Learn to draw flowers, from simple shapes to a more realistic drawing | Sandra Ruberto | Skillshare

Learn to draw flowers, from simple shapes to a more realistic drawing

Sandra Ruberto, Artist & Illustrator

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11 Lessons (51m)
    • 1. Introduction

      1:10
    • 2. Reference

      1:53
    • 3. Flower structure

      0:42
    • 4. Analysing Petal shapes

      3:12
    • 5. How to add details

      1:46
    • 6. Intro flower perspective

      1:21
    • 7. Pansy

      6:28
    • 8. Cosmos

      9:18
    • 9. Daffodil

      13:31
    • 10. Tulip

      11:02
    • 11. Outro and class project

      1:02
53 students are watching this class

About This Class

Hell there! Sandra here with my very first class on Skillshare!

In this class I'm going to show you everything you need to know for drawing flowers, by going through useful reference to use, knowing the basic structure of flowers, analysing different petal’s shapes, how to add details and draw flowers from simple shape to a more realistic style.

We will draw 4 flowers (pansy, cosmos, daffodil and tulip) and I'm going to show you step by step how to draw them, starting from simple shapes and drawing these flowers in different perspective, to a more detailed, realistic and botanical drawing!

For this class, you will only need a regular pencil and some paper! 

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Transcripts

1. Introduction: either. My name is Sandra and I'm an artist. An illustrator specialized in flora and found illustrations in this class. I will be taking you step by step, how to draw flowers. And we're going to break down flowers into simple shapes to understand how to grow them and understand how they are structured. Once you know what d days to pay attention to When Joey flowers which will show you in this class you will be able to draw almost any flowers you want. In this class, we will go through useful reference to use to analyzing the front petal shapes off flowers and how to add the days to them is catching some flowers, starting problems, simple shapes to a more detailed and really stick chewing. This is my first class on sketcher, but I'm very excited to have you here. And I hope this class will give you more knowledge is in joining flowers to help you grow in in your artistic journey. So let's get started 2. Reference: there are different types of preference you can use for joint flowers that I recommend to have especially has a picking their level. The best reference is to have really flowers to look at, because this way you can look closely at the petal shape at the Danes off the flour for out in the days and seeing how the flower is doctored and not just for doing but for the painting process as well. You can buy flowers at your local flower shop or pixel flowers outside, but obviously have been really flowers at. Your disposal is not always possible, So the second reference you can use our photos of flowers as a beginner level, I thought recommend to have high resolution and good quality photos off the flowers you want to draw so that you will be able to see closely the petal shapes and they taste. The best thing is to take a photo off flowers yourself, or you can easily find flowers, photos online on Google or Pinterest. Another reference. You can look at these flowers drawings made by other artists. They can be very useful reference to see how they drove flowers in a more simplified way in different styles and in different perspective. And right now I'm showing some off my flower paintings. But it's important that you use them on. Lee has on the inspiration and do not copy them exactly the same. And with the same composition. They just have to be a two for you to help you doing and analyzing flowers with simple lines and seeing different stuff's. So that's it for reference, let's move to the next part about flower structure and analyzing different pickles shapes. 3. Flower structure: the first step to understand how to grow flowers is to know how a flower is doctored to simply explain. Flowers are mainly formed by petals, which are attached to the pistol, which is the central part off the flower. This thumb and leaves. But the most important part for drawing flowers that we're going to focus in this class is about petals, which is mainly the part that makes the flower recognizable. So before we start throwing flowers in full shape, I will be showing different petal shapes that most flowers have, and understand what de days to pay attention to when join flowers. 