Guitar Outside For Beginners - All the Step By Step To Play Solos And Outside Guitar Licks | Gabriel Felix | Skillshare

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Guitar Outside For Beginners - All the Step By Step To Play Solos And Outside Guitar Licks

teacher avatar Gabriel Felix, Music Teacher

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

25 Lessons (1h 30m)
    • 1. Introduction - How to play outside guitar licks

    • 2. Music Intervals

    • 3. Music intervals tricks on the fretboard

    • 4. Major and Minor Scales

    • 5. Greek Mode Theory

    • 6. Greek Mode Practice

    • 7. Pentatonic m7 scale

    • 8. Pentatonic Blues

    • 9. Simple Triads for Better Solos

    • 10. Simple inverted Triads for Better Solos

    • 11. Arpeggios outside with blues note

    • 12. How To Use Arpeggios To Create Guitar Licks and Solos 1

    • 13. How To Use Arpeggios To Create Guitar Licks and Solos 3

    • 14. Locrian Lick 1

    • 15. Locrian Lick 2

    • 16. Lydian Lick 1

    • 17. Lydian Lick 2

    • 18. Mixolydian Lick

    • 19. Outside Licks Lick 1

    • 20. Outside Licks Lick 2

    • 21. Outside Licks Lick 3

    • 22. Outside Licks Lick 4

    • 23. How to improvise guitar solos with arpeggios

    • 24. How to improvise solos by ear in any key and any style

    • 25. Final notes

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About This Class

Would you like to learn how to improvise outside guitar licks and fancy spicy solos? Yes? This course is going to be perfect for you. All the step by step to have fun and learn music.

I'll be breaking down  jazz-blues-rock guitar lick that is designed to build tension for your listeners. By focusing on music intervals, notes and scales. We will be playing "outside" of the usual major, minor and pentatonic scales.

Here's a quick look at some of the topics that this course addresses.

  • Scales

  • Spicy notes

  • Guitar licks

  • Outside techniques

  • Greek mode

  • Music intervals

  • Phrygian, Lydian, Mixolydian, and Locrian

  • Theory

  • Arpeggios techniques

  • Exercises

  • Improvistation techniques

    and more...

Take this course right now.

Thanks for taking the time to look at this course. I look forward to seeing you on the inside and teaching you the beginner steps on how to become a better guitar player.

Feel free to send me any questions you might have about this course. I want to make your learning experience the best that it can be.

Take action now. Every moment you delay enrolling is valuable time and lots of joy with the guitar lost - enroll today - click top right!

WARNING: This course is NOT for the person who thinks by purchasing this course will then magically give them all your guitar skills to you without you having to put the time, effort, and practice. It does take practice if you want to see results. :)

