs, as you all know, we'll be just dividing this painting into four equal parts. Because I've seen like doing this gives a very unique and beautiful look to the beam thing. It has a nice abstract, neater do it. Ionic looks really nice with those by beautiful edges. When you do this, you can do that and use it in a flame. I'm just, you know, hanging on a wall or something. Or you can use them individually as well as bookmarks. So you can be creative in your own ways to use these being dense for you. I hope you are enjoying the lessons 10 now. We are almost done with our 20s now and last few days remaining. So I hope you will be enjoying all the lessons as and when they get uploaded. And I'm really, really happy to see all your walls that you are doing every day and you are all doing so amazing. So don't forget to keep boasting and adding your photos onto the student project section every day because I definitely do watch them every day. And I just love your books. So I hope you enjoyed this lesson. See you again in the next lesson. 26. Day 22 : Galaxy - Blue Space: So we have again wrapped up our people. We have been segment. And now we start giving my thin layer of water washed away and buy a before I am using this vaccine is round flat brush. For this, you can use any brush that you have to give a nice, even worse do you add in diabetes will make sure the goal with the gross search between stackable with vertical strokes like the game. And after that, we go with horizontal strokes so that you are in diabetes, but it's nicely covered in the net of water wash thoroughly throughout evenly. As you know, I have been trying to make you aware of all the different types of watercolor mediums that are available. So today we'll be building this with watercolor sheets. So I'll be using pink or blue color for this to start with. You can go with any light blue or aqua blue if you want. If you don't have a big overview or use any similar sheet of late w for this. So I am using my watercolor sheets and I'm starting with my round brush. And you can see the movement of my brush that I am doing to get this. So I am going off. I have marked or central bulge in the center portion of the people with these curved lines. And I go on adding these lines similarly in different areas. You can see I'm leaving some white spaces in between deliberately because we are going to give it a nice sheet of darker blues and laid views and blacks do this in diabetes. So make sure to leave some spaces in between as I'm doing. Secondly, we start with the Bush and blue color. So this is the darker blue that I'm using Eugenia was abortion view orders. If you don't have that, you can also go for an ultramarine blue color. I'm just go with nice pigment or color sheets for this painting. I'm the start being lingered in concentric circles like this. I'm don't try to blend the beam so much. It's so since we are doing regarding Technion, they automatically start spreading a bit. And if they don't, then you get this school that you have a branch at the corners and district to speak them slightly. So we are going with the Bush in blue in different types. So I am just giving them sodium area. So just mark the areas in which I am giving you and then do it accordingly. After the abortion view, we have the black color. And after that, you can just one, adding a little amount of the big overview. Global shouldn't blue or black color wherever you feel that it is necessary. I'm just born observing the strokes that I'm making. I'm just adding accordingly along with me. So now I'm starting with my sleek black bellow and Iguanodon. You're given certain pieces lately blending it. So just observe carefully and keep painting along with me. Let's just take off that suggests enjoyed this dresses and when after that Scott out the beam thing into four different parts, as you all know. So you can use it as one thing is being done by framing the bytes together or as you can also use them as an individual bookmarks. So just keep watching the look at the final look of the beam at the end of this lesson. And just enjoyed painting along with me. So I hope you are liking this class so far. If you are, don't forget to IDEO feedbacks and also upload your projects on the student project section because I am really looking forward to look at them all and just give you my feedback on your beautiful buildings. So now we have taken out the gates. Let's describe the paintings nicely equal parts. And after that, we'd be done. I hope you're liking this concept of making different parts of your being done. But in fact, you can lower and domain different bookmarks as well as just being the one thing that painting together. And it also gives a nice abstractness to your painting. So here we are done with this painting. Hope you enjoyed doing it with me. And see you again in the next lesson. Read he soon. 27. Day 23 : Road - Mountains n Trees: So I already gave the paper nicely. And now I just start drawing a rough sketch with my Benson. Do this very lady. I'm destroying its little dark side effects visible for you all. But you can just go with a very light pencil mark to draw this so forth here I have drawn a rule, so you can see it's a building road. And we'll also add the lines of the highway with the low-end right strips on literal. So just mark the lines at the edges. And when mean, I do main