Transcripts
1. 1 Introduction to the course: Hello, everybody, and welcome
to our newest project, a 30 day Photo Challenge. So what is a 30 day
photo challenge? It's exactly what it says. So over the next 30 days, we're all going
to work together. We're going to take one photo a day each day with
a different theme. So the idea of the
project is that it will challenge you in terms of
how you see the world. It'll help you develop your photography in
a technical manner, and it'll also help you develop an eye for seeing things in
a slightly different way. So what makes this
different from other generic photo challenges? Well, first of all, you are part of a community. So every day, we are going to create a group where you
can upload your photo. You can share it with
the rest of the group. You can gather feedback. And also, you can discuss any kind of technical
challenges or any thoughts or any ideas for developing your own
photography within that group. So it's really supportive. So the idea is that we go on this journey together and that we actually help each other improve and we
support each other. Also, as part of this group, I'll create a series
of resources so you can continue developing and can continue pushing your
photographic practice beyond this initial project. Once you are part of the group,
you're part of the group, so you can start sharing your work and you can help
each other along the way. I'm a massive, massive believer. That support and being
part of a community to help each other grow and help
each other develop is much, much more important than creating absolutely
perfect photography. For me, as you will have
heard me say lots of times, the art of taking
the photograph is much more important than
the photograph itself. Okay, that's enough of me talking about what
we're going to do. I think what we need
to do is do it. So let's dive in. Let's start day one on our
photographic 30 day challenge.
2. Day 1 Worm eye view photography: I. Day one. Okay, so today's theme
is a worm's eye view. I know it's a funny title, but essentially what it
means is a low angle. So we're going to go down. We're gonna take
our camera down. We're gonna take
our viewpoint down, and we're going to
shoot, point it up. So how does that affect
what we're going to shoot? Well, it plays with the angle. It plays with perspective. It also might help you decide
what you want to shoot. So what is your
subject going to be? We're not going to be specific, so we're not going to do nature. We're not gonna do architecture. It's absolutely back
to basics, low angle. Okay. So there's a
couple of things here. So my camera doesn't
have a tilt screen, the one I'm using
for this project. So I either have to lay down, which is probably
not that practical. So there's a little
bit of potluck for me. So I'm going to take
line from a low angle. Now, you might want
to use your phone. You might want to
use your camera. You might want to use a
camera with a flip screen. Mine doesn't. So I'm
going to go low. I'm going to frame out
to do it. I'm gonna take the picture, and then
I'm going to look at it. So actually, the
process of taking the image is as important
as taking the image itself. Enjoy the challenge,
enjoy the task. Let's reconnect later once
we've taken our picture, and we'll chat and
we'll discuss and we'll support each other
along that journey.
3. Day 2 Textures Photography: Day two. Okay, we're going to
change things up for today. Today, we're going to
combine a couple of things. So today's topic is textures. So that might be your favorite textures like a brick wall. It might be fabrics. It might be grass. It might be It
could be anything, anything that is a
favorite texture, too. So we're thinking close ups
and we're thinking textures. Now, this really changes
how we take our image. So we're really not looking
at establishing a scene. So for example, if you're
going to do a landscape, you'd want to
establish that scene and all of those parameters out. This is really about
macro photography. It's really about zooming
in and getting close. So if your camera doesn't
have a macro feature, so I'm using my
smartphone for this one, so I can zoom in to
a certain extent. But what I'm going to do is
I'm going to pick my lens, and then I'm going
to take my image, and I might edit that
in post production. Along with today, what I'm
going to do is I want to drop some notes in our course of
some different photo editors. I'm using a free
editor for this, but I show off an iPhone and
I edit my images off Apple. So it is specifically
an apple one, but I'll drop a couple
of different ones in case you're on other phones such as
Android or whatever. And if you're taking yours
on your professional camera, you might already have an idea of how you
want to edit this. So you might want
to use Light room or you might want to use capture one or whatever software
you're currently using. Okay, that's enough of me. Day two, we're looking at
textures. See you all soon.
