Transcripts
1. Learn how to create 10 MORE Easy Things!: Hi, I'm in blacker and I'm a graphic designer
and illustrator. I've been a teacher here on
Skillshare for a few years. And you also might
know me from YouTube. I have a channel over
there where I teach short little tutorials about Adobe Illustrator,
Photoshop, and InDesign. And I also run a few Facebook
groups where I helped graphic designers with
any problems that might come up today
in this class, I'm going to teach
you how to draw ten more easy things
in Adobe Illustrator. So, yes, there's actually
another class that I'm already teaching
about how to create TIN, easy things that you
can go check out. That one is a little bit
easier than this class. But both classes are really
meant to give you more comfortable with Illustrator
in their boat for beginners. But if you're an intermediate
or advanced user, I can almost guarantee you
learn something in this class. Alright, let's get started.
2. A Few Small Things to Know: I want to go over
a few small things before we start the class. First, I usually refer to
the tools and the toolbar by the keyboard shortcut that
you can jump to them by. If I say grab your a tool, all you have to do is just
hit a on your keyboard. Now when I do that, I'll also mention the
actual name of the tool, which in that case as the
direct selection tool. And I'll show you where to
find it in the toolbar. But I want you to really
get used to using keyboard shortcuts
because that's how you can pick up speed
and Adobe Illustrator. Also, if I say,
let's delete that, I'm sure it's probably
obvious to some of you, but just hit the delete key on your keyboard in
order to delete it. The last thing I wanted to
mention is the reviews. Now at some point in
this class you're going to be asked to give a review. And of course you'll want
to wait till you know whether this is going to
be a good class or not. But if it is, please
leave me a review. Reviews helped me so much. They help other
students sees a class. They helped me to know
what to improve and they also helped me to know if
I'm doing a good job or not. I just wanted to throw that in there anyway onto the class.
3. Exercise Files Location and Downloading: First off, you'll
want to download the exercise files so
you can follow along. If you scroll down
underneath the video, you can see right here these four tabs here under
projects and resources, you'll be able to see the resources are exercise
files right here. Now they won't look like
this because this is actually one of my other videos. But you'll have
everything you need right here under the
Resources folder. The ones for this class
will be in a zip folder. Once you've downloaded them, you'll see them come into
your downloads folder. If you're on a Mac, you
can find that quickly on your finder by hitting Option Command L. If you're on a PC and I'll probably be over here somewhere in your favorites. To open a zip file, all you have to do is on a Mac, double-click it,
and it'll create a little folder that has
files inside on a PC. All you need to
do is right-click the file and then choose
extract or Extract all. And that will give
you a similar result. Another folder with
some files inside. In this folder we have a completed file of what
you'll learn in this class. And that way you can check
your work against mine or see how I did something if you're
struggling with that part. There's also a starting
color palette here, which will add to and then
also keyboard shortcuts. And this is a reference
you can print out to reference during class.
4. Setting Up Your Workspace + Zoom Settings: If you watched my first
ten easy things class, the Illustrator setup for that class is exactly
the same as this one. If you still have
that workspace saved, you can just go ahead
and choose that one and skip this entire lesson. But if not, I'll show
you how to do that now. All right, let's go ahead
and open Illustrator. We'll come over
here to create new. Then I'm going to choose Print. And then later we'll
come over here to create so that we can get
the same starting point. I'll come up here to
Window and then workspace, and then we'll choose
Essentials Classic. Then go ahead and come up
to Window Workspace again, and then Reset
Essentials Classic. Now your workspace should
look a lot like mine, except it might be
the dark settings. If you want to use the
light setting like me, you can come out to
Illustrator preferences. And then General, if you're
on a Windows system, this will probably be under
Edit, Edit Preferences. Now I'll come down here to the user interface and
here's your brightness. I know a lot of people like the dark setting and
that's totally fine. There's no difference. This is just my preference
to make it light. And now we'll come
down and press OK. Ok, So now we all have a similar look for our
Illustrator interface. I'm gonna show you how
to customize this. You can get to the panels, you need a little easier. These tools over here
are your toolbar. And I like to pull these out
so that they sit right here. It gives me a little extra
space at the bottom. Do that. You just grabbed
the top right up here and then just
pull like this. Then I just put them
back in the same place. Up here is your control panel. Now if you're not seeing
your control panel for some reason
during the lesson, you'll want to come up here
to Window control right here. And all of these panels over here are also
available in window. First, I will open
this little fly out. So I'm gonna click
these two little arrows to expand the panels. First you'll see color
and color guide, and I like these right up
here in the upper right. I'm going to click in
this blank area over here to just pull
this out like this. And then I'll click on this hop. Instead it right up there. You can see when you hover over different parts that you'll
get some blue areas. And that shows you
that it's going to snap in-between those places. We went to come up
here to the very top, you'll see you get a
rectangle around everything. But if you move up
a little higher, you'll get just a line. When will we see that line
will just release that way. It'll snap up to
the upper right. Okay, next, I also want my
swatches to be over here. I'm going to click in the
blank area, pull it out. Then I'll click
on this top here, hover under color until I get the blue bar and
then just release. Now for this next set, the stroke gradient
and transparency. I actually want transparency
to be separate. I'm going to click right
on the word and pull this one out and that'll separate it from
its little group. Then I'll get right on
the top and pull it right underneath
swatches like this. I want my art boards to be
right underneath transparency. I need to pull it out of this
group so I'll get right on the word itself and they're
just click and drag. Come up here to the
top and hover right underneath transparency,
underneath art boards. I like transparency
align and Pathfinder. I'm going to come up
here to Window and I can choose any one of those. I'm going to choose
a line right here. It'll open this little group that has all three
of them in it. I want that whole group
underneath art boards. So I'll come up here
to the very top. I'll click and then hover until I get the
line and release. Now, I don't use properties
are libraries very much. I'm going to get in this area of the group and just pull it out. And then I'll just click on
the X to get rid of these. If you want to bring
them back, you can, of course, just go to
Window and find them here. Properties is right here. Okay, so the right side of our panel is all set
up the way I want. Now, I'm going to work
on the left side. I like my character and
paragraph to be up here, so I'm going to go to Window. And then these are
a little hidden. You'll have to go to
type and then you can just choose character
or paragraph. And it'll open that set. I'll click up here
on the very top, and then I'll hover at
the top of this column. Stroke is already exactly where I want it so
that it's perfect. And then I'm going
to open my links. I'll go to Window and links. These, I'll put it right
underneath my stroke. Next, I want to separate my appearance and
graphic styles. I'll go ahead and click on graphic styles and pull it out. And then I'm just
going to put it right above the appearance. Now, I have layers and
Asset Export down here, and I don't want either one
of those to be in the column. I'll click here and
just drag it out, and then I'll click
the little X. Now I do use layers sometimes, but not that often. When I need those, I just hit F7 on
my keyboard and it brings them up and then I can
hit F7 to toggle them off. My Illustrator setup is
exactly how I want it. Now I need to save my workspace. We'll go to Window workspace. And I'll choose a new workspace. And I'll call my
new workspace a. Now I already have a
workspace named a, so I'm just going to
override it by hitting okay? Now as you're working, you might accidentally pull
some things out like this. You might be moving
things around. And when that happens, it's hard to remember
where they were. And that's why
workspaces are so great. To reset everything,
we can just come up to Window Workspace and then
choose our workspace. Then we can go back to workspace
and reset our workspace. And it'll put everything
exactly back where it was. The other thing is
a Zoom settings. When I hit Z on my keyboard, the way I like to zoom is to draw a box around whatever
I went to see better. Let's say it's this right here. That'll fill my screen
than the normal way that everyone else likes to Zoom
is with the animated zoom. To get to that you
can hit Command K or control K on your keyboard. That'll bring up
your preferences. Another way to get
to that as go to Illustrator preferences
on a Mac or edit. And it'll be, I think down
here somewhere on a PC. Once you're in preferences, you can come down here
to the performance. And you can see
that animated zoom on my system has been unchecked. If you want your Illustrator
to act like mine, you can also uncheck yours, but if you'd like the animated
zoom, you can check it. So here's what the
difference is. If I'm on my zoom
tool and I want to see maybe the letter
C a little better. I click on the sea and zoom
in by dragging to the right, or I drag to the
left to zoom out.
5. Setting up the File: I'm here in Adobe
Illustrator and I'm gonna come right over
here to New File. I'm going to choose print
up here at the top. And then over here I'm going
to change it to pixels. And I've got my art
boards to be 500 by 500. And I went ten of them
because we're going to be drawing ten
different objects. I want my color mode to be RGB. Now when I choose this, I'm gonna get this
error message. The reason for that
is because for print usually want to CMYK here. But if you're just
going to be printing this at home on a home printer, RGB is fine and RGB is also better for anything that
you upload to the web. If you want to make a
Facebook cover page or something like
that, RGB is best. And now we'll create,
now for my art boards, I want them to be five
columns and two rows. So I'm gonna come over here
to my art boards panel. And by the way, all these panels can be found under Window. So they'll all be under here. Artboards is right here. I'm just going to come
to the fly-out and choose rearrange all art boards. I want five rows and 20 pixels between is
fine and my layout, I'm gonna choose this first one. So it'll go across first. We'll say, okay, now to
move around the art board, I can just hit
Spacebar and click and drag to pull the artboard around and get to a
different location. I'm going to hit Z
to get my zoom tool. And I'm just going to draw a box around this
first art board. Now before we get
too much further, let's go over to the swatches. I'm just gonna go
to the fly out and go to Select All Unused. That'll select all
the current swatches and you can just delete those. Will delete them and say Yes. Now if you start a new document, all your swatches,
we'll be back. So don't worry
that they're gone. Next, we're going to load that swatch palette from
the exercise files. So I'm going to go to
the fly-out and choose Open Swatch Library
and other library. Then I'll navigate to
my downloads on a Mac, you can just hit
Option Command L. And if you're on a PC, it's probably going to be over here in your favorite somewhere. I'll go into my
exercise files and I'm going to choose color
palette dot ASE. And I'll open that. This will
bring up our color palette. And I'm just going to click right here on Color Group one. And doing that will add
it to our swatches. So we can see all
our colors here in this color group underneath
our swatches panel. And I'll just go ahead and
close the color palette.