lines actually in the central part. So you can see I'm just showing the strips in the similar way for the rule. And it will be by letting all of these differently drawn. So if you don't want, you can just do these directivity of beams as well. Or is if you wanted for their friends, you can draw it the pencil forest and then start by adding it so it's totally upon you. So I am drinking, just flick it easier for you all. And that's why I'm just drawing these basic sketches with the pencil forced. After doing the background, we'd be trying few hints. So that's why I have just marked my bottom portion here. So not too dark. I just give a very late Monk. And after that, at the backside we'll add one more mountain range. Okay, so now you can just start digging out your followers. If your pencil lines are due dark, then just, it is inflated identity. So I first start with the water wash for the sky EDL. So you can use any bigger brush between one and then start giving a water wash for your entire sky. Idea for giving the wash. Just take some chrome yellow color already be a locally in your brush and start dropping the belly. Relate this with some strokes. You can just stopping data with a linear law audience. You can just really the darkness of the ALU. So you can add a little darker pigment that sodium places unlike direct certain places of the digestive, some orange color and start adding a few strokes or fall into annual yellow is still wet. No data at all the places to start it. I can certainly say it's only a few strokes. Statistic is showing a scholar gradient in the sky. After that will take some black biologist and a lot of water to your black Demeter, slightly greenish. And then we'll add a few clouds with our black or lower. So you can see how laid-off for black color I'm using. So just split it nicely but don't just cover the entire sky. Good. This looks very liquid dairy. And that a lot of water to your black before you start adding the clouds because we don't want to see very dark black batches. Once the clouds are done with start building the road. So for the rule of force, we'll draw the payload lines in the central part of the rule. So I am just using the same yellow below, the chrome yellow color which I use for the sky. You can use acromial low or medium yellow, or you can also use a lemon yellow instead. So this is almost like the medium lemon yellow, yellow. So I just added a little amount of 40 do it. And I'm just lucky a blanket on the two lines, leaving the space in the central part for the lead young. After that, I'll be giving a nice little water wars. Know the area which is just there on the sides because MSI adding the greens are underway. So I'm starting with my sap green color and I'll just give you a nice almost phaco sap green, yellow washed bang diode, voltage abortion. But there's going to be the Green Mountain area. So just randomly give them a low, don't worry too much about. Then after the sap green, you can just add a little amount though. I think we can just directly to them out of that green and we'll add a little amount of boring word brown color or burnt sienna browns bellow. So any of these, to give it a nice shade of sodium dark areas and light areas and sodium brownish areas. So we just want to take the sheet of the green to the force like it looks more natural. So that's why you can add a little amount of dark green, little amount of brown or anything, or the green below, just to give it a nice sheet of different colors. You can also add a bushing you if you're warned that certain pieces to make it even more alcohol. So it's one huge sworn giving any green, greenish, or brownish sheets do it. And we are done with this force is whether we will be repeating. I don't know. Let's say there's a vengeance observe and monitor location and region and accordingly so sided with the sap green and then I just add a few dark green or brown ADRs or on the green makes other edge of the road you'll get is very nice and crisp plane because there's a bull frog defined edge right on the dot. You can just go with the strokes like this so that we can, again seem like that. I trees so disco with some boring, the stroke length at the job will be deleted out a bit more or once we are done with this leg. So don't do at each, just go with a nice green walls with different colors and just enjoy the process. The order of dappling potions like we are following the now, is also deliberately chosen so that we not need to wait for our painting parts to dry. Vital, we get time as in when we proceed so that our audio parts go on drying up. And then we can be in the parts which are just there besides the bar. So that's why I've chosen these colors. So just go with the similar order. Don't change the order of the ways. You will have to wait for your other parts to dry up. So now I have taken my ultramarine blue and I've added a little amount of blackboard and a lot of water to it so you can see the colors nautical big men do. And I'm just going on with the wet on dry technique. So I'm just applying the color directly, the weight color since we have identical lot of water to it already. So I'm just going with the red color on my normal dry people with the introduction simply being bigger directly. So you can see the color is not very vibrant. I have added a lot of water, the word, and it is a mixture of ultramarine