HUD Interface Animation in After Effects | ⚡️ Sergey Basharin | Skillshare

HUD Interface Animation in After Effects

⚡️ Sergey Basharin, Motion Designer

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13 Lessons (45m) View My Notes
    • 1. Introduction

      0:30
    • 2. Animate The Small Elements

      4:43
    • 3. Animate The Top Menu

      5:06
    • 4. Animate The Top Icons And The Center Circle

      3:01
    • 5. Animate The Human Figure And Create The Element With Audio Waveform Effect

      3:51
    • 6. Create The Bottom Element with Fractal Noise Effect And Mosaic Effects

      4:16
    • 7. Create The Random Text Element

      4:26
    • 8. Create The Chamfered Element

      2:24
    • 9. Create The Running Hacker Text

      5:49
    • 10. Greate The Background Grid

      2:44
    • 11. Colorize And Add Glow

      2:09
    • 12. Add Graphics To The Footage

      5:29
    • 13. Thank you!

      0:25

About This Class

This class consists of 12 lectures. It is divided into 3 sections:

  1. In the first section, we animate a ready-made example. Human Water Interface
  2. In the second section, we create HUD elements from the scratch
  3. In the third section, we integrate into footage graphic from first section

Transcripts

1. Introduction: Hey, this is so gay. Bash iron! And this is hot interface animation. In this class, I'll teach you how to create and innovate card interfaces. It's similar to those that are in the movie Ironman. Also, I'll teach you how to integrate motion graphics into footage This class is for anyone who interested in motion graphics. It's a good idea to be familiar with the after effects looked through each step of the process you can pull. Okay, but if you're new to this software, I'll see you in class. 2. Animate The Small Elements: animating the first element Block double click project pill. Choose the retain layers because we need separate layers in product. Enbridge Hardinger Fees file. Open composition. Turn on tight election safe. Go to view. Click show Ruler said. I pray of you to 200 and drink the guide from about drihk the gate from the left. Turn off tight election sihf go to view and click local guides. The guides are looked. We cannot move them unintentionally. Go to view and click Snap two guides. Now the anchor points off the layers. Stick to the crossing. Select the lower block off layers. Let's assign them and you color. Solo the layer. Choose pain behind tool and drag anchor point to standard. Let's do the same with the other layers. Let's make irritation. Animation off the elements without using Kif raves. Open rotation. Surrender over the layer holding al Botton. Click the watch type in Wiegele round round, Break it 0.5 Coma 1 80 round. Break it. Okay, see how it worked out. Wiggle is responsible for chaotic movement. The bigger the first we'll use. The faster the layer is moving, the bigger the second value is the bigger the rotation angle ease. Put this expression in. You can just copy it. You might also tickle with the whale use. Let's do the same with other layers. Go to the beginning of the layer open scale parameter and changed. Failure to zero said Key frame. Go 30 frames forward change value to 100. Select key frames go to graph Editor Selling the notes. Click Easing and make a riff breath. Ah, play button and take a look at what we've made. Copy their key frames. Select the rest off the elements. Paste the key frames. This is how we make scale animations, animating the next block a copy. Keep frames again from the first layer and select layers off their next book and pieced the key Prem's Let's move this block by 10 frames. 3. Animate The Top Menu: animating upper thirds. Ah, select as if a Sigmund. Select Pam behind tool and move anchor Point to the center. Select the second segment. Select pound behind tool and move anchor. Point to center. Select the last segment and select him behind, too, and move anchor Point to center. Select all layers, Aunt Duper composing and her name it to Upper 30. Select Pam Tool and draw a triangle. Mescal. Make brave you at 200% and a lion. The mesic edges open composition. Select the 1st 3rd open irritation at key frame. Drag it drag the third to the right. Go 50 frames forward and change failure to zero. Select Key Prem's Go to Graph editor. Select the Points and Colleague Easing and make a Griff Select. The second served open rotation at Key Frame Drug. The third to the right, Go 50 frames forward and change value to zero. Select the key frames. Goto ref editor. Cell exit points. Click easing. Make a Griff select the last ah segment Open rotation at key frame. Drink the third to the right. Go 50 frames forward change value to zero. Select the key frames. Go to graph editor select the points click is ink and make a graph. Let's off that the layers with 10 frames interval Press play button. Let's see what we've made. Okay, I find the layer with the right line. Select pen behind, too. Drag anchor point to center. Open rotation. Perimeter change value so that the line is perfectly vertical. At key frame. Go 30 frames forward