How to Play Guitar Solos and Improvise with Greek Modes (Ionian, Dorian, Phrygian, Lydian and more). | Gabriel Felix | Skillshare

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How to Play Guitar Solos and Improvise with Greek Modes (Ionian, Dorian, Phrygian, Lydian and more).

teacher avatar Gabriel Felix, Music Teacher

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

38 Lessons (2h 38m)
    • 1. Greek Mode Introduction SkillShare

      1:23
    • 2. Music Intervals

      1:07
    • 3. Triads how important are they

      0:49
    • 4. Why are there both sharps and flats

      5:41
    • 5. Greek Mode In Theory

      3:58
    • 6. Greek Mode Practice (Guitar Shapes)

      5:25
    • 7. Music techniques hammer on, pull off, slide and natural harmonic

      5:28
    • 8. Ionian Lick 1

      1:25
    • 9. Ionian Lick 2

      1:43
    • 10. Dorian Lick 1

      3:45
    • 11. Dorian Lick 2

      2:07
    • 12. Phrygian Lick 1

      2:06
    • 13. Phrygian Lick 2

      1:27
    • 14. Lydian Lick 1

      2:21
    • 15. Lydian Lick 2

      1:21
    • 16. Mixolydian Lick 1

      3:05
    • 17. Mixolydian Lick 2

      1:34
    • 18. Aeolian Lick 1

      1:40
    • 19. Aeolian Lick 2

      1:31
    • 20. Locrian Lick 1

      2:29
    • 21. Locrian Lick 2

      2:45
    • 22. How to improvise guitar solos with arpeggios

      8:11
    • 23. How to Improvise Guitar Licks Like a Boss

      7:39
    • 24. How to improvise solos by ear in any key and any style

      12:59
    • 25. Arctic Monkeys I Bet You Look Good On The Dance Floor Introduction

      5:11
    • 26. Audioslave Be you Guitar Solo

      7:07
    • 27. Lenny Kravitz Where Are We Runnin Guitar Solo

      7:12
    • 28. Metallica Nothing Else Matters Guitar Solo

      6:06
    • 29. Analyzing Nothing Else Matters Guitar Solo

      3:31
    • 30. Smashing Pumpkins Tarantula Guitar Solo

      4:45
    • 31. Red Hot Chili Peppers Charlie Guitar Solo

      5:55
    • 32. The Exiest Hey You Guitar Solo

      3:28
    • 33. Aerosmith Pink Guitar Solo

      6:14
    • 34. The Strokes New York City Cops

      5:12
    • 35. The Strokes Last Night Guitar Solo

      3:28
    • 36. The Strokes Under Cover of Darkness Guitar Solo

      5:46
    • 37. Weezer Back To The Shack Guitar Solo

      7:32
    • 38. Weezer Say It Ain't So Guitar Solo

      4:27
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About This Class

WARNING: This course was developed for beginners. You will learn hammer on, pull off, slides, bends, guitar solos, arpeggios, Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian Scales to develop your skills in music.

The more you practice the better you will get. With the Right Practice style, you will be able to witness fast results!

You will find lessons about;

*How to create your own guitar licks;

*Harmony;

*Theory;

*Scales exercises;

*Guitar Shapes;

*All 7 greek modes;

*How to improvise:

And more...


Meet the teacher

Gabriel Felix

*Music degree at California College of Music;

*Teaching since 2010;

*More than 18.102 students;

Questions
Feel free to send me any questions you might have on this course. I want to make your learning experience the best that it can be.

Thanks
Thanks for taking the time to look at this course. I look forward to seeing you on the inside and teaching you the beginner steps on how to become a better guitar player.

WARNING: This course is NOT for the person who thinks by purchasing this course it will then magically give them all your guitar skills to you without you having to put the time, effort, and practice. It does take practice if you want to see results. :)