6. Cloud: Now we're ready to
create our shapes, will create each simple shape, and then it'll show you a
few ways to add interests, because these simple
shapes can sometimes look a little plane or boring without something
a little extra. The first thing we're going
to create is a cloud. I'm going to hit
L on my keyboard. That will get me to
the Ellipse tool, which is right over here. It's underneath the
rectangle tool actually. Now I'm going to hold shift and click and drag
to create a circle. Then I'll hit D on my keyboard to get a white fill
and black outline. The reason I'm doing
that is because sometimes you won't have
a fill or a stroke, so you might not see it at all. So I wanted to make sure you had the same fill and
stroke that I do. And then I'm gonna hit V to get my selection
tool right up here. I'm gonna click and drag
holding Option or Alt, and that'll make a copy. So when I release,
I'll have two of them. I want you to make a
few different circles to form my cloud shape. I like the ones at the bottom of the cloud shape to be smaller. To make it smaller, I'm gonna get right on
a corner like this. Now if you're not seeing
this bounding box, you can go to View
Show Bounding Box. Mine says hide because
it's already turned on, but yours would be
right here too. Then we want to get
right on the edge, hold Shift and Option or Alt, and just drag in shift or
resize proportionally. And Option or Alt will
resize from the center. I'm going to make it a
little smaller still, I'm just holding
shift this time. Now I'll click on
this one and hold Option or Alt to
bring it over here. And then I'll grab this one. This is all with my
selection tool up here. Hold Option or Alt to
make a copy over here. Then maybe one more
of these bigger ones. And I'll fill in the spaces
with some bigger circles. Then on top I want to
make a bigger circle. So I'm gonna hold Shift
and Option or Alt. And just make it
about like that. Maybe I'll pull it over here
and I'll hold Option or Alt. To make this last one. We have a bunch of circles
that form our cloud shape. Maybe I'll move this
up a little bit. I'm going to select
everything by just drawing a box around it with
my selection tool. Now we're gonna
combine these to form one piece instead
of all the circles. But I think it's a
good idea to keep your original drawings
off to the side. I went to hold Option or Alt. And I'm going to click
and drag to make a copy over here off
of the art board. It's nice to keep
your original pieces and that way if you wanted
to change something, it's easy to do. Once we combine these, they won't be easy
to change anymore. Okay, so I'm gonna
select all of these and then I'm gonna hit
Shift M on my keyboard. Shift M is going to bring us
to the shape builder tool. And you can see a
little video of how it works and it's funny that
they drew Cloud two. Now the way this tool works, you can click and drag across all the pieces
that you want to connect. But I'm going to show you
another way because we have so many pieces that
might take awhile. I'm gonna hold shift and
just draw a box around this. And it will combine all of them. Alright, so I'm gonna click on my Cloud and I'm gonna make it a little bit bigger by holding Shift and dragging a corner. I'm just going to center
it up in the space. Then I'm gonna come over here to my swatches and I'm going to choose the very light blue
kind of grayish color. We'll click on that
one and then I'll hit X to bring my stroke to the friend is kind
of activates it. And I'm gonna hit
the question mark or slash to get rid of the stroke. So if we click off to the side, you can see our cloud shape. Now to add some
interests to this, I'm going to add a little
shadow right underneath it. So to do that, I'm going to make two copies and put
them right on top. Then we'll cut away part of it and you'll be
left with a shadow. So let's click our Cloud. I'll copy with command
C or control C. Paste in front with
Command F or Control F, and then paste in front again
Command F or Control F. So you have three copies and they're right on
top of each other. I'm going to just click this one and offset
it a little bit. I'll hit E on my keyboard
to get my free transform, which is this right over here. And I'm just going to
kind of offset this. If we get right on
the centerpiece and then hold Option or Alt, we get kind of offset
that can be interesting. And let's just color this
something different. So I'll hit X to get my
fill in front over here. And then I'm just
going to make it yellow so we can see
what we're doing. Nami, we're gonna hit L
on my keyboard and draw a little piece to fill
out this shape over here. I'll click and drag. I'm holding Shift. Now I'll select both pieces by holding Shift and clicking both. I'll get back on my
Shape Builder Tool over here and I'm going to connect those pieces by
just dragging across both. Now I'll hit V to get my
selection tool backup. So I'll move this around until I have a solid
shape underneath. It's okay if it crosses over, I just think it looks a
little nicer if it doesn't. Now, I want to get just
this shape for the shadow. I'm going to click the yellow. I'll hold Shift and I'll
click the next piece down. We still have the full Cloud
underneath these two pieces. Then I'm going to use that
same shape builder tool. So Shift M on your keyboard. Then I'm going to delete
parts of it by holding Option or Alt and just dragging through the
parts I don't want. Now I'm left with this
little shape under here. Alright, so now we have our full cloud shape
and we have a shadow. Let's make the shadow
a little darker color. I'll hit V on my keyboard
and select just that piece. And then I'm gonna
come over here and choose the light blue. Now we have a little
gray cloud that has a little bit of interests
because of the shadow. Okay, so let's save our file. I'm gonna hit Shift Command S. That's Shift Control S on a PC. And I'm going to create
a new folder for our designs to keep them
nice and organized. So I'll come down here
to New Folder on a PC, you can just hit
Shift Control in. That should make a new folder
right here in this window. And I'm putting
this on my desktop on a Mac, that shift command. And if you want to
do it that way, I'm just going to
call my folder ten. Easy things will create it, and I'll also call the
file to and easy things. Now your format is going to be Adobe Illustrator and you
don't need to change this, so just leave it
as AI will save. All of these things are ok. So I'll say OK. Next I'll hit my spacebar to click and drag
over to the next art board.
7. Sun: Now we're going to
draw a sun to do this. I'm going to hit
L on my keyboard. That'll give me
the Ellipse Tool. And I'll just click and drag a circle right in the
middle of my art board. And I'm holding shift to
get a perfect circle. I'll hit V and I'll move
it up to just center it. And of course, I want this
to be a yellow color, so I'll come over
here and choose yellow from my color palette. Now furthest sun rays, I'm gonna go ahead
and make a stroke. So I'm going to click
on the stroke and my appearance right down here. As I said before,
all of those are available right up
here under Window. And I'm going to click on
the Stroke part right here. My stroke, I want
it to be orange. I'll click that and then I'll come down here and
increase the stroke. I want to make it 14. Now we'll come up here
to my Stroke panel and I'm gonna make some changes. So this looks like sun rays. I'm gonna double-click the
word to get the most options. You can just keep
double-clicking the word stroke and you'll
eventually end up with this. I want to make it a dashed line. So you can see that
we're starting to have some sunrise now, which is pretty awesome. We can change the dash and
gap to get a different look. If we want them
really spread out, we can increase that dash. If we want to close together, we can decrease it. We can also have the
dash stay the same, but then have the gap
increase or decrease. I'm highlighting this and using my up and down arrow keys or holding Shift and
using my up and down to make it
jump even further. I think I'm going to keep it at 1113 and I want my race to
be a little bit longer. So I'm going to do
the same thing, highlight this area
in the stroke weight, and then hold Shift using my up and down
arrow keys to make those rays a lot longer. Now as you can see, half of the stroke is coming inside our sun and
we don't want that. So I'm going to click
on my appearance. I'm gonna move this over a little bit and I'm
going to come over here. It is a blank area
of the stroke and click and drag it so it
goes underneath that fill. Now that fill area is in front of the orange strokes
and it's covering it up. And if we wanted to
change our stroke, we can just get back in here, go to our stroke, and increase it even more. If we want to change
our dash and gap, we can always change this as long as we leave it unexpanded. Now I want to show
you something. If you hit Command Y or
Control Y on your keyboard, you still have just a circle. You can't see those
rays anymore. Let's hit Command Y or
Control Y to get back. If you wanted to actually modify and maybe make
this one longer, you would need to expand. So you go up here to
object expand appearance. And let's just do that. I'm going to undo here in a second to show you what it does. What's happened is it's split
those two pieces apart. Now if we go ahead and
expand one more time, we do the fill and the stroke. You can see now we are able to actually modify those
little pieces separately. I'm just going to undo all that. I just wanted to show you that
because that is an option. But if you decide to do that, go ahead and make a
copy off to the side. That way you still have
your stroke settings and as easy to change. Okay, Now I'm going to add a
little shadow to this too, in a similar way that
we did this one. I'm going to make two more
copies of this circle. Then I'll cut part of it out. So I'm gonna copy, I'll
click off over here, and then I'll paste in front
with Command F or Control F. Now it doesn't really matter that we have
this stroke on here, but I definitely don't need it. So I'm gonna click and
drag that to the trash. It's not going to
change our appearance because the one
underneath still has it. But now I just have a
circle with yellow inside. And I'm gonna copy that
and paste in front again. So now we have three copies, two that are yellow circles, and one in the
very back that has a yellow circle with
this stroke on it. I'm just going to grab that yellow circle with
my selection tool. The top one, I'll change the color so you can
see what's going on. I'll hit X to get my bill in front and I'll change
it to this green color. I'm gonna hold shift and select the one just underneath it. And then I'll hit Shift M to get my Shape Builder back
right over here. And I'm going to hold
Option or Alt and just dragging through the
part I don't want. So now I'm left with
this little piece. I'll hit V to select it. Then I'm gonna come over here and choose the orange color. This added just a little
more depth to our Sun. It made it look a little
bit more interesting. Just then I hit command minus or Control minus to zoom out. All right, let's move
on to the third panel. I'll hit Z and just draw
a box around that one. And then I'll use my space bar to center it up on my screen.