change failure to zero Select key frames. Press F nine Using go to graph editor and make a grift. Find the layer with the left line. Select band behind tool and drag anchor point to center. Open rotation. Perimeter change value so that the line is perfectly vertical, too. At key frame gold 30 frames forward and change failure to zero select key frames Breast F nine Go to graph editor and make a Griff move the layers with their thirds forward on the timeline direct. All lawyers accept that once with the sidelines even further 4. Animate The Top Icons And The Center Circle: animating upper Aikens find to later, with the first Aiken open a positive parameter and changed failure to zero. Go to frames forward and set will you to 85 go to frames forward and set sail you to five. Go to freeze forward and said, Well, you to 70 Go to frames forward and set value to 10 Go to frames forward and said Well, you to 100. Move the layer with the icon Where the 1st 3rd ghosts Okay, uh, copy key frames from the thirst Seiken. Find a layer with the second Aiken paste key frames Move them to where the 2nd 3rd wind. Um, find a later with the third Aiken pieced key frames. Move them to where the 2nd 3rd went and the breasts play button and ah, let's see what we got. Animating the central circle, Find clear with Central so called go to FX. Find light sweep. Apply to later change mould tool Get out. Set direction to 90 said shape to smooth. Set with to 95 said intensity to 25 at key frame center, go to layer open keep creams. Drag these effect control point down wards go 70 frames forward and to drink the control point up, move key frames to the beginning. Off the layer. Click the watch while holding al button and type in loop out expression Press play button. Take a look at what we've got. 5. Animate The Human Figure And Create The Element With Audio Waveform Effect: animating human figure. Find the Eiken layer, open all key frame selected copy and go back to the layer with the human figure and Pete the key frames. Find the moment when all circles are already on the screen and move the layers there. Find the layer with the feeling. Go to the effects and find liner wipe at Bly Effect. Go to effect Controls. Change the angle to 1 80 at Keefe Rain ah transition change. Well, you to 100. Go to layer, Give frame 10 frames forward and said, Well, you to 66 five frames, forward care frame and 10 frames forward and said Well, you 2 33 Five Freedoms forward Key Frame 10 frames forward and said Well, you 20 Select all key frames. Differing velocity change values to a 60 60. Open a paucity and changed value to 30. Okay, lets at audio away form element created solid click Make um, size and no matter what calories, go to effects and find audio way for and the black to the later import. Any audio dreck the file to timeline and move layer to the left. Don't forget to switch off sound in their effect, controls in solid. Find the trick and selected Choose Ellipse tool. And don't forget to selects college on the timeline and draw a mask in line a mask into a center Ian pests menu. Click Mess, Kwan said. Value says following display samples. 2 50 Maximum hate 90 audio duration 500 thickness one and change display option to digital change The first and the second color to white Ah, you can see now mask is cut way for this element to fix. To fix it, go to mask settings and choose known here. Okay, go to the beginning off layer open scale, sq frame and change value to zero 30 frames forward and change Well, you toe 100 Select key frames Kifri and velocity and change values to 85 85. Launch brave you and see how it worked out 6. Create The Bottom Element with Fractal Noise Effect And Mosaic Effects: if you like what you hear so far, if you enjoy my teaching style if you're feeling productive, if you want to be the 1st 1 who know about the upload of the new class, please click these buttons and follow B. Okay, lets at rectal noise Bless mosaic effect. Find the later with upper line hoping scaled parameter and turn the values immunization off . That's key frame change. Failure to zero go 30 frames for vert change, will you to 100 select key frames. Right click and K frame Ballistic change values toe H five and H five. Okay. And find the later with the lower line open scale printer and turn the values immunization off and parented to the other. Ryan. Okay, find the layer with their these little arrows and open scale Pranger Its key frame change Failure to zero go 30 frames forward and, uh, it's value change. Well, you to 100. Ah, select Keep frames right. Click catering velocity and ah, let's change values to ah h five and 85. Okay. Ah, select the three layers and direct them forward with the interface. Ah, when the interface is already on the screen greatest Sollett and change size to 1 95 and 72 . And let's ah, make make it white, okay? And direct the layer in the menu. Ah, find fractal noise in effects and apply it to the layer. Go to effect controls and said Contrast. Two of 700 said brightness to minus 25. Go to the beginning, Off the layer out, Click on evolution and type in time