Meet Your Teacher

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Gabriel Felix

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Transcripts

1. Greek Mode Introduction SkillShare : Hello guys, My name is Gabe reflux and professional musician. And today I'm here to talk about my new course, Greek modes or guitar players, going to talk about Dorian scale, ionian Friesian, Mixolydian scale, and an old seven modes of the great modes. Of course going to be great for you if you are beginner and want to learn how to play only scales on a fret board. We're going to talk about a few report. The Armani part of teaches several types of guitar licks and you fair nice guitar solos. So if you really want to learn how to play guitar solos, discourse going to be great for you, but just a heads up if you bought your acoustic guitar two or three weeks ago, actually, discourse not for you, okay, I think that is important. Should learn how to play a few chords, few mellowed Zim, easy songs before started, scores are right. Now remember, I'm here to happen. So if you have any kind of doubts, just send him a message when that ball, the former chef and I will serve as soon as possible. Okay, Thanks so much. Bye bye. 2. Music Intervals: Intervallic music I listen moonlighting potential and whisker minimize potential was seen as formally application of branch Cut Premier which plicae essa is a formula privacy there is rational which is normally hillsides formula, which bound sack you learn as a glutamine. That doom I'll do is do my scarlet DEXA a dune out the range. They are valid. You done. Our quiet. Yeah. Sega say there, they fast. Wow. I got this development niche for surveyed is when a mole is a busy una Renato, I'll do wish my signal formula will work on them on it. Don't do our beard do wish. Okay, well realtor example. They are seminar do. I'll be more greenish. Okay, kinda Jimmy, notice how this scene cools it boot device, simply seeking the salary, especially moody potential's improve his ass or lying thing they vanished constitutes the harmonics that taboo. 3. Triads how important are they: The most common chords are triad, which are beared by adding the third 50 nodes in this cave above are storing notes, are roots. For example, in C Major, did tried buttes on C contains the road note. The third note above C, often call it just did third, G, the fifth note above C. Often colleges the fifth tried to remember this concept. I think the most important information discourse. Why? With this knowledge, you will learn how to improvise few chord progressions, guitar solos and sever techniques about arrangements. Are you looking for ways to make music life easier? The triads is the answer. 4. Why are there both sharps and flats: Now it's time to understand the difference between sharps and flats, okay? Sometimes we write a as a music chord and a note if a flat, then sometimes we write with a sharp, but how can we understand when we are going to use a flat or A-sharp? The first thing here is think about your scale. For example, we are playing music. Your tongue is in G major scale. We don't have, we have all the different nodes, k. But Gabriel, What do you mean with different nodes? I don't want to stand. Check this out. If I write down C, a G minor scale, and I need you fall on the formula. The formula is first one. The second one is a whole step, okay? The first one should the second word, tree is a half-step, so it's going to be a sharp, okay? The next one is going to be a whole step. We're going to have a C major chord. The next one, D, a whole step again. The next one, whole step. Half step, sorry, half-step. So D sharp in the last one, the whole step, F. Okay. As you can see, I have my, my note repeated two times right here. According to the rules in harmony and Fury, we cannot have the same node right here. Okay? So the idea here is like changed this last note to some Note that a is the same thing. However, we flats according to our 12 nodes. The node a is right here. And if you want to A-sharp, we're going to a sharp. However, if you want a slat, they're going to come back to the, to the last note. So G sharp, okay? In this case, I went to a sharp right here. So it's going to be what? B flats going to be the same thing. So B flat, okay, so now my, MySQL is this right? G, a, B, and C. I don't repeat nodes. However, we have another problem is about D, D sharp. If you are in D, Let me see. Oh, sorry, I forgot to put one right here. Okay, two are indeed if you want a sharp, D sharp, however, if you want a flat, you are going to C sharp or D flat. That's the same thing. However, we need a D-sharp in, so let's inhere any ie. If we add a sharp right here, you're going to F. If you had a flat here, we're going to come back to this D sharp. So this is idea. Venture is this and write down E flat. So I don't have repeated nodes. So G, a, B, C, D, E, and F. Okay? This is the idea. If you see a music in the queue. 5. Greek Mode In Theory: Much Greg who's wrong in SAP some basic English perimeter into confusion of acetyl coenzyme, a fading similar ecology dot join it open. You don't really gosh column Iowa and Professor Keytruda had me fat. So lack is CH, character ongoing S and the measurement Segundo Moldova so directly. And don't another miraculous a comma, sorry. Okay, That's it. Good or not. Let's see. Lena. Suppose you can certainly kill much column and aqua system. My, your DO, RE, MI, FA, SO LA, see if hashing dot okay, Would there SIR, model notch data, how much gain? Free Zhu and Seattle there, Sierra, sierra, not dangerous or boomy. Me every mirror. Fa SO LA SI dot here. Okay, How much gala minnow was Uganda, Malawi. And also bras MOOC, your craft and Tom survey through quarter growl. Sacco seems to give us a large gear. I wish I was a fat. So Lab C dot here in me and my column, I switched inadequate king to model mix. So you're looking to grow your mesh. Now comes something fuzzy on the documents appealing. So salt, lamp, see, dark, hair, me. You fat. Fate. Good and bad. To say that. Well, Mixolydian, I just felt my offer such a manner. Okay. Well, I do a go as dark as you teach AAC. Well, yes. That folks have watchfulness are back to the lab. Lab. See me. Fat is so crucial. Mutualism and gosh column in our Hannah would like each column in our Ooh. Ooh. Ooh. Okay. Own column and or quasi fundamental fact kingdom in our yes Sachin downpayment, I think almost system the Ohm's law, Sie da hat me fat. So ylab, ya, plus a bunch been sat near psi dagger, which Pasi know, nasa logic, which passage you can turn to me years ago. We bought a vine boarding. It's a judgmental sinus or leaky. Sustaining said we said it was a thing might go join you, go premium. It was a dean or menarche oil you Kelsey. Go ahead. Gravel and sand certainly divulge would direct close the glenoid. So f as each college. So my arc is at the micelle sector policy on siliceous ooze seasonal girl. I've ever see me CMO who has denuded. And if your book, you'll see them. I Acoma not the shelf. You don't go coded squeeze. Would the article much column in our class cj, the male fantasies, fears your Buddha's out. Bass University, my Scala minora. Don't see that as a sole manner. As cinguga them all. Common tally is a lab demo applicability and see Goon demo C4s who manana to now headed TO lana to seeing them on the SAT, you provide newly Jupiter example will lead you into my color. My name is Suchi surface. Each column I put discover things you need to know Down syndrome, simplest allies who makes leisure image column Iraq was sexual manner. Here lock to come a valley are much commoner, commoner do wish e-comm would be c sub ij cancer decision vision for Amish. Don't premier example, quantitative signal. 7. Music techniques hammer on, pull off, slide and natural harmonic: Hammer ons can be done anywhere on the fretboard. But for the beginner, diseases, using an open string to quickly learn, strike on our opening on the first string. Why the notes tearing quickly and firmly present finger on the third fret. If you don't properly, a G note should be sound because the strings are closer to the fret board. Hammer ons are easy to as acute. My last spring guitar, however, this doesn't make he then less common on acoustic guitar, where they frequently, the hammer on can just as easily be played. We fretted notes, Here's play did not normally and hammer on Xuan NANDA fret on the same string. If you Pratt cameras, eventually you will be able to move each finger carefully and independent. The Pooh off is the opposite of the hammer on. Again, use the E string, hold it at the third fret, drag this string and wired know to steering, released the frightened finger. If done properly, the G should be followed by an opening. If denote doesn't ring out properly, try hitting harder, not releasing fast. Like the hammer on the second node tends to be less loud than the first. To help alleviate this as likely sideway motion on the fracking finger. While pulling off, we'll add extra vibration to this string and give you them extra volume. Often, it's hard at fovea beginner to accomplish, and the sideways movement helps greatly. Layer off. Many instruments included a human voice. Use vibrato to help you had expression to sustain a notes. Check this out. Banding gives an extra life. She notes bascially sustained notes by changing pH, the technique is not commonly used on the acoustic guitar or general random plane. However, it's trembling orphans. Too many styles involved distortion guitar, such as Iraq and heavy metal tried to Tony are banned by gear. This is a very hard technique for beginners. So the patients, you can play most of your bands with finger number tree and even better when your Tommy and a middle thing helps you. Natural harmonics are the easiest to produce. A good place to begin is the fret number. Dwell with your fretting hand. Lightly touch a finger against his shrink directly above the fracture. Do not hold it down or find any pressure striking to with your picking hand and immediately release the string almost simultaneous, a few executed properly. The result sound should be a high pH. Tried to get at the fret number 7 and 5, electric guitar are easier to play in acoustic guitars. Check this out. I slide is a metal glass or surround two. Most commonly, the ring finger are little finger, but ten fingers will work very well. Did not press this, tearing it down. This leg rests on a string. Not enough to give Fred, but enough to stop the street and losing against his life. Some players will likely that this string behind this slide with a trailing finger to stop any 1 third vibration. Pressing Gareth crisp notes, ductus lining first, because this slide rests on a strengths and is like playing a single note should be directly above the fret, not behind it as the fingers usually does. Laboratories keeps this line and moving backwards and forwards in lighting truck to critique and vibrato effect, you can stack any desired. 