One stroke painting/A to Z/ complete guide from basic to advanced level strokes | Fathima Aafreen | Skillshare

One stroke painting/A to Z/ complete guide from basic to advanced level strokes

Fathima Aafreen, One stroke and landscape painting artist

One stroke painting/A to Z/ complete guide from basic to advanced level strokes

Fathima Aafreen, One stroke and landscape painting artist

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9 Lessons (1h 20m)
    • 1. Introduction

      6:04
    • 2. Materials Required

      1:43
    • 3. Level 1/ basic strokes with how to load and hold your brush.

      9:22
    • 4. Project 1 flowers using the basic strokes

      10:59
    • 5. Adding leaves and other details to project 1

      8:23
    • 6. Level 2/ intermediate level/ basic strokes

      11:18
    • 7. Project 2/ intermediate level/ floral composition .

      17:56
    • 8. Project 3/ advanced level floral composition / folded realistic petals

      11:22
    • 9. Conclusion/ a recap about the things we learned.

      3:00
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About This Class

n this course I explained a lot of things which will be helpful for beginners to advanced level. If you are a beginner who don’t have any knowledge about one stroke painting , then this is the right place for you. Even if you are in an intermediate level, this course will be really helpful for you. I shared a lot of tips and tricks about how to hold your brush ,about the perfect ratio of loading your brush and how to hold your brush while doing the strokes. You will learn the basic warmup strokes like flat stroke, U-strokes( up open curve and down open curve) ,Daisy strokes, bud strokes,  tear drop stroke, easy petal strokes, shell strokes/wiggle strokes, simple leaf strokes , complicated leaf strokes. Using shell strokes , creating petals and leaves. The perfect size of the brushes needed , the perfect thickness of the paper  and where to add leaves and how many number of leaves makes your artwork more attractive?. . I shared some tips about how to give the glow feel to the leaves and how to give the realistic look to the leaves and how to give the folded feel to the petals everything in detail . I arranged the class step by step from basic to advanced level. 

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Meet Your Teacher

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Fathima Aafreen

One stroke and landscape painting artist

Teacher

Hello, I'm Fathima Aafreen . A happy mother and a self taught upcoming artist. Though I now put in Malaysia, my family is rooted in India. The nature at its best inclined me a love for drawing. What started as hobby turned to passion from the late 2016 and I haven't turned back ever since. They say , inspiration can come from anywhere. Well, mine is from our dear mother earth which paved a way for me to be a nature/landscape artist. From early 2016's, I started with graphite. In  2017, I experimented with oil pastels. I have made few masterpieces which grasped the attention of many. From 2018, I started experimenting with acrylic soon I developed a flair for it. Recently I start to work with watercolor too. I have made 100's of landscapes  with oil pastels, graphite , watercol... See full profile