8. Apple: For the next design, I'm going to draw an apple. I'm gonna hit L on my keyboard. I'll go ahead and get
this red color. Now. I'm just going to click
and drag a big circle. I'm holding Shift to
constrain proportions. And then I'm going
to take this circle. I'll hold Option or Alt, and that'll make a copy and
just drag it down here. And so this is going to
be 1.5 of our Apple. I'm gonna hit V to get
back on my selection tool. I'm going to select both
pieces and then I'll hit Shift M for
the shape builder. And I'm going to draw
across both of them. Now I want this piece to
kind of round out down here. I'm going to hit P and then the minus key to get to
my Delete Anchor Point tool, I'm just going to click on that one and click on that one. And that leaves us with more of what you would
expect for an apple. I'm gonna hit a on my
keyboard to get to my direct selection
right up here. I'm just going to
kind of pull this until it's more
rounded over here. I can also hit Shift S to get to my smooth tool that's
underneath your pencil tool. And with the smooth tool, we can just kind of go over that part few times
and smooth it out. All right, I think this
looks really nice. I'm gonna hit V to get back on my selection tool and just
move this down a little bit. And then I'm gonna hit O
to get my Reflect tool. That one is right underneath
your Rotate tool. I think I went this to reflect
right along this axis. So I'm going to
put it down here. I'll hold Option
or Alt and click. I went to reflect along
the vertical axis. And then I'm going to hit Copy. And now you can really start to see our Apple coming together. Then I'll hit V to get all my selection tool
and just select both. And then hit Shift M to get
back on my shape builder, hold Shift and just draw
a box around everything. Then I'll hit V to center
it up in this space. Now I'm going to hit a
to select this piece, hold shift and select this one. Then you get this
little white dot was blue inside and that
is a corner widget. So we can just
select that and then pull this in a little
bit too round it. And since we had both selected
at rounded both of them. Now this is looking
at a little wide, so I'm going to select
it with my V tool, this one right up here,
the selection tool, I'm going to get right
on this handle and hold Option or Alt
to bring it in. Option or Alt resizes
from the center. This is looking pretty nice. Now I'm going to make a
little stem and a leaf. So to do that, I'll
hit P on my keyboard. And that'll give
me the pen tool. And I'm just going to click
up here and then click and drag to make a nice
little stem shape. Now since we have the red fill, it's kind of filling
it in a weird way. I'm going to hit Shift X. Shift X will switch
your fill to a stroke. Then I'm gonna hit V to get
back to my selection tool, I'll hit Z to zoom in, and now I'll hit X to bring
my stroke to the front. I'm willing to make this brown. Now I'll hit Shift W. Shift W is the width tool
and it's right over here. And the way they use
this is to find a point, an anchor point, and
then click and drag. And I'm also going to click and drag this on a little bit. You can also add anchor
points here in the middle. But if you do that, it
can get pretty crazy. So I tried to just stick to the anchor points
that already exist. So I'm gonna get back
on my selection tool. I'll move this up a little bit and I'm going to
send this behind the Apple so we can
hit Shift Command left bracket or Shift
Control Left bracket. You can also come
up here to object, arrange and send to back. Now I'm gonna do that same
process to create our leaf. So I'll hit P to
get on my Pen tool, I'll click right here
and just click and drag. Then click to make a point. I'm going to make this green. So I'll come over
here to my swatches and choose the green color. Now I'll hit Shift W to
get to my width tool. I'm going to start right
on this anchor point and click and drag. Now these two points at the ends probably will look like
they're sharp point, but I doubt that they are. Let's zoom in really close. I'll hit Z on my keyboard. Zoom in there and yes, we need to actually
make those points. So Shift W to get back
on my width tool. I'm going to click
and drag and pull those in all the way
to the anchor point. And then I'll use my hand
tool to come down here. That's the space bar, and I'll do the same down here. Then I'll command minus or
Control minus to get back out, I'm gonna hit V to get my selection tool and
I'm just going to bring this down a little further and then I'm
going to rotate it. I'll hit R on my keyboard. That will bring me to the
Rotate tool right over here. And then I'm going to click
right on that anchor point. When I do that, it sits where
it's going to rotate from. Right now, it's going to
rotate from down here. And then I'll click and
drag somewhere else. And it'll rotate up.
And this is fine. I think I need to
make it a little bit bigger so I'll hit V, grab a corner and hold Shift. And I'll move it a
little bit further down. I'm going to command minus or
Control minus to zoom out. And now our apple is done, but I still want to add
a nice little shadow. Oh, no, it looks like this one
got changed at some point. I'm a sedan that by
accident, so I'll click it. I'll hit X to bring that to the front and change
it back to orange. Now I'm going to add a shadow to this and maybe a highlight
right over here. So I'm going to click
the apple shape copy, and then I'll paste in front
with Command F or Control F. You have to write on
top of each other. And then I actually want the
top part of this shadow to be kind of a big circle like
what we have over here. So I'm gonna hit
L on my keyboard. That'll give me
the ellipse tool. I'm going to start
all the way up here. I went to come right down
to about there. Okay. I have my biggest circle
and what's showing now this little piece
right over here is going to be our shadow. I'll hit V to get back
on my selection tool. I'll hold Shift and
grab that apple to. I've got the top copy of
the apple and the circle. I'm gonna hit Shift M to get back to the shape builder tool. And I'll hold Option or Alt and drag across these two pieces. And now I'm left with just
the shadow on the apple. I don't have a
darker red swatch, but that's what color
I want to make it. So I'm gonna show you
how to add a swatch. I usually start with a color that's closest
to what I want. And then I create a new swatch. I'm going to drag these sliders
to get a darker red tone. This looks pretty good. And I'll say, Okay, you can see it's added
it right down here, and then just click
the darker swatch. Now I have noticed here in Illustrator 2022 that
sometimes that doesn't work. So if you're having trouble or re-coloring part of your
artwork for some reason, just save your work and then reopen it and that
should fix the problem. Now if you think
this is too dark, you still have the red
underneath. I'm going to undo. We can change the opacity
here to get a lighter color. I'm gonna come up here to
opacity and changes as 70. Now if you're not
saying this panel, come up here to Window and it's the control panel right here. This is looking really nice. So let's add a highlight now. Now you probably notice
I just clicked on accident and drag
this a little bit. You can always hit Command Z or Control Z to undo the
last thing you did. And then you can
keep undoing things. If you just keep hitting
Command Z or Control Z, you can do it like
ten times in a row to get back a few steps. Alright, let's select the apple. I'm going to copy and
paste in front with Command F or Control F. And then I'm just going to hit
Shift and Option or Alt and resize this and
make it smaller. Now, it's not lined up exactly, but it doesn't really matter. But I could've done like an offset path to make it perfect, but I don't really need
perfect right now. The fact that it's not
perfect isn't a problem. I'm going to choose white. I'm going to hit Shift X to
change my fill to a stroke. I'm going to increase my
stroke by quite a lot. I'll hit Z on my keyboard
to zoom in here. Now I only really want this
little piece right up here. I'm gonna get on my a tool,
the direct selection. I'm going to click off
first and then come back and click
right on that path. And now I only have this
little section selected. So I'm gonna cut it with
Command S or Control X. Then I'm just gonna hit
Delete on my keyboard and I'll paste in front with
Command F or Control F. Now I'm just going
to use my arrow keys to move this over and
down a little bit. I want my stroke to be rounded. So I'm gonna get back
in my Stroke panel and I'll choose cap and corner. I'm gonna go ahead
and just select this anchor point and use my arrow keys to move
it over a little bit. And this highlight is
a little too strong. So I'm gonna come up to the opacity and just
knock it down to 70%. So adding these little details, I'm really makes
a big difference. I'm gonna hide those with
Command Z or Control Z. You can see how it does
is not quite as nice. Okay, so I'll unhide with Option Command three or
Alt Control D on PC. And you can see that adding
these two little things really gives it more
depth and more interest. I'm going to zoom out with
Command minus or Control minus and move over to
the fourth art board. And let's just say if with
Command S or Control S.