8. Ionian Lick 1: For now it's time to play a very nice leak in C Ionian. And we have a pool offering here. C should be so 87 on a string number one in on a string number to come back to seven as string number one. And another pool off, in this case, 10. Choose eight on a string number two array, and the last node is nine on a string number treat as eNode. So you can play with your pinky finger as where our ray, our reef, our ring finger zip to you. Okay? But the most important thing here is to start and finish if one of the three nodes, I always tell you about that just because it's very, very important. Okay? I have a C students that they know how to play all the scales, but they play leaks like this. Okay. So sounds terrible, right? Just because they do not know when to start and when finished the lakes. Alright, so it's important to choose the Reynolds. 9. Ionian Lick 2: For now have a Neolithic. And we are going to play in C, a union. And we are going to start right here. 90 industry number 3, 8 on a string number two, and come back tonight on a string number tree, right? So eight, warmer time off. C should be around on a string number 18 to seven. Cumberbatch weight on his tree number, chew your food, your middle finger. In 99 on a string number tree arise so and of course you can change the redone little bit so and it's going to sound very nice as well. And of course, it's important to take the idea of my leaky and improvise your own league, for example, take the tree first notes. Improvise during the last part of the leek. Ok, that is important to follow the guitar shape or the ion in more, right? For example, 34. Okay, you can improvise melodies like this array. 10. Dorian Lick 1: Before. All right, let's talk about Dorian mode. Used to remember Darr is the second mode, okay? So the idea here is to play in the Dorian. So if you're playing deep dark and focus on the, the, the most important notes of C major, you are going to sound like a C major scale array. I'm going to repeat one more time if you play D Dorian in focal seizure or guitar licks on the most important notes of C major, or you are going to sound like a C major scale, okay? And provides legs in some interests. However, if you follow them, they're the most important notes of D Dorian. Okay, that is 135. And the, the mash connote, getting diarrhea is the major sixth, okay, so in this case, you are going to sound like D Dorian. All right, be careful with that. So our lakes is going to sound like this. Maybe the sound is little bit weird for you just because a star and finish with, with a few notes, that is more, sounds more like Dorian. Okay? Most of the songs we listen on the radio, internet, BOP, rock, metal music, blues. They are major or minor. Okay, So Darren, it's a new mode. It's a new sound in most, at least most of my students. Don't exercise. There is so much to here as a function of scale, okay? But I think it's important to understand this concept. So let's play star with 12 to ten on a string number one, okay, abou off. Thirds known as string number, to come back to tear on the string number one, you have into wherever on a string number two, this is the first border, right? So the next part is, it's a, well, I kind of lied, right? So 12, 13 in Thea an array. So to have on a string number tree and the N on a string number tree. Okay, I've finished with this node JS because it's not exact. So it's the minor term of our D Dorian, okay, so it's one flat three in this case. Perfect fifth and the masker, no Teddy in Darwin's MeV six, so be erect. So if you focus your lake a lot in B note the major six. You're going to sound more and more, even more Dorian array, but it's up to you. Okay, so let's bring on more time. It's important to practice in understands concept to train your years to two-year Dora as a new scale and a function a lot. 11. Dorian Lick 2: Now it's time to plan Neolithic and check this out tree for the very nice snake, isn't it? So you're playing D Dorian. But here starting in C array. So it's a kind of Dorian in C major sound. Okay? So D Dorian slash C major sounds. So nine and a string, a number of tree, come back to Dan, nine in dn arise. So I play with my middle finger, index finger. So after this bar 9, and when a string number 3, I start my leak here into wells on a string number two. So my below the Daria node m, n and print a string number two, right? So let's run it out. Sorry. Okay, if I want to sound more dark, just stop my lake in B, arrive at a sun more Darwin. So remember I'm getting several types of links in a blind modes and apply the ideas of improvisation, okay, the most important nodes that you can and cannot stop array. So it's important to practice like this. I don't want, to, don't want you to become a Jizya as student that knows how to copy all the leaks, know how to play all the scales. I need you to Brex in transform everything you know in music, array, everything I teach you in a music, okay, From this is important to understand all these concepts. 12. Phrygian Lick 1: 34. So now we have Friesian freezers that more number three of the major scale. Okay, So is the Ephesians the same notes as C major or C Ionian. So seize the first mode. D bar is the second, and the third mode is e, Friesian. Okay? So we're going to play exactly the same notes as C major scale. However, I'm going to focus my, my guitar leak in the triad of Ephesians. So wrote notes of E minor third, okay, So G, B, that is a perfect fish. And of course the mash connote of these ski you. So remember Friesian, the mash connote is a flat 2D array, so f, alright, That's why I focus my, my leaks in F. So that's why let, let's get a star and I got you. Are, you understand this very well? So my first node, okay, so the root node, 12 on a string number one goes to 15 on a string number to come back. Well from a string number 1, 13, 12, 13, one more time, our Friesian note arrive at mash connote 1513 into alpha. As you can see on a tablet tour, you just play once and good note of industry number two. The other notes is atrophy, where the string number one, right? So that's being one more time. Oops, sorry. And listen again. So it's important to understand as a difference. 13. Phrygian Lick 2: Now assumption plane your leg and this time I'm going to play high enough herpes, your key rule looks like RPG. Alright, so check this out. And his sounds a lot off. Friesian. Okay, jurors, because it stopped my leaky NADPH as the mascot note of Friesian. Okay, Friesian. So the first note is z, my root node. To have on a string number one turns you on a string number two, shoe out on a street in a retreat. A 50 on a string and over for 14 on a similar before and 50 on astringent before. Okay. So right. Please caught my leg. Okay. Memorize my leak and improvise. You're only TikToks idea for example, take this tree nodes. Cop man In provides some few cases of, for example, okay, or something like that. You can create several typeof mallets like this. 14. Lydian Lick 1: Now it's time to play F Lydian moles. So leading is more number four, okay, is a major mode. So you are going to play exactly the same notes as C major scale. But if you do not want some legacy majors keel, okay, you need to focus on the F measure traits or F, E and seat. And of course, the most important notes in a legion mode that is sharp for array or trade time. Same thing on a flat fives. That's the same thing, okay? In this case where he is going to be, it's going to be b naught. You can find here, in here. Right? So let's get started. The first locus. One more time. Right? Be careful because Friesian and allegiant, you play exactly the same position, okay? But they are two completely different modes or re, remember about that. The most important thing is denotes tell you are going to start and finish your leg. Ok? The most important thing in one's going to really change the sound off your guitar lick, right? So for a Sparty's Bu off tourism 212 and a string number one, thirds 12 and 13 on a string number two. And the last notice 13 on a string number one, right? So one more time. And as you can see, a Palaeography with my finger number one, Chu array. Just stopped my lec in B are going to sound a more lenient. So okay, but in this case a starting NADPH and finish enough. So it's not true meridian, but steel is Selenium, okay? But of course, it's up to you. It's your decision to sound more Lydian or not during our improvisation. But it's important that trauma center concept, I always talk about that just because it's very, very important in array. 15. Lydian Lick 2: One more time. This link star in 15 on a string number for a pull off. Force into, to have on a string number of tree, come back to 15. And now we are going to play to wealth, to forge on a string number 3 and go sue shoe have on a string number 2D array. This is the mash connote of F Lydian mode. So it's Tritone or sharp 4. That's why sounds so good. Okay, So it's a B note. And of course you can provide with something else playing or median mode. Okay, So starting on F, Lydian and Friesian, they have almost the same pattern. The only difference, the first note, but the other notes are exactly the same. Okay? So you can provide some thing else. Focus in F Lydian, right? So let's see. Okay, it's up to you array. 