blue with a little amount of black color. So that gives it a nice gray blue Shield. And we'll be painting the entire mountain range, which is there in the background with the scholar. Distributed again back, make sure you add a lot of water to weight because we don't want the color to be the weight the greater. Okay, Now we come to the favorite part of this painting, my favorite part of this building, which is meeting the road. So for that, first of all, I'm starting with the black color directly. You can see I have not played water on the paper before this, so I'm just directly go in with my black watercolor. Just tiny little amount of water we feel black color. I'm then a lighter, darker pigment drag the edge like this, and after that, just stick. What they knew or brush and spread. The black color is the yellow line like this. So this will help you recognize gradient. Just observe the strokes that I'm making. I'm making them in the direction of 30 lines of the rule. So that it doesn't look back to back, looks like a nice smooth gradient. So you can see the edge of the door is quite vibrant with the black color because I am adding the wavelength black, the dark black color at the edge like this, just make a nice crisp, sharp edge. We are leaving the white space for the right lane on the reward at the edge. And you can see I'm using a nice pigment, black at the age. And after that, I'm just taking some water in my brush and I am just a plain water and my people, and I'm slightly spreading the black downwards. So it gives a nice gradient to the black color and gives a nice green balance sheet to the entire road with a nice effect. So we'll be using the same effect on the other side of the doors which is observe carefully again, give a nice dark pigmented black fellow on the edge. Make the edge ready, nice, fine and crisp. So that's what we do for us, mean just give a nice crisp edge. So we believe in this strip right at the edge. And after that, just, they just clean your brush. Don't make the same black blob brush. Just clean your brush slightly in Bordeaux. And just take some clean water on your brush and start from the inside with the water was fallow and then just blend degradation, widow, bolder black area so that you recognize ln of black, which is just waiting from a darker black shield. Those slightly, gradually decreasing tones of green. And just make the strokes in the direction of the rules so that you will get fatty strokes or agents or your blank looks very nice and smooth. So let's repeat the process with the remaining part of the Lord. And after that, I'll tell you how to detail out though. Leftover ideas. For the central part is just data legal amount of black color. And I will see you then either little amount of water to your black color and just do that keeping in the central part with that follow. So it will just be labor nice variation in between. So just simply being dead with adding electron amount of water to your black hello. And you will be done. Make sure to vector ages nine so you can use a kernel size brush if you want for that. After that, we'll again just stopping though edge of the world on the other side, just like after the white strip is there with the black color again. So that we complete the entire rule. We'll do this on both the sides. So just more slowly with nice thin strokes and competed accordingly along with me. Add the mountains, which I bet in the background. So my earlier mountain layer has completely dried up before I start doing this. So make sure your leg straight up and visit before you start building these mountains. And for these mountains as well, you can just mix a little amount of ocean live with your black fellow. Look like a nice dark, blackish of Blue Shield. And then just start being fingered like this with a nice crisp edge. And the bottom portion you can just laid it out with warped over the ocean. So make sure that you get nice edges to the mountain with dark pigmented color. So you can just take MOOC I load up one and add more pigment critically about if you want. And then the bottom portion you can just strategic amoeba downwards because via wind could eat lab the trees later on. So don't worry about that. So like this, you can go on dropping litter, dark or suicide certain pieces with your screen. If you don't have the brackets mean you can add an X amount of sap green to make it darker. I'm just adding a few darker strokes like this. And with the iPad, we move on to the left car can be used to process your as well. After that, you can just mix a little amount of color with the white collar or white collar. Start adding dots like these two Mach some floss at the age of your rule. So I am just putting the brush, tapping it on the people. I'm just drawing some dots that my brush on the edge of the road for the people late. Just take any small brush that you have, mix some white and pink color. I'm just up your brush to make these dots at that age, to make some beautiful flowers. We have done this with light pink. I will also do it with one MOOC alone. Can do with them mixing some lemon yellow or green, yellow, red, white, and add those flowers as well. So let's do that. And now we are done with this painting. I just Lau how beautiful it looks. So let's just start being, how does one by one by E slowly. Again, remember aggregate outer lips only