Meet Your Teacher

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Gabriel Felix

Music Teacher


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1. Introduction - How to play outside guitar licks: Hello folks, My name's gave her foot. I'm a professional musician and today I'm here to talk about my new course. It's dark outside for beginners. Would you like to learn how to play magnesium fans, self signing topics? Would you like to learn how to improvise with OT skills him? We can suit a sound if your answer is yes to both questions, this course going to be perfect for you. Did you oldest step-by-step to play outside tutorial x. And we're going to talk about scales, techniques, spicy notes, Lydian mode, blocker and moods, blues note, Mixolydian mode in how to transform an all-day scales in outside alix, I'm going to teach you more than 15 and metallics. And each lesson we are going to talk about a different technique, right? So we're going to see the miracle part in the breadcrumb bar. And of course, if you have any doubts, please send me a message through the plot of former share. Okay, I'm here to help. So see you at a first lesson. Thank you so much. Bye bye. Yes. 2. Music Intervals: Music intervals are very important for music. Even more important is understanding and being able to apply braze. I need to explain this table to you. Note that we have several numbers. These numbers are the formulas. Let's take an example. Major second is from number one to number two, major turn pro number one to number 3. Terrible off fourth PRO number one and number four. And so one, very easy right? Now, the minor intervals with this, you will find a flat minor second from one to two. But following the formula, let's set a flat, though we have from one to the second flat. Let's check another example. Monitored. Run one in number 3 flat, diminished fifth, from number one to flat five, and so on. Always following this logic. 3. Music intervals tricks on the fretboard: You already learned how to play music intervals and your guitar, right? So the idea here is to give a few shortcuts to memorize dispositions. So the first shortcut is you can find a fifth interval. And your core, you're ready to learn power courthouse, All right, so public flooring is a fairly common chord rock and you can play like war and phi. So DES interval right here. Disposition is my, my fifth interval, so it's going to play me so and and file serve complaint isn't the average singletons, for example, then B, B, F sharp, 15, c 15, and so on. You can do the same thing you are the strings also. So 15155. And you can keep doing this knee every single stream, okay. The second shortcut is to 8 eighth interval. So worn and eight is the same note, however, is a little bit higher, right? The sound sounds really higher. So eight is the same position you could, you also can play with finger number tree. Okay? However, you need to remember to Don't play this string in the middle. All right, So string number five, and if you play everything is string number six like that. And they'll place from number five and it goes to four. Okay, so interval, my shortcut for you and major third is a very important terrible. For example, one and industry number to six fret 5. And a major actor is a string and number 5 for it to form a major third. Major third. And same thing bringing here is MB. He is indeed. I don't need to think, oh man, I need to learn all the notes on the fretboard. You just need to remember this kind of shortcut, okay? If you remember these, you can play every single interval like this. All right, so one entry measured, okay? So minor turns, one in almost the same thing here. Half-step. Have that before this. So a and C, it's a kinda can change your fingers. It's going to be easy, right? So it's finger number 3, one, and kinda dancing average single key. Again, you can also go to our other strings. So string number 5, one, flattering, flattery and so on. Okay, so remember discovers very important one major third, one minor, dark. Again, one major third, major interval, one and a minor. A minor. That's why when you play a C major chord, you have this major interval right here. All right, So type of corti already learned and it's easier to understand. And you should use as example, a minor second interval. Minor second, tireless, really easy. It's a half-step ahead, your notes, so E-flat or D-sharp. For example, e, f, and so on. Can use this every single key as well and have a single string chew or right? So it's going to be much more easy. However major. Second, it's going to be one step ahead. So D, F-sharp. Let's change our string. So you don't play this factory and play the next one's a whole step ahead. So MLS shortcut for you guys is the fourth interval. So it's more for the same fret, however, in different strengths. So Fred number 5, string number six, fret number 5, string number 5. So 1, 4. You can do this same thing, you are destroying students. So b0 and b1 and four. Same thing here. G and C. 14, all right, and so what intervals are very important we've done you can play quartz very quickly and improve your improvisation. So you need to practice this, okay, So choose a few intervals and tried to find on your fret board, I have all the notes on the fretboard in the complimentarity material of discourse. So check the first-class and download this image. 