16. Mixolydian Lick 1: Now it's time to bleed and g Mixolydian. So she is the number 5, so mod number five. And you have exactly the same notes as C-Major. However, if you do want some like C major scale, you just focus only one, me shutters and perfect fifth of G-Major. And of course, to the American note of this mode, There's a flat five, flat seven. So NG tube we think about g is f, right? So you can play right here. The pattern right here, or in the fret number tree is going to sound exactly the same, right? Are the same notes but in different octaves. So let's learn the tree for this link sounds very nice. And in g Mixolydian and I start here and in G. So treat now on a string number one and I have a hammer on, so treat 56 on a string number two. Okay, Yeah, and it stop a little bit in this. Now number six because this is the mesh can also flat seven or k, f nodes. Okay, this sounds a lot of Jimmy to Ligia and then come back to a pull off. Fred, Fred number 5 to 3, comeback 55 and a string number two, sorry, 53, number one, tree on a string number one, right? So if I do not stop in F, I'm not going to sound Chu, Mixolydian Jim Leach. Alright, so, so for example, triply like this, I'm not sounds you're mad mix solution. Just rename about that when you are improvised something, if you choose the right notes of the modes, you are going to sound more like demoed, okay? But it's up to you, of course, you choose if you want to sell them arming, so lesion or not, right? It is important to understand this concept when you are going to apply on your academics. I always start this to my students. It's very easy to sound like a CME. Sure. The guitar solo, cane juice because C major and Jimmy so leisure or the same notes, okay, they have the same notes. But if you focus in G, nodes, in G triad and ofcourse F, you're going to sell them or Mixolydian, okay? But if you focus board in C triad, you are going to sound more like C measure, okay? Be careful with that. 17. Mixolydian Lick 2: For now have a Neolithic in g Mixolydian. And we are going to start right here in G frack number five and a string number four, for frightened or foreign string number three, come back choosy. So fragment of five in tree on a string or for k. So now goes to five and a string, number 5, 3 and 5 and a stream number four, shoe and five and a string number 3 in the last few notes is 3 and 5 on a string number four, okay? So you can change the read and then add some thing. Of course, if you follow the g Mixolydian mode, all right, so for example, it's up to you, alright? But it's important to understand that if you focus your guitar lick enough, you're going to sound more. Mixolydian. Sleek is not you met Mixolydian, isn't it? Just because they do not stop in Math, rank better focus on the three most important notes of my tries to offline try it. That is G, in this case, in G, B, right? That's the major term. And a perfect fifth dynasty. 18. Aeolian Lick 1: 34. Now it's time to play a Ionian mode. So the mode number six meters in it. So it's the same thing as a minor. E minor in eolian, succesful, the same things at the same notes, right? So, and the first thing is splay a boo off between 87 on a string number one. So my advice is to play with the middle finger, index finger, so aid on a string number Chu in his line in between 7, 35 and a string number one. All right, so all right, the last part is 8 on a string number 255 or some number 1 entry. Alright, last few notes with your index fingers. So then of course you can take this Leaky idea and improvise something else array, so but it's important to follow the island, no. Okay, follow the shape folding scale, and write pair. Of course, it's important to practice and develop this skill. 19. Aeolian Lick 2: 34. So we have a very nice guitar leaking AIR Island mode. And we are going to start right here with the frack number five and a string number one, 8-note. The next note is the perfect fifth, okay? So six note number 3 and a pull off to five, come back to 50 and a string number two. All right, so simple like that. In the last few notes, 75 on his tree number tree, okay? Last note is C, sees very important because as a minor third, so the three most important nodes on eolian or aureus, E, that is the root note. Flattery caters see again a perfect fifth note array so you can change this melody, the radium they approach, but provides with denotes of your shape array. For example. Just use your creative right. 20. Locrian Lick 1: For now some AAA lockdown mode. So in this case we are going to be LOTRO mode. Now be locker and has the same note as C major key. So symphony is C major Ionian mode. Alright? However, we need to focus on a nodes of b. La Crosse arise. So root flat three, flat, flat five, the diminished interval, okay? And flat shoe, that is one of the most important nodes as well, right? From this, this type of scales not common at all. It's rare. Rarely you see a song with a LOTRO mode, okay? Just because of the flat shoe and flat five. Okay? These two intervals, they are non-static. Those intervals are outside your music. From this. It's almost seem possible find a song in a locker, alright? But I need to teach you is this mode as well. The idea here is to starting beep. So Fred number nine on a string and we're 479 and 10 on a string, number three, okay? And 79, however, a blue ball off, right? T and on is Fred on the string number four, come back to seven, dN one more time. That's our fledged you. So C naught, NB 10 is on a Fred, Fred number nine on a string number four. All right. If you listen carefully, the sound is true outside, most of my students do not enjoy the sound of this, this locker mode. Just because the locker has too much spice, flat shoe and flat 5 is 2 made outside. All right, That is up to you. Check fury enjoyed a sound in a blind on your songs. All right, so let's bring one more time. 21. Locrian Lick 2: 34. As you can see, we are in the locker mode and we need to focus in one flat, three, flat five, and flat you as well. So we have a flat five and flat shoe, the most important notes, okay? And of course, it's a miner's case. So if you want to play flat seven, It's going to work perfectly. All right? So I started my, my leg right here with a banner half-step being 900 Dan array. So he, my E to F, F is very important because it's like five of the array. So you needed to focus on naff, just sound like a macron. So half-step band, 7, 9 and 7, income back 29, everything on a string. Number three, okay. The animal, if you're being finger okay. On a string number of tree come back to seven. Sorry. Back to 979 on a street number for KP. Guess we need to finish this lake in array. So it's very nice if you play FES 3, 4. Or instead of play ban, you can play as late as well. It's going to work perfectly. And of course, guys, you can improvise on his guitar lick as well. All right, take this idea. In AD a few spicier flats, you are flat seven by the order nodes of b lacA genes. Remember, you need to follow the pattern. And the pattern is very similar to Ionian mode. However, we start from here, from B note instead of C array. For example, 34. Sounds a little bit weird, isn't it? Just because of the law remote. So it takes time to adjust your years to receive the locker and sound array. 22. How to improvise guitar solos with arpeggios: Now it's time to transform our pages in guitar solos. So the idea here is to think you are paid as another technique. For example, as a band or tapping technique or hammered on or off or something like that. Okay? So the main goal is to apply your peers, you, to improve your guitar solo or your melody. Alright? I'm going to play a backing track, and his blood backing track is in B minor. From these, we are going to apply E minor pentatonic shape. And of course, if you are going to use a few herbaceous and before we begin we need to check at Derby Zhu type works. Very nice, normal or Armani, okay? So if you are in B minor, we can apply these are big array here, that is B Minor Asia, okay? On a string number six, of course we can play here as well, a similar page with a different shape or different octave. So it's the same shape as this one. Another very nice shape is this one right here is a minor shape, okay, on a string number for n, Of course not necessarily to play jazz, be arpeggio. You can thinking the D minor scale and see what kind of courts we have. For example, in coordinate of four, we have an E minor from the tissue can apply his guitar shape right here. This our facial shape, okay? The same as B minor. And F sharp is a minor as well. So you can play, is minor it or shaped. Okay? We have 1357 and we repeat the notes are right. Or you can cut a flat seven, so 1, 3, 5, 7. Oh, sorry, 135135. Alright. So it's up to you and an odd shaped at it like is this one right here is a major, so it is the minor. We have D minor. However, we have G major and a major, so it can create very nice leaks with these other features. All right, so as you can see, you need to choose the D shapes to get our shapes that you are reading the horizon that shape steady like, okay. But just a heads that is not necessary to play, just the shapes that are teaching our course. You can create your own star shape or pages are key. For example, I can see I have it shape right here. So 1 plus 7, 5 entry, flat trick. Right? Now we can play a melody right here. To create a melody as we've four notes, four notes of my herbaceous or a canned forth. For example, be if you can. And 24 is, though, we're going to play B minor Piazza and add each note. So okay, and then create a very nice manage briefing. As you can see, it's important to use your creativity as well. So now you already remember a little bit there. Pesos did find that the possibilities of our patients in our harmony. Choose your, the best RPG loves you who like in their pieces, you already morass and now it's time to apply our creativity. Lie on our pentatonic shape and improvise a little bit. Alright, be mine or x began to proof a very nice or pages. So let's put the comeback to be buying on to feed you. Pentatonic scale. Triads are pager, Amartya, other facial. As you can see this jimmy herpes, you're a visual vicious sounds. They are outside, isn't it? Let's bring our time series for E minor. F-sharp minor. They're nice, isn't it? It's forcing should come back to be array supporting should follow this B minor. Armani in our song. Though, let's play fewer visual sequence. So minor, F-sharp minor, B minor. Let's go. Rti. They're nice, isn't it? As you can see, it's important to practice a lot, a lot, a lot, a lot. And of course, use your creativity to create your own arpeggios batter, okay? Such as this one right here that I add. Yellow of course, to mix with other techniques, such as him around and blew off dance and meets the, the, the arpeggios shapes. For example. I make this our page on a string number six, be and E. My art Bayesian. Sounds very nice. Okay, Palmer, thank former time. The minor. E minor. The minor. My arm. Very nice. But now it's time to practice. 