9. Shamrock: The fourth thing we're going
to draw is a Shamrock. To do this, we're going
to start out with hearts. Then we're going to kind
of piece them together. So I'm gonna hit M on
my keyboard to get to my rectangle tool
right over here. I'm gonna hold shift
and draw a rectangle. And of course I went my
Shamrock to be green, so I'll get my fill
in front by hitting X to toggle my
fill to the front. And then I'm going to
click my green color. Now I'm going to rotate this, so I'll hit R on my keyboard
to get to my rotate tool. And I'll click and
drag and hold shift. It's like a diamond. Now I'll hit P on my keyboard
to get to my pen tool. And I'm going to
hold Option or Alt, get right on that
line and then hold shift to round it out
like a Caffa by heart. And I'm back on my V tool this way and the selection tool, to just center this
a little better. I'm going to reflect this. So to do that, I'll hit O on my keyboard, which will give me that
reflect right over here. And I'm going to set my anchor right down here at the bottom. I'll also hold Option or Alt
first before clicking there. And that will bring up
my reflect dialogue box. We want a vertical reflect
and we want to copy it. I'll go ahead and hit Copy. And now we have the first
leaf of our clover. So I'm going to select both of these with my selection tool. And there are two ways
we can combine these, Vs with the shape builder tool. But I also wanted to
show you the Pathfinder. It works really similarly
to the shape builder. I'm going to choose my first
shape mode right over here. It's this one right
here. It's called unite. Those two pieces are joined. Now, I'm gonna hold shift and option and make this
a little bit smaller. And then I'm going
to copy and paste in front with Command
F or Control F. And then I'll hit R to
get our I rotate tool, I'm going to just click this bottom anchor point
and then I'll start dragging until I'm
right about down here. And now I'm going to
mirror this over here. I'll hit O on my keyboard, which will give me that reflect. I'll hold Option or
Alt and click right in the middle and then make a copy. Okay, So we're pretty close. I don't want this much
space between these though. So I'll click both
of these and just move them up a little
bit with my arrow keys. And I actually think
this should be rotated down a little bit more. So I'll hit R on my keyboard. Click right in there to set my anchor point and then
move it down a little bit. I'll do the same over here. Okay, This is looking good. We'll probably want to
make a copy of this in case we want to
adjust this later, hold Option or Alt and
bring it right up here. Then we'll select these three and we'll go to
Shape mode unite. Now we still need a nice
little stem on this. I'm going to hit P on my keyboard and I'm going to
click right in the center. Then I'll come down here, maybe about right here. Click and drag. So we need this to be a stroke. This is the same issue
we were having before. We have a fill,
but it's trying to guess where that other
part of the line is. So I'm gonna hit Shift X to
switch the fill and stroke. Then I'll come over here
in my Stroke panel. I'm just gonna make this
a little bit bigger, but I'm also going to
make this part wider. I'll hit Escape to get
out of the weight. And then I'll hit Shift W. I'll get right on
that anchor point and make it a lot
thicker down here. And I'm not really
liking this angle. I'm gonna get on my a tool, the direct selection, and click right on the anchor point. And we're gonna grab this handle and just pull it
up a little bit. This looks really nice. I'm liking this a lot better. Okay, so this is
our basic clover. So let's add a little
more interests by adding a drop shadow
here to this one too. I'm gonna select everything
of my Selection tool. I'll copy it and I'll paste in front IF command
F or Control F. And now this is just
a line down here, so we need to expand it. So it goes all the way out to the end of this to
show you what I mean, I'll hit Command Y or Control Y. And you can see that this stem just isn't
expanded right now. I'll hit Command Y or
Control Y to get back, I still got that same one
selected, the one on top. And I'll come up here to
object, expand appearance. Now we can see it's been
expanded to that whole shape. Now, I'll Pathfinder Unite that. Right now we have two copies, one on top of the other. The underneath one still
has that stroke going down the middle and the one
on top has been expanded. Now I'm going to make
another copy of this. So I'll copy with Command C or Control C and paste in
front with Command F or Control S. I'm going
to change the color to yellow or something
so we can see better. And I'll move this over
just a little bit. I'll select the yellow, I'll hold Shift and select
that next green one down. And then I'm going to use
my Shape Builder tool. So Shift M right over here. Now I went this green part, this green part in this,
but I don't want this one. So I'll hold Option or
Alt and get rid of those. Sometimes it can be
a little hard to tell what you want to keep, but you'll get used to that. I've got some issues right in here and a little
bit right here, then I'll probably need to fix. But let's go ahead and make a new swatch that is a
little bit darker green. So I'm gonna create
a new swatch. If I hold option and command
down on a PC that is Control and Alt that
you'll need to hold down and then click
on the sliders. They will all move and
make a dark tonal. I think this one looks
pretty good, so I'll say, Okay, and it's added it right
over here in my swatches. Okay, Let's zoom in
to fix these pieces. I'm hitting Z on my keyboard. And to fix this one, I'll hit a to get my
direct selection tool. I'll get right on this point. I'm going to bring it down
right to this crease. And then I'll click this one. And I'm just going to use my corner widget
to round that out. Same down here, I'll
click on the edge and then that shows me where
the anchor points are. I'll click this and drag
it up to this point. Now when I did that,
you can see it move this part and you can
see what's underneath. I'm going to undo
Command Z or Control Z. And I'm going to add
an anchor point right here that'll keep everything
down here the same. So I'll hit P plus. And that will give me the
add anchor point tool, which is right over here. I'm gonna click right
underneath the anchor point. And then I'll hit a to get back on my direct
selection tool. And we can click this
piece again and try again. Now this anchor point is holding all these pieces to be
in the same position. And that worked really well. All right, Let's command minus or Control minus to zoom out. Alright, and that's our clover. I'm gonna go ahead
and select all of these pieces and group
them with Command G or Control G. All this go back and do the same with all the
other objects we've made. I'm hitting Command
G or Control G. After I've selected
all the shapes in it. I'm just going to center
this one in this space. Now, if you want it to be completely centered
in the space, you can come down here
to the Align Panel and go to the fly-out and choose
Show Options right here. Then you'll see a line to
write down here at the bottom. You can choose
align to art board. So we'll click that. Then I can choose
Horizontal Align Center, and Vertical Align Center. Now this is perfectly
centered in this space, although honestly it
looks a little high up because this is throwing
it off a little bit. All right. Now before we
get too much further, let's go ahead and say it
with Command S or Control S.
10. Ladybug: The fifth thing we're
going to draw is a lady beg to do this. I'm going to hit L
on my keyboard to get me to the Ellipse
tool right over here. And this time I'm going
to click and drag an oval so I don't
need to hold shift. That looks about right. I want my color to
be the lighter red. So I'll click that one. Now, I'm going to copy and paste in front with
Command F or Control F. And then I'm going to hold
Shift and Option or Alt, Shift and Alt to make
the circle smaller. And I'm going to use
this color over here, which is not quite
black, but it's close. Then I'll get all
my selection tool. And I'm going to hold Shift to move this along the same plane. I'm going to put it
right about here. Then I'm gonna send to back with Shift Command
and left bracket. I think I'm going to
click right down here on this handle and just bring
this up a little bit. Maybe we'll make it a
little bit bigger too. And I'm using my arrow
keys to nudge this up. Now we have the ladybugs
head and the lady bugs body. Now I'm going to draw an antenna and some
legs over on this side. We'll just duplicate
this and put this over here on the other side
and just reflect them. So I'm gonna hit P on my
keyboard to get my pen tool. I'm going to start right
about here, click once, and then come up here, and then click and
drag. There we go. And I went this to be as
stroke instead of a fill. So I'll hit Shift X, which will switch
my stroke and fill. I'm going to increase my
weight on that stroke. And that looks pretty good. Now around the cab
in the corner, I'm gonna get back on my
selection tool and then I'm going to use this same
shape to make the legs. So I'm gonna hit V to get
back on my selection tool. And I'll hold Option
or Alt and just click and drag this
to make a copy. Now I'll hit R on my keyboard
to get to my rotate tool. And I'm just going to rotate
this around like this. I'll hit V and select it and move it down a little bit and rotate it a little more. Now I'm back on my V tool. I'm going to hold Option or Alt. Add another leg here. And this time I want to set
my anchor point right here. Then I'll just move
that up like that. And then for the last one, I'll do the same thing. I'll hit R to get it to
rotate the opposite way. I'll hit V to get back
on my selection tool. And I'm going to place
that right there. Now I'll select these two
shapes with my selection tool. And I'm going to bring
those to the front, which is Shift Command and right bracket or Shift Control
right bracket on a PC. You can also go to Object, Arrange and Bring to
Front right here. Now I want to select only
the legs and the antennas. To do that, I'm
going to draw a box around everything with
my selection tool. Then I'll hold Shift. And I'm going to draw a box
over here that just touches these two pieces that
will deselect those. Now I have just
the pieces I need. I'm gonna copy command
C or control C, paste in front with
Command F or Control F. Hit O to get my Reflect tool. If I get down here
at the center that you shouldn't be able to
see a little anchor point. I'm going to use that. I'm going to hold Alt or option, and I'll click down there
to set the anchor point. I'll do a vertical reflect. And with Preview turned on, you can see what will happen now that time I made a copy
before doing this, I don't want to hit Copy this time I just want to hit Okay, I hit V to get back on my selection tool
and now I'm going to select everything and just move it down to center
it in the space. I went this circle
that look like it has a little split right here. I'm going to just draw a line that goes
from here to here. I'll do that with my pen tool. So I'll hit P on my keyboard. I'm going to start a little
bit above the middle click. And then I'm gonna
go a little bit past the circle holding
Shift and click again. Now make sure you
don't click and drag. Because if you do,
you're going to get something like this and
you don't want that. I'll undo and I'll hold
Shift and just click once. Now I've got a fill on this, but you can't even see it because there's
nothing there to fill. So I'm gonna hit Shift X to
switch to a stroke only. Right now it's red. I'm going to hit X to get
my stroke to the front. And then choose the black. And I'll hit Shift W
to get my width tool. I'll get right on
this anchor point and then I'm gonna hold shift and pull it
out right down here. Now hit V to get back
on my selection tool. I went the bottom of this to be rounded to match that circle. I'm going to use this circle, are actually a copy
of it to make a mask that will enclose this shape. And I'll show you
what I mean. So I'll copy this with Command
C or Control C. I'm going to click off and I'll paste in front with
Command F or Control F. I wanted to change the color of this so you can see
what's going on. So I'll hit X to get the fill in front and then
make it yellow. Now this is going to be my mask and it's going
to completely disappear once I mask
it with this shape. When we use a mask, we want the mask
part to be on top. And then you went whatever
your masking inside that to be below it mass can be a
little bit tricky there. One of the harder
things to kind of understand in Adobe
Illustrator in my opinion. So just bear with me.