4. Day 3 Joy in motion Photography: So we've done two
very different things on day one and Day two. Day three, we're going to
push this forward now. So Day three, we are going
to capture joy in motion. So you'll notice already that
my themes are quite broad, because what I don't want
to do is I don't want to restrict you in the kind
of images you take, but I also don't want to
restrict your process. I want you to really feel able to explore and to work within your creative boundaries and also to slightly push yourself
out of your comfort zone. So what does joy in motion mean? For me, it means things
like people having fun. It means smiling faces. It means people being together. For you, obviously, it can
mean something very different. And that's what's
really great about this 30 day photo
challenge is our image. All of our images are different, and they're very much
unique and personal to us. Okay, today's theme,
Joy in motion, I will see you all very soon.
5. Day 4 Light & Shadows Photography: Oh Day four, we're starting to get
into swing of this now, and we're starting to build
this into our daily habit. Day four's theme is
something that is one of my absolute favorite
things to photograph. So today's theme is
light and shadows. So we're really going to look
at those dramatic shadows. So it might be when the sun hits a building or it hits
something at a certain angle, and you're on your daily walk, and you suddenly
notice that shadow, and that's the moment for you. It may be something that
you create yourself, so you might want to
add some light into this and you might want to create your own dramatic shadow. So it could be
something I don't know, something really simple
like a glass of water in your kitchen and you just put your phone light against it, move it around in
different places to create different
shapes and shadows, and then you take your picture, then you jump into
your editing software, and you edit that. What I'm also going to do as part of this 30 day challenge is I'm going to throw in some
extra editing tip video. So I'll do some
quick editing videos to show you some ideas along your creative process because
obviously the whole point of this is to build that daily habit to
challenge our creativity, to take images each day
with a different theme, but you also need to edit them, so I'll start jumping
those into the course, as well, and they'll
just be part of it. Okay, let's go get
some light and some shadows and I'll
see you for day five.
6. Day 5 Reflections Photography: Day five, today's
theme is reflections. I absolutely love working
with reflections. It could be through a
window, through a mirror. One of my personal
favorites is combining Day one's theme and
Day five's theme, which is reflections
through puddle. So you get low you
get that perspective. So I really want you to think
about reflections today. And again, we're not
going to give you a specific subject to
take a picture of. The task is looking
at the world slightly differently through that
reflection. Have fun. Enjoy it, and I look
forward to see, A, your raw image, but B, your edited image. Cause as we know, taking the picture a great creative process
in its own right. The second part of the creative
process is then editing that image and sharing that with the world as we want to see it. So day five, reflections, image, edit, see you
all for day six.
7. Day 6 Hugge Comfort Photography: Hello. Welcome to day six. Today's concept is something you may never have
heard of before, and I apologize if I get
the pronunciation wrong. So we're going to
focus on huge comfort, and Hog is a Danish word meaning cozy homely,
that kind of thing. So today's theme
is huge comfort, you think about things
that are homely, things that are cozy. It's usually generally
quite warm palettes. Again, as we said in
yesterday's video, take the image, do
all your composition, allow your creative
process to happen. You can create warmer
tones in post production, whether you're using
photometer light room or your generic Photos
app on your phone. I'm a massive believer
when it comes to software in not buying software
until you need to upgrade. So until your
creativity is impeded, then it's the time to upgrade. So you don't need to buy any additional software
for this course. And I just want to
put that out there. Probably should have
said that earlier on, but Daysix we're saying it now. So today's theme, huge comfort. So think about warm, homely, all of that stuff
that makes us go, Oh. Okay, let's get this one done, and I will see you
for day seven.
8. Day 7 Self portraits Silhouette: Day seven. This one, again, I know I've
said this before. It's one of my
personal favorites. Truth be told, though, it's also the one that
I antagonize over most. Today's theme is self portrait. I know I know before you start messaging me and tell me that you
don't want to do it. I also have my
reservations about doing self portraits. Let's
put it out there. None of us really
like the way we look. We always and will always
find imperfections in things. This isn't about creating a
self portrait, there you go. Yeah, I'm happy with that. Hopefully, you do say that with the photography and the
composition and all those things. But it's about pushing
our creative boundaries. It's about
experimenting, and it's about finding new
ways to do this. So a self portrait
doesn't have to be there you go, self portrait. Obviously, you know,
you know me by now. We started to connect. It's about pushing
those boundaries. So it might be a self
portrait that's a low angle. It might be a back bite, so it's more of a
silhouette portrait. It's whatever you feel
comfortable with, but the idea is to experiment. So think about self portraits, think about experimenting
and think about how can we push those
creative boundaries. Listen, they all can't be really comfortable
exercises, can they? We all have to have a
little bit where we go, h, not quite sure
about this one. Let's get through it
and let's move on to the next day. See you soon.