23. How to Improvise Guitar Licks Like a Boss: No, I have a personal advice for you to create your own guitar licks. It thus, this approach with several students in, works very well. It's very easy to understand and to memorize the most important notes. The idea here is to take a key, for example, a minor. I choose this key because a minor is in the middle of your fretboard. Nad is a very simple scale because we don't have sharps, not even flats. Alright? The first thing is find a minor on your fretboard, so we're going to be breaking the pattern targetable interplay is a minor pattern, pentatonic. All right, so it's important that you memorize this batter. The tree most important notes, we aren't going to improvise something or create a lake, is a note of your triad. So let's think about a minor triad, 135 or fewer scale. Alright? So the approach here is the first note and the last node of our guitar lick will be one of those three notes. For example, let's begin. That's number one. We need to find a in this bar of the fretboard. So here and here and here. We were asked this would be very important. My first note will be in the last note of Tiktaalik VBA as well. Denotes in the middle. It's not super important right now. We're being part in the future, but there's not so important right now. Okay, you are a beginner, so let's think. Simple. However, I just have one simple rule. Denotes in the middle needs to be. Okay. You cannot play a note outside. York pattern. For example, D-sharp is not going to work. C-sharp is not going to work because it's not in my batter. Alright, so the first note is a, I going to begin my leg right here. I choose does a, I could choose DS1 are not want to, but I want to choose this one. And the nodes in the middle should be in my, in my guitar into pattern. Okay? And the last note would be a, I'm going to play this one right here. So that's right. I have one guitar like right here. And let's create another one. Another one. That's create a uttered in the doorway. So they're going to change my age. I'm not going to play this a gonna play this one. I'm going to begin a lake right here and finish right here. So let's try. Sounds very nice. Another device for you guys is trying to sing something, to sing, sing something before you play, for example. And then, I don't know, maybe he can find those nodes in your guitar pattern. Sounds very nice. So I improvise a little bit. But the most important seeing is analyzed that my first note is a, in my last node is a as well. Okay? This is a very easy step-by-step to follow. And why did I choose just one park? You're off your fretboard is simple just to help you to memorize notes. Okay, so we're memorized three nodes, a. And now we're going to do step number two. So the, not the, the other node that is very important in a, in a trial date is the number three, okay, off our triad. So in this example, C, we need to find c in this bar. So Cs right here, here, and here. Usually you're going to find it two or three times the note on your fretboard. The idea here is the same. Begin my guitar lick we've seen. And the last node can be seen, or a right in the middle, the unit wrote And we have is Palais the nodes of your pattern. Okay, so let's begin right here. And I'm going to my last note to be so here. Okay, so sounds very nice. Another example, going to begin here. In my last node will be right here, right? So C and C to watch this video is going to look very easy to play, right? But remember, takes a lot of practice to do this type of thing easily, right? So you should practice doing two tree you and form of this type of exercise. Not just wonky but in several lot of keys, is going to help you to develop your ears, for sure. Memorize the notes on the fretboard and create your own guitar licks, though it takes time. And the last step is think in our fifth of our a minor. That easy. But we have a larger keynote right here. You have E right here and here. So I'm going to begin my leaky knee and finish my leg in, right? So another example, beginning AAA and finishing. Another example, finish, begin in and finish in a n. Remember you can do this kind of exercise, every single key, and we have several types of patterns. I can play. The same idea right here with the second pattern. It can begin in a and finishing E are beginning a and finished in C. All right, So it's up to you. You just need to focus in worn off those three nodes, a, B, and C, every single part of your guitar neck. But my advice for you, for you to beginner is beginning juice one single bar, a few memorized this part of your fretboard, you can change. All right. Now it's time. Chew brackets, brackets, and blacks. Let me know if you have any kind of thoughts. Thank you so much. 24. How to improvise solos by ear in any key and any style: So I'm going to explain a few shortcuts about how to improvise guitar solos live and by year K, That type of thing that happens a lot when you Iraq professionally. And, but before you watch this lesson, please watch orders lessons about chords and scales, okay? Everything about Gordon's case. We have in our course an inch, you understand all the chords and scale process before you start this lesson. If you do not understand, you are not going to understand anything. In this lesson, you can do your complete waste of time. I think number one is, think about pentatonic scale. Pentatonic scale is very easy to memorize, K. And usually working most of the case are going to play rock, motto, blues. What else? Iggy, Pop songs. Most of the songs are minor scales. So you're thinking pentatonic scale is going to help you in 9% of the case, okay? The second shortcut is when you listen the song k, that the backing track or the core progressions you are going to improvise. Try to recognize a few notes. For example, if you're in the middle of a show or a gin session in a Nietzschean provide something very fast. And I can listen and denote f note. And for example, anos, probably 99 percent of the cases and play D minor. All right, So I play the minor pentatonic E. And off course, after I recognize this KU, okay, So if I think the scale is D might arise. So now what's the next step? I tried to add a few other notes, so I check if this chord progression, I can put up a major sixth. So b, K and b known going to sound more like a Dorian mode or I. So my progressions not minors, Darwin, right? But sometimes does not work BY, so I add a B flat, so it's a minor key. And after this topic, try to add a blues note so that of play. Jazz IN G-sharp order, a flat. Okay? This is a protein is very nice because you are going to test that the Armani during the improvisation, alright, but Gabo, if I can just find one or choose single notes, okay, not a problem at all. If you have, for example, let's think. If you recognize these two notes during the backing track or the Gen session. You can pass on his notes. You can test the minor pentatonic scale, or you can't ask Meyer scale. You can find me in a minor scale so you can dance right here. We can task B minor scale as well. All right, you're going to shoot just needed task or the patters. And usually I stick with just one single pattern before I, I really play hand, inflating tires soul. All right, so the first part of the first goal, unique tractive is understand the denote cell you can use and you cannot use during the improvisation, okay? Live improvisation. But sometimes the songs Nadia minor key, it is in a major key. It's not a prominent role because you can think about relative scales, right? For exemplifying. A major are relative scale of a mirrors F sharp minor, so it's just count one, whole step and half, right? So F-sharp minor, pentatonic minus1 and work perfectly. But Gabriel, the top is a major tone. Is Each of photons in the major triad or RI? When I want a son of a major triad, are a problem. You can play the minor pentatonic. But we're concerned and major triads. So in this example, a major, right? So eight to sharp and knee. Eight nodes. E notes and C sharp note. You can improvise in a minor Tashi, but think. Yeah, Major Tom. Okay. So okay. Sure. All my shortcuts about how to improvise live and quickly him by year, where I'm playing agent section or recording. So just think about these two steps. First step is find 12 or three notes, okay? Then you can listen in recognise on your instrument, right? And step number two is passed all the pentatonics, okay? For example, if, let's give another example. If I'm playing, if I can recognize by year. Sharp, dirty Asana going to 50k. Okay. Can I think about E minor pentatonic? Yes. Because you have E, D, but you have a kind of problem with C-Sharp. Usually E minor pentatonic do not have a C-sharp. But if you think about Dorian, the ads, you have a C-sharp. So this chord progression could be an E Dorian mode. But can I think about D-minor? I have it directly here, a D minor pentatonic scale. Let me see you have a problem with a C sharp. Usually you have a minor Safina pentatonic scale. So some kind of weird, right? In D minor pentatonic, you have a seed notes and not a C-sharp, right? And can I think about C minor pentatonic? But it's going to sound a little bit weird as well, because you have a D note in D is a minor second. No, you can think about the Friesian mode, but not going some Perfect. Okay, So probably in this example right here, this tree notes, probably, okay, you need to test before you really have a 100 percent that is in this case or that escaped probably isn't. No. Alright, or even F sharp minor key, right? But the idea here is just Chu, Chu. To teach you my approach where I need to improvise and guitar solo, fast life and by year and is a very common situation when you are a professional musician. So I'm going to open our random backing track on YouTube. Just type back and track. And I'm going to apply our techniques with, you guess, just to see how it works. Alright? So the first thing is recognize a few notes, okay, 12 or three notes. Let's try this, right? So let's go figure Fang Chu. So he works very well as well. So P, O, D, B, a, and B. So I have three possible penalty. Let's try deep. Terrible, It's not going to work. So let's try a little bit better, but thinks now they're ripe and upon and let's try be pentatonic. See, no, sorry, denote this stick, right? Pentatonic, right? Yeah, this B, B minor pentatonic scale. Let's try blues note. So and fixed going to work perfectly. Now let's set a major six. So let's change this pentatonic to a Dorian, right? So G-sharp, so I don't like the 50s shoe shops not going to work. So let's stick with the B minor pentatonic in those node, right? That's for female or pagers. Works perfectly as well. So I have my rope and the bank Margaret, authentic blues, B Minor Asia. After the guitar is not going to work, Let's try Ionian mode. So minor six and C-sharp as a night. Whoops, wrong note. So let's try again. It's going to work perfectly as well. So let's stick with this. As you can see, you just analyze the song while you are playing the song. Cry. So suggesting parts into fall all is that by step to find the right norms, as you can see, a sharp as a darwin's not going to work. So let's get this. Or they are a pentatonic scale is not going to work as well. So E minor and are even, or even a minor. Let's try D, Let's try D-minor. That up. It's not going to work. So let's take with B array. So this backing track is in B and B minor. And my advice is practice this on YouTube. They have several backing tracks in several type of keys. So just put Iran of backing track and improvise applying this technique. All right, so see you next class. 