after your entire drawing has completely dried up. So it will actually help you get repeats of magazines movie without doing are just stating up people. This course slowly the morning, all the divs. And then you can just use the shrine as always, you can just park it into four parts as we usually do. And you can freeze or just stick it on a viable peace or something and use it by keeping it on your study table or any there's others. You can describe it out into four different parts and use them as individual book fox. So you get all different kinds of bookmarks with just one being done. And I hope you enjoyed doing this. Another good lesson will be coming up really soon, so keep checking out the next lesson. So see what's new coming up every time. And let me just scattered and energy quickly show you how it looks when it's completed and depth beautifully together. I hope you're enjoying the class do now, and I'm really enjoying seeing all your projects. Don't forget to just keep adding them on, on a certain project section because I definitely look at them every day. See you again in the next lesson. Bye. 28. Day 24 : Road - Dramatic Sky n Grass: So now I have eight, the Bieber as you always do. And now let's start drawing the basic drawing with a pencil. Draw this very lightly. So we are force making the horizon line do just divide the sign, the roll part. After that, we'll start from the central part of this lane and just draw a rule for that region struggles like lines going to the OR know from the central part. Just keep some distance from the ground line too dark. You can also add another line to mark the green flower, flowering grass, which is going to come at the side of the rule. And you can also mark the central portion of the rule which we are going to leave. After that. On the left-hand side, we can just add some elements like the electricity boards. So as you said, a few elements. So this triangle slightly in both spective. So if you don't know what a perspective is, don't worry. It's just the way in which our eye perceives or image like a scene or anything that we see. We usually see everything in both Specter, which means that the optimum sit on New Order to us are bigger in size compared to the objects which are fired a V. And then there are points at which the objects are usually vanishing. So we can maybe do a little class on this perspective during later on. But right now you're only do what he meant about it. You can just follow my drawing simply and go on drawing along with me. If you want me to make a glass and perspective, then you can just email me or put that in the description section or just let me know wherever you can reach me so that we can go ahead on that. So I am just drawing the second boy, which is they're smaller than the force between the frequency and the third will be the smallest. Also, while doing this, the distance between them does increment same but Who's on getting closer and closer. So there are many Tom rules which you need to remember while you're drawing a perspective drawing. So right now, don't worry about that if you don't know them, just deliver deserters and is concentrated on the drawing. Just keep on trying accordingly as I am trying. And you will be good to go with this. So I'll just connect these force with the electric cables. Again, all the lanes are supposed to be in perspective, so there will be with more gaps at the edge on the extreme left, whereas they want converging as we go behind. So I think this is enough for our painting today. So we have completed with a basic pencil sketch now inside painting. So for being linked, phospholipid be starting with the sky, with the wet on wet technique. For that, Just stick cleanly in water in your brush and just give a nice dinner of megawatts. Do your upper house motion of the beeper about the horizon line so that we can start painting the sky with the wet-on-wet technique. This guy is going to be a very dramatic and white brings side that we are going to draw today. So we'll be using very bright fellows and very great ONE Soviet be different using different colors. So let's start with the groom yellow shade forced. You can see I'm using a round brush and I'm just doing the kind of strokes like this. You would just mark in my yellow vibrant color. Make sure your paper is nicely wake when you're doing this. That's why I recommend you to use a 100 percent cotton and 300 GSM watercolor paper because that will actually help you get best wet-on-wet washes with correct blending. So you will not have to struggle with your blending or it will not be ruined with your people. So remember to use a good quality people forced. Now I'm going with my red colors so you can use your vermilion grandfathers or your crimson red. So just make sure the US that right consistency of the color of the pigment. So just you can see I am not using very heavily pigmented color wheel. I've mixed a little amount of water to my array so that it does not really vibrantly colored red color. So make some water to your becoming forced and then start applying it on the Beagle. You can see I am not just by hovering the entire yellow area that dark, but I am slightly blending my layer with my yellow as well as I'm going on being done. So that is what we need to do. Good, they allow vibrant and this either read accident cases and slightly blended with