4. Major and Minor Scales: Learn Measure 2 minus caves. Do you need to follow a few steps? Step number 1, write number one to 7123456. Second part is the formula. So 0, 0, 0, 0 and 1 more homestead. Now you have formula of mayors KO. So I start with 10. Let's see if I want to do a C major scale. I'm going to start with C in load number one, okay? But give it, I want to do an F major scale, okay, so you start number 1, f, or give you wanna do like a D major scale. So start with these simple like that. Let's start with these. A good note. Does the number one. Now we need to discover their other nodes, right? You are indeed right now. We need to check one whole step. So don't play D sharp goes to E. Next one is a whole step as well. So downplay F, F sharp. All right, next one is a half-step sharp, so next step is much more easy. G, OK. Now we have one more home stat, so g goes to a Walmart. And the last one is C sharp. This is D-major scale. Okay? When you think about measures K, you, the first thing you need to do is Buddhist seven numbers and fall. Always write down right on this. We need to follow deformer. Okay? It's really simple. Just do this, choose that if I'm one minors KO, I need to change my formula, right? So it's going to be like this. Alright, whole step, half step, whole step, whole step or again, half-step and holds that. Okay, so let's try to do D Meyers. Another one. Let's see. Let's go with E minor scale. First one is IEP, all right? And I have a whole steps, so F-sharp. Now we have a whole step and a half-step right now, right? So F-sharp goes to G. One more whole step, Jeju, a whole step again, HIV beat. Now it's a half-step, so we are indeed half step. You just played the next nodes C. And the last one is, oh, statute. Now you have a minor scale, E minor scale. 5. Greek Mode Theory: Hi, I'm going to make it easier. Your work we've heard is C major scale has example. We already know which one is the Ionian mode. It is the onMeasure scales, the same thing. So C, D, E, F, G, a, and b. The next mode is collared Dorian. It's nothing more than the same major Skinnerian work with bird starting de. It is a minor scale with a measure 6. Now we will use C major scale. Start with the sequence will be like this. Region scale, E, F, G, a, B, C, and D. It is a minor scale with a second minor degree. Then x Greek mode is the legion. It starts with the fourth degree of the major scale. So F, G, a, B, D, E, where E is the major scale with augmented fourth. The fifth, the grid mode is the Mixolydian. It's a C major scale, which the fifth degree in G. So G, a, B, C, D, E, and F. It is the major scale with a minor seventh. The next mode is the Ionian mode, and each corresponded to the 60 degree knee. Our example, the six degree of C is saying, so. It is the natural minor scale. And the last one mode is the second. 6. Greek Mode Practice: Okay. Hi. 7. Pentatonic m7 scale: Minor 7 pentatonic scale is a scale with five nodes. Hebrew, you wrote a, a minor scale. There are seven notes. That's why you need to get two nodes, number 2, m. Now instead of minors game, you have a pentatonic minor seven scale. 9. Simple Triads for Better Solos: Arpeggio and triads are the same thing. From this tripling any kind of our pager, you need to know the triad and try it is the same fields cord. So think with me, if you want to try it. For example, a major triad that is the same thing as a medial core. We need to play one tree in five of our scale. Today we are going to learn our page up on a string number 4, 3 in1 major, or pages right? From these, the first shape is froude number age on a string, number for number nine on a string number tree, in eight on a string number two. Okay? So you have a major triad. This is C major triad, okay? Or see our patient in, if you want to play exactly the same as aphasia. And however, one step ahead is just play the same, get that pattern. One, hold a step ahead. All right, so now you have a D major arpeggio. Alright? If you want to measure patients the same theme, one step, one hopes that, alright, so E, D, and C Major, Okay? If you one hundred, one hundred typos, chlorides, you need to change. These are Bayesian, but if you keep this shape, you have all of the major triad are pagers, alright? So C major, B flat major, G-sharp, your A-Flat meter and so on. All right, very nice exercise is play the chords of your escape. For example, in C major scale, you have Part, D minor chord, E minor chord, and stillborn, right? Then. Now we have a kind of issue because we need to play major in minor chords, right? And the last core of our Orozco is a diminished chord. So we have three type of herbaceous, major, minor and diminished, right? Reorder. Learn how to play major aphasias. And now it's time to nine minor, diminished minor. A beige rock is the same thing has an issue. However, you need to change one single note. All right, So instead of play threat number nine on a string number 3, we play fret number eight on a string number tree right there. You can play like this. If you are female street, one inch, or play like this. One finger, 2-nodes, the right. And this is C minor. If you want a D minor, just one whole stack array in the same guitar shaped, E minor. One host that in same guitar shape. Okay? And now it's time to play, diminish or pages. So it's the same thing as Minor Asia. However, you need to change one single note. Instead of play Fred number 8, we're going to string number two. You play Fred number seven, right? So a company like this or like this. Okay. We're short pink finger in now we have the tree based off our patrons, right, from this really older patients assurance key and his example. And we are going to play in C meter. So C major, D minor, E minor, F, the major, G major, a minor. In both groups. The miniature Bayesian. Your complaint here as well. Okay, B, D, and F. Alright. It's very important to practice this type of exercise in memorize, this type of pattern is going to help a lot you improvise and play guitar solos. 