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Transcripts

1. Introduction : Hi, I'm Fatima. Often I must say that our test, I have dense you exhibitions in Malaysia, both solo and group exhibitions. And always I have done few online and offline workshops. Basically eminence kept at this, but vanilla, I feel lack of inspiration I used to do. When should technique? This is on after most easiest and satisfying technique I have ever learned. In this course, we're gonna discuss about how to do some of the easiest basic strokes to create a beautiful beginner level, easiest fuel combustion. Using the very simplest technique I'm gonna show you how to do these basic strokes. Using a very simple technique. We're gonna do some of the basic leaf strokes, some of the wiggle strokes like Shell stroke, some kind of strokes. How to create a better using those shells stroke, how to create bots using those shared stroke. And a lot more thing in this course. Some intermediate level strokes like the leaf. It maybe looks very harder. But once you check out this course, you will get to know some of the easy technique to create the heart-shaped vaguely stroke the leaves and some of the other biggest stroke believes everything in detail. And some of these sliders stroke, It's like a kind of commercial Cloud to do with the fly british. And how to do a slide is true with linear branch and a lot more things in detail. And all I saw, I'm going to show you the tips to do some beautiful floral Vox using the same stroke by repeating the same stroke, LIGO now create some beautiful flowers in a very easy way. Vigo and I learned by step-by-step, from basic to intermediate. And then to advance the level, they're going to learn some of the basic strokes. And after that, we're going to create the beautiful artwork using that basic level strokes. And after completing that, we're going to learn some of the intermediate level strokes. And after that, we go now create the beautiful floral composition using the intermediate level strokes. And finally, we're going to create a beautiful, advanced level, realistic composition using the basic, simple strokes which we learn from level one, the basic level and level two, intermediate level. In that advanced level, we're going to learn how to give the realistic field to use flavus by giving the folded field how to give the full load feel to your PH level that makes an artwork pops up more realistic. And I'm going to share you the tips and tricks about that to add leaves. How many number of leaves make your artwork looks more beautiful and attractive. How to make your leaves glow and everything in detail I'm gonna share in this course. There are a lot of secrets behind that. Many students who come to me, many participants who come to me, especially to learn the techniques I'm using in my r to a because whenever I talk to them, the only thing they used to tell me that your artwork looks totally different from other. So in this course, I'm going to share you each and every secret I learned through experimenting. Once you complete this course, you will definitely get the idea of how to create a beautiful floral work using one technique by your own style. To complete the whole course in a single day. The first day you can practice the basic level, basic strokes. And after that, you can create the floral composition. The next day you can learn to practice the intermediate level. And after that, you can create the flooded competition. And in D3, you can create the advanced level theory work. That way that will make you better and easy to understand it. 2. Materials Required: Let's see what are the medial zirconia to do this beautiful piece of artwork using one such technique, a black sketch book or any colored I really sheets you have. I suggest you do use any one for DG. Some people. If you don't have that, you can use a nice colored white sheets. You have it in your hand. Let's see what are all the brushes we're going to use in this course to do that one stroke technique, three by four inch flat brush and a half inch filbert brush or a flat dish, a quarter inch flat brush. And number 5 or 6 round brush up ballot to load our brush with paint. What did you end at a flood? To remove the excess water bill from our brain, can choose a need to color one light, one dark color. You can choose any brand, but that must be in our district quality that when Lee give the best reset. In the next video, Let's see some of the basic loading, this handling and some of the basic strokes. 3. Level 1/ basic strokes with how to load and hold your brush.: Let's see how to load of a place and some of the basic strokes we need to bring this beautiful sea level 1 to fit any dark color. And under 2 fifth titanium white. 