a yellow color, little violet him at the dog park will be oozing or very valuable relate calories. So for that, you can just mix your book open a little amount of ultramarine blue. I'm going to do the amount of black to get this. Hopefully see that we have at the top. Just observe the strokes that I'm giving. They are not very rigid strokes and letting my brush floor away naturally with horizontal strokes. And I am just keeping them thick at certain places. And I'm just lifting my brush up to get the candidate edges at certain places. So once you though, Openness shield that we have, you can see. Sky-high started taking a nice shape on doit are the topmost part. You can add more pigment. Did she get the same well-lit Gallo? So it will give darker areas at certain places. You can also add yellow, retire my ingrate. Now, where does the same chrome yellow. You can either chrome yellow ordered EPL of others. And just don't cover the entire people with different colors. Keep the gallows quite different than accidently is it's only going to scholar everything on top of Fernando. Just mark the places in which I am giving the alleles scientists were doing it accordingly. I am also adding a little tender orange oxygen pieces it as I don't like them ready so much. So I will just add the orange colored certain places to get good, nicely neutralized with the other fellows. And now we are done with the sky. So let's just start being denied rule for the road. I have taken my black color and I have also makes them a good amount of chromatin noodle word to get us like bluish shade to my black. And I am starting with the nice dark pigment data color, as you can see at the edge of my adored. So this is the inside edge of the door. And there I am painting with this black shape that I made. And after that from the Indonesian side, I'm forced to give a nice thin layer of water, wash the word. So you can see I am applying Waldo the inside edge, and then I'll just start blending this black inside in small, small strokes very nicely. Just make the blend smoothly. Okay, you can just go over the edge again with a white brush and come inside the bag. A nice smooth blend of this black color on the road beautifully will also be repeating the same process at the right side. And in the central part we'll just leave a little amount of bright line for the central load line. And then we'll follow that central part as well with this same black line. Let's see. Okay. Now for the grass partly forced to foil, start with the sap green color, just give a wash completely to the left and the right parts with the Sapien voila forced. And after that giving those sap green wash, we'll start adding a little amount of brown. You can I burn center brown or bond amber brown, or you can also add our dark green or blue. So deadly sins to get a nice spectrum of dark and light combination over the grass. You can see I'm just simply giving a normal color wash directly on the paper. You're going to add a little amount of water to your sap green to give this wash so that you'll get a nice way to wash so that you can just mix the darker shades on this very easily later on. So now I'll just take a little amount of dark green on my brush. You can also mix dark green and burnt umber color to get a nice moody green effect. And then just start dropping it on the glass at certain pieces with your own brush randomly to get a mixture of darker and lighter graphs to show some depth dork. After that is done, take some light green color and just start the remaining white ocean or fjord grassy area which is there. So you can just simply give up clean wash. In fact, religion staggered details of the flowers later on do this. So you just give a nice clean wash with a light green color on the edge part of the Rhode on both the sides. So once you are done with this, make sure that your entire painting dries up completely. And after the painting has dried up, you can start adding the flowers in the corner. Yes. So for that first of all, I'm starting with my orange color. I'm adding a few guards at the Bonaparte's. So we'd be doing this on both the sides with our orange color and also with our red color. So the flyers in the starting barred first part can be big-Oh, compared to the ones which are there, fire V. I'm just repeat this on both the bars with orange color as well as red color. Siddharth, you can just type the light green collider bottom portion of this class to just mark the stems and the leaves are the flowers, don't me already heard about the strokes, just market and any abstract panel on both the sides. And then we began with an eating part of the flat area. Let's detail out the poll. So for that I will be directly using my black arrow. I made sure trouble with cannot strokes. Just observe how I am giggling them and just drag accordingly. Similarly, you can use the tenants brush that you have for this. And I'm simply using my black watercolor to do this. Free to turn the paper according to your convenience to get perfect strokes. Yes. Okay. So now backed off the wagon oil most reliably entangling and just drag the background E which is there. So this is the road which is maybe leading to the city or just away from the city to a town nearby. So we are just mark the buildings at the horizon level. For that, I am again using my black color. You can also use the darkest way