Transcripts
1. Intro: Hey everyone out
of Michigan here, singer-songwriter
in vocal coach. Welcome to today's warm up. So why should you
be listening to me? Well, I'm a vocal coach with over 450 thousand
subscribers on YouTube. And I got there by showing everyone a tenure
transformation of how I started from 0 talent to be able to improve my voice to where it's, it's a
pretty good voice. And the way that I did
that was by training with many different methods
over that period of time. And I learned what
works and what doesn't. So I can relate to beginners
and intermediate singers and advanced singers because
I've been through every one of those stages and that
can really show everyone. And my my my expertise
is to be able to show exactly what we need to do at every single stage to make
that next step in improvement. Part of this vocal
warm-up is that I want you to create a
project around this. So I want you to record your process as you're working
through these exercises. This is going to do two
main things for you. Number one, it's going
to show you if there's any mistakes as you're
working through, you'll be able to
compare my video to your video and see are there any mistakes that you're making
that need to be adjusted? Because often we don't realize that we're
doing things that are incorrect until we actually review it
and watch it over. So you're gonna be able
to track your progress the first time you run
through these exercises, I guarantee will
not be as good as the 100th time you run
through these exercises, you're gonna get
better and better. And the way that these are
setup is to be done daily. So if you do this
every single day and you record the process
as time goes on, you're really going to notice
some massive improvements. And had I not done this
from the very beginning, I would not have that
transformation video that went viral on YouTube. It was because I
track the progress over time that I
was able to show. This is where I started from
and this is where I'm at. So it's a really
important aspect to have and that's why I've
made it today's project. Now, also, what I want you to do is I want you to be able
to have FaceTime with me. So if you're interested in
having FaceTime with me, you can check out my website, www dot am vocal studios.com. And over there, you can book
private lessons with me. You can book group
lessons with me. You can purchase my courses. And I've got lots
of blog articles, lots of resources over there
on singing in general. So if you are interested
in taking this a step further and having that face to face to face time with me, check it out on my website, www dot am vocal studios.com. Now, these exercises are really, really tailored for exactly
what the title says. I really want to make sure that you're
following these exactly. They're meant to. And that's why I set it up
where I'm doing it with you. It's a follow along process. This is going to make
it fun, engaging, where you're not going
to feel like you're left out in the dark
and you're not, you're not really sure
what you should be doing. So follow along with these
exercises without further ado. Let's jump straight in
to the first exercise.
2. Lip Rolls: Now what I'll do is throw
myself on to a scale. So we're going to do liberal. And think nice and
dopey as you do this. A little bit, a little bit of, a little bit of a little, little, little, little,
little, little, little, little, little,
little, little, little, little little little bit of a little bit of a
little bit of a little, little, little, little,
little, little, little, little, little, little, little, little, little, little, little, little, little, little, little, little, little bit. Nice deep breaths into the
stomach with between each one. So this is where it was
getting stuck before. So I'm going to think
a little more airflow, my break a little bit more, but it's going to get some
of that blockage to open up and back down. Sorry about that. A little bit of a little
little, little, little, little, little, little, little, little, little, little,
little, little, little, little, little,
little, little, little, little, little,
little, little little. So I'll also try to bring
myself lower than I start. In that way I'm working out the lower end of
my range as well. Sometimes we can get stuck into only working
on the high-end, and it's also important to
work on your lower end. There's a lot of freedom that comes about
when we're able to release those muscles
in the lower range. So definitely something
good to work with.