4. Analysing Petal shapes: flowers have different shapes of petals from long to short, with a round or pointed tip from white too thin or even with a more rectangle shape and more both for any flower. The petals have a narrow base, and this is a very important meeting to remember when drew in flowers. And it's important to analyze what shape is the paddle off the flower that you want to Joe , Because if you draw the petal shapes correctly along with the flower shape overall, the flower will be recognizable to help you starting, you can drop petals and flowers in a simple shape with always a not off base, while for a morally six tile, give more movement to your lines with a softer shape. China to draw the lines to straight with leader curves and wavy edges, especially on the tip off the pedals within their off days, compared to the rest of the pedals shape now that it didn't wanted to show you when drawing realistic flowers. If you want to draw them in a more simple shape, you can draw the not off phase with a pointed tip. So, for example, disease, the central part where the pedal is attached to, and your touch the pedal like these for a simple shape. Both Jordan moralistic, the way a drop petals at the base and draw a little curves that goes toward the inside off the pedal. And then the line goes outside and from there agile. The petals shapes accordingly to the flower, so the basis still narrowed. But it doesn't start from a pointed tip. This is a small detail, but it really makes a difference. Enjoying flower small, realistic that you can apply when join any flower. Because if you think about it, flowers are in static Coptic, but they move in the year. Living creatures. So you want to convey that in your drugs. This is my teeth and my way for drawing pedals, and you can simplify the line if you want, as long as we draw on our off base for the pattern, which will be more correct and to show your brother what I mean. I'm going to retrace the petal off some flowers, photos I took myself, and you can do these exercise as well with any flowers photos you have. But I'm going to leave my photos to download so you can try on the photos. Amusing as well. I have reduced to you opacity so you can see brother and my trace in line. And as you can see, the pedal stars with a lower off base. If a curve that goes inside first off the battle and then the line goes outside, Formenty better shapes. And these photos are also a great example off a good reference to have because you consume the photos to see closely the pains off the flowers. So taking the time to analyzing the petal shapes is the first important step for true in flowers. Then let's move to the next part about adding the days on pet us. 5. How to add details: the next thing we're going to look at when drew in flowers and betters is how to out did this, which is by looking at the flower Spain's. But first of all, there are different types of details you can add, depending on the style you want to give, for example, with thoughts with many lines starting from the base we straight lines or just with one short line. But for doing flowers more realistic, the veins off the pedals can be used us. Your guidelines for Drew in the days and the veins line can also be used as direction guide to Joe Flowers, which we will see better. Any more details. The next part's when we're going to draw so close. So one example would be to draw short and thin lines at the top or at the bottom, or both parts off the pedal. Or we've broken lines that go along the length off the pedal, which gave a more realistic look. But one important thing to remember is always to follow the pedal shape when joy 90 days, so don't go in the opposite direction before, off the direction and orientation and shape off the petals when drew windy days, the better Spain off. Certain flowers are more complex, and they want to look something like this, like with small branches. But you can just to draw them less or more realistic. Andrew, indeed, days by looking at the veins, can be applied. One drew in lives as well, which will show you in the next part when we will be drawing different powers. Then let's move to the next part. A short introduction off flowers perspective. 6. Intro flower perspective: before we get started showing some flowers, I wanted to give a brief introduction and main gathering on how we're going to break down flowers into simple shape for different and go and orientation. So first we're going to draw the general nailed else Garden I, where the flower is going to be and you're all its orientation. Then count how many petals of flowers house and pay attention to its better shape. And then we're going to draw the flowers based simple shape to give the right proportion and use those lines as cattle lines to the find the flower Andrew wait more realistic. The flowers we will draw together in this class are the Pence's stuff It'll constables and Tulip. I chose thes flowers because they have different petal shape and they're pretty easy to break down into simple shape, and they are quite easy to draw, even for a beginner level. I will be providing some photos I took off. The flowers were going to draw together, so feel free to download them and use them as reference and kicked them next to you when we're going to draw these flowers. So grab a pencil and some papers drawn with me and let's get started 7. Pansy: We will start with the Ponsi to start easy, which is the simplest to draw among the flowers were going to draw in this class. I'm going to sketch the general layout with light pencil lines first, because we're going to the find the shape of the petals and are 30 days on top later on, so you want to make sure you don't have both lines at the beginning. So first, let's take a look at the petal shape off the ponsi, which is similar to our heart shape, with four small in there occur on top in the center. There are different kinds of chances with pain or wide petals. I'm going to draw the ponsi with a large heart shape, but you can draw it more thinner and then for the lives it has several curves with kind off a noble shape and he looks something like this. So let's start doing