10. Simple inverted Triads for Better Solos: Now it's time to learn inverted or visuals or pager and chords are the same thing. From this we need to play and we are going to, to bring try it, okay, so it's 1, 3, and 5 of our escape, right? And it's inverted because we need to play strings, numbers 123, right? So let's think about C major, RP Zhou. So we have C, G, any, right? Though? This is the first major, our patriot. And you can repeat this step are far Bayesian shoe, every kind of major core may or may not be correct. For example, the major Pedro is right here. E major pages right here. Right? You can play with shorter finger number one, fret number eight in eight on a string number 12. And your finger number, chewy, our middle finger. In the fret, number nine on a string number tree. Or if you prefer, you can play like this. Number two middle finger, right? Number eight on a string number 1. See you number one, fret number rate on a string number two, and your finger number tree graph number nine on a string number tree. Conceptual. However, we have NADH are two type of base arpeggios, minor and diminish from this. Minor pieces is very similar to measure. We need to change just one single notes. So instead of play nine on a string number of tree, we play eight on a string number tree. Okay. A complaint which ever seen me for just one single finger. Right. Or we can play with your finger number. Treat your ring finger, middle finger, index finger. Okay. This is a minor our picture. And it's the same thing you can repeat. Never seen frat to have their other diaper off our pictures. All right, so here's C major, D major, D minor, sorry. C minor, D minor, E minor, F minor, and so on, right? And the last are painful is a diminish. So we need to play a minor pager and change one single nodes, right? Instead of play or at number eight on a string. Number two, replay fret number seven on a string and virtue. So arrays are going to sound like this in a number tree. And your ring finger, thread number eight on a string, number one. Trick number 1, Fred number seven on a string and number two. In figure number 2, Fred number aids on a string number tree. So you'll have diminish our patients. The same thing if you want to see sharp diminished or Bayesian one half-step array, the diminished arpeggio is the same thing and so on. All right, great exercise is play. They are pagers or the courts that you have in C major scale, right? So let's play with me. I'm C major, D minor, E minor, F major. G major. A minor. In the last one is bid, the management of patients. And it's kind of complicated to pray right here because of the frat right around isn't going to play. Here. K is the same type of chlorine, the another octave. But if you prefer to play right here, going to select this. My shortcut for you guys is memorize the pattern, right? Memorize the pattern. A major, minor, diminished in brackets. Just want senior scale, right? Trach, compose your legs, right? You add this type of technique in or songs your solos. And after you, you memorize this type of pattern, you can go to the second pattern, right? It's important to learn step by step. 11. Arpeggios outside with blues note: Now it's time to create guitar licks, which are visuals in sound bluesy, okay, blues. It's a very nice tie on off my favorite styles. And usually you play with your minor pentatonic scale is going to be seen. So we need short blind. The first pattern of pentatonic scale in the fret number eight on a string, number six. And think about dirt and fifth, buying this case, we are going to light this herpes. So C, G, okay? It's, it's C major triad are, okay. And we need to think about our third, so flattered in major there. This is one of the best shortcuts in blues is this type of movement to flatter major term and you have flat five, perfect file as well. Alright, so the idea here is to create guitar licks. Wish our pentatonic scale. We shower or Bayesian in this type of Muslim. Alright? So for example, as you can see a play threatened or 88 ministering number 1 and chew it, play a hammer on to 29 on a string number tree. Okay, So our balloon right here. And after this, I keep falling my pentatonic patterns, Fred number eight and a lab on a string number two. And after does it play 88 on a string number 121111, honest train number one into our answer. So if you follow the step-by-step, it's very simple. You need to follow your page IOs. So it was a major pager, the third of this chord. So there are major Kurt play flat or Lumiere eater, and add the pentatonic scale so I can create another type of legs, for example. So I play monitor to major third, fret number eight on a string number 21 and come back and play exactly the same thing, but in the opposite way. Manchu less notes on a string and our four fret number 8 and can follow my bad. Okay? So it's a mix of creativity and blues technique and our, right. And you can do this with fish as well. So status play G has a perfect fifth. You can play flat five to perfect fifth or so. It's going to sound very nice. But you need to apply your creativity is not a easy thing to do on a guitar. And yes, you need to practice a lot. Let's take another example. We from NADH or are pagers. So let's apply this C major or visual ray here. So C, E, and G is our tonic right here. Flattery and major tree. So now it's time to practice a lot. And if you have any kind of dots, please send me a message through the platform and shack can help you. All right. See you later. 