9. Day 8 Leading Lines Photography: Okay, we've got over
the self portrait one. I'm not saying it
won't come back, but we've done it in our first week. So
we've done a week. We've done seven days
of our photo challenge. Let's do a quick check in. How are you feeling?
What's been challenging? What's surprised you? What have you done
that you've gone? I really didn't want to do that. But actually, it was right. Or dare I say it? I quite enjoyed it. No, for me, the self portrait one yesterday, it's always a thing of mine. It's always been a thing. I
actually really enjoyed it. It was quite nice to try
a few different things. Okay, let's move on. We are in week two, day eight. Well done sticking
with it so far. This is the crunch point. Okay? This is where it
stops becoming a novel, and this is where
it starts becoming a bit more of a habit. You start to build that
process in, and it can, like, truth be told, it can feel a bit like,
Oh, doing it again. Please, please,
please stick with it. I promise this is where
breakthroughs happen. Okay, so Today's theme
is leading lines. So have you heard of that
before, leading lines. So it could be it's also known as the vanishing
point, for example. So usually, if you look if you live in a city
with big buildings and you look up and you see the skyscrapers go up,
that's the vanishing point. It could be train tracks.
You look at a train track, and as you see it going down
there, it starts to vanish. That's the vanishing
point. Obviously, don't go jumping on train tracks. That's super dangerous. But you could do it from a
bridge from a high angle, for example, leading lines
is our today's theme, start of Week two, day eight. Let's do it, and I will
see you for day nine.
10. Day 9 Negative Space Photography: How did that feel? Did
you get your line? Did you get your
vanishing point? Did you get your leading line? Okay, as ever, we're moving
quick. We're moving on. Today's theme is da da da da. Negative space. So we're not
trying to fill the frame. So actually, when
you're a photographer or a filmmaker or you're creating scenes
with your camera, negative space is as
important as positive space. So, for example, looking
at me right now on camera, this bit around me,
that's the filled space. Over here, you can't
really see it off camera, but here we've got
some negative space. Over here, we've got a
bit of negative space. We've also got some
space here that we're filled with this light and
these books and so on. So really, you're looking at
the space next to the space. I guess, when you think
about it like that. So today's theme
is negative space. Have a play,
experiment, enjoy it. See you in the next one.
11. Day 10 Bekeh Effect Photography: A Welcome to Day ten. We're really in the flow now. Okay, so we've tried lots and
lots of different themes. We're going to try a lot
more different themes. This one is it might be a little bit challenging to achieve
if you're on a smartphone, so you might want to achieve this effect with your editing. Alternatively, what you
can do is you could download a free app like
Black Magic Camera, for example, and that will
give you manual control. So if you can get manual
controls on your phone, that'll really help you with
the photo part of this. If you can't,
please don't worry. We can do this next
effect in editing. So this is called
the booker effect. And really, it's that kind of blurred slightly out
of focus effect. So you'll see a lot on
lights festival lights, if you're doing this course and this day happens to fall
on a festive season, do you know you might
get some festive lights that you could try
this on alternatively. You could just turn the
light on or you can set Do you know those fairy lights
that lots of people have? You could put some
of them up and you can get some effects from there. So this is the booker effect. It's really I'm trying to think about how I
can articulate this. It's it's less about creating a perfect image and more about creating
something abstract, almost like a piece of art. So think about color. Color will really, really
help you during this process. Okay, booker effect,
pushing ourselves, changing our creative eye, changing our
photographic practice. See you in the next one.