ah, large soco, which will be the space where the pansy is going to be. We could do it from the front point of view, so drawing as straight a line in the middle off the circle, but I'm going to draw it a little bit from the side point of view. So I draw the line a bit off, centered in a bit curved, and this nine is going to be the orientation off The PNC, then on the center off the circle, draw legal overs like this in a curved line off the bottom to connect D two overs. And this is going to be the central part off the Ponsi. From here, the Penske has three battles on the front, so Joe's relies, too on the sides and one off the bottom, following the curved Make a line, and these three lines are going to pay the central line off the petals. From here, I'm going to draw the petal shape so the days off the pedal below start from the central part while the pedals on the sides. The base starts from the upper side off the little over withdrawing the centre, and I'm growing the puddles on the sides that we'll go behind the bottom one. Enjoy the pedals. We feed the large circle we drew at beginning and don't more. If it's not perfect, we're going to the find the petal shape. They don't Then the Ponzi has two more petals on the back, behind thes three frontal petals. They start from the center off the flour, but because they are behind, we're not going to see where they start. So the part we see will be like this and then for the last shadow is the same pig. But we are only going to say a bit of it, and then for this time it's attached to the centre part off the ponsi. And this is the orientation I'm going to give and we have the general. They out off the fancy. If you want, you can draw these sided pedals on top of the bottle pedal. The choice is up to you, but for destroying. I'm going to draw the bottom pedal that is above the others. And now we're going to define the shape off the pedals and are 30 days. I outlined the shape off the petals by adding the little in their curves at the base off the pedal to have another off base, as we saw in the pedal shape part off this class toe, the Enduro leader curves on the tape with our inner curve right at the center, off the pedal tip like a bee sign to make a heart shape and repeat the same for the other pedals. Always weapon. They're off base and I'll trying the part off system that is visible. And most of pensees have this kind of decoration on the three pedals on the front, and I'm going to add it Now. I'm going to erase a little off the guidelines on the name so you can see better the details I'm going to drop and the details off. The petals are going to be the veins off the pedals so we can add to fing and short lines, starting from the tape off the pedal in the middle, and then add felines, starting from the base as well, following the direction and shape off the better. And you can add thing and short lines on the tip side off the pedal from where we drew the little curves, toe out even more details to give a more realistic style, and I repeated the same all or patterns and he we have it and for the lives First, I'm going to erase the part off this time where the lives is attached. Then I draw a line where we want to live, to be and to go. And then I draw these talk off the leave and their lives Shape is quite round, so I'm going to sketch the overall shape first. And then Joel several curves around the shape off the lead, but always with a curve at the top of the take. And now I'm going to draw the leave Spain and Data is in the middle line I drew at the beginning. It's also going to be the vein main line that all lives have and it's going toe have a thickness like this time. So to draw the veins more realistic, I draw two lines and the details on the live are going to be the veins off the leave. The pain's lines are attached to the midnight off the vein, and they go toward in the middle off those curves off the leaf shape, and they don't go to straight. Baltimore curved an upward following the orientation off the leaf, and I'm going to draw another leave off the bottom off this time usually pensees off several leaves, a patched to the bottle off system, and the flower grows upward. So Ponsi Stone have leaves near the flower. The way I drew dependency and live here is very simple Just to start easy. But if you want to draw them, even moralistic is good to have a reference to really see how the flower is, doctor. So in conclusion for dependency I redrew the steps we followed. Any goes from this to the final drink? 8. Cosmos: next flower we're going to job is the cosmos. So first, let's take a look at the overall pedal shape off the cosmos, and it has a finger based that widens to a large tip. Decide off the pedal is quite smooth, but it's not smooth, but the top off the pedal so you can draw like several small, wavy curves at the top for the tip off the pedal and we're going toe addidas with short of villainize along the length off the better shape. Why for to leave is not irregularly shaped critters, like many thing filaments with a main central stoke with filaments at the top and at the side. And now we're going to sketch the general layout off the cosmos with light pencil lines first, because we're going to define the shape off the pedals and are 30 days on top later on. So you want to make sure you don't have both lines at the beginning and were quick to draw