to push their data while achieved, which we made for the sky for this as well. Because they're in your ballot already or if it's over, then you can just simply use the black color and mark the buildings at the edge. Just make sure to before the valence and height and size. And just go on the entire horizon line with these shapes of the buildings with your black color. As we've seen. Now, we have almost completed the beam thing. So let's just be laughter keeps very nicely. And wait for a minute to see how it looks once it's finally completed. We'll also be just stuck, I think it out into four equal parts so that you can also use it as individual bookmarks or as you can get it framed. And this isn't a royal, or just decorate your shelf. You don't want to get the train, then you can also just use any cardboard piece that you have. I'm just, you know, stricto marts on telcos office to get it framed in your own DIY style. So let's just start packing it one by one. And then let's see how it looks when it's finally done. Also, don't forget to upload all your projects under the student project section because I really love to look at them every day as I'm maneuver when uploading it. I hope you have enjoyed this lesson and the earlier ones as well. If you haven't yet watched the earlier lessons, make sure to give a look at that as well. Those low and beautiful, vibrant, different scenery. So this painting is done. See you again in the next lesson. 29. Day 25 : Lightning - Night with thunder: So here I have prepped up my paper again. I'm forced to for life, start giving them the LED off rate was at the top part. So here I've colored sky is going to come. So juice, the age of the cloud will give guide wash factors just to the topmost, maybe 1 fifth portion of the people. And after that, I start painting. So directly I am starting with the black color forced. And after being delivered of most fight with the black color, we'll go with abortion blue color and just go on bringing the Bushman due to the bottom barks. So here would be done with a nice bit about black fellow at the top. And then we'll take some Bush Junior Valerie, No brush and start painting with bat. And then we blend the version new nicely with the black color to this one mixing both of these fellows at the central part. I'm just trying to get a smoother blending between both the gallows and just leave it the vital need ONE David, below, you can see where I am leaving it. So leave it proportionately to that part only. So just blended nicely with your Bush in blue. And you can keep adding MOOC a lot if you wish to increase the pigmentation of the colloids. And here we are done with this. So after they're just clean your brush and the weight of the brush just soften the edges so you can see how the alert immediately came down because of the weakness. So I am again taking the weight brush, just clean your brush with clean water and with your regulars. Just soften the edges a bit more. So I'm just going to highlight brush to get this soft, smooth edges here. So we'll do that for all the four parts. And after that, we'll start with the bottom portion of the night sky. So for that, we'll foster foil, give us a later for the wash to the entire remaining bottom potion of the people. Then start with your black below, but this time from the bottom portion. So go with your back Gallo and give it in the bottom portion. After that, we'll get the abortion buccal and then with the light blue color in reverse order from bottom to top. And we'll again go on blending or close with one another as we move up first. So just observe carefully and do accordingly along with me. So lingers with a light buccal and then my abortion. I feel like that Scott later in shared, so I just add a more pigmented layer of black payload doc pitch black color directly. When my earlier washes dried up, I'm just going with my color directly and adding black. And after that I like the bush in blue below it. So just blend of ocean blue and black together as we did with Leo. And the weight languages coming from the bottom of the cloud. Literature mean like that. You can also take participate, but I'm topic on the edge to get a nice bright white, right, though she'd just democracy though, laid-off the lightning coming up out from the cloud. After this, in the border media, I think I need to add more color pick main. So I've just added mobile pigment in the border media with my late Bu boys in blue and black again, and in the central part starting from the second block below for the blocks, more damage, I'll be creating my slime. So which is going to be laid out in sheets. So I'm just picking up some beloved Microsoft people. So that's the space where the lightning is going to be. I'll just show you how to color with the lighter sheets. So you can just go with a light blue hill at the edge after that, go with the ocean blue and then all the bordering areas with the black. I'm using a lot of Galapagos, Bengio. And I'm going with the light blue light medium. And apart from that, distally from that day like my ocean blue color, and then add the edges I like my black color. So in this way you can just darker new areas if you feel that they are not that big mentor. So I'll just repeat the same things on the right side as well. With the lighter blue and blue you can see the collosum Ainsley weight, so they are