1 third width white, do with any other dark color. That is D. For sex ratio of loading your brush, go back and forth until you get the smooth. Whatever color you are choosing. Mates shell. You load your brush properly to get this smooth edge strokes. You can watch a bit of Waldo. If you feel your brushes dry. Let's see what are all the brushes we gonna use in this course to do that one stroke technique, 3-bit full inch flat brush and a half inches filbert brush or a flat dish, acquired the ancient flat brush and number 5 or 6, round brush up ballot to load the brush with paint while digits and a left glove to remove the excess water from our brush. You can choose any two color, one light, one dark color. I'm going to use titanium, white, and red. Now I'm going to use my three by four inch flat brush to do these basic strokes. So Lord, one tip, I mean, 1 third width, white to third width, dark color here I'm going to use a red. This is actually the million. Load your brush by going back and forth loaded probability. Otherwise, you will not get a clean aid to the strokes. Let's do our first straw. This is a flat stroke. Hold your brush a little sloppy and drag it while you start with a 100 straight and lift. You can read on top of that, if you feel the strokes didn't come out well, that looks very transparent. You can redo on top of that one more time. Keep practicing the basic strokes again and again to get the brush control. And more time, use your pinky is a support and deliberation little sloppy. And while you stop it, make your brush a 100 straight and lift to get the clean, aged strokes. Let's do the second stroke. It's like a kind of down often curve. Load your bridge again and again. You can read on top of that, just hold your brush little sloppy. You can use your pinky as a support. Let me do one more time. My three points, starting point and ending in Moodle, connect all the three. We will get the stroke like a kind of Donald been curl. Let's do our third stroke. It's like a kind of app, open curve or a kind of used to look the same way. Mark three points, starting point and ending in the middle, which is little below the points between marketer before and connect all the three, we will get used stroke neatly. I will afford the strobe is called as the interrupts, true. You have to market like a V and a monk in S2. Connect all the three, we will get the good Drop stroke. Our next stroke will be like a kind of the interrupts true. But this will give you the sea like a petal, so markedly Covey. And the Markin Center, which is above that V. And connect all the three we will get the beautiful petals draw. Our next stroke will be like a kind of leaf stroke. Are, we can use it as a pedophile flowers also. Just give maximum pressure and lean it to the top. Lift one end. Before you stop, we will get a beautiful leaf stroke. Just make you vistas little sloppy and give maximum pressure. You can change the color inside out. You can use white on top and our color at the bottom, a dark color on top and white at the bottom. For the next is true. We're gonna combine the second third strokes that Donald peduncle and up open. That will give us the field like a kind of bite. And just mark the starting find, ending point and the point in the middle. That is just little about those two points. Connect all the three. You will get like a kind of down, Up and Go. And you can again do that. Apple can go to connect it. That will give us the bud feel like I told you before. Let's do our daisies, true? For the daisy stroke, I'm gonna use my own Daesh number five. You can use five or six. Wash your brush and load your brush. By rotating and brash like I'm doing. After that, you can watch a bit of white. Hardly a British legit straight. And you see a pinky is a support. Given maximum pressure. And lean it towards you and release the pressure on mod time. Give maximum pressure and lean it towards you. If you feel like your betters looks very thin, you can add one more stroke on top of the fullest a stroke to get the broader pay Dell. Let's see some of the basic strokes for that. I loaded one to fit a low and innovative with viridian green low D2L and give maximum pressure and release on top. You can change the color inside out. They made these leaves with single stroke. We can create leaves using two strokes or it's all the same. They give maximum play shell. I lean it towards the top and come from top to bottom and connected. Plot this against stroke. You can change the color inside out. And that leaves stroke will be leg vaguely only once and Linux on top and connected from top to bottom. You can either change the color inside out for this against stroke or not. It's up to you and you can rotate your paper by your comfort. 4. Project 1 flowers using the basic strokes: Let's see how to do this basic floral composition using the basic strokes, cadmium red BPO, and titanium white for their age level. For the blue lazy, I'm going to use titanium white and deep Turkish. And for the leaves, I'm going to use Prussian blue hue and titanium white and medium, low. And the brushes, half inch flat brush for the fifth level and number five, round brush for the Daisy. For the center portion of our leaf levels, I'm going to use a low ocher and burnt umber. Let's mark three dots that Vigo monopolies of, of lambda. Using burnt umber. You can choose your want choice of colors. As we are using black paper. Let me use my pencil to show you that Vigo monopolies level. I'm going to fill the circle with burnt umber using my own rash. Let's load of paint from the