two cosmos one from the side point of view and the other from a frontal angle. So for the cause, no, from the side job at your younger and from the bottom tip you draw a bigger triangle, but with on art, and this is the space where our pedals are going to be. I don't worry. Doesn't have to be perfect because we're going to the find the flower shape later and then drove this time then from the front of angle for the other Kozma First John Noble like this , which is going to be the space where the cosmos is going to be. And we're going to place the center off the flower. Not exactly in the middle. Off the over got a little bit under and off centered drawing a smaller over inside, which is going to be the pistol, the central part off the flower and then from the centre your touched system and this is going to give the orientation off the Christmas and then for the leaves. Let's place it here. I'm sketching it very roughly, but I will find the shape of their own, and this is just to place the general layout where everything is going to be all right to know. Cosmos have generally 7 to 8 petals, so we're going to draw seven or eight lines within the large over, and these lines are going to be the mid lines off the battles and one drawing thes nines you want. Establish the direction off the pedals already that are going upward and to give more movements to your pedals. Jordan meter line more curved and not straight, and now we're going to draw the simplified shapes off the battles and cosmos have some space between some pedals not between all of them, but most rate on the petals above. So make sure to leave some space between some petals so that they are not stick to each other. But it's okay if some are next to each other, and especially when we are going to draw the petals better. You want to make sure that the petals nearest to us so at the front are wider and shorter compared to the petals above for joining the cosmos in the right perspective, and it's still there. Okay, if each pedals will be different from one to another with different spaces instead, this way the flower will be more realistic and natural. It is no perfect. Next, we're going to draw the pistol. The central part off the flour, which is simply formed by little groups following the same orientation off the petals, All right, and now we're going to draw in the fine, better the petal shapes. Let's start with one at the top. So dro a narrow base by joining the legal in their curves at the base, off the pedal, as we saw in the petal shaped heart off this class, with a curved line at the side of the battle that goes upward and Jodie Whittaker's out. The tip. The overall shape. It is surrounded, but you can also join meet more rectangle. I draw the little curves of the base to draw the pedals moralistic, but you can grow it simpler. But just make sure the basis narrowed compared to the rest off the better shape. And it's also okay if the shape off each pedal isn't exactly the same. Because the more the pedals are different among each other, the more the flower will look natural and realistic, and this applies for doing any flowers. And then we're going to add our fold on the pedal below nearest to us, because some cosmos have some fold on their petals. So if this is the regular shape off the pedal. You want to stop here and cut it not straight. Both fall over the oval guideline on the name and then go a later offside and Jodi fault, and to connect the pedal side to the base instead, off the curve being external, it goes inside and saying for the other petals at the front, you can add a forward, other tape off the battle or you want even on the side off the pedal. And I'm going to give more space between the last two brothers that I drew. So it's okay to make adjustments, wants you drew everything. Okay, let me clean this up so we can add three days for the cosmos pedals. There are several central lines that go along the length off the bottle, so you can Josephine long lines on top, in off the base with shorter lines at the tip. And that's the let's go tonight in Eastham number. It's Jody Cosmos from the side point of view, which I would say it's a bit more complicated, but feel free to try and do it as well, though the younger we're going for is that we will see a little bit off this time in the back off the coast knows it has, like, little leaves attached to the back off the pedals. So starting from here, we're going to draw the central line for those leader lives where they are going to be like this. And the stamp one start on the edge. But a little bit of both andro, the stump, and from these lines were going to draw the lives. So this is the shape off the leader leaves behind it attached to the back off the pedals with two lives on the loves on the right side, saying from the side point of view. Okay, let me clean this up so you can see better. And these small leaves don't exactly go straight. But they are curved following your invitation off the flour. And here we have, Then the recently believe between the bigger lives Electra younger. So I'm going to add them. Now let's draw the petals and I'm going to start drawing them with flight pencil eyes first . So then define the shape, Father Later and I fall off the same steps us before for Julian petals with honor off base , where he edged at the tip and make some off the petters above and some