blending in nicely with one another. And then you can add the black at the edges. So I already have a nice amount of black edges, so I'm not adding back right now and deciding to delete those shapes rich, I want you to do you don't mark of ECMO. After that exam watercolor weight on your brush. I'm just added at the top barred from where the lightning and the motion. So the lining of the Cloud, we are going to mark with the white color. So I'm just using the same watercolor weight. I have the dark portion. I'll add a little amount of light blue to the watercolor weight. And this vein written so that it makes a nice gradual shift and gallo. So you can just take your fellow an addict. And after that, take your clean white colonial brush again and just start marking the lightning source as well with the white color. I'm doing this one, my fortune colors are still wet so they might slightly who when blended nicely with my old localist as well. But you can see I am not taking too much of what they my brush this time. I am trying to dig more white pigment and less of water in my brush. So since this is the watercolor way to itself of crap event unless of water. And with that, I am just adding those strokes for the lightning which is coming out from the Cloud and going below, suggests I like those. So we evaluate these white stroke center after that and just blend the topmost layer of the cloud with a little amount of light blue. So I'll just blend awake with a light blue color to get an, a smoother blend. So we are quite done with this. You can add a little more bite highlight, but a real feel like it's necessary. And after that you will be done with this VDD symbol being done. So let's just start peeling off the DBS from the people. Just be lemma very slowly and you know how we use this. So you can just simply use it in one single B4 divided into four fives or as you can just type them out into four equal parts and use them as bookmarks. Or you can also just stick it on a cardboard or free map nicely and use it. Do just decorate your home sigmoids and shelves. So just wait for a minute to see how we can look so when it's completely done, so I'm just thinking of the devs and after taking the details is start cutting it down. And then let's see how it looks exactly. So meanwhile, you don't forget to add all the buildings that you try out from this glass onto this organ project section because I definitely keep on taking it every day. So I'll be definitely giving you your feedbacks. If you have any doubts, feel free to ask me anytime and I'll be glad to help you oil. So we're almost near the angle of this class and all the lessons will be completed soon. So if you have a start date and if you are following along, then keep painting along with me. See you again in the next. 30. Day 26 : Lightening - Mountains n Lake: So here I have again, they might be but nicely, and I'll start with the very basic pencil sketch. So I'm just dragging the horizon line because the are going to divide this painting into the sky part and the water part. And I'll just draw a basic mountain line. You can go to the skip the benzene ring, but if you want, I'm just showing it so that you get an approximate idea of how we are going to propulsion the entire drawing and work all elements we are going to act. So then I am drawing the lightnings. So again, I'm just trying to split it evenly throughout the beeper to balance out the diabetes thing. Just observe carefully and it's okay even if you delay clear afterwards lake when you start being things so you don't need to sketch the entire beam to join. If you don't want to. Just go ahead and start with the building. For that. This time, I'll be using my watercolor sheets again. So let's just start with our board. A wash for the upper part, which is the Skype byte of the building. So I'm just applying an ace event in later for the wash to my entire sky area first. And then I start coloring with my sheet gallows. You can use a mean watercolors like you have for this building. So it's okay even if you don't have the exact same colors that I'm using, you can just use the similar shapes of the colors that I'm using in any day before the colors that you have, your fans or anything. So first, I start with my relate Galileo. For using these sheets. I'm just using my right branch speaking the color from the watercolor sheet. And I will start painting with it absolute and places. So I'm starting with my violet color and just mark the places in which I am painting with it first and do it accordingly. For the lightening part, we'll go with the magenta color. And to make certain areas darker, we use the black color, so forth, so forth. Just look at the places I am giving the boiler color forest. Then we start adding either machine gun co-lead the center light dope arts. Really like the balance. Make sure to blend them in with your old layer color so that it looks like a nice smooth blend. So first of all, I drop the color in the central part, like this. And after dropping the color in the central part, just go and Mixer to Window will elect other popular sheet that you have the side sit. Don't worry much about this. It's going to be a very abstractly indent. So just enjoy the process. And this straight to blame WAS when you can keep on adding more of Galapagos manga few wish to make the colors dark good or if you wis