12. How To Use Arpeggios To Create Guitar Licks and Solos 1: You already know how to play our pages. Now, it's time to compose your own guitar lakes, right? So I have a few shortcut for you guys. And the first one is choosing 11 pager. For example. C major triad or aphasia game. You can play the arpeggio, create a melon juice with denotes off. These are patient in an extra note from your scale, okay? For example, does our patient is C major? From this, we already see me rescale, okay? I'm going to add, denote, that is the second node of D major scale, right? So then I have a new melody array. Another example. Let's keep them with C major Ba Zhu and add anos. That is no number 6 or far as k. So this is a very is approaching to create mallards in guitar licks. And a second approaching is choose your aphasia. So let's keep with C major intrusive one string. So I gotta choose string number two, okay? And you are going to play the scale horizontal position, right? For example. As you can see, my guitar lick sounds very nice. And I choose string number two, then play a, V, a, G, a, and G. Okay? So it's not necessary to Plato's Kao, just true tree or foreign node. This k are tuned banish, you are Bayesian. Okay, so let's play one more time. I can, let, let's play another example, array and CRP Azure, but I'm going to choose the first tree so it can play the same fee. In this example, I've played deep one host that dance. So e, come back to D, to C and D. Okay. Sounds very nice. You can choose these, are these another one is up to you. Okay? You can think in any kind of her Bayesian and apply these two approaches. Now it's time to practice and use your creativity. 13. How To Use Arpeggios To Create Guitar Licks and Solos 3: I would like to give another shortcut. Compose your own guitar, lakes with our patients in a short, curious choose to, or beiges in a mallard between them, okay, for example, we're going to choose C major or Piazza, okay? It's inverted. Go C, G, and E in D minor. It's important to choose their patients of scale. So nice K of C major and the second chord, or Asia should be D minor. That's why I choose the miner. And the idea here is to control the melody. And this shoe or pages is not necessary to play everything. Okay, every single note, for example, who have C, G in the first or feature in a second abrasion, D, and that it's not necessary to play all the six notes. Alright. So let me see. Sounds very nice, right? I play almost all ITU or Beijing. And I give them dino to the second herbaceous, not a problem at all. Let's compose another example that's true. C major or basal. That's pretty major seventh as well in the minor arpeggio. So stance the RNAs, and they didn't play or the shape gray. The first second shape, the second shape. And just play one single know that it was f. Okay? So, and the most important thing is a Blia, creativity to find the right melody, okay? They are page rules. They are just kind of map to follow and find the best group of nodes. But it's not necessary to play every single notes. 14. Locrian Lick 1: For now some AAA lockdown mode. So in this case we are going to be LOTRO mode. Now be locker and has the same note as C major key. So symphony or C major Ionian mode. Alright? However, we need to focus on in nodes of b, La Crosse arise. So root flat three, flat, flat five, the diminished interval, okay? And flat shoe, that is one of the most important nodes as well, right? From this, this type of scales not common at all. It's rare. Rarely you see a song with a LOTRO mode, okay? Just because of the flat shoe and flat five. Okay? These two intervals, they are non-static. Those intervals are two outside to music. From this summit. Possible find a song in a locker. Alright? But I need to teach you is this mode as well. The idea here is to starting beep. So Fred number nine on a string number 4, 7, 9, and 10 on a string number three, okay? And 79, however, a blue ball off, right? T and on is Fred on the string number four, come back to seven, dN one more time. That's our fledged you. So C naught, NB 10 is on a Fred, Fred number nine on a string number four. All right. If you listen carefully, the sound is true outside, most of my students do not enjoy the sound off this. Does locker mode. Just because the locker has too much spice, flat shoe and flat 5 is 2 made outside. That is up to you. Check fury enjoyed a sound in a blind on your songs. All right, so let's bring one more time. 15. Locrian Lick 2: For this links, very nice. And I flew with Tom Watson. So I play fret number nine on a string and before we start moving, so you just put as part of your hands on your guitar array. So 1234123, so 4 plus 3, 7 times, right? So once you true for, once you treat seven, when a string number three, flat tree re, come back to be. So 91 more time and a strain on the floor. And that is our C note, flat shoes, a very important notes for Beulah Akron. Not a very important note as well. So it's a flat five. And I finish right here in ERA. So fret number nine on a string number tree. I can add more. My lake in NADPH as well, so it's going to sound more. Luck runs. So check this out. 34. Okay. So it's going to sound, if you've finish right here, it's going to add too much spice at least to me. Okay. Locker is a very hard mulch work with just because we have too much tension. So it's very difficult to find a song with key, with the lacrimal rack. That's why you need to be careful. 