Learn Perspective in Procreate - Two-Point Perspective | The Artmother | Skillshare

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Learn Perspective in Procreate - Two-Point Perspective

teacher avatar The Artmother, Professional Art Teacher and Artist

Watch this class and thousands more

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

14 Lessons (1h 29m)
    • 1. Introduction

    • 2. The Class Project

    • 3. Perspective RECAP

    • 4. Two - Point Perspective

    • 5. Practice

    • 6. The Bird's Eye and The Worm's Eye View

    • 7. Get Inspiration

    • 8. The Sketch

    • 9. Creating The Color Palette

    • 10. The Brushes

    • 11. Painting the Bunkbed

    • 12. Painting the Elements

    • 13. Painting The Lights

    • 14. Final Thoughts

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About This Class

Welcome to the "Learn Perspective in Procreate - Two Point Perspective" Skillshare class!

This class is part of the class series, where I demonstrate all types of perspectives - in this class you will learn how to draw objects in two-point perspective.


The class is easy to do and follow, and there are  various ways to finish the class project. Very beginners can follow me step-by-step, and more advanced students can have full artistic freedom within the framework of the class project. So any experience you have, you will have space to unfold your creativity and challenge your skills.

At a point, shading and simple perspective is not enough to express your ideas through your artwork. Mastering skills, like the ability to draw objects in two-point perspective will make your art more professional and gives you tools and possibilities to bring your imagination to life.

In today’s class, we are going to create a magical illustration of a bunk-bed hideaway (in two point perspective), so the class project will be really fun to create. I will be working on an iPad in Procreate, but feel free to follow the class in any software you are comfortable with using. (Even traditionally.)

 The class comes with some cool resources, worksheets, brushes, everything you need for a successful project.

By the end of this class, you will have knowledge and practice in applying two point perspective to your work. You will be ready to draw variously shaped objects in different points of views, to create magical scenes and to purposefully use perspective to define the viewpoint of your audience.

So if you are ready to join me, see you inside the class!

Meet Your Teacher

Teacher Profile Image

The Artmother

Professional Art Teacher and Artist


Welcome! My name is Alexandra Finta - a passionate artist, a happy mother and an enthusiastic teacher - in short The Artmother. I am a professional art teacher with a Masters Degree in Art Education with years of experience in teaching in person and online. As an artist, I am creating in all different kinds of mediums from acrylics, watercolors, graphite and digital. I have years of experience in graphic design and photography. 

For more info check out my website here: www.theartmother.com

Follow me on Instagram and Facebook:)

I am very passionate about helping very beginners to explore their artistic abilities and to build their confidence in creating art, so I&... See full profile