We'll click that. I'll hold Shift and I'll click right in the middle
of that other piece. Then I'm going to go to object, clipping mask and make you can also hit Command seven
or Control seven. So this is our desired result. This piece is being
contained by this circle. Now it actually does go
outside that circle, but you can't see it
because it off right here. And that's a good
thing. I'm going to command minus to zoom out. And now the last step on our ladybug is just to
add some polka dots. I'll hit L on my keyboard. Now I have a stroke only. I want to switch that
to a fill with Shift X. And now we're just going to hold Shift and draw one
little polka dot. I'll zoom in with my Z tool
and then I'm going to hold Option or Alt and just make
some copies of this circle. Now let's add a
little shadow to him. I'm gonna get on
my selection tool. Now we're not
selecting the mask. Mass has no fill or stroke, but if you were to select
right on the edge, you probably would have the
mask selected right now. And you can tell that
right over here. If you have it selected, go ahead and just click
right on the red area. And that'll make
sure you select just that red circle behind the mask. Okay, so I'm gonna copy this. I'm gonna click
off, and then I'll paste in front with
Command F or Control F. I'm going to hold Option or Alt. And I'll just make a copy. I'm going to make this
a different color so you can see what's going on. And I'll select both pieces
of my selection tool. And then I'll hit Shift M, which is my Shape Builder. I'll hold Option or Alt and
drag across these two pieces. Now we have a little shadow
area for our ladybug. I'm gonna make
this a darker red. Now you'll notice this
is covering up some of the things we actually
want to see under there. So the way to fix this is
within opacity blending mode. If we click on the word opacity up here in the control panel, we can come over here to normal. These are your blending
modes and choose multiply. When you use one of
these blending modes, it reacts with whatever
is underneath. It can create some
really nice effects. Now this is looking
a little too dark. Now. I'm going to knock the opacity of that
shadow down to 70. Alright, I think that
looks really nice and it makes them
look a little 3D to, okay, Let us save and then
we'll move on to number six.
11. Ice Cream Cone: For number six, we're going
to make an ice cream cone. To make the ice cream itself, I'm going to use
a lot of circles. I'll hit L on my keyboard
and I'll click and drag holding Shift to
make a perfect circle. Now I'm gonna change my
color to the purple. And I want to make a lot
of little circles here. If for the ridges along the
bottom of the ice cream cone, I'm gonna make these a different color just so you can
see what's going on. Now I'm gonna hold Shift and Option or Alt to make a copy. And the copy will be
along the same plane. If I hold Shift, I'm gonna do
that with the first one and then I'll hit Command D or
Control D to make more. And what that does is it duplicates the last
thing you did. So that's pretty nice. I'm gonna do one more
and I'm going to select everything and then hold
Shift and deselect this one. I want to move these up
to right about here. I'm holding Shift and using my arrow keys and then letting off shift and using
my arrow keys. I think right about
here looks nice. Now for the ice cream cone area, I'm going to use a rectangle. I'll hit M on my keyboard to
get to my rectangle tool. And I'm just going to draw a perfect square holding Shift. And then I'm gonna hit R on my keyboard for the rotate tool, I'll click and drag
and then I'll hold shift so it snaps into place. Now when I get back
on my selection tool, I'd like to squeeze these in. But when I tried to do that, my bounding box is
not allowing me to. The bounding box is rotating
along with the object. And that is because
it's a shape, it's still a rectangle. We want to make this
a compound path. So to do that, I'm gonna go to object compound path and make. And this resets our bounding box is kind of hard to explain
with a compound path, but basically it changes
it to a different type of objects which can reset
the bounding box. Anyway, let's bring
in these two sides. I'm going to hold
Option or Alt to bring it in from both sides. There we go. That's a pretty
good cone-shaped there. And then I'm gonna hit P minus. That'll get me to my
Delete Anchor Point tool right up here. And I'm going to click
right on that anchor point to get rid of that top one. Now I'll click and drag this up. And obviously it needs to
be a little bit bigger. So I'm gonna make it right about here and
then I'll move it down. I'm gonna eat my ice cream
cone part of a light hand. I'll send it to the back
with Shift Command left bracket or Shift Control
Left bracket on a PC, I wanted to send
her these things. So this side goes off exactly the same
amount as this side. So to do that, I'm going to select all of the blue pieces, hold, Shift and deselect
what I don't want. And then I'm going to
group these command G. Now, Illustrator, we
will recognize these as a group of objects
instead of single objects. And now I can select all three. I'll come down here
to my align panel and choose Horizontal Align Center. It moved them slightly. But on yours you
might notice you need a little bit more,
something like that. Okay, let's take
this entire shape and hold Shift and
Option or Alt. And I'm going to make a copy
of this off to the side. Now I'm going to select
just the ice cream part. I'll hit Shift M to get my shape builder
and then I'll hold Shift and I'll drag across
the top parts like this. I'm going to hold Option or Alt and click this bottom part. Don't forget you can
undo if you need to. I definitely want this color, so I'm gonna use my
eyedropper to select that. I'll hit I on my keyboard. I'll just click that color and
it'll make this color too. Okay, so now we have two pieces, this piece and this piece. Now when I select the top of the ice cream and zoom
in with my Z tool. I notice I have
some weird things going on right down here. So I'm just gonna
go to my Pathfinder and choose the shape mode unite. That gets rid of those. I'll hit Command Z or Control 0 to sin as the art
board in the space. Now this looks nice, but I think I went around
this edge right down here. I'm going to hit a to get on
my Direct Selection tool. I'll click right on
that bottom point. And then I'm going to
use that corner widget to bring it in a little bit. Now I want to make a
waffle cone texture that goes inside here. So to do that, I'm gonna come
over here on my line tool, hold that down and then
choose rectangular grid tool. And we can hit Enter or Return
to look at the options. For a horizontal dividers I want five and for vertical
dividers I also want five. So I'll say, Okay, now I'm going to click
and drag grid shape. I'm gonna hit D
on my keyboard to give it a white fill
and a black outline. And I think I'm going
to increase this to maybe six or so. That looks pretty good. Now I'm gonna get
rid of the fill which is in front for me. I'll hit backslash or question
mark key to get rid of it. So now I want this to
match this same angle. So I'm going to rotate it by
hitting R on my keyboard. To get my Rotate tool and then hold Shift to make it snap. I'm going to have
that same problem with the bounding box. I'm willing to hit Command
or Control a on a PC, which will give me
a compound path. You can also go to object compound path and
make to get there. Now, I'm going to re-size this. Some weird things
happen with this tool. Sometimes these triangles
don't really exist. So it's a little weird that is definitely an
illustrator glitch. So don't let it bother you. I'm going to bring in the
sides by holding Option and getting on this handle and then just dragging those
in like that. And I'm gonna make it
quite a bit bigger. So it fills up the
entire cone area. It doesn't have to be
exactly the same angle, but just try to get it
close and definitely ignore all those weird
triangles that are happening. I went this grid to
be darker brown, so I'm gonna hit X on my keyboard to get
my stroke in front. And I'll choose my
darker brown color. Now I want to mask
this inside here. I'm going to select my
cone and the background. I'll copy it. I'm going to click out here. And then I'll paste in front. I'm going to change
the color of this. Let's make it green. And I'm going to offset
this because I don't want my grids that go all the way
out to the edges, a cone. I wanted it to be offset
somewhat in the center. So I'm gonna come up here to
Effect Path, Offset Path. That'll bring up
this dialog box. Right now you can
see it's offset ten pixels outside the
bounding box area. And we wanted to actually
be a negative number, so it'll offset inside there. If I hit negative ten
and then hit tab, you can see where
that's going to fall and that looks pretty good. So we'll say, okay, but if we zoom in, you'll see that
this triangle shape is actually where the shape is. We need the shapes
that exist right here to get it to
match what we see, we need to come up
here to object, expand Appearance, and now
it matches the green area. This is going to be my mask, and this is going to be inside my mass down the mask
always has to sit on top. And you need to select both. And then I'll go to object, clipping mask and make. Now, if we want to move this
grid around inside there, we can use our group
selection tool, which is right over here. And we can click it once
and click it twice. And then we can move
it around inside here, those triangles
are very strange. I think I fixed it
and the way I did it, I selected those inside there by clicking once
and then clicking again, and then I joined them with
Command J or Control J. And I hit that a few times and now it
seems to be working. Okay. I'm going to come over here to the stroke and round
the cap and corner of those because I had
that little thing sticking out and that
will solve that. Let's see how this looks. I think that looks nice, but I need to put the
ice cream on top. So I'm gonna hit Shift Command right bracket or Shift Control
right bracket on a PC. I think I'm gonna get rid
of this piece over here. I selected it by clicking
right on it with my a tool which is the Direct Selection
and then deleting. I see I have one here too. I'm going to delete that
for this little piece. I'm going to just
drag it up here. This is looking pretty
good right now. But I want to use
some of these circles to shade this little
part of our ice cream. I'm gonna click those. They're already grouped. I'll hold Option or
Alt and just drag a copy exactly where
it was before. And I'm gonna bring this to
the front with Shift Command right bracket or Shift Control
right bracket on a PC. I'll zoom in with my Z tool. Now I'm going to combine
this into one shape. So I'll hit Shift M to get my shape builder and just
drag across all of them. Now I'm going to copy, paste in front with
Command F or Control F. I'll change my color to green. And I'm willing
to just move this over and down a little bit. This darker blue part
is the part I want to keep hold Shift and select
that blue part two. And then I'm gonna
hit shift in to get my shape builder hold Option or Alt to delete parts of it. I'll just drag across this. Now I went this top
little blue part to actually be purple. So I'm going to click the purple swatch and then I'm
going to add a new swatch. I'll hold option and command, that's Alt and Control
on a PC and then click a slider to
make a light tone. All of this, this looks
about right, and I'll say, Okay, you can see it's
added right over here. Now I want to put a little
highlight right up here. So I'm gonna copy this shape
with command C or control C. I'll click off. And then I'm going to paste in front with Command
F or Control F. I'll hold Option or Alt and
bring this in a little bit. Now we're going to
do the same process that we did on our Apple. I'm gonna hit Shift X to get just a stroke and I'll change the stroke
to something else. Now I just want this
little piece over here so I'll get right on
it with my a tool, the direct selection tool. Click that, cut it with
Command X or Control X, delete everything else, and then paste in front with
Command F or Control F. I'm going to increase
the size of that. And I think I want this to be that lighter purple
color we made. I'll click on that and I'll go ahead and round the
cap and corner. Now this is a little
too long in my opinion, I'm going to erase part of it. So I'll hit Shift E to get my eraser tool is
right over here. I'm going to increase
the size of my eraser by hitting the
right bracket key. And then I'll just drag
over that to erase parts. Now it looks like it's going
to erase the ice cream, but it shouldn't, it should only erase this thing you selected. And maybe we'll make
it even bigger. I'm just gonna move this over so it's a little more
centered in the area. That looks nice. Then I'll select all and group it with Command G or Control G. Then I'll come over
here to align and then align horizontally
and vertically. And that will align to
the art board itself. All right, so our ice cream
cone is pretty much Denton. Let's go ahead and save with
Command S or Control S.