3. MUM Exercise: Now just trying to gauge myself based on
where I'm speaking. Normally, I wouldn't
be talking to myself while I'm
doing my warm-up. But what I would do to be
able to gauge where I'm Matt would just be
like a simple mm, so we will just go Mamma, Mamma, Mamma, Mamma,
Mamma, Mamma, Mamma, Mamma, Mamma, Mamma,
Mamma, Mamma, Mamma. Sit back here. My Mamma, Mamma, Mamma, Mamma. Mamma, Mamma, Mamma, Mamma. Mamma, Mamma, Mamma, Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau. Sorry about that. My Mau Mau Mau Mau Mau
Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau Mau
Mau Mau Mau Mau Mau. Couple things to notice here. One, I'm not getting louder
as I'm going higher, I'm trying to keep it very even. And I'm also finding a nice conversational volume
level to work with. I'm not going super
loud with it either. My mama, mama, mama, mama, mama mama, Mau Mau Mau Mau Mau Mau Mau
Mau Mau Mau Mau Mau. I'm finding that that's
getting caught there. It's not quite straining, but it's also not as easy
as I know it can be. That's an important note, is as you get better at
doing these exercises and noticing how your voice
reacts to the exercises, it'll become clear
when your voice is cooperating with you
and when it's not, when it isn't
cooperating with you, that's when you want
to try something else, so adjust for the circumstances
you find yourself in. Um, and that's why my exercises
are never a 100% static. I'm always changing up
the way that I warm up my voice because my
voice and static. So I need to work with what I'm given on any given day and roll with it, and
that's what I'm doing. So we're going to try a
really, really quiet all. We're gonna go. My focus here
is to keep it really Yani, almost like a Yoda, and also keeping it super quiet. So there I hear a
little bit of blockage. Just keeping it super quiet. Can you get closer to the mic so that you guys can hear for sure? That didn't start
even right there. So if that if that
isn't working, I'll move to an E and I'll
try to make it a smaller, I'll do it as a slide, but in a very small
area, just a whole tone. Also, a couple of things to
note that I'm doing here. I'm starting with an M so that I don't start
with a glottal. So we don't want to eat, eat like a very hard E sound. We want to keep that
nice and light. So the way that I do that is with an M, because
when you do an M, it gently gets into
the sound, Mi, Mi. You don't have as harsh of a glottal if as if
you were doing e. E, that's more harsh.
4. NA Exercise: Let's go back and we're going to try and nonane that and
see how that works. So the focus here with this
exercise is going to be keeping it extremely bright
and forward and whiny. The more whiny the better. So we're gonna go.
We're on now now. None, none, none, none. Keeping it very forward. Now. None, none,
none, none, None. None, None, None,
None, None, None. Now, the other thing is we want to make sure we get a
good drop of the jaw. None, none, none,
none, None, None. None, None, None,
None, None, None. None, None, None, None, None. None, None. None, None, None. None, None, None, None, None. No, no, no, no, no, no, no. No, no, no, no, no, no, no. There were up to the B-flat. None, none. None, none. Keeping it very forward. Me I'm feeling like there's a little bit of
resistance there. So I'm up to the B for
its tried on the C5. See what happens. But this is an experiment not
guaranteeing anything. No, no, no, no, no, no, no. Okay. So it comes
out pretty easily. No, no, no, no, no, no. So they're starting to get
a little bit wonky right? In that middle spot. So then I'll bring it back down. None, none, none, none, none. None, None, None, None. None, None, None, None, None. None, none, none, none. Keeping it very annoying
and bright and bratty. None, None, None,
None, None, None. None, None, None,
None, None, None. None, None. None, None, None. None, None, None,
None, None, None. None, None, None,
None, None, None. None, None, None,
None, None, None. None, None, None,
None, None, None. Now at this point,
what I'm gonna do is I'm going to take a break. I'm gonna give myself like
15 minutes off time and C, come back and see how it is. So sometimes it's good to not just pound
away at exercises, allow your voice to kinda see what has come of
those exercises. Once you relax everything, you let the muscles kind of absorbed the
work that they've done and then come back to
it and see where they're at. So we're gonna do that now and we'll come back in
a minute for you. It'll be right now.
5. Outro: Thank you so much for joining me in today's vocal warm-up. How are you feeling?
Does your voice feel a little bit easier? Is it easier to produce
some of those higher notes? Is it feeling a little
bit more loose limber? Test it out, go
sing a few songs. Ones that were generally a little bit more
difficult for you. See if they got a little bit
easier after this warm-up. And if you want to get any
face-to-face time with me, please check out my website, www dot am vocal studios.com. Over there. You're gonna get access to
private lessons with me, group lessons with me, courses that I've put out. If you've got lots of resources
on singing over there. If you want to see my other
warm-ups on Skillshare, please check out my
Skillshare profile. We've got lots there. And it's totally
for free because you already have a
Skillshare membership. And if you can't find it there, please go to the search
bar and type in singing. You should be able to find it. You might need to scroll
down a little bit, find all the videos that I have. And they're all there
waiting for you. So thank you so much for joining me and I'll see
you in the next one.