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1. Introduction: At a point, you will just need to add space to her art. This causes parts of the class series where I demonstrate several ways to do so and aimed is glass. I'm going to show you how to draw objects into perspective. Hey, my name is Alexandra, aka the art winner. I'm a mother, an artist and illustrator, professional art teacher, and an online educator. My students love my classes because they are easy to do and follow. And there are various ways to bring them to class project. So very beginners can follow me step-by-step. And more and more students can have full artistic freedom within the framework of the class project. So any experience you have, you will have space to unfold your creativity and challenge your skills in this class. In today's class, we are going to design a magical bunk bed hideaway in 2 perspective. So the class project we'll be a really fun to create. I will be working on an iPad and Procreate, but feel free to follow the class in any software that you are comfortable with using. Or even traditionally, the glass comes with some cool resources. So you will have everything you need for a successful class project. By the end of this class, you will have knowledge and practice in applying two-point perspective to your work, you will be ready to draw variously shaped objects in different points of views to create magical scenes and purposefully use two-point perspective to define the viewpoint of your audience. So if you are ready to join me, you inside the class. 2. The Class Project: Welcome, I'm so happy that you've joined me in the class. In this video, I'm going to talk to you about the class project. It is a usual thing to demonstrate two-point perspective on buildings, street views on street corners. But I thought let's do something more interesting, more lifelike, that you would really applying to your illustration work. Like, are you really going to illustrate a street corner? I don't think so. So I really thought dat, in this type of illustration that I'm teaching you, it would be more interesting to create a scene, an illustrative seen where you can really practice how to apply is 2 perspective. So I was also thinking about what can be magical scene. And my childhood just popped up in my mind with my brother. We always created has been bad hideaway. So I thought, let's do this. I think everyone can relate to this. If not in your childhood then as a parent. So basically what we are going to do is to create a cuboid in 2 perspective and then design it to bump that and then add some magical elements to it. Play with light and play with some layering against the flight on. But that is the painting part, the most important part and the focus of this class is the 2 perspective itself. In the resources that you can open when you were in a browser and all the musculature wrap, you will find a tab, Projects and Resources. You hit dad and you will find it down below. So you will find the worksheets there that will help you to progress. I have prepared everything in them. They're my sketches and, and, and the things that will help you to practice on your own. You will also find my base catch in the original artwork that I'm providing you for reference. Very beginners. If you're intimidated with creating a cube root, there will be a video that will explain you the whole process how to create the base cuboid. But if it doesn't work for you for some reason, you will have the base catch that you can modify. But I really want you to be creative and keen to practice. Okay, So this is your practice. So follow me step-by-step, but make sure to apply something from yourself, your tastes and mortals tuning can have a little fun with this project. So later we will learn about the worm's eye view and the bird's eye view. And that will help you to set a different camera angle on the illustration. And you can play with that, and that will be fun. And I will be really interested in how you solve this problem and how have you apply these different perspective in this scenario? So take us out of a challenge. So first and foremost, we need to do a little recap on perspective and then dive deep into different perspective. So I'll see you next video. 3. Perspective RECAP: In this video, we are going to do a little recap on what is perspective, what are its components, and how to apply to your work in order to add space to your art. So first of all, perspective is basically the placement, size, and orientation of lines and help us to translate the three-dimensional world onto a two-dimensional surface, right, where we are drawing. Now there are several components of perspective and several types of perspectives that we can create with them. Also don't forget, and you can also add dimension to your work by shading. But at a point, shading might not be enough. Okay? So the first step of perspective, as that I call linear perspective, has only a horizon line. The horizon line is basically the line between the sky and the land or the surface and the background. This works in super stylized landscapes. And the golden rule applies here. Things that are closer, bigger than things further away. This means if I draw something closer to the horizon line, it will be further away and it will be smaller. And if I draw something further away, it will be bigger and it will appear that is closer to us. Then there is the one-point perspective where you have a horizon line and also one when shipping point, when issuing point is a point of disappearance on the horizon line. So if we have a more complex scene with, for example, buildings, the sidelines all gets the direction of the vanishing point. This works with objects or buildings which have parallel side facing us. So their front side is completely facing us. And we can only see one side, like for example, on these three Jue that we have created in a one-point perspective class. So we have the front side facing us, and this side is going into a vanishing 0.1 perspective. Now, what about two-point perspective? Let's see what it is about in the next lesson. 4. Two - Point Perspective: All right, so let's explore 2 perspective in this video. Two-point perspective is basically the same as one-point perspective when we have two vanishing points. Now, let me open the two-point perspective worksheet. It applies to saints where we have objects which do not have the front side facing us. It has basically most of the time, as in nature, we do not how things are arranged perfectly. So you don't always look at things where the front side is facing the right. So we can use it to depict buildings, streets, and objects to, let me just show you what you can see here. So here's the horizon line and here are the two vanishing points here, resort object. And as you can see, we can see the ACh at the front. And all these lines are running into this went missing points. So every line is either elderly vertical or they go into one of the vanishing points. I will turn off into worksheet, the side so that we can see the back of it. So as you can see, even the back lines are running into ds points. This line and this lines. Okay, so we also have guides for these and this adjusted mask so that