25. Arctic Monkeys I Bet You Look Good On The Dance Floor Introduction: So now it's time to learn it back. New look good on a dance floor in the first guitar ration. Sounds like this. So you need to play the first battery of minor pentatonic in this example, F sharp. So frack number four on a string in our floor. Yeah, Just a heads up. You are going to repeat this four times. So 123412341234, okay, Eris and your note four times. So first note, string number 4. For number 4. Second notes string number, tree, frack number to a. String number two, frat number for streaming. Number 2, rad number to string number two, frat number five. Now repeat the same thing, wants to shrink down, so okay, after this, you have seven on a street, number 1 and a few, one whole step back after this. So 75 and a streaming over one and 75 and a string number two. So come back to 75. Okay? It's almost a pattern that he repeats several times. So come back and play the same thing, like this. Up and down. Alright, so if you just repeat the last part, the pieces lying on a string number 179, and come back to center around. So that's repeat everything personally. Right? After this part. It's 73 times five to five. And a string number 2, true on a string number two, five and a string number one into when a straight line. Okay, So in this last part, he's going to play the pentatonic minor, the first pattern there, the same pattern blink for however go. Yeah. Okay, so the first node is three times number 2. And you'll play 52 on a string. Number two, goes to four on the street number tree. Come back to chew. Five. Ranked so over time, very slowly. After this, four and choo, choo times on a string number tree. Place for Intune a string number four. So come back and play the same thing. However, just one single time. Play number for a few times in pleat is like, okay. It's a little bit complicated. There's less part, right? So my advice for you guys is follow the tablature and scream array. So I'm going to play these in Tyre. Last part. Just one more time. Slowly. 26. Audioslave Be you Guitar Solo: Hey guys, Before we begin this music, I'm going to play with our wah-wah pedal, which you don't know, it just kind of guitar, piano is fairly parts into rock and roll music. And the idea here, if you have a wah-wah pedal, you can like play like this. Down, down, up, down. Okay, the entire song is a very nice effect. I play. Like this is why. And like this is the other one. So it's a kind of effect and it makes your guitar much more interesting. So during this class I'm not going use any kind of effects that are even starvation. There even wah-wah pedal. Okay, I want to teach you doubted effect. You'll be much better to understand all the nodes in all the solid. First thing you need to think about, beat minors, KU. You're going to play everything on a string and number five, so I have frat Number 4, 5, 7, 9, and I come back 754. So a play until Fred number night and come back. So I'm going to repeat once and again. 459. Sorry, it's 79754. Can you can play everything if you are a fair number of one. However, during the second, second time you play this guitar, guitar riff, we're going to play 4575 instead of nine for shoe and open string. Everything on a string. Number five. In the third time, you're going to play 24579. Dan, nine, Dan Shu. Wow. All right. So fret number 12. Okay. Monson again, 2, 4, 5, 7, 9, fan, nine. Dan Chu well, okay. So you're going to play everything, check this out. Okay, you need to practice in play, average them to get. All right. So next part is Dan, 9799. All right. So during Dan and I'm going to play just in this last part, Check this out. Be careful with this part or this new part. Right now, you're going to play pentatonic scale. So, you know, if you remember or if you already know about pentatonic scale. We are going to apply this guitar shape right here. Okay? The shape number one, minor pentatonic scale and BMI. So you are going to play, in that case, you are going to replace seven, 99, 99, 99, 4 times. Come back to seven. Come back to 97. A string number 39799. Okay. So you're gonna play this three types. Can check the tablet to run the screen. And the last part is so 79 on a string number tree, seven and 10 on a string number two, convex or 797. Okay? You're going to play exactly the same thing, right? So come back to me and I'll play the same thing over again. However, refer different ending. So you have one whole step beyond on a Froude, number nine, on a string number three in a frat number nine. So it's normal, not normal. Okay. Three times. And 37979 on a street number 479. All right. This is the last part of the salts are going to play every, everything again, the entire second part. So there is an ollie might advise on his part is be careful with this band. Okay, so tried to do in this Bn by year. And don't forget about that app's game. Take a closer look to these tabs and trash memorize all the notes in oldest step-by-step, helping greatest class. See you, Bye way. 27. Lenny Kravitz Where Are We Runnin Guitar Solo: Now it's time to learn Lenny Kravitz in. Let's take a look to the first part. So this guitar riff is in B minor. I bleed in minor pentatonic. And I have a hammer on southern nine on a string number 4, 7 in a band. And the frack number nine on the string number tree. And it'll free paratope with this band. Okay? So, alright, this is depressed part and is the second part. So Dan, down, pull off line once and again. One more time. Now have aggrecan of Ben as well. So 979, however, on a string number four, right, so next part is I was the CMO play a few bars before. So 79 on a string number 4, 7, 9, industry number treat a Ben Mohsen again, 779, however, under number four, okay. For vibrato and play as lied. So it is like I played 7777, okay, on a string number, treat artery into last play every future gathering in, keep falling the tablature. Okay, next part is, so this pattern right here is the second pattern of D minor pentatonic scales. Okay? Fret number 911 on a string number tree. However, to play with SLI, complete fulfillment, you are trying to weld on a string number 21, hold step band in the fret. Number 12 on his trigonometry. Okay, So next part is 12121 more time wherever or the string number one. Okay. So don't forget to play 12, 2 times before plead his stand on a street number line, right in the last part is very fast guitar Lake. However, I don't think this guitar licks very difficult because he follows a pattern. And this pattern is 97. Okay? So 97 on a string number two as well in our tree. And it had played this with poof. Okay, so you can put your finger number 1 right here and the Fred number 7 into his huge blood. All right, next part is 90 on a string number 5, 7, and 9, and a string number 4, 7, 7. However, in a string number, choose entry. And the last note is B, so nine on a string number four, okay, so I'm going to play everything, check this out. I've got a plate, a solid one more time. This time we're going to play things since the beginning, and I'm going to play it very slowly, okay. 34. My advice for you guys is learned is step-by-step. Okay. Memorized a tablature on the video. All right, and this is a very nice guitar solitary and provides a few steps. Why do we move that, Gabriel? For example, you can add a hammer on as lied, a pool off. When you are going to play right here. I can play like this. It's a little bit different than the original, but it's going to sound very nice. It's a great exercise for your ears. There are not a priority can improvise as well is like this. So start off play as line between nine and 11, you can play like this. Has lied between seven and 11 and a different end. Guitar lick. All right, So, so I'm going to repeat Homer time that is very important. Does get our solid, is very nice to try different things. Okay? I hope you enjoyed this class and let me know if you have any kind of thoughts. Thank you so much. 28. Metallica Nothing Else Matters Guitar Solo: Now it's time to learn metallic and nothing else mattered. First part you are going to play. It's a Chernoff double began at theta ban on his string number tree in a FREC number 14. I've ever put my finger number 12. Well, if you're on a string number two. Okay? So all right, There's interplay true times and play Pratt 12, string number three. After disbarred, you play. Next bar is true alpha1 and eventuality and now run on a string number tree. For all the streaming over 4, 11 is on a string number tree. Shrew have forts. As you can see on the tablet, you're after D is 42. Well, in the FREC number Florentine, wifi number 1 and 12 yuan a string number of WAN. We careful because hue is not necessarily replace tree number two, right? So came once and again more time. Right? After Gs you have a good thorough leg. Soviets to 12, 15, ball off to 1254 to 12. Okay, so very fast. Going to place this at the beginning. All right, After this bar. So we have a band and a frog number 14. Wherever your pinky is going to be. In a fret, number 15 on a string number to know. Is there, which is bad. So my advice for you guys is put your finger number 2 key on a fret number 22 and to help your finger number tree. Okay. After this mystery number, tree and shoe and shoe off to know. Okay. Does next guitar leak? And you're going to be as light portion 215. My device is number two, fortune once again, and 12 on a string number two. So during the next time that the second time you don't do not come back to, to fetch wealth, you play Slide 15 to 17, known as string number one. Next part is, this part is very fast, So fanfiction, they're going to be 54 to MR. on 215 and a pool of 240. Okay. So for you number two, m1. Okay, so and to have on a string number two, listen again. Right? There been no fading targeted second bar. And the last part, you're going to play 12, 14, 12. Lead sound one hold us that band. And a 14. 