tube as acrylic dries faster, tried to squeeze out less amount of paint from the tube. Now that colors in my palette or deep to accomplish cadmium red deep and titanium white, along with burnt umber, which we are literally loaded of a pallet with. I'm going to use my half-inch flat brush load 12 titanium white and analytic fit, cadmium red deep hue for the day, Flavel, 1 third, 2 third with red. So loaded well by going back and forth. If you didn't load your brush properly, then strokes might not come out. Well. Now market like a V and the mark about that V and connect all the three. Use your pinky as a support here, white on top, red at the bottom. Audio brush often. And for the second Patel Vigo not painted like the petals are overlapping. So my kit, like a V again and a Malkin Center connect all the three. The same V, V going up paint, all the petals are overlapping with each other. You can turn your paper for your comfort newness. You can choose any two colors, one dark and one light color. You're painting doesn't need to be exactly same as your reference. At the end of the session. If you check all the painting which I am doing now, and the painting, I have it as a reference might not be the same. So you don't need to worry about, if you're painting doesn't come all the way like mine. If you track busy the basic strokes, then you will definitely got the idea of creating new tape self level and definitely can get the control volume fresh. So now our last petal, the completed adding the paydays for a whopping Flavel. Let's add some buds here and they're using the basic strokes, give maximum pressure and lead to the top. Light on top and the bottom. You can add, valuable you want to add. And another type of bodies, legs are kind of down, up and curl and then up, open, close. I am creating this using the basic warm up strokes, which we saw in our previous lessons. Let's do those blue daisies for that, I'm going to use my number five around British roundish by rotating it on the dark color and thatch titanium vite a little bit with the tip of the brush. You can attach a bit Ofwat data if you feel your brushes dry. For the daisy, imagine that like a clock. Shampoo twice. And then six. Now at the place of nine. Now at the place of 3. Now let's add the remaining numbers, like 12. And the place of 45, just like in our clock. Fill those bees. You can keep loading it again and again. For some places you can load with the dark color and then touch wide. And in some places you can simply touch Titanium White alone. After completed adding those 12 petals, like in our clock, you can add a few more petals in-between, two pedals in about previously. Just to give maximum pressure and lean it towards the center. If you feel your strokes looks very thin, you can add two strokes for arresting the pitta to get the broader petals. We have completed adding petals to oval first complete Daisy. Now let's add some petals to the daisy, which is like a half for Hillard kind of daisy. Just imagine this, like a half clock. Start from 93. After that, we can add to two pedals in between. Now, add few more guidance in between two pedals in DevOps previous layer. Let's add pedals to the middle half of the Flavell, like the same way I'm doing now. I hope you are painting along with me. If you paint it along with me, you will definitely got the idea of how to do them in a easy way. Let's add few bytes for the daisies. Three odd five daisies strokes. You can add those daisy bytes, vegetable you wish to. Let's add some leaves at owned the flag Lewis. 5. Adding leaves and other details to project 1: Tried to give importance to the leaves as much as you are giving importance to the flowers. For the leaves, that colors I'm gonna use our Prussian blue hue and medium NLU with my seam, half inch flat brush. Old 1 third width, medium, a lot. And 2 third with Prussian blue hill. I said I'm using it on black people. I'm using Prussian blue hue. If you are using any other color paper, you can simply use viridian green and median NLU loaded brush well by going back and forth to get the clean stroke given maximum pressure and lean it to the top. A look at the dog and green at the bottom. Just like we did for the, but those pink but just give maximum pressure and link it to the top and connect from top to bottom. You can change the color inside out to get the realistic feel. Tried to add on number of leaves. I don't the flavus first, to get more attractive field towards the artwork. Keep loading your brush off. And if you feel your brushes dry them, you can patch a bit of water, not too much water. Just a little touch of water with the tip of your brush. Tried to add leaves in different sizes and with different shades of green if possible. Don't rush. Enjoy doing this painting. Keep adding those leaves that you want to have. Eye you need is practice. So keep practicing the basic strokes and then compose this floral composition. Let's add those leaves around the pink Flavel. Firstly, like we did for the daisy, tried to add odd number of leaves around the flower and then add some leaves here and there variable used to have for those leaves, I'm using Prussian