we don't see the horizon line behind this object. So we are going to create this together now. I will turn off everything. I will turn on the worksheet and keep this horizon line here. Create a new layer and choose a color. I'm going to choose this light, magenta. Now we are going to draw a cuboid, not a perfect cube. So that you just got the idea of what we are learning here. And we are now going to place it to the, completely to the middle between these vanishing points. Not to the medulla, but a bit to the side so that we can see really one side a bit more than the other. And what will help you when drawing these vertical lines, this Canvas guide, so he the orange button go to Canvas and drawing guide. And then you will God, these guys that will really help you. You can edit it. Drawing Guide to make this greed bigger so you can have a bigger grid size. For me, deaths worked pretty well. And you can also set the color of it if you can have it. Why do you can have it black? I love it to be dark. Almost Bach. Okay, so the first thing is to define these edge. So I'm just going to draw a line here. To make a straight line. Just draw a line and hold down to make it straight. Okay, this is the quick shape function in Procreate that I'm sure that you already know. And now we're going to draw guides. If you have been with me with a one-point perspective class, you already know that procreate has a built in perspective tool where you can place several vanishing points. But I really want you to understand how these lines go. So now we are going to do this manually. Now create a layer below this layer of this edge and choose a light gray color, any color that you can differentiate and connect this edges. Okay, so I'm just going to connect these dots to the vanishing points. And this one also here. And now go back to this base and choose again this magenta color. And let's define the length of the sides. So I'm seeing decide a bit more. So this is going to be longer. I'm drawing a vertical line here. And this is going to be a bit shorter like this. And now I can define the whole, so I will just connect these lines here. Okay? And now I'm going to just mask this behind it. I don't want to erase because I want this horizon line to stay there. I just don't want to stay it behind his objects. So I'm just going to create a layer, put it below everything, and just choose a background color and just paint over in. You don't need to do this. I just wanted to make a bit more clear so that you can see better. Not everyone can see in dimension. Okay? And now we've just created back. I'm going to create another layer and choose a bit darker gray. For the guidelines for the backside. And now we are going to connect this new edges to these lines and also these ones as we are going to define the backside of it. Okay? So as we aren't going to, we already connected this dot here. So we are going to connect it to the other room. And also here. And this is also already also connected to this one. So we're going to connect it to the other room too. And now we have two crossing points. They might not be perfect because we're not working with a small brush, but it is going to be okay. So I will go and create a new layer and choose a bit darker magenta. I already have it here for the back, and I will just define the backside order to etch the back edge of it. And as you can see, we can connect disciplines. And now we have this back sight. And we can connect days once so that we have that side. Okay? And I will turn off for the back guidelines. And now we can see phrase. Can you see that? It has amazing and super simple. Now we'll just create this side thing that I've done. It is just totally easy. I'm going to go back to this front base and studied to reference. This will make these colors that I'm going to drop in to a different layer. So I'm going to create a different layer, maybe below it. So I'm going to drop these colors to this layer. But as this is sat to reference, it'll work as if I had this outlines at this layer. Okay, so I'm just going to choose a light gray and just drop it here. And I'm going to choose a darker gray and drop it here to this shape. And voila, we have a 2 perspective cuboid here. This is going to be the base for our class project, so we are going to recreate this, but I would love to show you how to draw different geometric shapes in two-point perspective. And dad is what we are going to practice in the next video. So now you know how to draw a cuboid in two-point perspective. Seeing the next video and practice a movie more. 5. Practice : All right, Welcome to the practice video in which we are going to do a different geometrical shapes in two-point perspective. Everything starts with a cube. So as you can see, I already have a cube, don't here. I will turn on its back. And we are going to start with a cube, because every other shape that we are going to add into it, we'll fits into this cube. I will turn off the worksheet. Everything that's on it. I created it so that you can have a reference there. We are going to create a new one. So create a new layer. Choose this light magenta or any other color that you want to work with. I'll just start. So what is a cube? In a cube you have all sides of the same size. Okay? Again, we are not going to create a cube from the complete front because it will look kind of weird. So you can see in an angle, if you are not really a person who can really see in dimension and see these geometrical things. It will be easier for you to understand what's going gone, okay? So you can turn on, again this drawing guides so that it will help you to count and make things evenly sized. But remember, this is practice and also we are an illustration. I don't really love to do things to precisely, we could avert with tiny, tiny, where we straight lines also previously, but I've chosen an illustration brush to create the horizon line to. It may create some uneven things when you are drawing, etc. I just don't want to put pressure on you, okay? Because we need to enjoy this, we need to enjoy illustration and we need to enjoy creating perspective as well. So it is fun. All right, so I will just create a cube. I will start with drawing an edge again. So count for each squares up, free squares down, so you have six squares. Now I will create a new layer below it where I'm going to do the guides. So I will just connect this h. Let me make it a bit lighter so that you can see it better. This edge, oops, like this. Yeah, either choose this magenta again and beyond the layer of this side are the edges. And yeah, now, if you remember the golden rule, things that are closer to you, Luke, bigger than things for away. And when you have an object in 2 perspective, the sides goal further away, right? So it will be not six squares to create a cube. But maybe, I would say the three, the third of it. So maybe Foursquare's. Yeah. Again, you don't need to be too precise. This is not the geometry lesson. And as we can see this side more, this side will be even shorter. So make it just duke squares, two squares, okay? And this will make or cube look just right. Okay. You can connect is, we can again call it cuboid. But I didn't really want to work with or rectangle. Okay? So