behind. Well, for the petals at the side. I'm doing the meter line in thes orientation. So not one single curve. You can enjoy it more simple, but still with an upward orientation. And now I'm going to the find the shape off the pedals and draw one off them at the front. The pedals on the edges are a bit trickier to grow, but for one off them we can add a little fold. So you see a therapy talk the front side of the pickle so it looks more natural and real if the petals aren't exactly the same on both sides. And thus I'm going toe three days, then for to leave. It does the main filament in the middle where the other filaments are touched and here we have it. So in conclusion, I redrew the steps we follow. Any girls from it is to this. So the final Julian 9. Daffodil: next flower. We're going to draw estate tough. It'll which is quite uneasy flower to break down into simple shape. Like for the previous flowers, we're going to sketch the general layout. We've lied pencil lines first, because we're going to the following the shape off the pedals and are 30 days on top later on. So you want to make sure you don't have both the lines at the beginning. So first, let's take a look at the powder shape off the buffalo, which simplified. He looks like a circle before pointed tip, but for a moralistic shape, it has a quiet, wide days but always narrow compared to the rest off the shape with a curve. The line on the side, which is not completely smooth. Baltimore wavy with small curves. And we've appointed to and being sure tonight's house D tastes of the bottom and at the top and about the live. It's pretty simple, and he looks like a long and wide strength. No shareholder describe it, but I will call it strength. Now let's catch the overall shape first, and we're going to break down the duff. It'll into simple shape, as you would see the flower from a bow. So from the top point of view, throw our large circle, which is going to be this pace where the tough it'll will be Andrew another a small circle inside. And the second circle is the space where the corona or also named cup the central part off the flour is going to be end on the circle. Inside draw several weighty curves, which is the shape off the corona and three little loops in the center. So if you would see the Corona from decide point of view, it looks something like this and the way the curves would go like this. And then the three and legal groups which are the filaments inside the corona from the side angle. Dave would look something like this and they would go from here to up here. So this is just to show you the perspective and then did that little house six petals so drew six nines with about equal space among each other, and this nine will be the midline off the pedal. So from this, you can draw the simplified shape off the battle and from here you can draw the puddles in the more realistic way. So drove a little curves at the base that go inside off the battle. We're not off base to the Andrew in the curved line that go what sign but not completely smooth, which you can do the tip going upward or a bit over to decide and add a few shorter lines as de days. And the day tastes are based on the veins off the pedals and repeats the same on the other battles and by drawing the little inner curb at the base off the pedals, there is going to pay some open space between each pedal, which is a small detail, but it gives a moralistic look, but you can simplify the line and shape as long as the battles Havenaar off base. Why for the D days on the Corona, you can draw too short in lines right off the inner curve off the waves, and the lines will go towards the centre inside T Kuroda, and when drawing petals, you can draw the patterns next to each other or joe. Some battles that go above or under or with just one part off the pedal carries on top, so remember that when drawing flowers in general it looks Morial and natural. If the power isn't perfect and exactly the same everywhere, but with more movements and variation in your lights. And now we're going to draw the tough, it'll from a side point of view, and we're going to break it down into super shape first and enjoy it more detailed. So first draw on over diagonally and 40 Corona drove the Cup Cup or Cone kind of shape attached to the centre off the over, and from there we drove the six nines off the pedals with each part divided equally, but in the right perspective. So we have three pedals that will be at the front and three batters off the back. But one in the back will be behind the cup, so we're not going to see much of it. And these are the guidelines for the overall shape for a side point of view, and you want to draw the petals in the right perspective so all petals will be wider and shorter compared to the top point of view. But the pedals out the front will be longer than the ones on the back and you always draw the petals between the oval shape and with this simple instructor and simple shapes, you could draw the tough ido in different orientation and in different perspective. So, for example, for a more from told side the faces down, you always throw a noble shape because that's how a circle is seen from a side point of view in again. Place the cup in the middle off the over. But this time scenes, it's a more frontal side. We will see more off the inside off the corona, so the over on top off the