blue hue and medium. Along with that, you can patch a bit of titanium white on the side of a law to get the glowing feel on your leaves. Can you spot the difference between the leaves which we added before and the leaves which we are adding now, along with a little touch of titanium white. If you wish, you can use dark green shade instead of rushing Blue Hill. And instead of medium, a lawyer can use a yellow ocher to get the differentiate soft green. To make the process easier, just add ordinate BRAF leaves at the flowers first and then fill the space in between. You can add any number of leaves, connect those flowers and leaves by adding some stem. And also tried to add leaf list stem to make your artwork looks more attractive. Instead of just simply adding leaves to cover the space. Try to give the daisy strokes here and there, that will make your artwork looks better. It would be nice if you're doing this painting along with me. That way, you might get the better idea about doing the basic strokes and the floral composition along with the leaves. Let's fill the same propulsion of those flavors in a very easy way. I'm going to use my flat brush, small flat brush, load, one tip with burnt umber and another tip with a little dab it on your palette. Adapt the center portion of the lava lake down, open. A locker on top, blank Albert the bottom. And again, like Dan up open coke connected. That will give the realistic see the same. This is the same, the pushing of all those flavors. To give the highlight to the center, pushing us allows lava, that chat bit of titanium white on the side of a yellow ocher and give like a stroke kind of see dab it on the center portion later. See. Now for those semi opened pink bed, you can that should be tough, medium a lot with the bottom of the handle and the rabbit in the same domain given minimum pleasure. And that's a bit of titanium white to give the highlight. So now we have completed our final project using the basic stroke. This is level one. Let's see, intermediate level in level 2. 6. Level 2/ intermediate level/ basic strokes: Let's see some of the basic strokes. Some co-leaders, shell stroke, some qualities, wiggle stroke. The same way. I'm going to load one tip that I mean, 1 third with white and 2 third with any dark color here, I'm going to use my red little money and drag. And I'm using my three-way four inch flat brush. I will first stroke just vaguely of brash continuously as much as you can. The same AUC up being gears as a board. And while the obliged little sloppy topic, make your brush handle straighten Left to get the clean edges. Alice against stroke will be same as alpha plus two n. But this time we're gonna make it little broader than the previous one. Keep practicing these basic strokes to give the bush controller. Our next stroke is coiled shell stroke. Even our vagal it 45 times does to my good Lake abroad v and village. While you begin for the third time, go up and connect to the last point. Let me do one more time. Just market-like abroad v. And why you do that third stroke, just go up and come down way connecting to the edge. For the next stroke, I'm gonna wiggle it three times for the second time, go up and come down. Just mark it like a V and a Markin Center. Connect all the tree by wiggling it three times. For this again, go up and come down. Our next stroke will be like a kind of W shape. Come down and vague lit. And again, connected. You can either do like an app open. And on top of that, you can add a v good stroke in the middle of that up open, close. You can get these strokes by practice. All you need is practice, practice, practice. Now we are going to connect the last two strokes to get the bud shape. Let me do it the same stroke on mod time yesterday piglet three dimes. And for the next one, it's like a kind of W. Come down and wiggle it and go to the top to connect it. Let's do the leaf strokes. I'm going to use my same quanta changed. I mean three by four inch flat brush load wanted with viridian green and analytic VD and low. If I'm using a black people, I used to prefer Prussian blue hue and medium alone. But this time I'm using a red paper, so I'm going to use viridian green and medium and low, load each file by going back and forth. Like the same way I told you before. 1 third, with media may look like color and total with that color. Here I use two told us that it didn't dream. And 1 third of medium, a low market, like an arrow mark which is facing downwards, just aligned and like a kind of atom like an alien talk, you're zipping gaze a support, wiggle it as much as you can. Here I'm going to use three times rigor and limit on the top and from top to bottom, legal it. Or you can change the bay but upside down. And you can do the v good stroke. If you feel uneasy to do it while the paper is straight. Let me do once again the same biggest shock, big or three times or more, as much as you can. I'm Lynette on the top. And you can change the paper upside down. Once again, you can do the same legal stroke. The next to leave the same vaguely three times and linear to the top. While coming from top to bottom, you can change the color