this is going to be printed imaginary. Alright, let's create the back of it. So again, I will create a new layer below it. Choose another gray and connect which lines? This, this, this, and this. So I will connect it here. And I will connect this here. And now I again have this crossing point. So I will go back, create a new layer below the base, choose a bit darker magenta, connect these dots vertically. And connect this here, this here, this here, this here. So now we have a cube. Okay, I will turn off these guides. And now what about the other geometric shapes? So as I told you, they should fit here. Drawing a cube will be always a hub for you to create these things. Let's just start with a cylinder. So the cylinder has a rounded top around Boston and in vertical lines for the signs. So we will need to put an ellipse to decide of it. Okay? I will create a new layer furnace and either choose a different color, I will make it blue. So for example, if you look from the top, then a circle when fits into a square where it touches it at the halt every side. So what you need to do now is to defined the half of every side. And actually you don't really need to do this because we are not going to work with this old objects in this class project. And this class is for beginners, but it would be really good for you to know how would this thing work? Again, I don't want to be too precise and two in detail because that's not the point of this class. Okay? So I will approximately just by, I just sat the half of the sides. And I will create groups onto a new layer, an ellipse, ellipse, and place it in here. And then this torts and you can just make it touch all of these points. Okay. Yeah. And then you can duplicate it and place it down. Okay. And then like the top one, I will make it a bit like this. Make sure that decides will be vertical, okay? So I will connect them now. And now I have a cylinder. In two-point perspective. I would just don't know the cube so that you can say it. Okay, Here is it. I will turn it off. Now. Everything, put back the cube. And now let's talk about a Pi woman. So I will choose a red color, for example, supplier made, we'll have this exact same base, but it's top will be at the middle of this, but top square. So I will create a new layer and create some guides for this point. So I will connect these lines and then I will have the middle of it, right? So I will create a new layer and just connect this to this base size. I will connect these sides as well. And I will turn on this top guide our return of the cube. And now I have a PI or made in two-point perspective. Okay, so now we know how to create a cuboid, a cylinder, a pie homemade in 2 perspective, there is a point in this, because they have sides, they have edges. We are not talking about a sphere because it is around, it doesn't have edges. And you can create a sphere n-dimensional with shading. All right, so now Let's move on to the next video where we are going to see what happens when we play with displacement. 6. The Bird's Eye and The Worm's Eye View: Until now we place the shapes to the same position. So a q was crossing the horizon line, right? So now I will love to play a bit and show you that placing shapes above and below the horizon line can create a bird's eye view and the worm's eye view. So let's keep it simple again. I, let's use a cuboid for demonstration. As you can see, I've already done this. So if you place a cube above the horizon line, it will have the effect of a worm's eye view. So as if you were really small and looking up to a giant building for an example, if you place it below the horizon line, then you will, it will have an effect as if you would be evolved is object. You see it from a bow. That's the bird I view. Okay, they're examples that I will show you right now. I'm going to turn this on. And here is the example 1. Here's a cuboid above as if it was a building. And here is the little man and some trees and as if you were in a helicopter. And here's example 1. So even if I haven't placed this whole building fully above the horizon line, it has the effect as if I was here and I was looking at this object or disbelieving from below. So you can play with this in the class project. I wouldn't recommend the bird's eye view for the hideaway that we are going to create. But maybe it would be interesting to create a cuboid in this position as if you would be a small child looking at this Hide way. So it would be like bit more amazing, a bit more pushed and challenge your creativity and skills. So if you are warned whilst you can apply disdain to your artwork. So I'll let just now try out, just simply create this things that I have created, this cuboid so that you can see how it works. And then you can do whatever you want in your class project. So either turn this up, create a new layer. Again, choose this magenta. And we had it in the center. Yeah, we haven't in the center so that now work in the center. Until now we have heard in the side so that you can really see the size of the objects. And now we are going to take a look on the top, on the bottom of this object. So try to find the center between these two finishing points. And I would do like free squares. Three squares approximately. This is too long. Like this. Leave out free squares. Is that well sorted? You have space to add these sides to it. So we are in the center, center line, free squares, free squares, free, free, free. Again, we are going to create the guideline. So we are going and doing the same exact things in different situations. So now I'm going to just connect these lines to these vanishing points. You're going to draw them all together. Okay. Let's go back to the site. Tuesday, like magenta, allies define the size. So let's say two, okay? So two squares. Will it be k? So now we have these sides that we can connect. Okay? And now we will have, again, needs to connect these dots. Here. We don't see the bottom or the top. So this is finished. Okay, this is the simple side when plays in standard. This is why I didn't want to, to have it completely. So one-sided be longer. Some Jew can see really in space. So I will create a new layer again for these guides. Let's make them darker. So decide you this side here, here as well. So this exact same thing, going back to the base two using the magenta loops. And you place these glides big orbits so that it is not seen. And we'll just draw it like this. And draw it like this. I will turn off the guidance while you have a cube. In the bird's eye view, the worm's eye view, and in a normal street view as Eddas called like this. So now you know so many things, right? We have finished a theory on the practice barks together. Now we know what is two-point perspective and how to apply to various situations. So in the next part of the class, we are going to work on the class project itself to which we will need to get a little inspiration. So see you in the next video where we will get some ideas. 