cone instead of being outside it will overlap on the large over , and it will be a bit wider and then draw the six lines for the petals position and to look better at the Corona shape. This is the simplified shape from decide point of view, but for drawing, it's more realistic, starting from the oval usual curve that go inside the cup and shape it like this. And on the oval, you draw the Webby lights. So next let's draw the duff. It'll into different perspective. I draw the stem first to give the orientation off the duff. It'll then I drove the oval and draw the second small over at the top inside the over to the Angelelli cook that is attached to the centre off the large goal. And it is going to be a more frontal side perspective. So we will see and draw or paint us, and then I'm going to draw the other deaf. It'll from the side point of view drawing the large over. And I touched the cup to the central part of the large global, then a Jordi six lines for the petals on both capitals and draw the simple shape off the battles. So this catch doesn't have to be perfect, because we're going to define the shape of the flower while drawing. So this is just to give us the overall layout and perspective. Coughed E. Duffin als. So first we're going to start throwing the little filaments that comes out stickup, and there are usually three of them and then draw the wary curve along the over shape to then shape. The Corona has shelved before before, curved the go inside the cup right below the webby curves and shape it like a bell or cup. And then we can already acted days on the corona with short, small, broken lines at the base, off the cup and at the top and drawing the lines following the shape and at a few short and few lines on the way, the curves and draw these lines right up their inner curves that goes inside a bill and not on the curves, the cobalt side. And now we're going to draw on the find the petals. So the key to draw the and more realistic is to give more movement to your petals and not joe them to straight, but had some curves on the's side, off the petals and on the tip, where the typical and a poured or done word throw dinner off base at the base off the battle where is attached to the corona with those is more in their curves and at the day's by joining broken lines along the length off the petal shape. You can also add more lines on the side within the petal shape, but always fall off the orientation off the battle and shape and then repeats the same but for the petals at the front. For the right perspective. There better will be so nightly, wider and shorter compared to the petals on the side and one defining the pedals shape you can put. Some battles are both or under the others, or just one part off the pattern that is something and with the fiddle pedals datas for a moralistic look. You can add fiend short lines on the side off the battles as well, which gives even more realistic look and remember that thes datas are based on the fiddle petals, veins and then for the stem 40 Daph. It'll is not just a straight to nine people to look something like this, but from this perspective we don't really see it. So we can see Preacher are straight line for the system and thus a Joe the tip off the battle on the back and that's it. And now we're going to draw the other capital, which, on this perspective, we see more off the stump, which is hard to explain by words. But from this perspective, we see this little bomb at the top of a system that is attached to the below part off the corona and the below part off the corona attached to the pedals will be like this, but we're not going to see it once we draw the pedals. So I drew the cop a bit longer in a short in it, and I fall off the same steps as we saw earlier by giving definition to the corona and petals and adding debt is and again with more movements and curves toe the pattern shape and draw the tip that goes up in them and has you can see we are not going to see that part where we drew this. Them was catching every part off the flowers and analysing and understanding of a flower. Iztok turd. Even if you won't see everything on the flower in your drawing, it will help you understanding how to draw flowers in four shape. You will be able to Joe them or realistic. And from this perspective, we don't really see the pedal at the back. So you can just draw the base. But we're not going to see the tip. And now we're going to draw the lives, which is quite simple. Fun for the first Live is just a long drink. But I'm going to show you how to draw fooled on the leaves. So for the fold, where we see a bit off the back off the live, I draw a line like this, a quite straight nine with a curved tip, and then, starting from the tape, I go back. Obits trade on the ride, and you're a larger curve going down in them from the tip again, I draw another curve following the curve off the live and connect to the 1st 29 and this is the fold you see off the leave tip and for the details on the leave. I'm just going to draw one or two central line in the middle, following the orientation off the live. And then that's draw. Fold on the opposite way, where you see the tape off the live on the front and not on the back net me ritual. That leaves on a separate piece of paper very quick, just to show you different ways to enjoy our lives. So they're all the same type of line, very