inside out. And connected. We will get the realistic feel. For the first two leaves. I didn't change the color, but for the third one, and for the second stroke, I changed the color inside out. That will give us a realistic feel. Let's do the heart-shaped v. Good stroke the leaf in a easy way, just like an arrow mark. And firstly, just do three times bigger. And again, you can wiggle it like the way we did for the first three leaves. The same way. Three times bigger and again, and do the rest like we did for deforested three leaves. Let me do the half of that heart-shaped belief. Once again. Firstly, the glut 4 three times, and then you can do like the way we did before. Let me do the half portion of the leaf, which we did for the first three leaves. And this is also a heart-shaped belief. Using the slider strokes, we can create this. Let me show you what the slider strokes and how to do them. They can do That's true. Using the teardrops, true? Just like the teardrops, draw fainted and drag it downwards, you will get the slide is true easily. If you practice it, you will get it. You can simply change the direction of the stroke, just like a V-shape and the mark in the middle connect all the three will get dropped stroke. You can drag it downwards to get the slider stroke. These are lot like left open. And now you can do dried open go kind of thing. It will be like a kind of drop stroke, or you can call it this comma stroke. Our slider stroke will be more or less equal. You will get it by practice. If you connect both these sliders stroke, we will get the heart-shaped leaves. Let's do a few more slides or stroke using wiggles stroke. Vagal it to R3 times and drag it, we will get the slider stroke in a different way. You can change the direction of these strokes. We use these drugs for covering the center portion of the flower to give the rapping. Now I change the direction of these sliders, true? If you practice a lot, you will get to learn more strokes and more brush control. So these all are the basic strokes we have done so far. Keep practicing these strokes. You can create your WAN Flavel with your one style. 7. Project 2/ intermediate level/ floral composition .: Using those vagal strokes, Let's do a floral composition. I'm going to use burnt umber to make a dot which indicates baby go. Now plays of, of level. Draw a circle around that dot that will guide you value gonna start adding petals. Now, I'm going to use my half into the flat brush, lord. 1 third with titanium white, 2 third with NEW sheet, you have markedly Covey and American Center connect all the three baby linear, grayish. Let me do one more time on top of that, fullest better. Our guidance will be like overlapping to each other. So I'm gonna all that lab, my next petal to the first one, the same V, might get like a V and a Malkin Center, connect all the tree by wiggling your brush. The same levy gonna add so many days until we complete the circuit. If the strobe didn't come out well, you can redo on top of that, so don't worry. And just practice doing these kind of flowers as we're going to repeat the same stroke, you will get to learn the basic stroke and the basic brush control, everything. You can turn your paper for your comfort. Now. If you feel your brushes dry, you can touch a bit of water, not too much water. If you add too much wider than incident period of time you are at work may create some cracks that will definitely disappoint cues. So a wide adding too much water. If needed, you can touch a bit of water with the tip of your brush. The completed adding the fullest layer of petals. Let's do the second layer. Let's start adding the second layer, the same V market like a V and a Markin Center connect all the tree that may complete half of the circle. Keep loading your brush effect to Allied the broken aged strokes. At the same time, like I told you, you can touch a bit of what? Let's do. The third layer of patrons. You can directly wigglier brush three times or if you're not okay with that and you can do the same progress like market like a V and the marketing center and connect all the three by bilinear branch three times. Complete adding those patterns under the half of the Flavell. Let's add a dense to the second half of the Flavell. Leave some space in the center and do the stroke like I'm doing now. Let me show you separately how I added those buttons. The same wiggling stroke, just vaguely three times and drag it a bit. Logo, the same V I did now. And now the same Darth Vader, like this. And the third one like this way. Let's fill this space in between those petals by adding some sliders, strokes, which we saw a novel basic strokes. Let me show you the slightest strokes separately. Just change the direction. And simply give this kind of field. You can wiggle a bit to give a kind of gendered filled via buttons. Let's do the rules using the same vehicle strokes, you can call it as Shell stroke. You can choose any two colors. One light, one dark color here I'm going to use titanium white and orange. Lord, 1 third with titanium white and 2 third with the dark color you chose. Load your brush by going back and forth. Draw a circle