12. Day 11 replecement: Day 11. Wow. Okay. How did you find yesterday's
challenge the Boker effect? I love doing booker, but I always feel a bit
weird because it never quite comes out as an image that I think
it will do in my head. But I absolutely love
it because it's really good for challenging
your perception of what you think your
photography is and really challenging
the perception of what makes a great image. So it's a really
useful thing to do, and it will come in handy as you develop your
photographic practice. I'm absolutely certain. Let's jump into today's theme. So today's theme is a theme
that I don't do enough of, really. I need to
do more of this. So I'm really excited
about this one. This theme might be a
little bit more for me. So it's food texture. So not food photography. You know, we can all
jump on social media and we can see pictures
of our dinner. It's not taking a
picture of your dinner. It's about food textures. Really, I guess when
you break it down, it's about micro photography. So, you know, it might
be, for example, coffee. I love seeing macro
photography of coffee. Bang alight on the side, create some beautiful
shadows, camera from the top. Really gorgeous. So the idea
is to stop your audience. They'll have a look, trying
to figure it out here it is. Oh, I think it's this,
I think it's that. But also, the other
ideas, again, challenge yourself to see things from a different perspective. Food, texture,
micro photography. Enjoy this one. I look forward
to seeing what you create. I'll look forward to
seeing what I create, and I will see you in the next
13. Day 12 Black & White Photography: We are flying through
these day 12. I love this one.
I'm not gonna lie. I know I've said it
before, but this possibly is one of
my favorite themes. Day 12 is black and
white photography. So what I really want you
to think about is contrast. Look at those contrasted areas, those tones really
play with depth. When you take color
out of the equation, absolutely changes the game
in terms of photography. You really start to see
things differently. Again, if your camera doesn't do black and white,
not an issue. We'll jump into post production, and we can black and white it, and we can play with those
different tones and contrasts. And I'll do a little
video on my tones and contrasts when I'm
doing my editing, as well, just so you've
got a reference file. So Black and White photography, tones, contrasts. Think
about architecture. That's beautiful when you're
doing black and white. Think about shadows,
think about shapes. Think about setting a scene, and I will see you
ready in the next one.
14. Day 13 Clouds Photography: Day 13. This theme
we're going to look up. Forget that film. Don't look up. We are going to look up. Today's theme is
about sky and Cloud. So I really want you to think about all of that stuff you've learned
before about shape, about texture, about
negative space. We're gonna look at the sky and we're gonna
take some images. It might be something
really simple like an empty sky with one
solo bird flying across. It might be beautiful
different shaped clouds with the sun bouncing off it and creating these beautiful
shapes and shadows. Absolutely your call. Whatever you decide is
what you're going to take, but I'm going to take
all of this learning with you, and we're
going to look up, and today's theme is the sky and clouds and
all of those things. Fabulous skies. See
you in the next one.
15. Day 14 Nature Photography: Day 14. And I'm tightening
this letters in nature. So what I would really want
you to think about is forget about those vast
expansive landscapes. I want you to think
about detail. So really focus on those bits of nature that
really capture your eye. It might be a fallen
tree in a forest. It might be a blade of
grass. It might be macro. It might be a big wide,
vast expanse landscape. If you live somewhere
where you've got all those dramatic scenes, by all means, please, please do capture it and
please share it with us, 'cause we all want to see
beautiful photography, and we all want to see
beautiful landscapes. But for this one, I
want you to think a little bit more
outside of that box. So again, we're bringing all of those 13 previous days
learning into this session. So we're thinking about
letters in nature. So what does that mean?
What does it mean to you? I know where my brain's going. I know what my mind is thinking. But for you guys,
see where you get. I'm also not going to dictate it could be color.
It could be black and white. You could bring that
shapes and that contrast, you could bring that negative space of framing into your work. It's whatever works for you, you are the photographer. You're totally in the flow now. See you guys in
the next one. Two.
16. Day 15 Symbols of hope Photography: Day 15 we are officially halfway through
our photographic challenge. I can't believe it's come
so quick and I can't believe the amount of
images we've created. But let's keep going.
Let's keep pushing. Let's keep finding
that creativity, and let's move on
to today's theme. Because we're midway, today's
theme is hope symbols. So that might mean
many things to you. It might mean something
that's religious, for example, so it might mean a cross or it might
mean something else. It might mean an image of somebody that brings you
joy or brings you hope. It might mean a
little trinket on your key ring that every time things are a
little bit difficult, you look at that and
it brings you up. It could mean anything. So for me, I'm not 100% sure what this
is going to be yet, so this is a bit
of a thinker for me, but I'm going to go for it. I'm going to embrace
it, and I will post my image like I do at
the end of this video. Okay, let's do it. Day 15, let's get this done. And
17. Day 16 Glint & Glamour Photography: Day 16. We're over halfway. Oh, my days. I can't believe we're on day 16, and we are closer to the finish than we
are to the beginning. Okay. You're not here to
hear me, Bax lyrical. You're here for today's theme. Today's theme is
glint and glamour. I know I've got
an absolute knack of coming up with titles. What does that
really mean? So what does glint and glamour mean? I'm thinking you're walking, you see the sun hit
light that pond, then it just sparkles, and it creates this
really ethereal moment. So glint and glamour. So we think about those moments
where light hits water. Light hits something reflective, light hits something shiny, and it just creates
that ethereal moment. So that's what we want to
capture the ethereal moment. Pro tip, what might
really help you is that session we did on
Boca effect in this one. Think about your booker. Think about your depth of field. Think about your post
production process in this and how you're going
to create those effects. Right? I'll see you tomorrow.
