Music Theory Comprehensive: Part 4 - Modes and Counterpoint Premium class

Jason Allen, PhD, Ableton Certified Trainer

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44 Videos (4h 8m)
    • Welcome & Overview

      5:10
    • Tools We Need

      4:28
    • Review: Scales

      6:39
    • Review: Diatonic Chord Progressions

      6:07
    • Overview of Modes

      3:06
    • How Modes Work

      7:46
    • The History of Modes

      10:12
    • The Ionian Mode

      2:39
    • The Dorian Mode

      6:50
    • The Phrygian Mode

      4:03
    • The Lydian Mode

      2:39
    • The Mixolydian Mode

      4:32
    • The Aeolian Mode

      2:13
    • The Locrian Mode

      5:15
    • From Old To New Again

      2:50
    • Analysis: The Simpsons TV Theme Song

      10:22
    • Analysis: Choir Example

      11:08
    • Analysis: The Beetles: Eleanor Rigby

      3:25
    • Melodic and Harmonic Intervals

      3:28
    • Using Visual Landmarks

      5:19
    • Compound Intervals

      6:58
    • Major, Minor, and Perfect Intervals

      3:28
    • Rules of Inversion

      4:47
    • Summary of Intervals So Far

      2:00
    • Augmented and Diminished Intervals

      6:28
    • The Tritone

      5:01
    • Enharmonic Equivalence

      2:47
    • Consonance and Dissonance

      8:49
    • Rules of Resolution

      9:21
    • Interval Classes

      2:59
    • Analyzing Intervals

      7:08
    • What is Counterpoint?

      7:41
    • Different "Species"

      5:29
    • Connecting Melodic Intervals

      4:24
    • Rules of First Species Counterpoint

      5:09
    • Connecting Harmonic Intervals

      7:37
    • Types of Contrapuntal Motion

      9:45
    • Parallel Fifths and Octaves

      6:25
    • The Beginning and the End

      5:40
    • The Middle

      11:33
    • Riemenschneider

      3:50
    • All The Rules

      9:47
    • What Next?

      1:54
    • Thats it! (For now...)

      0:59

About This Class

For years I've been teaching Music Theory in the college classroom. These classes I'm making for Udemy use the same syllabus I've used in my college classes for years, at a fraction of the cost. I believe anyone can learn Music Theory - and cost shouldn't be a barrier.

Recently I was named as a semi-finalist for the Grammy Foundation's Music Educator of the Year award because of my in-person university classes. Now I'm taking those classes to Udemy in an online format in order to reach more students, and give them the joy of Music Theory.

My approach to music theory is to minimize the memorization. Most of these concepts you can learn by just understanding why chords behave in certain ways. Once you understand those concepts, you can find any scale, key, or chord that exists. Even invent your own.

This class is a Comprehensive class - it will have many parts, going through my entire annual curriculum.

This class is Part 4: Modes (Musical Modes, AKA The Church Modes) and Counterpoint.

Throughout this class, I'll be providing you with many worksheets for you to practice the concepts on. If you get stuck, you can review the videos or post a question, and I'll back to it as fast as possible. Also in this class I have several complete analysis projects that we will complete together - just like in my college classes.

In this class, we will cover:

  • My approach to Music Theory
  • Tools you will need to learn Music Theory quickly and efficiently
  • How Modes Work
  • The History of Modes
  • Identifying the Musical Modes
  • Incorporating modes into popular music
  • Analysis of popular and classical music, including the Simpsons TV Theme Song, and the Beetles.
  • Interval Exploration
  • Compound Intervals
  • Rules for Inversion
  • Augmented Intervals
  • Diminished Intervals
  • Enharmonic Equivalence
  • Labeling Dissonance
  • Counterpoint in Species 
  • The Rules of Counterpoint
  • Compositing with Counterpoint
  • Types of Contrapuntal Motion
  • Creating music with Counterpoint
  • ...and much, much more!

And of course, once you sign up for Part 4 - Modes and Counterpoint you automatically get huge discounts to all the upcoming parts of this class.

You will not have another opportunity to learn Music Theory in a more comprehensive way than this. Start here.

Dr. Jason Allen is an Ableton Certified Trainer, and a PhD in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater. His 2015 album, Aniscorcia, reaching the CMJ Top200 Charts and radio broadcasts nationwide. In 2014 he was named a semi-finalist for the Grammy Music Educator Award.

He currently as an adjunct professor of composition at the University of St. Thomas, and the CEO of Slam Academy in Minneapolis.

Praise for classes by Dr. Jason Allen:

  • "Without a doubt the best explanation and east of use that one can get. It leaves you enough room to go explore. The classes go by quick, so you can be on your way at being proficient. What are you wait for!"
  • "Amazing - Seriously Loved It! I took all his courses and have to say I'm so happy! Learnt loads! Jason is an awesome teacher!"
  • "I have never had any formal training in music at all. Trying to learn all the notes and how everything translated was a serious challenge. After going through this class, Dr. J has totally brought down the barriers. The content was very useful and was easy to grasp for me."
  • "I like these courses because you can get up and running quickly without having to spend hours of time wading through TMI (too much information!). Jason hits the high points but shows you what you need to know. Thanks!"
  • "I've watched many other videos on scales and chords before, however, this one has been the best. I now understand minor scales and chords and even how to analyze songs. It really gave me the confidence to start producing music because I feel like I have some structure and guidelines to follow. AWESOME!"
  • "Clear and Informative - Jason has a clear uncluttered style (with the important dashes of humor) of presentation that is focused on the important key aspects of this course. Recommended for those starting out!"
  • "Dr. Allen does it again with his music theory series. This course really opened up everything I learned from the 1st section, and now I understand more about the composition side of things for music. I highly highly recommend this course to anyone!!! Really opened my eyes to many things I wasn't aware of."
  • "The Best Teacher Ever, who makes you understand the ins & outs of Music Theory by all means without giving what you don't want to know."

5 of 5 students recommendSee All

Very informative course, thanks Jason.
Barbara G.

Music Lover

40

Students

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Projects

Jason Allen

PhD, Ableton Certified Trainer

J. Anthony Allen has worn the hats of composer, producer, songwriter, engineer, sound designer, DJ, remix artist, multi-media artist, performer, inventor, and entrepreneur. Allen is a versatile creator whose diverse project experience ranges from works written for the Minnesota Orchestra to pieces developed for film, TV, and radio. An innovator in the field of electronic performance, Allen performs on a set of “glove” controllers, which he has designed, built, and programmed by himself. When he’s not working as a solo artist, Allen is a serial collaborator. His primary collaborative vehicle is the group Ballet Mech, for which Allen is one of three producers.

In 2014, Allen was a semi-finalist for the Grammy Foundation’s Music Educator of the Year.

J. Anthony Allen teaches at the University of St. Thomas in St. Paul, MN., and is an Ableton Live Certified Instructor. He has a PhD in music composition, 2 Master’s degrees in music composition and electronic music, and a bachelors degree in guitar performance. Through his academic travels, Dr. Allen has received numerous awards along the way.

Born and raised in Michigan, Allen has worked with many forms of interactive media including audio, video, installation and dance. Mr. Allen’s work has been experienced all over the world, and has been called “a study in ominous sound and motion,”(Baltimore Sun) “An aural hallucinogen,” (Minnesota Public Radio) and “A beautiful and engaging use of technology. ” (Cogapp: The Art and Science Blog). In 2003 Allen joined the team of the Spark Festival of Electronic Music and Art where he was the assistant director and lead producer through 2009.