7. Get Inspiration: All right, so as you already know, we are going to create a bunk bed hideaway. And the base of it is a cuboid, something like this. And we are going to design a bonk bad into it. Again, beginners just keep step-by-step hour with me. More than one students can try to work with these worm's eye view to make it a bit more interesting. So now there are several types of bond bats have the shape of a house. So you can really make a shape of a house. Don't need to just stick to this shape if you are intimidated, stick with it. If you feel with creative, think of a solution. And yeah, so what we need to do now is to go to Pinterest and Google, look for bunk bats and choose the ones that you like and take design elements from it. And what else we're going to do. We're going to also choose magical elements. So I am going to have a piece of textile over it. So it is going to be a hideaway for real and some string lights or we can have a wound, et cetera. You can also create a mood board with color combinations that you like that will really help you in a second when we're going to talk about the colors. All right, so I will just go to Pinterest and I will write bunk bad, high the way. Let's try it here. Bunk beds. So you can just take a look on bunk beds as you can see, some have wider lower parts. Some have these stairs. So I've been just ride hideaway here. There's glides. You can put pillows day into the bound bad, different text styles. As you can see, this simple thing as also in two-point perspective. So just imagine that this is a bong bag. Okay, so something like this. So go through these images and get some ideas, create a mood board. All right, So my mood board is ready. So I had just created six screenshot that I have found on Pinterest that might be interesting. What I really low is does they? But I love it in this way. So in this gray color with this colorful glowing stores, I also love something like this. And for some reason, I love this blue color and this red combination of these two looks pretty amazing. And far this one, I really love the mood of it. So maybe I will create a background that is kinda like this. There will be a string, lights like this, textile like desk and ask for the bunk bed. I'm just going to go with something. I guess. I forgot to put it here. Yeah. I will make it smaller and put it here. So As for the design, I love this so much. This is so simple, but still it is a bong bad. But with this roof and how to say it, my daughter had a head like this. And I'm going to put this design into 2 perspective and somehow implement all these things. So the next thing is to create a couch. And I will keep this image in my mind while I'm designing. So I'm gonna put that as an inspiration into the file and keep this as a reference to come back here. Now, let us move onto the next video where we're going to create this catheter itself. 8. The Sketch: All right, so now that we have everything, we know how to create a cuboid in two-point perspective. We know how to create a worm's eye view. We have our mood board. This is the time the weekend start to create or scat. So let's just go to the liner part on a worksheet. Well, you can just turn these off, just grid this soil that you know how to or where to go. Then actually I created a screen sized canvas. You are free to create any size cameras that you want to work on. Alright, so what do we need to do now is to turn on the Drawing Guide. So his orange button here is a drawing guide. Turn it on, edit drawing guide, and click the perspective here. This is the built-in Perspective tool of procreate that will be a really useful for us now to create the base for our illustration. So if you'll hit anywhere on the canvas, you will place 11 issuing point on the horizon line right away. You can place it anywhere on the canvas. And you can place free vanishing points because there are free point perspectives, but now we are at a 2 perspective. So what I want you to know is to hit twice on the horizon line. So you will have two points to move around. Now as you can see, you can place the vanishing points outside the canvas. This is what we are going to do. So as I already mentioned, or world and reality cannot fit a Canvas. You need to think about outside space of it. So I would love you to play these vanishing points outside the canvas. And about, I don't know, I will make it a bit smaller. And about this size. This will make more natural scene and make sure to have the horizon line, horizon all because like you can create horizon lines like this. But this is far more complicated. Scenes. You don't need to place it into the center. I would say place the horizon line a bit lower, like this. Okay, I will make sure that it is a resonance, so it will play with it a bit. Okay, Wonderful. Now, you can change the colors of these lines so that you can like stabler watt line will go in to what angle or you can start the color right here. I will keep it to blue. And when you hit the other one, so select that dot, you can change the color of dot one. Amazing. And now he'd done. And there is another tool, and it is called Drawing Assist. So when you create a new layer and hit Drawing Assist, every line to draw, there'll be either vertical. So I will draw vertical lines, horizon, or they will go into those vanishing points. If they are in an angle, all these lines will go into is vanishing points. So this will be a really, a great help to create a base. For our illustration. I will choose a bit thicker pencil so that you can really see what I'm doing. And I'm working with into sketching with a pencil and I had children. Black hole back to sketch. Okay, so I'm in this assisted layer. I have my pencil and my color. And the first thing will be again to set the edge off, debunk bad. So I will place it, I don't know. I will make it a little bit like bigger above the horizon line. Oscillate has nice effect. And now I will just continue drawing this sides offense. So it will be shorter. Okay. And I will erase this one. Okay. It looks great. Now, I don't want to over-complicate this song in my mood board, I've chosen a design with this top, but I started to draw previously and it became a bit too complicated. It took me a lot more time and thinking and I realized that this is a beginner course. So I will just take this part from this God to design. So what I'm going to do is to hold down this image. Click gallery. Go to my line art work and it should import, yeah, right here. So now I will just place it. This corners so that I can reference it. So this is going to be my bunk. God, let's just start drawing. Now. What I want to do now is to keep the assisted layer here and make sure to put these main elements into it so they are in angle. But then I want you to have this catch sketches saw really like an illustration. This means that you don't need to overdo this Bayes. Just make sure that you have the main lines in the 2 perspective. Okay? So I will start with this side. This will be a bit bigger than, than, than this one. I will look at how this above thing here. I will try to make the mood that is made from yeah. I will design a bigger part here. Started the kids don't fall down. Maybe here as well. I had a BOM bad when I was a child. And I really love to create hideaway, isn't it? So there will be things like DES. Maybe then I will erase this part. To add this mood. It can be approximate. Again, rely on your eye. You don't need to be perfect urinal and architecture