18. Day 17 Furry Friends Photography: Okay, so today, we're going
to go for cuteness overload. Today's theme is all
about furry friends. So if you've got pets,
it might be getting that really cute
angle of your pet. I've just got a new puppy, so I definitely know
what I'm going to be focusing my image today on. So today's Fairy Friends, whatever that means to you, I really look forward to seeing
all your pictures today, and I'm really excited
for cuteness overload. See you tomorrow
for the next one.
19. Day 18 Circles and symmetry Photography: And Day 18, today's task. So we're going to look at
circles and symmetry, okay? I love something
that's symmetrical, you know, geometric patterns, creating space just
to really create something that visually it's just really beautiful
to look at. Just there, you can appreciate
it. You can observe it. So think about symmetry. Think about patterns. Think about circles are great. Like, you can go
outside the circle the, but circles are great because, you know, they're really
easy to photograph. But it may be that you
find something that's symmetrical that you really
want to experiment with. If you don't find it when
you're out in the world today, doing whatever it
is you're doing, create it, you
know, get a mirror, play with perspective.
Think about reflections. Think about that glint
and that glamour. Think about force perspective, all of those things
that you've been doing up to this point
all come into play, and we'll all support your
creative journey on this. So symmetry, circles, patterns.
See you in the next one.
20. Day 19 Layers Photography: Okay. Welcome back to Day 19. Today's theme, again, it's
a little bit different. I know I said that a lot because
they're all a little bit different but today's
theme is about layers. So laying up your image. So that could be done
in a couple of ways. If you're really great
at post production, you might want to do stacking, so you might want
to focus stacking. You might want to layer your
image on top of each other. So you take five,
six, seven images of the same thing at
different exposure levels. In post production, you
stack them together. To create a much more
vivid, rich image. It might mean
something different, so it might mean layers, so it might mean something like ground layer, middle layer sky. You might want to lay your image for foreground background. You might want to lay
your image with sky, trees, concrete, for example. So it's super simp, but
it's about layering. It's whatever works for
you in terms of what layering means and how you
want to tackle that challenge. Fabulous. Okay, let's jump in. Let's share those pictures, and I will see you for tomorrow.
21. Day 20 Birds Eye View Photography: Welcome back. Day 20 of our
30 day photo challenge. I'm gonna give you a
bit of a break today. I'm not gonna make
you think too hard. You've been really pushing those creative brain cells
and really pushing those creative juices
and really pushing yourself as a photographer
this last couple of weeks. So today, we're going to
take it down a notch. We're gonna have an easy day, and we're going to think
about the Bird's Eye View. Now, I know what
you're thinking. But Wayne, I don't have a drone. How can I get a bird's
eye view from up there? Birds don't always fly up there. Bird's Eye view just
means top down. So it may be something
from your eye level. It may be you just
hold your camera, you hold it up, and you go down. It may be something
in your home. It may be something
in your office. Okay? So we're thinking
about it top down. So today's challenge is
top down photography. Enjoy it, post it. Let's see it, tag us all in. Let's look at it. I really want to get inspired by your
photography, as well. See you in the next
one, everybody.
22. Day 21 Faceless Emotion Photography: Day 21. Right. First of all, we're going to take it up today. So today's theme is
faceless emotion. How do you capture emotion
in a scene without this? It's a really difficult
one, this I think. I always find this
really challenging. But that then does give
us an opportunity. So when something's really
challenging and it's not obvious how you
find a solution, it really pushes our creativity. It really pushes our
boundaries about how we create something
that fulfills the theme, but also challenges
us as photographers. So we're going to
create an image, and it will be amazing
because, you know, I've seen your work. I
know how great you are. Faceless emotion. So
think of this one. Have fun. Enjoy it, and I will see you tomorrow
for tomorrow challenge. But also, I look forward to
seeing what you guys create.
