One- Line Drawing 101 | Attabeira German | Skillshare
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6 Lessons (20m)
    • 1. Intro

    • 2. Materials and possibilities

    • 3. Excercise 1

    • 4. Exercise 2

    • 5. Best practices

    • 6. Tips

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About This Class

This class teaches you the basics of one-line drawing style. If you are wondering where to begin and how,  this class gives you insider's tricks to know how to draw a face from your memory using just one line. The course comes with material and exercises to help you practice and  improve your one-line drawing skills.

Meet Your Teacher

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Attabeira German

One-Line Illustrator


Hi! My name is Attabeira and I am thrilled to see you around here. I'm a full time illustrator, mom and traveler. My family and I lead a rather unconventional life where we experience and share our curiosity for the world. 

I share a most of my work updates and news on my website and Instagram. I also sell my one line work as printable versions on my store so you can decide whether you want  it as décor or as a t-shirt. If you took all my courses on Skillshare and want to continue to grow you one line skills you can find me on Patreon where I offer consistent one-line drawing coaching!

We share our travel adventures and insights on our Pins on a Map Instagram.

I love connecting with people that are passionate about what they d... See full profile

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1. Intro: Welcome to one line drawing 101. My name is Athena and I am owner and Illustrator at alpha-beta dot com one-line shop. This course is for absolutely everyone out there who wants to learn how to one-line. It doesn't matter if you are an artist who has been drawing for awhile and just wants to get into the style. Or if you've never drawn before and would like to get into the style as well. In this course, you will be learning how to draw from memory, how to draw using guidance, and also how to improve your one-line skills overall. Welcome to my course. 2. Materials and possibilities: When it comes to one line, drawing, materials don't really have to be fancy materials don't have to be expensive. Because one line drawing is so minimalistic. It really allows you to use whatever you have at hand. If you are an artist that has been working with different artistic materials for awhile, you can try doing one line drawings in a way that it's going to allow you to express yourself to the maximum, to the fullest. But if you're just a person who's just trying to get into one line drawn because it's appealing to you. You can really get started with anything. You can start drawing with a ballpoint pen and a napkin. When it comes to the course, we're going to be using my favorites ballpoint pen just to regular ballpoint pen. You can get it in your nearest convenience store. A felt fine liner, which is just a symbol, felt. They use for writing and pencils. When it comes to drawing digitally, I use an iPad Pro. And the app procreate. When it comes to drawing on the iPad, we would need a whole different course for it. But for now, we're going to be using it for some of the exercises that have prepared for you today. 3. Excercise 1: If you close your eyes and you think about the way you see a face, the way the ice lay on the face, the nose, and the mouth. You're going to be needing this vision, this image in your head. In order to draw using one line art, we are going to get started with very abstract pictures in order to get your hand lose cyberwar month. I'm going to use one of my favorite, just a gel pen. And we are going to be drawing ice. Let's start with ice. I know for a fact that ice had circle in them. I know that they have this shape. I know we have the top of the eye and I know we have an eyebrow. The easiest way to remember where the nose goes is if you connected to the eyebrow, because our nose, the top of our nodes usually connects with our eyebrows. So if you want to think about the way that the nulls is placed on the face. The easiest way is to think, is to connect the nodes to the eyebrows. Because it will give you a definitely a definite guideline as to where the nose should be income in connection in comparison to the ice. I really like to make. The mark of the cheeks when it comes to my drawings is up to you if you want to make them and the lips. And then I wanna make His face or her face. These people come to existence as I am drawing his neck and then the rest of his phase. This is just a tiny one line drawing. Your first exercise is to try and do the same I just did. With your memory. How do you remember faces? It doesn't really matter if it looks like my and it's not necessarily going to look perfect. It's really important to remember that this is a muscular exercise. The more you do it, the better it comes out. So again, eyes, eyebrows from the eyebrows, nose. The next Iran, the other eye, mouth, cheeks, and neck. Now, it is really, really important also to know that you don't have to keep your pencil stuck to the paper. There's a lot of people who prefer to exercise not on sticking their pen from the paper, but if you're just starting, I suggest to give yourself a break. Again one last time. I you have a circle where you left up, left off, pick up again. Where you left off, pick up again. Where you left off. Pick up again. Where you left off, pick up again. Take your time to to let your drawing up here slowly. Remember that you're drawing from memory. I've done this many, many times. It's part of my practice, part of my daily practice. And it was not easy from the beginning. It took me a lot of repetitions of the same exact face. Alright, let's go on to Exercise number two. 4. Exercise 2: Drawing with guidance. In the resources I have attached for you. In this course, you are going to find a document. This document has some head positions that will allow you to practice on top of them. If you're drawing digitally, you can just insert them into your iPad and draw over them. If you're drawing manually or by hand, you can print them. Put a piece of printing paper on the top and put a lamp pony, you will be able to see it. I have obscured my, the opacity of my layer here. I've made it really transparent. Because for me it's not so important. So see it. I just want to have it as a guidance. So it's like a bit transparent, is a bit invisible, so to speak. In order to make more realistic drawings. I'm going to use this as my guidance in order to practice none, not on sticking my pencil from the paper or from the screen. I'm going to use this guidance. Also, this kind of exercise