16. Lydian Lick 1: Now it's time to play F Lydian moles. So leading is more number four, okay, is a major mode. So you are going to play exactly the same notes as C major scale. But if you do not want some legacy majors keel, okay, you need to focus on the F measure traits or F, E and seat. And of course, the most important notes in a legion mode that is sharp for array or trade time. Same thing on a flat fives. That's the same thing, okay? In this case where he is going to be, it's going to be b naught. You can find here, in here. Right? So let's get started. The first locus. One more time. Right? Be careful because Friesian and allegiant, you play exactly the same position, okay? But they are two completely different modes or re, remember about that. The most important thing is denotes tell you are going to start and finish your leg. Ok? The most important thing in one's going to really change the sound off your guitar lick, right? So for a Sparty's Bu off tourism 212 and a string number one, thirds 12 and 13 on a string number two. And the last notice 13 on a string number one, right? So one more time. And as you can see, a Palaeography with my finger number one, Chu array. Just stopped my lec in B are going to sound a more lenient. So okay, but in this case a starting NADPH and finish enough. So it's not true meridian, but steel is Selenium, okay? But of course, it's up to you. It's your decision to sound more Lydian or not during our improvisation. But it's important that trauma center concept, I always talk about that just because it's very, very important in array. 17. Lydian Lick 2: One more time. This link star in 15 on a string number for a pull off. Force into, to have on a string number of tree, come back to 15. And now we are going to play to wealth, to forge on a string number 3 and go sue shoe have on a string number 2D array. This is the mash connote of F Lydian mode. So it's Tritone or sharp 4. That's why sounds so good. Okay, So it's a B note. And of course you can provide with something else playing or median mode. Okay, So starting on F, Lydian and Friesian, they have almost the same pattern. The only difference, the first note, but the other notes are exactly the same. Okay? So you can provide some thing else. Focus in F Lydian, right? So let's see. Okay, it's up to you array. 18. Mixolydian Lick: Now it's time to bleed and g Mixolydian. So she is the number 5, so mod number five. And you have exactly the same notes as C-Major. However, if you do want some like C major scale, you just focus only one, me shutters and perfect fifth of G-Major. And of course, to the American note of this mode, There's a flat five, flat seven. So NG tube we think about g is f, right? So you can play right here. The pattern right here, or in the fret number tree is going to sound exactly the same, right? Are the same notes but in different octaves. So let's learn the tree for this link sounds very nice. And in g Mixolydian and I start here and in G. So treat now on a string number one and I have a hammer on, so treat 56 on a string number two. Okay, Yeah, and it stop a little bit in this. Now number six because this is the mesh can also flat seven or k, f nodes. Okay, this sounds a lot of Jimmy to Ligia and then come back to a pull off. Fred, Fred number 5 to 3, comeback 55 and a string number two, sorry, 53, number one, tree on a string number one, right? So if I do not stop in F, I'm not going to sound Chu, Mixolydian Jim Leach. Alright, so, so for example, triply like this, I'm not sounds you're mad mix solution. Just rename about that when you are improvised something, if you choose the right notes of the modes, you are going to sound more like demoed, okay? But it's up to you, of course, you choose if you want to sell them arming, so lesion or not, right? It is important to understand this concept when you are going to apply on your academics. I always start this to my students. It's very easy to sound like a CME. Sure. The guitar solo, cane juice because C major and Jimmy so leisure or the same notes, okay, they have the same notes. But if you focus in G, nodes, in G triad and ofcourse F, you're going to sell them or Mixolydian, okay? But if you focus board in C triad, you are going to sound more like C measure, okay? Be careful with that. 19. Outside Licks Lick 1: 34. So now it's time to play. I feel outside legs. So this is the first one. And the idea of the outside sound is to add spice notes outside of your scale, right? In chromatid key, note is going to work perfectly for this. I'm going to take a minor pentatonic scale, an array, and you're going to add a few chromatic notes. So check this out. First, notice five and a string number two. And I have my first chromatic port, so 765 with a ball on a string number three array. So, okay, this is not right here. C sharps a chromatic notes, so do not stop in C-Sharp array. If you are playing in E minor. Next part is seven on a string number 4, five on a string number of trees to pull off 75 on a string number four. So we have more time. Alright? The last, the last part is seven on a string number 5. So inodes 5, 6, and 7 stream number four, this is the order chromatic part, right? So G-sharp, Zuckerman, tricky one. All right, so 567 as Drink Number 4. If you play this a little bit fast, going to sound like this. Okay, The last part, you can be caffeine or play with a header on except she read. But the idea of this Leakey's to think about the chromatic notes That's lively, C-sharp, and G-sharp as well, correct. So let's practice a little bit faster. I 3, 4. Remember guys is at play too fast who can change the speed of the video key and make your life easier? So the most important thing here is not memorizing guitar lick is one, understand this concept in a little bit of creativity and create our own lives. So you can take scales. I took a minor pentatonic scale and add a few Kermack skip parts, okay, if you chromatic notes and sounds very outside. 