curved at the top. But instead of going this'll way to show the back off the tip, you go on the ox. It way and connect occur at the top off the line and you go down from here for make up or pointed tip. And these are two different ways to Joe leaves. We're fourfold on the tip. Why, for the fold on the side usual our regular live shape. But I had a little pulled on the side, and there are different ways you can add votes a over below, depending on the lives. Parties are some example how to drove forward lives and this fall that can be used for drawing petals as well. So last I'm going to draw the last live with D for the tip from the front, and here we have it. 10. Tulip: next and last flower for this grass that we're going to draw is the tulip. So first of all, let's take a look at the shape off the tulips pedal, which simplified, is similar to a noble shape with an hour off the pace and a neener Kirk right at the center , off the tip like a V sign. We've no really smooth and just got more weight. These especially toward the upper side off the battle, which, from thes rigor curves you would also draw all the details. Nights together with the detail is inside the battle that followed your orientation off the better shape, and those details are based on the pains off the bed. Um, then for the leaves, the simple shape would look something like this with a long shape with a very pointed tip to its leaves can be even more weighty and have more foods. But is this the simplified shape? 50 days starting from the base off the list, and now we're going to sketch the general layout with light pencil lines first, because we're going to the find the shape off the tulip and at the day's on top later on. So you want to make sure you don't have pulled the lines at the beginning, and we're going to trial to tulips from two different angles. One where you see the petals from the front and the other with the petals out, decides and to leap, have different shapes. Some off them are longer or shorter. We've smooth or more wavy edges, but overall, the shape off the tulip is like an IQ. Moreover, you can draw two rips open or closed. If you want to keep them close, you would use the egg shape and draw the petals between the EC shape. Not for an open to rip, which is what we're going to draw today. The most useful instructor to use Estudio Affin over on top of the egg shape and then unite the line to the base. And from this angle we will see the petals at the front and a bit off the petals behind, and then from the centre Jodi system before more core after nine. And this is going to be the orientation off the tulips. And then let's catch the lives. So there are different orientations and angles off the leaves that you can draw, especially with the tulip. We for more lean our or way be shape. But I'm going to show you for different leaves and goes that you can draw. So for the first to leave, I'm going to draw it in thes direction. And instead of drawing a straight line, I'm doing a curve to nine that goes upwards with three curves in total, one large curve going to the left, a smaller curve going to the right in a very small curve. Going to the left. You can add more curves, but you can simplify the line with just three curves, and this is going to be our central meter line off the leaf. And then from the tip, you go down, drawing the shape off the live following the middle line orientation, having a wider with at the center off the live. But you can have more curves on the sides, and from here we can add a little fold. I'm hiding here the falls like this, so going straight to the bass to create the folk and then for the sickle leave, I'm going to do a live with another fold, but this time where you see the back off the leaf deep. So I'm going to draw it in this direction and I'm going to draw a line not completely straight but very curved on the top. And then from the tip, you go back and connect to the line and this is going to be the fourth. Then from the tip again, you go back following the 1st 9 I drew going a bit straight on the left and then go down and here we have it. And now I'm going to draw live with a little fold of the tape of the live. And you would a meeting nine. We've course like the first to leave. We found out port orientation and you can add more than three curves you want Then on the tip. I'd rather food like this with a pointed tip. And then I go down again, following the meat tonight for me in the shape of the leaves, with more curves on the sides and for the last to leave. I'm going to draw a live from a side point of view and I'm going to draw a similar line like this. I could live with almost straight line and curved on top and from the tip, I go right and down for me in the first line and adding more curves. Then, from the tip again, I drove a short straight line toward the right rectus and go down again and adding more crews so that straight short line is going to be behind and hidden from the front side off the live. And you can add another small or large fold if you want. It depends on how complicated and way be you want to draw the leaves, especially when it comes to join the two rips leads. You can draw it in many different ways, so you don't necessarily have to drop the same names position like I did. You can change it and compose your own trip going, and there are other leaves orientation down, the