23. Day 22 Sunrise & Sunset Photography: Day 22. Okay, I've got a
great one for you today. Today's challenge is
either sunrise or sunsets. So what I want to do is I really want you to think about
how you're going to capture that glorious sunrising or that stunning sunsetting. I'm not an early riser, so I'm going to go
for a sunset image. If you're an early riser,
let's get some sunrise. Let's get the whole day across our photography
journey today. Please do make sure
you share them. Make sure you show as you're before and your after images, if you're editing them as well. And I'm not gonna say
anymore about it, actually, 'cause I think
it speaks for itself. So, have a great day, and I will see you for
tomorrow's photo challenge.
24. Day 23 Silhouette Photography: Hello. How did you find yesterday's sunset
awesome rife challenge? I have to say, it was a
bit challenging because it's quite cloudy a
lot that I where I am. But, yeah, it was good. It
was a good day. I enjoyed it. I was thinking about what my space and my environment
was going to be all day. So my sunset image
I'm quite happy with. Again, please do share yours. Don't forget we want to see them and not just yesterday's. We want to see all of the
images you've been taking, so tag us in and do share those. Okay, let's move on to today's. We're entering the
final hurdle here. Today's challenge
is silhouettes. So I want to think
about silhouettes. It doesn't have to be a person. It can be an object, it can be a building. It
can be a thing. So whatever you feel is
right for your photography. A couple of tips and tricks
on how you can do this. Back light. Light
behind your subject. We'll give them or
whatever that is, a really lovely frame, and it'll create your sus
then you can hands them in post production should
you want to or you can get them straight
out of the camera. Over the last three weeks, we've done lots and lots
of challenges on lots of different bits for
you to work on. So for this, take all
of that learning, step back, and I would say
absolutely less is more. Great. Right. Let's do
it. Let's crack on. Let's go get our
photo for today, and I'll see you tomorrow
for the next one.
25. Day 24 Music Vibes Photography: Okay. Okay. In today's
photo challenge, we're going to go a
little bit to the side, and we're going to photograph
musical instruments. So it's a musical themed
photo challenge today. So if you play an instrument, and my daughter plays guitar, so it's pretty simple for me. Well, provided she'll let me go into her room to
do some photography. But again, really
challenge yourself. So is it a whole image? Is it a portion of an image? Is it placing the camera
at the end of the strings and adding those
disappearing lines or that vanishing point
photography that we did earlier into
today's challenge. So it's a bit left field. It's a bit out there, but today's photo challenge
is musical inspiration. See what you come up with,
and I will see you tomorrow.
26. Day 25 Frame within a frame Photography: Okay, Day 25. Last 55 days left. We're getting to the end. Today's theme or
today's challenge, should you choose to accept it? Well, you're obviously gonna
accept it 'cause we're doing a 30 day challenge. I don't know why
I tried to sound mysterious, to be honest. Today's challenge
frame within a frame. So obviously, we
frame our image, but I want to frame
within a frame. Whatever that means to you, I'm going to leave it with you. You might want to make something and photograph through it. You might want to take
something with you. You might want to go through
spaces or go through cracks. But the idea is frame
within a frame. Day 25. Right. Get out there, get those images, start making some magic, and I'll see you tomorrow.
27. Day 26 Street Photography: And Day 26. We're almost there. We're almost at the end. I'm super, super proud of you
guys that are still here, those that are still
doing it, it's super hard to do this every day. Last year, I did a 365
day photo challenge. It was really difficult. I'm not gonna lie. I had
some ups, I had some downs. Some days, everything
fell into place. Some other days, it
was really hard. And I'm sure some of you
guys have found some of the tasks during this course really difficult and
really challenging. But you're stuck with it, and that's the point
you've push yourself. You don't have to love
everything. You've push yourself. Today's challenge, then, is
one of my personal favorites. I think I say that a lot, don't I? But it genuinely is. I genuinely love this challenge. Street photography. I'm going to keep it super
open, super relaxed. Whatever that means to
you, street photography. The other thing, just
a quick pro tip. Personal opinion,
street photography looks fantastic in
black and white. But again, you make
that creative decision. It's your photo journey. It's your creative exploration, and it's about your development. I will see you tomorrow for
the next photo challenge. Last couple, last couple. But please do post them. Let's share them, bang
them in the groups, and let's all grow
and learn together. A
28. Day 27 Colour Photography: Day 27. Right. Let's
get straight into it. No waffle straight down
the bar of the lens. Color. And we to really
focus on color today. Today's challenge
is color explosion. That might be lots
of different colors. That might be Wes Anderson, muted, pastel color palette. It might be focusing on
one color in a subject. It might be that you
take your scene, you pull your one color out
and you black and white, everything else in
post production. Totally your call. Color. Let's do this. Let's
get out there. Let's get our image, and I'll see you in the chart, and I'll see you tomorrow.