12. Tulip: Enumerate seven,
we're going to draw a tulip to make the top part
I'm gonna get on my Pen tool. I'll hit P on my keyboard and I'll click once and I'll come up here and just start
clicking and dragging. And that looks pretty good. Now I'm going to
get my width tool by hitting Shift
W on my keyboard. It's right over here. And then I'm just going to
click and drag out a petal. Now I want these to
come to a point. So I'm gonna zoom
in and I'll click on this part out here and
bring it all the way in. And same with down here. Now this actually
has rounded points because my stroke has
around cabin join. I liked the way that looks, but if you don't
like it, you can change it to cap and corner. We told make him more sharp. Now, I went this part of the petal to be a little
wider on this side, but not on this side. I need to get right on that anchor point and then
come out here like this, hold Option or Alt and
bring just this side over. This is looking pretty nice. I wanted to be the
lighter red though. I'll click that. Now I'm going to expand
this because right now all we really
have is just a line. I'm hitting Command Y or Control Y to seize a preview mode. I'll come up here to
object, expand Appearance. And now the head shape has
been expanded and we can manipulate it to look a
little more like a tulip. I'm going to hit
a on my keyboard. I'm going to get
right down here and they're kind of too
many points down here. I don't think we need this many. So I'm going to hit Shift S. I'm going to just
smooth those out. Shift S is your smooth tool
and you can just go along the line over and over
until it smooths it out. Now we'll get back on my a
tool, the direct selection. I'll click on that
bottom point and I'm going to grab that handle and just move it out like that and maybe move this
one down a little bit. Changing the handles. It's pretty tricky at first, but you'll get the hang of it and the more often you do it. Okay, I'm gonna click off and then I'll use my selection tool. I'm just going to get right outside the corner
and rotate this. That's another way to rotate. So we've got the first
petal of our flower. Now I'm going to copy and
reflect it over here. So I'm going to hit
O on my keyboard. I'll hold Option or Alt and click right down
here on this point, we'll do a vertical
reflect and then copy. I think I'm just going to rotate this one with the our tool. I've got my anchor
set here by clicking once and then I'll just pull
that piece up over here. Then I'll select both of my
Selection tool, the V tool. I'll get outside and rotate
them a little bit like this. Then I also want a little
flower petal back here. I'm going to hit
P on my keyboard. I'll start right about here. And I'm going to hold Shift and just click again down here. I'm going to change
my fill to a stroke. Then I'm gonna get my
width tool with Shift W, this one right over here. And since we don't have an
anchor point in the middle, I'm gonna go ahead and just
click and drag to make one. I'll get it back on
my selection tool. And I'm going to send
this to back with Shift Command left bracket. Let's Shift Control
Left bracket on a PC, I'm going to change this
stroke to a darker red, and I'll use my arrow keys to
move it over to the center. I'll zoom out with Command
minus or Control minus. I'm going to select it and
just center it up in the area. And now I'm gonna make the stem. I'm going to click
P on my keyboard. I'm going to start
from about right here, click once, and then just click and drag and then
click once down here. I'll hit Shift X to get a
stroke instead of a fill. I'm going to increase
the weight to about 12 and I'll
make the stem green. This is a little too bent. So I'm gonna hit a click on
that anchor point and then just take a handle and
kind of straighten it up. We can also use the
Smooth tool Shift S to go over that to get something a
little more natural looking. Alright, now I'm going to take this stem and send
it to the back with Shift Command left bracket or Shift Control Left
bracket on a PC. And now it's time
to make the leaves. I'm actually going to use my
stem to create my leaves. So I'm gonna copy, paste in front with Command
F or Control F, and then hit R on my keyboard, come down here to
set my anchor point. I'm just going to put
that over here like this. Then I'll hit Shift W
to get my width tool, I'm going to click right in
the middle and pull that out. I'll come in here
close with my Z tool. Then I'll hit Shift W and get on that tool again
and pull these in. Now I don't want
my other leaf to look exactly like this one. So I'm gonna go ahead and
just draw a leaf over here. I'll hit P on my keyboard. I'll click once. Then I'll click again. And I'm going to end down
here and click and drag. I'm going to hit
Shift S to get on my smooth tool and smooth
this out a little bit. I'll hit Shift W to
get on my width tool. I want to start at this anchor
point and pull this out. I'll make sure to zoom
in and pull these in. Command minus to zoom out. Then I'll hit a to
select my point and just make sure these
are lined up down here. I'm gonna zoom out with Command
minus or Control minus. Okay, Now the add some
interests to this. I'm going to add another copy of this leaf right on top of it, and then make a little line
right down the middle of it. So I'll copy it and
I'll paste in front. I'm going to make a new
green color, a darker green. So I'll get on that
green and choose new. I'll hold option and command
or Alt and Control on a PC. And make a dark tonal, say, Okay, now I'll use
my width tool, Shift W to pull these in, maybe even a little more. And then I'll do
the same over here. Copy paste in front, change to the darker green, and then Shift W to get the
width tool and pull these in. This is looking pretty nice. Now I want to create a shadow to kind of differentiate
these two petals. I'm going to click on this one. I'll copy and I'll
paste in front. And then I'm going to
paste in front again. So we'll have three
copies on top of there. Then I'm gonna move
it over a little bit. I'm going to change
the color of this one. Now it's kind of hard to
tell what's going on, but I want to make
a line right in here to kind of differentiate
this one from that one. I'm going to zoom in. I'm gonna
go ahead and select these two and hide them with
command or control three. Now I just have these two
shapes, so work with it. Just a little easier
to work with. Now I want this piece to line up pretty well
with this one. So I'm going to just
get on a corner handle and get it to overlap
and kind of line up. Now I'll select that piece, hold shift and select this one. Then I'm going to use my shape builder
tool hold option and go over all the
pieces I don't want. So I'm left with
this little piece. I'm going to make
that this darker red. Now we need to bring
the other pieces back. We can hit Option Command three
or Alt Control D on a PC. Now this piece is in front, so I need to select
my shadow and my pedal and group them with
Command G or Control G. And then bring them to the
front with Shift Command right bracket or Shift
Control right bracket. I'll zoom out to
see what we've got. Alright, I'm liking this, but we need to fix the bottom. I'm going to hit Z and zoom in down there and see
what we can do. The first thing I'm going to do is select the whole thing, hold Option or Alt, and just drag it off
the art board so that we can have these pieces in
case we need them lighter. Now I'm going to
select the bottom. I'm going to expand
Object, Expand Appearance. That expanded our width. If I hit Command Z or Control Z, you can see we just have
the line down the middle, but after I expanded,
I'm gonna redo. It, expanded all the
way out to what we can see except this line here. The stroke did not expand, so we need to go
back up to Object, expand and choose that. And now we can
expand that stroke. So we'll say, okay, now everything has
been expanded. I'm gonna zoom in down
here at the bottom. And I think the
quickest way to fix this would be just to
select the green colors, the lighter green, and
create one shape from them. I am going to, I'm
gonna hit V and select this green hold Shift
and select the other two. Then come over
here to Pathfinder and unite with this shape mode. And then we lost
the detail here. So we'll want to send it back. Shift Command left bracket or
Shift Control Left bracket. And I'll zoom in down here. And now we can easily fix this. I can hit P minus
and get rid of that. And then select these
two anchor points with the a tool, the
direct selection. And click one and drag it up
to be within the shape we want coming in minus or
Control minus to zoom out. I think we're done
with this one. I'm going to select
all of it with my direct selection and group it with Command
G or Control G. Alright, let's save our work
with Command S or Control S.