20. Outside Licks Lick 2: For so have a very outside leg right here. I'm going to take a minor pentatonic and you're going to add a few outside nodes. Okay? So I'm going to use D-sharp, our blues note, right? So a sharp four on a flat five and f short note did the darken the darker note array? So major six, Chu add the outside idea. Okay, So I'm going to play very slowly. Check this out seven on a string number four. So we note 578 and I come back 75. Okay? When I played is what I have. I play with a hammer on and blew off. Okay, so it's important to play like this, okay. And we're abuse notes right here in a frat number eight. So come back to seven as treating them for in a play, 5781 more time. So I'm going to repeat everything, check this out one more time. All right, the next four is seven. When a string number Chu come back to 87 in aid on a string number two, right? And is not refuse that flat seven. I've showered key hierarchy. So our keys E minor. So he's G note. All right, So that's been play one more time. If you want to stop right here, it's going to sound via outside as well. Check this out. I think it's nice if you stop here and play the lesson three notes. You're going to veer outside. Very nice array. This type of guitar lick works very well with fusion, jazz, sometimes with blues and progressive rock array. So you can lease in this type of thing. A lot of those tires. 21. Outside Licks Lick 3: Now it's time to play a Neolithic, Yeah, and outside lake in this time you're going to play with the second pattern of a minor pentatonic scale. So as you can see, this looks very nice. And we start right here. And Abu Sayyaf, eight array. So we sure are a figure number 2, your middle finger play piano, string number two. Our outside nodes right here, a lab on a string number one, okay, back to Ghana on a street, number 1. And this time you play piano, string number one. Okay. So it's going to sound like this. Ran one more time. Okay. Come back to tan. We feel our middle finger aid on a string number one, can 8, and Dan would a string number two. Okay, so we're going to play one more time. Outside notes so you can stop a little bit array and continues to play. One more time. Is less bark. You can play with GPU off as well or IRP care riffing. So let's play a few times together. Okay, play with we treat for so sounds the RNAs in GIS tube. To remember downside a DEA is should play your rattlers K0, your leg in one or off the outside notes. Okay, oh, pass through this outside naught. Okay, you have these two approaches, but the idea is, is easy to think, okay? Just take everything you know about pentatonics, Greek modes, and, and this is spice notes, okay? So you're going to sound harsh outside. 22. Outside Licks Lick 4: 34. Sort of Steiner going to take the batter number tree of E minor pentatonic scale. We're going to play this nice lake. So Fred number 12 on a street, number 512 on a string or a floor, right. So I have with my ring finger and index finger. After this part, I played TNM nigh on a string number tree. Okay? And a play which has lied to F and a string number of floor, come back in this time I play nine and PN on a string, right? So I have, oh, sorry, one more time. All right, So after my slide to alpha nine and Pn, be careful with this board. And last three notes going to be 99. However, Dan and nine is on a string and virtue in the last notes on a string number tree, erect. This type of Lake. I mix minor pentatonic scale, okay, then the minor core array of a minor and add a major seven right here. Gestures, sounds sad or rice, so, sorry. E, G-sharp as a major seven. And a finch right here. Okay. Oh, sorry. And I finished right here in IIT the perfect yes. Okay. But if you want to sound more outside, you can finish in fret number 10 or rice was going to sound a little bit different. So you add more spice on your guitar lick. So take this idea and work to you to create your own metallics. Alright, now it's time to use our creativity and developing audit skills. 