allows me to know more about the human form, to know more about the way the lines connect and make better one line drawings when it comes to drawing by memory in the future. So I'm just going to choose the brush pen. And I'm going to choose a front-facing face like we did before. In this case. I'm just going to trace the outside first. The outside of the face. Tracing is one of the best exercises for remembering to draw faces. When I get here, I want to maybe just go into these lips, go into his nose. And remember that the nodes usually connects with the eyebrows. Size. Like to make the cheeks, like I said before, an egg. I missed and I what do I do now? I miss something. It happens very often. When I picked up I pick up where I left off. Exactly where I left off and I make his hairline. Remember that there is no rule that says you can't unstick your pencil from this screen. Okay. So this is what it came out. Do I like it? Not necessarily. So what do I do? I try again. We can do the same thing. Again. Here. We don't. This time, I noticed that. I left this eye without drawing and I want to get to this I before I get to the rest of the face so that what happened before doesn't happen again. So let's try. I started on the neck, went over the year and continued on to the head. That part was okay. Instead of going into the other ear, I'm going to go into these hairline. And I'm going to go into his eye, the one I missed before. Too big. Then I'm going to go into slips. Chin, chin, neck, another ear, into the eye. And from the eye, the nose. Do you think? Let's see which one looks better? This is my first drawing. This is my second drawn. If you notice, I have less things in the middle of the face. It looks cleaner. It looks more like a face. And this is the kind of exercise you want to be doing when you're tracing. Redo the same face over and over. So you can learn more about the way your hand works so that your hand or muscles remember more about where to place the parts of the face on the face. And for you to plan ahead. I'm going to do it one more time. And this time I'm going to tell you how I am doing it most of the time because it's what my process has taught me. If you notice before I started with the I I love to start with the i because it works for me. I start with the i because it allows me to fill in all the other details of the face. First. I'd like to get into the other side the same way I got into the other eye when I was drawing without guidance. I like to get into this the cheek and then I like to get into the mouth, chin. And then I get into the face here. Year, neck. Condemning them. They want to do the hair line and make, Alright, let's see Version three. I want you to see the difference. This is version three. In version one, I didn't really plan ahead. I was just testing the waters, seeing my thing, my structure, inversion to I have a better plan. I make better choices. And I noticed that I wanted to go a different way about my line in order to get to the second i. And on the third line, I have already used the technique that I've created for myself, the order that I have created for myself. And that has allowed me to make drawings that look realistic. From my mind's eye, from my memory. 5. Best practices: When it comes to continuing your practice as a one-line illustrator, there are certain things that I want to leave with you so that you are able to improve your technique. One, line drawings do not often come out the way you want them to come out. On the first take. Really takes practice of the same subject. You need to do it several times in order for your hand, in order for your brain, in order for your eye to know exactly where to place the line in which order, in which way. I want to show you a quick example. I'm gonna use my felt pain. The one line drawing that we discussed before, the one that we discussed, the exercise we did from memory is a fund front-facing portrait. The front-facing porch is supported. That I've worked the most on is the pointers that I can do on demand because I've done so many of them. You have a base which is where the items are placed on the face. And then I can do with that base. I can do pretty much any type of character. For example, if I have a quick one line drawing of a face and I wonder to have hair like me for example. I know I can go crazy with her hairline. She's going to have a short phase though. Can have her neck and then from Grunig I can give her a frill. And this is how she looks. From the same base. I can make a guy. Let's try the front-facing person. This is my teeth. So I use the same template in order to get creative when it comes to my characters. When it comes to their faces and their features. This is how I practice. When I decide that I want to create several characters of that I want to expand the way my characters look. When I draw from memory in one line, I draw different features specifically and repeatedly. For example, the way the eyes look are very different in every person. Sometimes you have people who have big expressive eyes. I don't worry too much about the nos because right now I'm focusing on the eyes and the expression itself. He looks droopy, but then I can do a happy girl. Nice islands isn't very squinting eyes because she's very happy. So I have my very squint Figaro. Or I can have a girl with very sexy eyes that see lots of makeup and so on. There are some moments in which I just repeat eyes after eyes after eyes. And that's the way I've mastered my eye expression when it comes to 1 ninth and the same goes for noses, The same goes for months. I spend time I said that Hours drawing the same feature in order to be able to expand the way my front facing skills look like. It takes a lot of time. But I can assure you that with practice and by doing exercises like this, your one-line skills will improve. 6. Tips: In this last part, I want to leave you with very few tips. The first part is that there's no right or wrong when it comes to one line. Because it is such a simple kind of drawing, it allows you to do things your own way. One lighting is like handwriting. Your Handwriting Has your soul in it. It has your style, it has the way you go. He has always worked. And one line drawing, thus the same exempting. That's why when people do it is has its own unique touched me. Also. When it comes to one lining, tracing is your best friend. A lot of people don't like tracing because they feel like it's cheating. I lot of artists trace. It's a good exercise. It helps you to train your eye. It helps you to train your hand muscles. It helps you a lot. If you want to learn how to make realistic portraits from a photo to a one line drawing. Check out my next course.