or oval shape. So the light color at the top and dark color at the bottom. Mock good lake of dr. v. Vagal it five times, then UV good for the third time. Just go up and come down to get the shape, shape. Complete. Adding that dense alone that over acrylic medium is opaque. We can correct mistakes. And if you didn't feel satisfied, it can correct it by adding another layer. And in one stroke painting, you can add few leaves to cover your mistake. V have completed adding petals to the first layer of visuals. So now let's do this again. The same V, just market like a drop V and a mile. In same day. If you need audio, can just go up by you wiggle it for the third time and come down. Just fill half of the rows, upper half of the rows. Added three petals to this again layer. Let's add two pedals to the third layer. Add a button in-between two pedals in law previously. Once you add two petals and for the next layer, add a single petal in between those two faders in the previous layer. You can wiggle three times r phi times for the single petal. And now for the same deep-ocean it's like a kind of in the middle of the bud, right? So like a kind of down open, close and an open curve from this same deal of the Donald now tried to add some sliders strokes around the bed and fill the space. By changing the direction of this slide is stroke, like we did for that blue PH level. Simply add the slightest strokes to fill the space. You have completed. Rows. Let's add seal bytes and samey band. Let's hit that. Let's add a few details to this same top portion of the back side. A bit of medium, a low, and dab it on the same deposition, give minimum pressure. And you can patch a bit of titanium white to give highlight. We have completed our flowers and bytes. Let's add details to the leaves. So I'm going to use Prussian blue hue and medium, a low for the leaf. Load. One tip with medium, a low end and adoptive with Prussian blue hue. 1 third with a low, 2 third with Prussian blue hue, lauric. Well, by going back and forth, we're going to add the leaves using the wiggle stroke, just big. Let 2 time, 3 time, and lean it to the top and connect from top to bottom by wiggling your brush. The same progress, we're going to add all the leaves. If you wish. You can turn your paper for your comfort. And for the leaf strokes, you can simply keep a low on top for both the side. Are you can't change your brush to upside down. I mean, inside out, the colors inside out. Let me show you that. But this leaf, a Lewis on top for the fall as a stroke, now change the color inside out and connect from top to bottom. This will give us the realistic feel to our lives. Firstly, tried to add all number of leaves around the flowers, and then you can fill the space with few more leaves. Tried to add different sizes and different shapes in your leaves and different shades of colors, shades of green for the leaves to make it looks more attractive. First, some leaves, you can add a single stroke alone to give the smaller leaf. And for some leaves, you can add the two sided strokes. Just play with the colors and enjoyed painting. This is one of the most satisfying technique I have ever learned. You will also feel the CV if you got the basic idea about the basic strokes and the basic composition. Hi, to give the glow feel the shining field, yeah, leave. You can touch a bit of titanium white on the side of medium and low. Now connect the flowers and leaves using the stem and also add some leaflets stamp to give more attractive field to your artwork. And you can add some daisies strokes to give the fee like a kind of bite. I must complete using the basic strokes. 8. Project 3/ advanced level floral composition / folded realistic petals: Let's do a little advanced deliver final project, level 3. In this project we go nine, give the folded feel to our Flavel. Actually be going to paint the Peony using the basic strokes from level 1 and level 2. The colors, we're going to use a three-quarter inch and a quarter inch flat dish we're going to use to create this beautiful. Let's load the colors. The colors I'm going to use are red and cadmium red deep and titanium white for the Paeony. So let's draw like a kind of silk or overshoot. Let's fill the circle with a red ocher. Now using the three by four inch flat brush load landed with red ocher and an adaptive with cadmium red deep, along with a little touch of titanium white. Loaded well by going back and forth. The same shell stroke which we use firewall rules market like a V, and you can wiggle it four or five times or seven times this time. If you're okay with simply the linear branching, can go straight to the audience. You can mark it like a drop, V and V glut. Four or five times or seven times. That's your choice. If you wish to have a broader breeder, you can wiggle it for seven times. And if you, if you want now have a medium-sized when you can regulate for three times. And the size of the depends on the size of your brush. And also, I left some space between the vectors. This first three pedals are closer to the cell. Now the remaining two pedals be going up painted little away from the central portion. After adding