and illustrator. I want this to be as catchy and painterly. Artwork. Doesn't really look like the original. The main point is that I have referenced here are all vertical. For some reason. I will turn off drawing assist because it is not liking eraser and just erase that angle. Erase and redraw them. And put joining us as we need to follow these thin clients, right? Yeah. I think it's great. I'll add this thing here so that I can see the wound itself here. Like this. And yeah, I will need to at least note the back of the band and then place all the things inside. So this is the back. This is going to be vertical. You are not an architect. You don't need to do complicated stuff. I find this complicated even for myself. You don't need to overdo it. This will be sketching. So the next thing we are going to do is to go to this assisted layer, lower its opacity, create a new layer above. What I'm going to do is to speed up the process and just draw over it without making straight lines. I will redraw it with my hand drawing and try not to make too many straight lines because I really want this to be catchy and how these imperfections than n. So really as a illustration, and then I will also add these magical elements that I've chosen distinct styles and a string lights. And yeah, so I will speed this up so there is not a boring to you when you finished. Okay, so I will turn off the back. Can you see that it looks more, more illustration alike, rights. Okay, so what I want from you now is to add these elements under the mattress into it. And my idea was to add a textile like desk or something like this. I will just take decimate Also. So I will speed this process up again. We will discuss what I've done later. All right, So this is the sketch I'm going to work with. Okay, so let's just do a little recap what we have done in the sketching part. So we have created a base cuboidal. You need to make sure to how all main lines in two-point perspective. Then we redraw the whole wheat or pure handling. This will make this catch more natural. And then we have added all the chosen elements to make the whole illustration looks fun. So now that you have a scar, Let's continue to the next video where we're going to talk about the colors that we're going to use for this demonstration. 9. Creating The Color Palette: Okay, so let's talk about the colors and we're going to analyze actually the theme that we are creating. So there are no characters here. This is a static image, but I want to break it till alive. I really want to make the inside of this bond bad to be as calling. There will be warmth and it doesn't night, right? So outside will be called or dark as night, right? So we are going to work with two colors, two bays, or main colors or two dominant colors. So there will be a cool outside color and the warm inside color for D among bad. Now, what do we have two dominant colors? We can use complimentary colors. They will feed each other and make your illustration look really good. So we had to call her harmony tool here. I have the touch rhetoric here, SAT, so just click here and hit complimentary colors. And now you will choose complimentary colors studied back here to the brightest. And now just go around and choose colors that you like or would like. For your illustration you, I don't know. I want to choose a warm color for the inside of my illustration. I love this color, this orange color. So this is going to be one color for me. You can create a new pallet. Okay, so I'll go to the Palettes, create a new pallet and set it as a default. So it will open up when you are in the different tools. So I will just add it here and choose this blue as well. So these are going to be my base colors. Now, I will go back to classic because I always loved to choose a lighter and darker version of a color. And then I will just pick some other ones down. We'll make these colors pulp more. So when I'm working with complimentary colors, I don't necessarily have to limit myself by them. Okay? So you just choose these do for being a dominant color and build a color palette or color scheme around these colors. And when they will be put together, never just look great because the main dominant colors like compliment each other, right? I will need a lighter color for the lights. I guess. So. I will choose a color like this and I will need a darker one as well. If you have taken any of my shading classes, you know, I will go to this desk. If you have a color and you want to shade it, you will choose a color that is next to it on the color wheel and twos, that's darker version for shading. Okay, So this little Luke rate, and let's go for the blue one. I will choose a lighter one. Maybe. Here. I will choose a lighter one again from a color that is next to it. And I will go and darker and choose a color and maybe a bit of purple color. And what I love is too dark, indigo blue. The saturated that will look good as well. And I will choose another one here. I could use a bit of this bank. Maybe middle for it. Yeah, something like that. Okay. I will choose a cool color too. As you can see, here's the line that defines that these are cool colors and these are warm colors. And that's color theory. And we are not going to go into that too much. I will choose another cool color and maybe I will go for this name. Dr. quiz. I'm just leave it there. So I'll choose five warm colors and five cool colors, starting with a complimentary color scheme. Okay? So you can build, you can combine these rules with your tastes. You are free to do that. And maybe I will not use every color you just seemed. Okay, so now we have the colors chosen in the next video, let's talk about the brushes. 10. The Brushes: In this video, we're going to try out some brushes that are built into Procreate. I haven't created a bras dots because I want you to learn how to choose brushes based on their function. So basically, you need a brush for creating shapes. I will just, I'll just create a new, new worksheet for this. We'll just create a screen sized canvas and choose black for explanation. So I helped pencil. So it will need several types. Brushes, you will need the shaper. I usually create my, my breast stats based on this idea so that you have a brush for every function. But I really want you to explore now and learn how to really choose brushes, but qualities those brushes need to have and we are going to go for it. And second, so you need a shaper to create a shape. You need the shader to create the shadows. This shader is usually a texture brush. So you will nail them both. So it will create shadows and create texture the same time. And it saves a lot of time. So texture. And then you need Bros for details. Basically that's it. Both qualities these brushes need to have. A shaper has to be a solid brush. This means that you need to build a solid shape which is not transparent. And you can then build everything about is being shaped it because of the shape or you create the base shapes, right? It can have texture. Can have texture. And it doesn't necessarily have to be a round brush that is solid, but it can have in the textures at the edge. But the main thing is that you need to be able to create shapes button. And when set to smaller, you