12 and 14. We care from because during this band you're going to play 14 tao and blew off. So del bluff and a force known as from number four, as you can see on the public tour. Okay, in the last part is true however, once and again in ethyl tonic minor scale. So for to ban throughout the 12, 12. Okay. You can play like a buried for one whole step ban on a fret. And the Fred 15, 20 Keith to 12 and 15 two times in a very nice vibrato nan. So once again, be careful, tragic tune. And these bn by year, it's very important. Okay, let me know if you have any kind of dots. All right. I'm here to help you. Thanks so much. Bye bye. 29. Analyzing Nothing Else Matters Guitar Solo: So now it's time to analyze methodic and nothing else matters. So it is guitar solo has tree scales, miners Q and the tonic of minor scale, a pentatonic minor scale. This is minus q, E minor scale, and the tonic minor scale. And been a donkey blues. All right, So he begins with this is minor scale, right? So it plays off the deep dark shape. It's a band aid to be very important in chewed. Sure to Stan and analyze those star-shaped, so star-shaped. Placed exactly the strings number 34. Doris is bent up like blue. So one who plays right here, B-flat, which don't remember, blues note is, you can think as a B-flat or, or a sharp, usually pentatonic blues. Seminal minor pentatonic. However we feel a sharp four. So instead of a bleak tension right here, b flat, E equals E sharp, all right? And the interesting Barney's decompose the solid, just want to get our shape. During this bar, you have a minor scale as well. So the last part of this game, all right, In the last part is minor pentatonic. All right, the famous guitar shaped. During this last bar, he didn't play pentatonic blues because he played a sharp. Okay, so we can analyze this as minor pentatonic. My advice for you guys is do the symphony is Metallica did choose one guitar shape and compose a song. Them think about the other parts of your neck. Just think WAN, Bart's new warning or shape. You can play Laura off things just with your want. Shape. Can see Metallica D-Day grade solid, great song. Just want our shame. Alright, let me know if you have any kind of doubts. Thank you so much. 30. Smashing Pumpkins Tarantula Guitar Solo: Now it's time to place mesh them kings in. The first thing you need to do is tune your guitar. Half-step down, gaze. So in E-flat, E-flat, seconds train B flat, E flat, D flat, E flat. E flat. Okay, Sorry, the first parties. So as you can see, we have a very fast lie on a string number one. So track number five on the string number 12 to wealth and assume number one, okay? And I'm going to repeat this five times, 12345, right? As you can see, I play strings number 1 twice, okay? After I play my slides, so in twice, okay, so we're going to repeat this five times. 1234. Hi there fast. After this is string number two and 11. So as you can see, he's treat times. Alright? So during the second time, just for time. So in the next part is string number one, fret number 19, 17, and 15. Trick number two, same thing. And the last node is 17 on a string number tree. So the next part is, so traveling is tree number, treat. After D is true evidence tree number to come back to a string number tree and play 11. Come back to throughout on a string number. Chu Nian is tree number tree. So in the last two notes, string number 211. Going to play this role session. It's very easy. And the last parties, string number, choose open string, okay? And I play every few and a string number 287 array, and I have a very fast Ptolemaic. So 871 more time in a play him around. Maturing 87. So ghosts and nine, back to 77, a string number treat 90 on a screen and retreat back to seven. Plain lying on its tree. Number four in the last node is seven on a string, number five. So one more time, very slowly. And now I'm going to play the entire solo. But the absolute only for me. Okay. 31. Red Hot Chili Peppers Charlie Guitar Solo: Now it's time to play read OSU peppers, Charlie. And the first two notes is going to be in the fret number 7 in five and a stream number tree. So after two years you have eight on a string number four, come back to five on a string number three, okay, so after this string number four, so 875. All right. Okay, We're going to play this a few times, so be careful because during the second time, before you come back, she did the same the riff. You play frat number 8, Walmart time. Okay, So check this out first time, second time and come back or add. So be careful with that afterwards as you have. It's a double ban. Your play fret number. Dan on a string number treat. In when you play this band one whole step below. You need to be a string number two, fret number eight. So right after this, you play each one more time and a string number to come back should Dan pool off 27 and come back to your bands. So after play this a few times, you're going to play the ban in the fret number 11 and a string number two. So be careful with this doing, okay, this is very important. And you have this kind of melody. So eight on a string number two and on a string number tree. Come back to Dan in band one more time. Let's play the whole session. Come back and play the same thing. After this. You have a new metallic, so you need shuck fall on the pattern number, treat off. Minor pentatonic scale is exemple G minor pentatonic scale. Fret number eight on a string number two. Fret number tan in seven is trained number tree. In this block right here you have a few plots. So troop watts, okay? Band, boo, boo off. All right, After this string number 5, number 10, and H on a string number four. All right, so let's play this session. In a less br of the Solow. You have a few bluffs Monson again, and this time we replay stream number 5. So Dan truly turn a string number five. True time's gone on a string number six. And Dan on a string number 5. Ban, Anthony, cookie, batter number tree. And the last guitar riff. Alright, after this bar, he plays the same phenotype, replaying the beginning six times. And after this tree in five on a string, number four, all right, This Bart, be careful because during the second, fourth time, you need to play frat number 8. All right, so now it's time to practice a lot and let me know if you have any kind of dots. Okay. I'm here to help you. Bye-bye. 32. The Exiest Hey You Guitar Solo: Now it's time to play, Hey, you win. If you played a game, Guitar Hero, you notice some very well. So let's take a look to the first bar. The original song hit tunes, things from and little bits if friend. But this solo I want to teach you. We've done there to me. Okay. So let's take a look to the first part. As you can see, he played four times and we have Octave right here. So it's H on his tree number 5, and Dan on his tree number three. And has lied to 11 on a string number 513 on a string number tree. Pick just one time, right? After this. When a string number two, you play 15, 16, and 15. So your complaint is slide is going to sound very nice. So after repeat this four times, who play? So have a poor him around. On a string number two seeks shouldn't nine array. So in a plate, six on a string number one. Very fast. And you're gonna go to repeat this three times 1, 2 entry. But the last time, don't play seeks on a string number one, okay? And after views your blade three times, right? So it's eight. Choose seven on a string number treats Abu off an H on a string number for us. So one shoe times in less time, you played us 87 on a string number tree. Okay, so AAA very fast, going to sound like this, right? So you need to repeat this for tags. Let's play very slowly step-by-step. In the last time. Yes. Eight on the string number 4 in this data, the Southern, right? So just have chew sessions is a great soul. Shipwrecks are a few are beginning. You enjoy a lot. Okay, Thank you so much. Bye bye. 33. Aerosmith Pink Guitar Solo: Now Sam should play pink by Aerosmith. And the first part is, so to firstNode is 12, 13 and comeback to 12. Okay, So on a string number two, that's 3000, plate you on a string, the number of tree. There are going to repeat the same pattern right here. One whole step array. So Rack Number 10. After this, you have as light on a string and number 3729. And play number 8, 2 times on a string number one. So next party is frac number atrophy on a string and a mature. Okay, so FREC number eight, band a whole, one whole step band and a frat number 10. Come back to eight. And an eight. So can play with as light as well. So it's going to sound very nice. You have almost the same pattern replay before. In this case, we are going to play on a string number 3. So 7 to wait, come back to 78, honest string number four. Okay. We're going to repeat this one whole step. The frat number five. Okay. Please 6 one more time with his lie to eight. So next party is it says lied between eight to ten on a string number 4, 8 on a string number 31, whole step band. Tal gravity status played up. I played down. Okay. On a, on a fret number, tan, in the fret number ten on a string number tree. Come back to eight. And so, alright, next part is the same pattern time replay before. However, in this case, we plate right here, fret number nine. Okay, as you can see on the tablature, is almost the same thing. The next riff is a slide of between 10 and 12 and a string number five, NTN, each revenue stream number 4. So that's going to spark. You play a band, a band going down one more time. Okay, So right, instead of play and you play down and 12 and can't ever PHP on a string number tree. Okay, they're going to play last part of Amartya. In the last bar we have a few slides, so Just a heads up. This last part you're going to play on a string number 3 in one, okay? So the first lattice, 9, 11 on a string number tree, T, and on a string number one. Alright, so my devices follow my fingers, play with the same fingers and I'm playing. Alright, so next part is 11 to 12 on a string number tree and play to revenue stream number 1. So after G is one whole step, okay, whole step ahead. So 12, 14, and fortune is tree number one. After d is one whole step ahead one more time. So 14 to 16 inch blade, 15 on a string number one, F to G is a half-step. So 60 to 70 string number tree in 17 on a string and over one. Alright, so we have first, second, third, fourth, and the fifth slide. After this. You can, and this guitar solo with a few bands. Alright, so listened, original, solid. Recognize. Each part that I teach you and breaks a lot of shrinkage is a intermediated guitar solo, right? Because E is not a very fast or slow, but you have a few slides. So it's very important to pay these lights correctly. Alright. Let me know if you have any kind of doubts. Thank you so much. Bye bye. 34. The Strokes New York City Cops: This strokes New York City cops and the first bark, it's one whole stack ban in the frack number 14 on a string number tree. Alright? And you have a kind of bluff, truly in farting and throughout averaging on a street number tree. All right, So two times in a fair nice slide. So far, just 16, come back to 40. And the last node is on a string number four, okay, so you're gonna play on Martin, like Spark. I, one whole stopband and wants and again, so this time on a string number two in the frack number 15 and 13 and 14. Okay. This last note, 14 is on a string number three. Okay. Just fallen the tablature. Next parties. String number true? 131314 on a string number tree, right? As you can see, this guitar solo is not so difficult, okay? But we need to practice very carefully. Next part is averaging on a string number two thirds. You can play with the hammer on and pull off a few times, right? So 1, 2, 3, 4, 5. Okay? So the last part is pretty simple. Just try it. So string number, true, fret number for searching. And Dan, x node is frac number 10 however, and a string number one. And come back to Tim on the string number two. So this is the first group. Okay? I'm going to repeat a few times. So in the last year notice 1310 on a string number two. Okay? So it is last part is very important to remember that a reader, okay? This is kind of pattern to replace 13. All right, next part is Holmes descent thing, the same pattern. However, if different