13. Tree: The eighth design is a
tree and light the Cloud. This one is also made
of mostly circles, but I'll also want to make a trunk and some limbs for this. So let's start out
with the circles. Now I want my tree to
be this lighter green. I'll click on that one over
here in my swatches panel. And then I'm going to
start drawing circles. For the outside of my tree. I'll hit L on my keyboard. And the thing about
trees is you want your big circles
to be on top more. I drew that one holding Shift
and now I'm going to hold Option or Alt and just make
copies of this circle. Now I'm gonna make
a smaller version. I'm going to bring
those around like this. And finally I'll make an IV as smaller version of the circle. And then I'm just going to hit Shift and Option or all to
re-size from the center. I think I'll make these three
just a little bit bigger. I think I went these parts
to be a little more uneven. And I'll pull this one up. So now we have all
our circles created. I'm gonna select all of those, group them with Command
G or Control G, and then make a copy right down here so we don't lose those. Right now, I'll
select everything, hit Shift M on my keyboard
for the shape builder tool, and then hold shift and just
draw a box across all those. Now we have the top
part of our tree, but it's way too big. So I'll hit V on my keyboard
to get to my selection tool. I'm holding Shift and
Option or Shift and Alt to re-size from the center. Okay, so the next step
is to draw the trunk. I'll hit P on my keyboard and I want to start right about here. So I'll click once and then I'm gonna come down
here and click again. I'm gonna hit Shift X
to get a stroke only. Then I'll click my stroke. I'll come over here
and make it brown. And now we're going to
work with the width tool. So I'll hit Shift W and
I'll click and drag that. And now we need
to make branches, so I'll hit P on the keyboard. I'm making mostly straight
lines when I do this. I don't want to
connect over here, so I'm going to hit Escape. Then I'll start drawing
from over here. I'm gonna hit Escape again, and I'm going to create a new branch coming
over here like this. Then I'll hit Escape
to release that part. All right, I'll start
this one from right here. I'm gonna come up here
and go up here like this. Hit Escape, start
from over here and come down here like
this, hit Escape again. And then I'll come from
this part of the tree. Make a little branch
here, hit Escape. Then come over here. On this last one, I'm going
to make a little bit of a curve and then
I'll hit Escape. So now all our branches are
in and now we need to use the width tool to make some
parts thick and other parts. Then I'll zoom in
with my Z tool. I'll select my first
branch and then I'm gonna hit Shift W for my width tool. And I'm going to start
right in the middle and just pull these
out a little bit. And it can be a little tricky. Now, the thing about trees is the branches always
go from thickest at the base to thinnest
at the ends. So you need to be
careful of that when you're creating
your branches. Now if one gets in
the way like this, go ahead and select it with your V tool and hide
it with Command three. Then select what you
want to work on. Hit Shift W and go from there. I'll select my new branch. Hit Shift W will start
adjusting this one. Okay, moving on to the
next one with my V tool, I'll hit Shift W
and continue on. Needs a hide this one too with
command or control three. Then to unhide, I
just go to Object, Show All right here. Or you can hit
Option command three on a Mac or Alt
Control three on a PC. I'll hit Shift W to
start with this one. Then I'll go up here
to get that one. I'm going to use my a tool, the direct selection to kind of move this
over a little bit. It looks a little
bit off center. So our tree is looking good, but there are some things
I need to clean up. For example, this right here isn't connecting
quite right? So I'm going to make
another copy of my tree, hold Option or Alt
and put it down here. And then for this
one I'm going to go to Object, Expand Appearance. That expanded all of my strokes. Now I don't have access
to the width anymore. I'm gonna zoom in on
this piece right here. I'll hit a on my keyboard to
get the direct selection. I'm going to click right on that point and
just drag it over. I'll put this one up here. Now these also don't
come to points, but it doesn't really bother
me on a tree that much. I think we're
looking pretty good. So I'm going to zoom out. And now let's add a
little shadow right here. We'll do the same process
as we've done with a lot of our other
illustrations. I'll copy this, paste in front twice with
Command F or Control F. And then just move this
one up a little bit. I'm going to change
the color of this one. Yeah. Maybe about like that. I might just pull it
over a little bit too. Then I'll select
this one hold Shift and also select the
one underneath it. Then I'll hit Shift in, I'll hold Option or Alt to
delete these extra pieces. Then I'm just left with this
little piece down here. And that little piece I'm
gonna make the darker green. Our tree is looking good, so I'm gonna select
it all and group. And I'll go ahead and save
with Command S or Control S.
14. Birdhouse: Okay, now we're ready
for our ninth thing. I'm going to click on
this artboard and hit Command 0 or Control Zero to center that art
board on my screen memory nine is going to
be a little bird house. To do that, Let's hit M on our keyboard to get to
our rectangle tool. And I'll just draw a
rectangle holding Shift. Now I'm going to use my a tool, my direct selection, to
select these two points. And I went to resize these and make them
a little bit bigger. I'll hit S on my keyboard and that will bring me
to the scale tool. And then I'm just going
to click in the center to set my anchor point there. And then I can hold Shift and make these
a little bit bigger. Then I'll switch over to my
V tool, my selection tool. I'll just move this down. Next. I want to add a point right here in the middle
where this handle is. I'll hit P on my
keyboard and I'm going to click right here
where they intersect is. For the center, I'll click once and that'll add the point. Now I will get my a tool, the direct selection
right up here. And I'm gonna click and drag to make the top of our
little bird house. If you wanted to have the
same fill and stroke, just hit D on your keyboard, then it'll give you a white
fill and a black outline. Now we don't really need
the black outlines, so I'm gonna hit X to bring it to the front right over here. And then the backslash or question mark key
to get rid of it. Now I have a white fill. I'll hit X to get
that to the front. And I'm going to
make our field blue. Now I went separate pieces
for the roof and the base. I'm gonna get all my a tool
again, my direct selection. I'll click this point. I'll hold Shift and
I'll click this path. You have to be right on
the path for this to work. Then I'll copy. And now I only have these two lines selected
and this line selected, I'm gonna click off
and then I'll paste in front with Command
F or Control F. And now you can see those two lines segments that I copied. I'm gonna hit Shift X, which switches my fill
to a stroke only. Then I'm gonna hit X to
get my stroke in front. You can also just click this and then I'll click the darker blue. Now we'll come
over to my stroke. You can click it a few times if you're not seeing
all your options, I'm gonna highlight the weight. And then I'll use my
arrow keys and shift arrow to make it jump
quite a lot further. I'm going to bring the
sides in a my blue, so I'll hold Option and Alt. And I'll just squeeze
this in a little bit. Now I'm going to add a
little circle up here, so I'll hit L on my keyboard
to get to my Ellipse Tool. And I'll click and drag. I want this circle
to be a darker gray. So I'm gonna hit X to bring
the fill to the front. And I'll click that. Now
I'm going to click and drag this and hold Alt or
Option to make a copy. And then I'm going to hold Shift and Option or Alt to
make it quite a lot bigger. This is the hole that the
little bird will go in. And then finally we just
need a perch down here. So I'm gonna hit
M on my keyboard to get my rectangle tool. And I'll just draw a
little perch down here. Okay, so our basic
shapes that are done. Now let's add a detail to make it a little
more interesting. First, I'm going to select everything with my
selection tool, and then I'm going
to center it with the Horizontal Align
Right up here. By the way, if you're not
seeing this panel that is under window
control right here, I like to add a
little flower shapes. So this whole, I'm
gonna click it. Then I'm gonna come down here to my appearance and
double-click that. I think I wanted to change
the fill to the darker blue. I'm going to add a
yellow stroke to this. Now in the appearance panel, I'm gonna click on Stroke. And this will give
us some options. It's really similar to just
go into your Stroke panel. I'm gonna choose
dashed line and I went to increase the wait
to see what we've got here. This is looking pretty good. I'm going to round the
cap and corner and I'm gonna make it
it a bit bigger. I'll increase the
size of the gap. Maybe I'll make that
dash even smaller. This is looking pretty nice. Now I want to put
my stroke behind my fill here so that
only half of it shows. I'll click on this
blank area and drag the stroke below the fill. And actually this isn't
showing up very well. So I'm gonna go ahead
and make that white. And I'm gonna go ahead
and make this white also. I'm gonna go ahead and bring my fill to the
front by hitting X. And I'll make that
white to nano. I'm going to click
on this stroke. I want to put a little
dotted detail up here. To do that. I'm going to make another stroke right on top of this stroke. So I'm going to click in
this blank area and pull it down onto this little
square with the plus on it, and that will duplicate it. Now I have two blue strokes are the same size right
on top of each other. I'm going to try this
more orangey yellow and I'm going to reduce the
size of this stroke. I'm just using my arrow keys with this highlighted in here. And that looks pretty good. Now we're going to go out to my Stroke panel,
choose dashed line. I'm going to round the
cap and the corner and then I'm going to increase
the gap between them. Okay, and I'm
really liking this. Our appearance says two strokes right on top of each other. And I actually want to apply that to this line down here too. So I need to pull out
my graphic style. I'll just grab on the word
itself and pull that out. Then I'll double-click it
now to get this appearance, which is this right here, into my graphic styles, all I have to do is just click that little
square and drag it in. And now I can click this and
apply that graphic style. That's how appearance and
graphic styles work together. You can build a whole
appearance here and then apply it to
other shapes and objects. Now if you don't like
how this is overhanging, these two strokes are tied together in the same appearance. So you will need to expand the appearance to separate them. And in this case, it actually separates
parts of that path. We can just select this
one and delete it, and then select that
one and delete it. I'll go ahead and expand
the appearance here. Click on that one with my group selection or direct
selection and delete it. If you like that, look better, you'll need to expand
your appearance first. Now let's go ahead and add
a little shadow along here. To do that, we can
take this shape, copy it, and paste in front. We can do another circle
like we did on the apple. So I'll hit L on my
keyboard and draw a big circle right about there. Then I'll hold Shift
and select this piece, and then I'll hit Shift M
to get my shape builder. I went to hold Option or
Alt to delete these pieces. Now I want this piece to go
in front of the light blue, but behind these other two. So to do that, I'm gonna cut it with
Command X or Control X. I'll use my group selection tool to select the light-blue. And then I'll paste in front. So it's right on
top of the blue, but not on top of
these other pieces. I'm going to choose that
darker blue for my shadow. And actually I
think I want it to be on top of these pieces. I wanted to bring to front
with Command right bracket, that's Control right
bracket on a PC. Then I'll move this other
piece up here in a minute. I'm gonna change my blend
mode to multiply here. Then I'm also going to
make the opacity 70%. Now these pieces are
grouped together, so I need to ungroup them with Shift Command G or Shift
Control G on a PC. I want to bring these
pieces to the front. I wanted to draw a box around this part was the
selection tool and then hold Shift and deselect
this lighter blue piece. Then I'll hit Shift
Command right bracket or Shift Control right
bracket on a PC, which brings it to front. And all these the
same down here. I'll select all of
these by drawing a box. I'll hold Shift and deselect these and then bring these two front with Shift Command right bracket or Shift
Control right bracket. I'm going to object arrange
and bring to front. Now this is still much too dark, so I'm gonna click it and I'm going to knock it
down to about 30%. Let's see how that looks. I think that looks way better. Let's select everything here and group with Command
G or Control G. And then we'll say with
Command S and Control S.