need to be able to create a line split. So each will work also as a liner. I will show you a brush like dogs. So in my free illustration, brushes, this is a great brush. I can create lines within. It is a bit texture that I can build. Ships within. This is a branch. Docs works just fine as a shape or in a wander. And then you need a brush for shading and texture. Now for example, my shader brush as something like this. Okay, so it's quality is that it has to have a texture. It has to have transparency, and it has to be pressure sensitive. So for example, this shader brush, and it's transparent. And then I increase pressure and gets darker. So this is really nice for shading. Can you see that? I can create amazing shadows, wouldn't? You can fight us, do brushes in the, in the resources section. These are my free illustration brushes that I my favorite and I offer them basically everywhere. You can download it for free. And what I don't want you to use those. I want you to explore the brushes that are indeed in here, right? And then you need a detail brush. And detail brush is a branch dad has again, texture. It is not just a solid line okay. Texture and works well when it was thin. So you can use it as a liner. Create this detail needed to externalize with it. It is decorative. And there you go. So let's just explore the brush dots here. So we need a shaper, and I want this painting to be painterly. So I will just go through these brushes that are here that I actually don't really know. And just, and just find a brush that will work well. For example, I love this brush. Okay. It looks fine. I'll use it as a liner. I will see how it works for creating this whole for it isn't the corral brush. I don't either duplicated and create a new new stats. So I have it in one place and I will just add respective class. So where was it? I will just place. So let's find the shader. This looks good here so that we can see. Okay, So I will again. Okay, So these are the free brushes. So let's just do a little recap of what I want from you now, okay? There are several functions partials need to have. You need to be able to create shapes, you need to be able to create shadows and texture. And you will need a brush for details and some things that you can create textures with. So I want you to go through the brush sets that you have in your brush library. They can be any branch, not necessarily the ones that come with Procreate, but maybe you have downloaded some from Creative Market or different places. You need to have a solid liner, okay? I'm in shape or so, but it can work either. So find the branch that is solid has only little bit of texture, not too much. And yeah, use it as for building shapes. And then you will need a shader or textures. So you need a brush that has a texture. It has transparency and the pressure sensitivity so that you can work with it. And then you will need a brush for details that works. Really. As, as a thin pencil is artisan thin brush. It can have texture and it can have also transparency. It is not good if you have too much like texture, though there are some books around it that would be a bit too much. So take it as an experiment. I want you to go outside from your comfort zone and explore these things like you cannot miss anything would write, cannot lose anything with it. So let's experiment together. I have never used his brushes for illustration too. So it will be fun. And also I need to tell this, don't limit yourself. So I just said that you need to do this but you are not forest. So if a branch doesn't work for you when you are painting, choose another one, okay, so I'm including my liner and shaper in the resources. In any case, that you don't find brushes for this, you will need to find the detail brush tool, but you can use that liner as well if you make it then for details. All right, so that's all. Now we have the brushes, now we have the sketch and also the colors. So what's left is just start painting. So same the next video where we're going to start or illustration. 11. Painting the Bunkbed: All right, so let's do this. This is going to be exciting. What I'm going to do is to just delete, is I will place these bays been bad sketch that I have created here. And you can use it. So if you weren't successful with creating the space for yourself, you can use this and you can change it, you can modify it. Okay? So I will just keep it as ungroup it and put it into worksheets. It was this line here, right? I will turn my sketch back on and I will turn off the drawing guide so that I'm sorry. Okay. I will keep the composition like this, mainly because I want it to be then a square size so that I can post it on Instagram. So I'm going to just work on, on this one and then leave the background out. Then. So what I'm going to do is to create a new layer. I will place this sketch to the top and make it to multiply. I'm doing distorted. If I create a layer above, I will be able to see through it. I'm a lower, it's a positive as well. And I'm in this layer again. And I will just create a base. So I need to choose the Nico role breath for my shapes and choose a color actually afford to boot off the bat. So, yeah, we haven't chosen color for that. And this is what I'm saying. You need to be flexible. So I will use a brown but I love a bit reddish groom like this. I will just place in here. And I would just start painting. I will speed this abstract is not that boring when I have something to say, I will just say it. So I'll just keep watching. What I wanted to stay as that I'm going to make at first desk and desk, I will make a different layer so that I can play with the shading later. And also what is good is that your brush, I mean the, the eraser to the same brush that you're working with. So I will just keep my eraser with Nico role. So hopes it will be easier for me to keep this main shapes. Sometimes just journal the background, I mean the sketch so that you can see really what you're doing. Okay, and now I create a new layer for this outer part. Everything that I can see from this side. This way, I can really start the shading later, so keep it like dots. So on one layer you will have everything you can see here from this side. And on the other layer you will see these things. I will also choose a bit darker color for that part. And we'll go back to layers. Just add these things. Can you see that it is already in the soil? Let this side, and this is in shadow. This will create this amazing and easy shading right away. So just one little shade darker is just one. Now I will add this top part as well. And oh, yes, and I need this one to here. Oops. This cannot this will be saved because there will be these little pillows. Okay. I would just keep this month and go to this darker one. I'm just simply add even darker one now because it is religious the top of the bag. So now I will add the mattresses into some detail. 