one I do. But hopefully days can give. You are useful guidelines for drumming lives in different direction and with different faults. And now that strongly petals and I start with night pencil lines because we're going to the find the shape later on for this one, I'm going to draw the pedals that you see at the front so I first draw the meter line, join on over shape we for inner curve like a V sign at the top and center off the tape and then on the side. I'm going to draw another pedal like the 1st 1 with the small inner Kerr, but the top and center off the tape and I'm remaining between the egg shape, but you can go up it outside, while for the pedal on the left, we are just going to see a P trophy and then a drill to pedals on the book. So has taken See that fame over at the top off the egg shape I drew at the beginning. It serves house Guard nine for the Open to rip for showing the patterns behind and then for the second tulip. I'm going to draw the petals from the side, but I will place my center of me tonight off the pedal, a bit far from the edge. Joey and I can half over and I repeat the same on the opposite side. And then I drove with me tonight in the centre off the rack shape, which is going to be the petals behind the two sided pedals and your two more petals on the back showing that. And now we're going to the find the petal shape. Enjoy it more realistic. So starting at the base off the petal, also for the tulip. As for any flowers, it has a normal pace and enjoying the leader curve that goes inside the puddle like we saw in the petal shape part of the video and then curving the line outside. Join the shape off, the better. The edges off the pedal are in smooth but more waiting, especially Tober t upper side. So I'm doing little curves until I reach that in their curve at the top of the tape, and then I do the same on the opposite side and for the other products. And if you want, you could advertise even more dinner off base and make it more cool. And then for distant, the top will be a bit water compared to the rest off this time. So instead of going down straight, the top off this time will be curved, connecting to the round face off the Turyk. And then I had to bet those behind where we're going just to see the tip off them and then for the toilet with the petals on the side. You do the same thing, and I'm emphasizing the inner curve of the base, which really gives a more realistic look. And here, if you want, you can place the circum pedal under or on top off the other pedal or just plays into next week or leave more space between the two sided petal. I'm going to throw it under the other. But no matter what you choose, it's important that the petals rotates accordingly within the shape as it would see the Prado's from a different angle if that makes sense. So if you're going to do it and I come doing, you're going to see the right side off the pedal a little. But if you do it more on the side point of view, you're just going to see the left side off the better. And then here is going to be the middle pedal behind still at the front and then a drill to pedals on the back. And for Joe. Indeed, days. I like to draw two lines in the center, always following the orientation off the pedal, and I'm going to add to leader in their curves at the pedal bass for the tulip on the right , which I forgot to out, which can add as well if you want. And then I'm going to add short three lines at the edges off the pedal steep, which gives a more really stick style. And I'm placing these friend lines right of the inner curves off the way. The edges, the veins off the pedals to live Arab, it more complex to drop before D Day days. I'm going to draw being broken lines following the shape off the pickle, reaching those short 39 at the edges, and that's it. Now, for drawing this time and leaves, you can decide what to show on the front and what is going to be behind showing the stem or the lives of the front or the back forties tulip. I'm showing this timing prompt, but the phone off the lives will be above system, but the choice is up to you. While for ad indeed, days on the ribs, based on the veins off the leaves, I'm just drawing to central midline that go quiet along the length off the leave and I'm anymore. Long, thin lines on the sides, always following the U orientation off the leaf and that's it. So, in conclusion, I redrew the steps we follow, and it goes from days to the final drawing, and here we have it. 11. Outro and class project: for the project and exercise for this class. I want you to take everything learned in this class and shows one off the four flowers to Joe, and you're more than welcome to draw all of them. Or even try drawing another flower, applying the same steps by breaking the flowers into simple shape. First analyzing the pedals and leaves shapes and looking at the pains off the flowers for drawing the D days. And if you want, you can try to draw them in a different orientation than the one I did. But what? It's easier for you. I would love to see your work and receive any fit book if this class was helpful to you and if it was easy to follow and understand. And of course, I will give you any feedback and help you out if you have any questions. So, yeah, that's pretty not a I guess so much for doing in my class. I hope you found it informative. And then we see you next time I