endnotes. So seven on a string number, one, on a string number two. On a string number one. You need honest string number two. Okay, so and the last one, Odious, seven on a string number 18 on the street, number two. So I'm going to play both parts. We're going to repeat this a few times. The last bar. Instead off, finish your guitar solo with this number 8, you've finished in the frack number 8, however, on a string number 1, now it's time to play everything very slowly since the beginning. This is New York City cops by the strokes. I hope you enjoy it. Yes. Thank you so much. Bye bye. 35. The Strokes Last Night Guitar Solo: Now it's time to play less night by destroy ofs. And we have the first part right here and the fret number 13 on a string number one. So one whole step ban goes that goes down 13 on a string. Number two, for at 11 on a string animal to warn. In one more, one whole step. The fret number 13 on a string number 1. So after this, you have the second part that instead of play the band right here, you need to play the band going down. So after these have turkey on a string number 21111 to three, number 1 and chew, alright, 13 on a string number two, after this bark, you play. And lab on a string number one in 10 on the string number two. Okay? And then onDestroy number one and a two and a string number two, right, one more time. After this. A double band. So you need to play a band in the frack number 11 on a string number two. In when you play this band, you need to pick a string number one, fret number eight as well. So it's averaging together, okay? After you play one time, you play it one more time. So double ban, a double Band 8. That will ban. We're at gonna play the entire Aristotle. You repeat one more time. And you have the last bar. That is, you're going to play 85 on his treaty number three, okay, so 1, 2, 3, 4, 5 is a boo off five times, alright? And the last party is 88 on a string. Number one issue we felt are neat peaking. Okay, so very fast in this last part is 11. And if your pinky on a string number one and Dan in the fret number ten on the string number two. Okay, and you play a band. So be careful because this part is VRD if cosplay. So guys, now it's time to practice breads and pracs and watch it as class one more time, learning all does the step-by-step in practice a lot. Okay. Let me know if you have any kind of doubts. Thank you so much. 36. The Strokes Under Cover of Darkness Guitar Solo: Okay, now it's time to play the strokes under cover of darkness. The first riff is right. So first thing being a number one frack number line on a string number tree, figure number 3, fracking them at 11 on a string. Number two, we start blinky rec number 12. Initial plate is battered chew time. So after this, 11 on a string number two, after 11th, 9 on a string number three and 11 a string number three. So first time, second time, 11, 9, 11, and 11 and 27 is string number two. All right, I'm going to pay fairness. And only after ds you play 11 is string number 3, a left and a string number two and 20. K, you repeat almost the same pattern in 11 and 11 Soon Number 2 entry. So all right, welcome back to the first pattern. You play an 11 in comebacks to nine. Okay, so first batch, second fatten 11 comeback. After Jesus status goes to pattern number two. You play track number 8 and you have are pagers. So on a, on a string number treat 11 of string number two. Frack number nine on a string number 17 on a string number one are, you can play 12 on a string number two, it's the same notes. So our next parties, you play 15 slide shows 70. Goes to 60. Okay. Chu, Chu 7 ever fee when a string number two, okay? You can, instead of play, We slide. You can play with the band as well, but it would be much more difficult. You two minutes up to an x bar. You're playing true wealth on a string number 2, 11, 12, and 11 on the string number one, okay, come back to seven. Is likely to choose 1211 on a string number one in nine on a string number two, right? So after this, you play on a string number two, frack number 11 inch 12. String number one, frack number 9 and 11, right, simple like that. And after disbarred, have a new guitar lick to come back to the first part. So all right, frack, number nine on a string number one in, you need to play a very nice Bu off on a string. Number two, 12, 11, 10, 9, you pick just one time. Okay? So 11, the string number tree and come back to the first riff. Are going to play this session very slowly. Check this out. After your plate is main raphe warmer time. Plates on a string number 36 on a string number tree. Okay? So it's a very nice solid, is very facile as well. So my advice for you, gases, brackets a lot. Okay. Watched his class one more time. 90 oldest step-by-step. And if you have any kind of doubts, please send me a message for the platform. Usha. Okay. I'm here to help you. Thank you so much. See you later. 37. Weezer Back To The Shack Guitar Solo: Now it's time to play Weezer back to the shack. And the first thing you need to do is tune your guitar half-step down, okay, so in E-flat, E-flat, second string, B flat, D flat, D flat, a flat, and E flat, or we began to Solow. You need to learn how to play the octaves, right? So this type of thing, all right, this is very important that Judas song in a few songs in rock and roll, Green Day plays like this lot blink horny. Few bands that I think I saw, bone job Solow, if it is typeof octave as well, right? So it's very important to Ernest and his concept that Grinch rebate is a lot. So did you hear is you need to play two notes and chew different octaves, denote movie the same. For example, right here we have eight, so 88 during two different octaves. And it's important that one finger is in the fret number seven on a string number 4, and you get a number for your pinky. Is Fred number ten on a string number two. You don't play string number tree array. When I big. As you can listen, string a number a tree, the sound is complete, that array. So and another important thing is you keep Chu, frets array and it's always the same pattern. Let's begin. The first thing is e power cord into fret number 11 on a string or five and a Paula Clark and the frack number 5, King Day on a string, number six. And you play this music interval right here. Okay, So finger number one, fret number 11 on a string number three, oh, sorry, string them before. And feminine virtue, fret number 12 and a string number three. So the two times employee, WE for vibrato or after ideas. You have this kind of guitar leaky and play. It's our page. Oh, okay. It's our fish eat. It's very important. Your plate like this. It's not cough, cough trouble. That going to sound very similar to the original song. Okay, So this bar to play 11 on a string number 412 on a string number of tree. So true times, come back 12. Leave forge on a string number to play 12 on it. One more time on a string number tree, 15 on a string number one in 49th Street number, choose to write. Next part is we have the octet. All right, so the same factor we learn. So RMA finger would be track number 14, which matches the number one. So 14, 13, 12, 11, 10, 9, five, and goes to salmon. So check this out. All my time. After this, you play or kind of funky groovy. So after your play here, a few times, you'll play right here. So this time you don't play octaves. So it just once and go, no wrath number Trevor and a string number tree and 40 on a string number four. All right. Asteroids is you have your peak very fast. We filter needs and peaking. So threat number 12 and a string number one. And you come back to 14 on a string, number tree, 70 on a string, a number a lot. And it come back to fortune to reform our time and forth. All right, So this bar right here, It's alternating peaking, it's very fast. So my advice for you guys is lease and original song should learn this Merida. Okay. Obviously, I will give you a few, few nice shortcut. And the first one is when your plate is tracks to clap the Reed Amar. Arac is going to help you a lot shorter standards concept or act. And he keeps play like this. So it's thick. Detect, detect, Care, Act, protect, detect, text array. So it's something like that. If you like to sing, It's a very nice exercise to harness dance. Sing the radar, tak, tak, tak, tak, tak, tak, tak, tak. Now the last part is you have the slide one more time. So 14, 13, 12, 11, NPN. And play two out. And forage on a string and obituary. So it's very nice and it's light is the same thing to replay a few bars before. Okay? So now it's time to listen. Does this class one more time, okay, Now any artist, step-by-step, these Under song, try to learn this pattern. A rag, it's funky, groove, pattern and passion for sure. Okay, see you later. Bye-bye. 38. Weezer Say It Ain't So Guitar Solo: Now it's time to play Weezer. And the first team you need to do is tune your guitar half step down, okay, so in E-flat, E-flat, seconds train B flat, G flat, D flat, a flat, and E flat for his parties. The centrifuge on a string, number one, you have one whole step band. And the Fred number 14. Come back, lay forth you one more time. And 11. Next part. Sorry, it's 14 on a string number truth, and left on a string n1. Come back to Florence. Play a band, that band, virtual part-time. True else? And you can play does nine on a string number two or 13 on a string number tree will be the same note, G-sharp. So far. It's up to you. Next part, you play the same malate. However, after you played a bandwidth, you played a band, goes down, play a pull off, off on a string number Chu, and come back and played as being one more time. And played if you've brought to, okay. So we're going to play one more time for you. Right? After this. Nine on a string number 4 and less on the string number 4, 9 on a string number of tree into, okay, so after D is 11, nine NH on a string number tree. So very slowly. Okay? And there could you repeat the same thing in another octave? So it's going to be everything on a street number Chu, Chu Wells, 1470 k. So that's George's ever seen on a string number one. So 164212. Nonetheless, nodes would be 16 on a string number two. So this part, but it's Octave. Second octave. Just read a tablet. Sure. Next part, come back to the first octave. End plate is less risk. So every few in a string, number one, Rack Number 16, you play the note, my A-band goes up, goes down. Or on a string number one in less notes will be track number 17 on a street number tree. Okay. So you're going play does less bark fairs really? Don't forget you play 47161 more time. And the last note that he sent. Okay. One more time. Okay. So now it's time to Brex, Brex alive. Watch this class, Walmart saying, in learning all these step-by-step, it's a very nice exercise for technique is speed. That's me know if you have any kind of thoughts. All right. See you later.