those to pay debts, you can connect it using red ocher. Now I'm going to load my brush. I didn't wash my brush. I'm gonna load cadmium red, deep Q on the side of red ocher and titanium white on the side of cadmium red deep hue. Let's add the pedal over the market like abroad v and connected by wiggling your brush. Just add the dose in between the petals which we added previously. Flood the second layer, I simply add three by those one lema, I'm going to use my quad, the ancient flat brush, with red and a yellow ocher. I'm gonna add some details to this center portion. Awful lot Paeony. It's like a kind of a comma stroke or a daisy stroke. You can touch a bit of titanium white to give the highlighted fee. And you can also use blunted and good and a local in-between. Add titanium white that should be dovetailing invited, give highlighted feel. The same commands stroke, or you can call it as Daisy stroke using the flood Trish. After adding details to the center portion, I'm going to use my half inch flat brush load one to fit cadmium red deep Q and NOT with titanium white, loaded by going back and forth. Now it's legged kind of straight line and vagal it and lean it. I mean, ended with titanium white, soft bitwise, go up feet wide and end with light. Just a thin line, thin stroke, vagal it and lean it. The same way we gonna add these Betas at around the same dope ocean. You can leave some space from the backdrop. I mean, the fullest Lille, the adult with red ocher, right? You can let the red, of course, see-through in between the petals. You can rotate your paper for your comfort. The same stroke, just a thin line starts with white, wiggle it and lean it ended with white. We're going to use the seems true to give the folder to feel a lot better. Let's add few more strokes like this on this portion on the top of, well, beyond. Just be glitz. And more time, the same stroke tends to be glut and on more time. So this will give realistic field of all Johnny or painting is started to getting life. And now let's add the dice. Two debaters, we're going to give the folded field to our petals using the quarter inch flat dish load 12 feet, 18 invite and annotated with cadmium red deep hue. We're going to use the same straw that we did before. That thin line and piglet and end with white. That seems stroke. Just start with white, regulate white. Should we go up and end with white? The same V? Just add the details to you updated. For all Lee Bedouins. For some petals, you can add this detail on one side alone for some better. You can add for both the sides of the better. Or for some people you can add three times the same stroke. So give. Shouldn't have patient. Enjoy doing this? You will definitely love the outcome. All you need is patience and practice. No one can be mustered at something overnight. They need a lot of practice. They need a lot of patients. So keep doing this. The completed, adding the days to our peony. Let's add some leaves around the Flavell. This same V. I'm gonna use Prussian blue hue and medium yellow for the leaves. Tried to add on number of leaves at the Flavell. And for this live, I wiggled only ones and link it to the dog. And connect from top to bottom. The same way you can use a low on top for the board the strokes, or you can change the color inside out for this again stroke. So complete adding leaves tried to give importance to adding leaves as much as you are giving importance to add in Flavel, because leaves us something which make our artwork looks more attractive and beautiful. I hope you enjoyed this course. Like the same V I enjoyed while doing this. Just connect the leaves and flowers using the stem. And now we completed our final project. 9. Conclusion/ a recap about the things we learned.: So when we die, we have learned a lot of things. In this lesson. We learned about how to load a brash to do. Nick. I shared a lot of secrets. I learned through experimenting like from basic, simple strokes to intermediate level strokes. And finally, that unwarranted delivered strokes. How to do the simple, easiest Leaves stroke as far less detailed, complicated leaves. They have seen some of the basic figured strokes, the shale strokes, and how to create bytes using those bigger strokes. Some of the basic and intermediate levels, ladies strokes, like say the stroke using vivid strokes. And how to add vectors by using the basic strokes. Strokes like Daisy stroke, Deirdre upstroke, Shen stroke, slide is stroke. And a lot more. I even shared the tips about how to add leaves that don't add leaves. How many number of leaves make your artwork looks more attractive and beautiful. The tips about how to give the glowing field to our leaves that make your artwork look more attractive and realistic. Iso, I have shaped the tips about how to add the days to the center portion of a Flavell and a lot more things. And finally the advanced liver. How to give the realistic field level by adding those folded buttons. I hope you got the idea of creating one stroke flourish books by US style. And I'd be happy if you share your class project in skill share class project. Thank you so much. Is he completed this course?