five 50 Fractal noise eyes moving incessantly. Okay. Find Mosaic e and ah effects. They applied to the layer and change values to five and three. Go to the beginning of later. Open scale three major and at key free change Failure to zero go 30 frames forward and change value to 100 Select key frames. Different right click Different roasty age five and eight Life okay. And ah, launch brave you and lets you how it worked out 7. Create The Random Text Element: Okay, lets at text select type tool type in a random amount of numbers. Choose the blogger fund front thickness, light size 22 letter spacing 3 30 and choose white color for this phone. Open layer settings. Animate character of set and while holding al button click character of set and typing time has to risk. 24 duplicated the layer dragged down and change of the symbols duplicated the layer. Drag it down and change the symbols duplicated the layer dragged down and changed. The symbols duplicated the layer by the time dragged down and change of the symbols go to align and to actuate this panel open window and find a line. Select layers and landed created solid choose blank color. Click may come size and Reagan down on the tam line. Switch on the greet. Go to view. Click snapped, agreed. And don't forget to select the layer. Look of the band tool. Draw a mask. Square MISC. Okay, go to effects and find stroke. Apply to the layer said brush hardness to 100 at key frame. Start and change well, you tool 100. Go to layer and open all key frames. Press you on your keyboard and go 30 frames forward from the beginning and change failure to zero select key frames. Right click Differing velocity 70 and 70. Click OK, and let's make big round off this stroke duplicate this solid dill It the effect opened a bus temperature and change well, you to 20 open solid settings and let's big the white color. Okay. And let's find the upper Aiken on the timeline. Open key frames off this layer and a couple of them and based it to the big round player. Okay, change the veil yourself. Some of the key frames second to 15 fourth to 28 and seeks 2 20 Press play button and see what we get. 8. Create The Chamfered Element: Let's at tempered element create a solid peak white color. Go to view. Enable snapped. Agreed mode because we need the mask points to stick to the intersection off the read click Ban tool and make a figure. Go to effects and find ammunition. Blinds change will you to apply to the layer? Change? Will you to 80 said Second Failure to 45 and said with 27 Go to effects again and find stroke at black to the layer. Go to effect control since change brush size. Two to change brush hardness toe 100 and change. Busted dough 75. Let's find the big round player off the element with letters. Open key frames. Copy a plasticky frames back to solid and paste it. Go to the last key frame and change it to 50 enemies. Stroke yet keep frame. Start change will you to 100. Go 30 frames forward and change failure to zero Select key frames. Right Click change values to 70 and 70 and click OK, press play button and let's see what we got 9. Create The Running Hacker Text: Okay, let's add Hager. Text maker. Composition in change will use to 507 100. Rename composition to Hecker type. Open your browser and go to Hecker type er dot net. The site will generate some kind over it cold, and you can just called a bottle on your keyboard and just wait. I personally failed to just copy the text. I can't even selected so rightly choose brained Okay, and the browser will open print window. Select text. Copy it. Get back to after effects and clean type tool paste the text and goto character panel and select the blogger sounds Scrip thickness, light and change size to 12 and ah, later spacing 1 60 and interval 28. Okay, go to effects, find typewriter and applied to the later press You only you keep their keyboard and move their second different to 16 2nd open position and go to the beginning off the layer at key frame dreck the layer down right about here. Go to 16 frame and leaved the layer. Go to the main composition and drop our hacker composition into main camp Large. Brave you and see what happens. Let's make a big round. For this element. Go layer new shape, layer guilt to at many a section at rectangle path. Add field, go to shape path settings and turns the values and organization off and changed to 507 100 . Open field setting and change the color to white change. The bus devalued to seven. Okay, so like the composition with ah, the text and the shape layer and let's aligned this composition and shape layer together in the center of father composition. Press control home on your keyboard and let's move this element. Okay, let's create Let's at stroke for this background on a duplicate our background shape and go to settings and switch off field Goto ed and Ed stroke. And let's make ah, with a stroke for okay and ah, one more time. Go to add manual aunt click train path. Go to the beginning off layer at key frame. Start and change. Will you toe 100. Go 30 frames forward and changed value to zero. Select key frames. Right click