29. Day 28 Night time Photography: Who's feeling tired?
I'm feeling tired. My brain feels like
it's leaking out, but I'm super, super excited. I feel really inspired. I feel really creative
at the moment. And I feel like I'm going to keep doing this challenge
beyond these 30 days. But with that in mind, today's challenge, it's
nighttime photography. Look up, look up at the stars, look at the shape of
the color at night, look at the light, look at
the palette of nighttime. It's very different to daytime. A quick pro tip, one of the best times
to photograph at night, if you don't have any lights
with you or you're just on your smartphone is
what we call blue hour. And that's the
hour after sunset. So if you're luck enough to be in a place
where the sun is shining and you're getting all that beautiful
golden sunlight, once the sunset, get out. Look at that blue hour. Everything is just magical. You're gonna absolutely love it. Right. Enough of that. Couple more days left. Let's get our Photo
challenge done for today, and I'll see you tomorrow
for the next one.
30. Day 29 Imperfictly Imperfect Photography: Wow. Day 29. It's gone so quick. How has it come this quick? Okay, how did you
define yesterday? I love working with color. I do. But I also get slightly overwhelmed 'cause there's
so much color about. Who went out at Blue hour? Who got that
beautiful blue light? I love it. Here's my
image. You'll see it. It's gonna be in
the group anyway. Right. Today's Challenge. It's the second to last one. Imperfectly imperfect.
That's the theme. We all know I love a good
theme, a good title. It's about photographing the imperfections,
might be the blemish. It might be the
spot. It might be, you know, the eyebrows.
I don't know. Whatever it is imperfectly
perfect for you. Photograph the imperfections. You know, when we're
doing photography, we always want to make
everything beautiful. You know, we see online all
the time about removing this spot and removing
that spot and getting all those beautiful
studio shots. We don't want that. We
want the real, the gritty. We want to see reality. Give me that imperfection,
because do you know what? I guarantee once you start thinking about it and
we get over that hurdle, we realize they're not
that important anymore. And actually, they're
quite beautiful. Right. Let's do it.
Let's crack on. I'll see you tomorrow for
the final challenge. Ah.
31. Day 30 Your choice Photography: I Congratulations, well done. You got to the final day. Oh, my days. Do you know what? It's been a creative smogsbd. I've loved every minute of it. I've been inspired,
I've been challenged. I've almost given up. I've pushed through
my creative barrier, and I feel a much better
photographer for it. And actually, do you know what? Some of the skills I've learned refound during this project. I'm going to use in
my professional work. I'm going to use
when I'm on set. I'm going to use when
I'm photographing for different events, et cetera. So it's reignited my passion, and I really, really hope
it's done the same for you. Today's challenge, the final
photography challenge. In many ways, it's the easiest. In many ways, it's absolutely the hardest. Dealers choice. You get to choose out
of the last 29 themes, which one you want
to focus on today. Which one has been
your favorite? Which one did you really love? Pick that one or alternatively, which one has been the one
that's challenged you most? Which one has been the
one that you've gone? Oh, I want to get this
over and done with. Then I challenge you to
go do that one again. Look at it from a
different perspective. Look at it with these new
creative photography eyes that you've got over
the last 30 days. Guys, pop your images
in the groups. Pop them in the course.
Let's see them. Thank you so much for spending
the last 30 days with me. It's been an absolute honor
on my side. I've loved it. I've loved seeing your films. I've loved seeing the
stuff you've created. You've definitely
1,000% inspired me, and I can't wait to
continue this journey, and I can't wait to see
you all flourish and grow as you move forward with
your photography practice. Day 30, let's go get this.