12. Painting the Elements: Okay, so let's just continue by adding all the elements that we have chosen to our illustration. I'm going to speed this process up again so that I don't bore you. For this part. We need to go back to that darker color for the side mattress. Even darker color for the side of the mattress. I just love up painterly indices. It is not nor data strictly everywhere. Like perfect. I love it, yes. And the next thing I'm going to do is to add these elements. So I will create a skewed pillow here. On top of everything. I will alpha lock this layer so that I can. Let's just start to add. So let's go to the background color. This one. This is my main color. I'm not sure with coloring is gunk. It could be maybe this turquoise. Let's try to add shadows. I will try with this below. I will choose a darker version of this color. I mean, I will often look at it and make it smaller. And just add shading here. I don't want to overshoot this illustration. I actually, I love it. How it is. Like, you know what I mean? Okay, so I will add these little details about right now. And it just looks better. It looks cool. I would do something with this as well. Also here on the circus thing, I will offer look at Water's Turkish, choose a darker color. And just before I continue, I will go to this matters in just maybe add a bit of shading and also to the back and just see what it does. We also need a texture. So I will alpha lock it and just go through it. Basically. Looks great. I did a little texture to it. And then we'll go to this side. Other side. I will turn off the sketch. I will need to add some details. I will draw the texture. I will add this drop down here. And here comes the fun. So now I added some more details and try to add this textile over it. So I will create a new layer about everything and choose, I don't know. Should it be like just try it. Place it about everything. Okay. Fine. I will create a new layer below it. And textile, I forgot to add the mattress stop there. And it plays it back a bit. So that we can differentiate between the two. I will draw this stars in. It. Looks nice, I believe, to add some lines to it so that it has the effect of the textile shader brush. Make it a bit smaller. I will actually create a new layer about this sorted. Play with it. Change the blending mode to add. And this will create, this. Looks nice, Incredible. I will try it on this top as well. I would just go and change the blending mode. You can see how nice things you can find if you like, it really looks good. Add some glowing effect already. Looks pretty amazing to me. 13. Painting The Lights : So I, you turn back the sketch, create a new layer. I will choose black for this training. And I could firstly just draw the string. There will be, this is going to be the front and I will add some lights inside as well. So I will now go to the luminance light pen and choose my color for the light. And it'll actually turn off. This can really super cool. I will create a new layer below this dark part and do the exact same thing. Wonderful. And now what I want to create as a bit of this orange color that I told you that we are going to do. So let's experiment with that. I will choose the brush, maybe this perspective, brush, this part psychologist, try it out. So I will make it big. Add an inner light inside loops. So there is this inner light. I will place it a bit about everything. Oh, yeah, maybe here. I will also need to add lied about a pillows. Let us work on the background to bed. So I will go here and create a layer and choose this dark indigo. And with this hurts pilot, just create a floor. As for the sky. Either create a new layer, choose an even darker color. Looks like I can add stars to the sky. Let's just do that. Beautiful light to this side. So as if it was late. And I am going to use this little prime brush as well. So I will create a layer on top. Headlines, lights like this. I mean, it is lit. So I will just add I will also choose drop shadow brush of mine. But you can do this with simple painting brush, round brush and make it transparent. Now we'll just add a little shadow here. Also below this. This is called inclusion. So I chose black or dark gray and just add a little drop shadow below this things. Ok, and now I call it a day. All right. So I'm super happy that you were with me in this process. I would just love to do a little recap on what I have done in this painting part. So at first, I have divided desk side and this side and place them on different layers so that I can play with the shading immediately. So I've shaded color basically. So this is going to be, or this was lighter, darker, and we have the mansion already. Now, then I, failing with the shape or the main shapes with the detail brush, I have created this wooden texture over it. Then placed some little elements like these two pillows and blankets. And then place this text file over and played with the blending mode. And we have chosen Add to create this little effect overeat. Then I plays a little bit of a transparent layer of white inside so that it glows. We created the string lights and then just painted a little simple background to it. Now, it is absolutely own you. How far you take this illustration. This is enough for me now, but you are free to continue and to maybe build the world around this. Maybe you can place characters in it as well. I don't want to limit you, so just feel free to do whatever you like. I call it a day. This is, this was incredibly fun to create and I'm so excited to see which you will create. Like you are always so much more creative than I am and I'm so happy to guide you and to just show you the possibilities that you have inside yourself. So see you in the next video where we're going to sum it all up. 14. Final Thoughts: Congratulations, I'm so proud of you for finishing the class. I'm sure that your class project looks incredible. So please make sure to share it with us in the project gallery. So down below where you had the resources you have to create a class project button and make sure to put it there. And also find a few words about your experience in the class, how you felt during the process, posterior, eureka moments, and what did you realize maybe to house for some other students as well? And I am always so excited to read your words and CEO whole process. So now you are ready to apply two-point perspective in your work, right? And so happy for you. Now, let's do the recap on what they have learned in this class. You have learned that you can create 2 perspective with a horizon line and two vanishing points. You have learned to draw different geometric shapes into one perspective and also learn how to create a bird's eye view and the worm's eye view. Then you apply all this knowledge to a liner it, and learn to choose colors or atmospheric illustration. And also how to choose your brushes with all the functions that you need in an illustration process. Lastly, you will learn different painting and lighting techniques that help you to create a beautiful illustration. It was so much more rights. I would love to ask you to leave me a review so that I can see what do you think about the class and also other students can see what they can expect from the class. Follow me on social media, on Instagram and Facebook, so that you stay up to date and don't forget to follow me here on Skillshare as well. For the same reason. It was a pleasure to have in this glass, stay tuned for the new glasses and until then, just check out my older ones. So CIA mitre classes and happy crazy.