gift, Rainville, Asti and Change Whale. Used to age five and 85. Select the big round shape and click pain behind, too. Move the anchor, point up open scale perimeter and turn the value of synchronization off change. The second failure to zero and go through the frames forward and said verily to 100 select key frames. Right Leak and said, Well, usedto 85 85 Let's breasts plea button and see what we got. 10. Greate The Background Grid: it's a big round agreed. But first of all, let's put things in order on the timeline. Select Hucker type players he and make ProComp and rename it to Hecker Main. Select lions layers make ProComp and, for a name composition to alliance, made select random text layers and make ProComp. We rename it to random text, select user interface layers except the big round vector background and make ProComp and rename it to Maine. You I great. A solid renaming to greet, no matter what color, move it to the bottom in timeline, go to effects, find greet. Apply the effect to the layer. Click with slide remote and change. Will you do? 50 said Border with toe. One duplicated the solid change the width value to 25 said the border with 20.5. This is what our greed looks like. Make a composition while 100 by 100 let's call it greed figure. Go layer, you free player. Go to add Rick Tingle path. It's joke and change the color. Two. White If you have a different one, open scale and change Valium to 10. Get back to the main composition. Go to effect and find a reptile, apply to the layer and change all values to 15 00 This is what our greed looks like. 11. Colorize And Add Glow: Okay, let's add color and go. Selects all layers. Duper composing. Rename it too hot, mean Go to effects. Find teamed Applied to the later sweep The color. Select the lower color. Okay. And to fix this color back, go to Hardman Comp. Go to random text and find black solid. Go to effect controls and change mode to on transparent, back to the main composition. Go to effects. Find glow. Apply to the later and let's speak colors from T and effect. Aunt said glow intensity toe zeroed out five. Okay, alternative we to make a glow effect, which I like better. Ah, switch off the glow effect duplicated the main composition. Go to effects and find fast boot applied to the later and said blueness value to 90. Turn on the at blending moment over the later duplicate the composition again Open a positive control and played with this will you Okay, That's our blue 12. Add Graphics To The Footage: Let's drink our, uh, hot inter, please. First of all, create folder and project Penhall and name it. Cops select all compositions and drop it into this folder. Except you. I mean, double click on project panel and import drinking footage. Job file into new composition button and after effects creates composition and takes settings from footage, duration, frame rate and resolution. Go window and actuate wrecker and go to layer and you now object and select food ish layer and click track motion Selectric Point wants Kill it and move here. The more contrast the object will be, the more accurate the software will make. The trekking path here is white object and dark background Perfect drag point consist was inside marker inside square for object and external square for the area where the object is located. Don't forget to move that time indicator to the beginning. Off the composition. Okay, click, edit, target and truce No one and the dragging pith well saved to this later click play button and wait. - Click . Apply X and Y donations. Okay. And drop you my main composition into dragging composition and open skill change will you to 70 and activate three D mold dip Lick eight layer two times select last layer and open position. Change that failure to 100. Open scale and change will you to 80 Go to effects and find Gulshan blue applied to the layer and change Well, you to 10. Open a passive D and changed to 50. Go to layer New now and Actuate three Demote Andrew and her name it to you I control so these layer will control. Ah, these three layers select you. I layers and parented toe Ah, you. I control there and I'll select you I controller and open rotation and change. Why value to 45 parent you. I control to no one open position and move you I to the middle off the table. Open rotation and fix angle. Okay, Now the graphics. Ah, look tooth smooth and stand out from their footage. We need to mess up the image a little bit, Go to effects and find couch in blue. Have black to the first layer and change value to five. Go to effects and find noise and apply to the first layer. Go to effect controls and change Well, you to to switch off use color moat now launch preview 13. Thank you!: All right, this is end off these class, and now you can create class project. Let me know what your heart is. Replace is and fair as much information about places you like. And if you like feedback, let me know if there is anything that you still have questions. I'll be happy to answer. Thanks so much for taking this class. If you like to diet life, if you give me a review things again and I'll see you next time.