15. Watering Can: All right, we're finally
ready for number ten. Let's click on our last
art board and then hit Command 0 or Control Zero
to center it on the screen. For number ten, we're going
to draw a watering can. I'll hit M on my keyboard to
get to my rectangle tool. And I'm just going to draw
a rectangle right here. I'm going to change the color. So I'll come over here and I'm gonna choose this orange color. Now I'll use my a tool, the direct selection tool, to select these two
anchor points at the top. And then I'm going
to scale this. So we'll hit S and
then Enter or Return. So bringing to my scale
tool right over here and enter or return will
bring up the options. Actually, if there are
options under any of these, you can always just
click on that tool and then hit Enter or Return
to bring up the options. Now this is going to make
it a 130 degrees bigger. I went into be a
little bit smaller. So I'm gonna put 80% and I'll
hit Tab to make it preview. I think this is fine. So we'll say, okay, now I went the bottom two
corners to be rounded. So I'm going to select
both of those with the a tool, the
direct selection. I'll draw a box around them. And then I'm going to use these little corner widgets
to round those out. Now it's looking a
little tall to me. So I'm gonna get all
my selection tool. And I'm just going to squash
it down a little bit. Next we'll want to
make the handle. So to do this, I'm going to hit L on my keyboard and I went to hold Shift and just draw
a circle right over here. Now I'm going to copy it and paste behind with
Command V or Control V. And I'm gonna
change the color to the one that we put underneath. So I'm gonna make it red
just so it shows up. Now I'm gonna hold shift
and option or shift at all to resize it to be a
little bit bigger. Now this sets it,
make it perfectly equal all the way
around and that's okay. Maybe you want it to be
that way you could do Effect Path and
then Offset Path. And that will give you exactly the same around all the pieces. But I'm not too
worried about that, but I just wanted
to let you know. Now I want to punch out this piece from the
piece behind it. So I'm going to select both. I'll hit Shift M to
get my Shape Builder. I'll hold Option or Alt
to punch that piece out. I went this handle to
be the same color. So I'm going to use
my eyedropper tool by hitting I on my keyboard. And then I'll just select
this yellow and it'll change my selected
object to that yellow. Alright, I'm gonna rotate this piece so I'm gonna
hit R on my keyboard. I'm just going to click and drag till it's about where I want it and that
looks pretty good. Now hit V to get to
my selection tool. I'll just move this
up a little bit. We've got our handle and now
we need our little spout. Automate that I'm going
to hit P on my keyboard. I think I'll start it
from right about here. And I'll make it go up
at about that angle. I'm only clicking once
and then clicking again. If you click and drag, you won't get a similar result. I've got a yellow fill
on this and I need to switch that to a stroke
so I'll hit Shift X. And now we have a little
thin stroke on this. Let's get on our width tool. I'll hit Shift W to get that. I'm gonna come down here
to this anchor point, and I'm just going
to pull this out, which actually looks
a little wide to me. So I'm going to hold
option and just bring this side in
that's Alt on a PC. This is looking a little better. Now for the spout, I'm gonna do the same thing. I'm going to hit
P on my keyboard. And I'm just going to click
once and then click again. And since the last
thing I made was this is going to also
give me a stroke here. I'll hit Shift W to
get my width tool. And I'm just going
to pull this out. I'll get on my
selection tool and I'm just going to click and drag
this down a little bit. We have the shape of
our watering can. Now let's add some details. I'm going to zoom
out. I'm gonna grab this whole thing with
my Selection tool hold Option or Alt
and drag it off the screen because I want
to expand these pieces. I went to a copy of them below. Now let's select
those two and go to Object Expand Appearance. Now I went to kind of
fix this part down here. I zoomed in with my Z tool. And now I'm going to select with my a tool, my direct selection. I'll get right on this
anchor point and just pull it to line it up a
little better here. I'm going to command minus or
Control minus to zoom out. Ok, now I've got a
little shape in here. I want to add apart where
the water comes out. I'm going to zoom
in a little bit. So I wanted to draw
a line right here, and I'm gonna do that
with my pen tool. So I'll hit P on my keyboard, which will bring me to my
pen tool right over here. And I'm going to start just
a little bit inside here. And then come all
the way up to here. Click and drag to get
a shape like this. I'm going to hit Escape
to release that pin. And then I'm gonna hit Shift
X to give us a stroke. I'm gonna change it to red, but I think I'll make it
orange here in a second. I'll hit Shift W, which will
give us our width tool. I'm just going to make
this a little bit thicker. And then I'll come up to the ends and make them
a little pointed. You can zoom in to see what
you're doing a little better. Okay, This is looking good, but I think I will
switch to an orange. I'm going to create a new swatch by clicking on the one I want, creating a new one and then
holding option and command, that's Control and Alt on a PC. And making this a
dark tonal will say, okay, that looks nice. I'm going to command minus or
Control minus to zoom out. And now I'd like
three little holes where the water comes out. So I'm gonna hit
L on my keyboard. And I'm just going to draw
three little circles. I am going to hold shift and select each one with my V tool, which is the selection tool. And I'm going to
switch my stroke to a fill by hitting Shift X. Now I'm going to rotate them. So I'm gonna hit R on
my keyboard and just rotate them around to about
where they should be. Now I think I went to add a flower right here
in the middle. I'll hold Shift and
draw a perfect circle. I'm gonna make the center of
my flower this orange color. So I'll make sure my fill
is selected and then I'll come over here to the orange
I made and click on that. Then I'm going to add
a white stroke to this and I'll increase
it to about 22. I'll click on my Stroke panel and then I'm gonna
do a dashed line. I want to make sure the cap
and corner are rounded. I'll change my dash to one
and the gap can be 20. Then I'll get my appearance up. And I'm going to drag that
stroke underneath my fill. And now we have
our watering can. I'm gonna select
it all and group it with Command G or Control G.
16. Exporting and File Types: Now our tin new
objects are created. Okay, so go ahead and
save your document with Command S or Control
S in your files. You'll always want to
keep this AI document. Don't throw it away. All right, I'm gonna show
you how to export these. First, you'll probably want to center each one
on the art board. To do that, go to
your Align panel and make sure that you have it
set to align to art board. Then go ahead and choose the Horizontal Align Center
and Vertical Align Center. And I'll go ahead and do
that with all of these. If you haven't
grouped your objects, make sure you do that first. I think we actually
did it with most 7. First I'm going to
export these as PNG files with a
transparent background. To do that, I'm gonna
come over here to File Export and
Export for Screens. I'll click on art
boards and you can see to art board now
I'll make sure that all our checked I
held Shift and click this last one and then I'll
change my export location. So I'll click that
little folder. I want to put it right
here in ten easy things. I want to make a new
folder and call it PNG will create that. I'll choose that. And now I'm gonna
come over here and change my format to PNG. And I want to click this
little gear right here. Under PNG, I want my anti-aliasing to be art optimized because
all of this is art. It doesn't have any texts in it. Then the background color, I want it to be transparent
so I'll save settings. And now I can export art board. When I do that, I'll get this little
folder with a one x. And now here are
all the designs. Each has its own file. I'm gonna hit my spacebar
on a Mac to preview these. On a PC. I don't really think
it's possible to do this, but you can probably see
them fine without doing it. Now if you wanted
to print these, probably your best
option would be a PDF. So all you have to
do in that case, it's good to File, Save As
and choose PDF right here. I'm going to put this
in the same folder. I'll save illustrator
default is fine. And I'll save PDF. I'm gonna go ahead and delete these extra ones down
here since we still have our AI file and we can just open that if we want
to get back to those. And now I'll save
when I come out here and look at my
file in Acrobat, this is what we'll get. Each design is on
a different page. These are actually saved at seven by seven inches roughly. Alright, I'm gonna
close this file and reopen my Illustrator file. Now let's say we want to
have one art board with all ten things that we drew to do that I'm
going to hit Shift O, which will bring me to my art
board tool right over here. And I'm just going to draw an art board and completely
cover all of the objects. I want to make sure none
of these other objects outside are touching it
like this ice cream cone. I'll get back on
my selection tool. I'm just going to move
all these things away. Now when I go to File, Export and Export for Screens, you can see the one with
ten objects right here. I'm gonna go ahead and deselect everything except for that one. I'll change my location. I'm going to put it
in the PNG folder, so it'll be with the
other ones we created. And I'll choose that
and export Artboard. So when I go and look at that, it's actually added
it to the end. And now all of my
designs are here. Now if you wanted a
white background, you can just export as a JPEG and it's exactly
the same process. You would just change
your format here to JPEG.
17. Your Project: All right, Now it's
time for your project. I'd like you to draw
four designs and add something
interesting to each one. Try to figure out ways
to use shapes to create your designs dislike we did
in this class with the Cloud. We just drew a bunch
of circles and then combine them all
to create the Cloud. Using shapes is the
easiest way to build an object if you need
inspiration on why to create, try working around a
theme like a holiday, or maybe different
fruits or animals. And once you have it created, just upload it to your project
section on Skillshare. I can't wait to see
what you create.
18. What's Next?: Alright, if you're ready
to take a deeper dive into Adobe Illustrator checkout some of my other classes,
for example, creating a coffee icon set in Adobe Illustrator or picking up speed and Adobe Illustrator, although that one is more
for intermediate students. All right, thank you so
much for taking my class. And if you have a second, please leave me a review. It helps so much. Thank you.