23. How to improvise guitar solos with arpeggios : Now it's time to transform our pages in guitar solos. So the idea here is to think you are paid as another technique. For example, as a band or tapping technique or hammered on or off or something like that. Okay? So the main goal is to apply your peers, you, to improve your guitar solo or your melody. Alright? I'm going to play a backing track, and his blood backing track is in B minor. From these, we are going to apply E minor pentatonic shape. And of course, if you are going to use a few herbaceous and before we begin we need to check and dirt be Zhu type works very nice, normal or Armani. Okay? So if you are in B minor, we can apply these are big array here, that is B minor Asia, okay? On a string number six, of course we can play here as well, a similar page with a different shade or different octave. So it's the same shape as this one. Another very nice shape is this one right here, is a minor shape, okay, on a string and number four. And of course not necessary to play jazz B or P Zhu, who can thinking the D minor scale and see what kind of courts we have. For example, in coordinate with four, we have an E minor from the SQL can apply his guitar shape right here. This our facial shape, okay? The same as B minor. And F sharp is a minor as well. So you can play, is minor it or shaped, okay? And we have 135 flat seven. And we repeat the notes are right. Or you can cut a flat seven. So 1, 3, 5, 7. Oh sorry, 135135. Alright. So it's up to you. An odd shaped at it like is this one right here is a major, so it is a minor. You have D minor. However, we have G major and a major, so it can create very nice licks with these are features. All right, so as you can see, you need to choose the D shapes to get our shapes that you are reading, the horizon, the shapes that you like, okay? But just a heads that is not necessary to play, just the shapes that are teaching our course. You can create your own star shape or pages are key. For example, I can see I have it shape right here. So 1 plus 7, 5 entry, flat trick, right? So we can play a melody right here. To create a melody as we've four notes, four notes of my herbaceous or a canned forth. For example, be if you can. And 24 is, though, we're going to play B minor Piazza and add each note. So, okay, and then create a very nice melody. As you can see, it's important to use your creativity as well. So now you already remember a little bit there. Pesos did find that the possibilities of our patients in our harmony. Choose your, the best RPG loves you who like in their pieces, you already morass and now it's time to apply our creativity, apply on our pentatonic shape and improvise a little bit. Alright, be mine or x began to proof a very nice or pages. So let's put the comeback to be buying on to feed you. Pentatonic scale. Triads are pager, Amartya, other facial. As you can see this jimmy herpes, you're a visual vicious sounds. They are outside, isn't it? Let's bring our time series for E minor. F-sharp minor. Jerne, I see, isn't it? It's forced him to come back to be array supporting should follow this B minor. Armani in our song. Though, let's play fewer visual sequence. So minor, F-sharp minor, B minor. Let's go. Rti. They're nice, isn't it? As you can see, it's important to practice a lot, a lot flatline. And of course, use your creativity to create your own arpeggios pattern, such as this one right here that I add. Yellow of course, to mix with other techniques such as him around and boo off bands and mix the, the DRP Zhu shapes. For example. I make this our page on a street number 6, beat. And E. My art Bayesian. Sounds very nice. Okay, Palmer, thank former time. The minor. E minor. The minor. My art. Very nice. But now it's time to practice. 24. How to improvise solos by ear in any key and any style: So I'm going to explain a few shortcuts about how to improvise guitar solos live and by year K, That type of thing that happens a lot when you Iraq professionally. And, but before you watch this lesson, please watch orders lessons about chords and scales, okay? Everything about Gordon's case. We have in our course an inch, you understand all the chords and scale process before you start this lesson. If you do not understand, you are not going to understand anything. In this lesson, you can do your complete waste of time. I think number one is, think about pentatonic scale. Pentatonic scale is very easy to memorize, K. And usually working most of the case are going to play rock, motto, blues. What else? Iggy, Pop songs. Most of the songs are minor scales. So you're thinking pentatonic scale is going to help you in 9% of the case, okay? The second shortcut is when you listen the song k, that the backing track or the core progressions you are going to improvise. Try to recognize a few notes. For example, if you're in the middle of a show or a gin session in a niche and provide something very fast. And I can listen and denote f note. And for example, anos, probably 99 percent of the cases and play D minor. All right, So I play the minor pentatonic E. And off course, after I recognize this KU, okay, So if I think the scale is D might arise. So now what's the next step? I tried to add a few other notes, so I check if this chord progression, I can put up a major sixth. So b, K and b known going to sound more like a Dorian mode or I. So my progressions not minors, Darwin, right? But sometimes does not work BY, so I add a B flat, so it's a minor key. And after this topic, try to add a blues note so that of play. Jazz IN G-sharp order, a flat. Okay? This is a protein is very nice because you are going to test that the Armani during the improvisation, alright, but Gabo, if I can just find one or choose single notes, okay, not a problem at all. If you have, for example, let's think. If you recognize these two notes during the backing track or the Gen session. You can pass on his notes. You can test the minor pentatonic scale, or you can't ask Meyer scale. You can find me in a minor scale so you can dance right here. We can task B minor scale as well. All right, you're going to shoot just needed task or the patters. And usually I stick with just one single pattern before I, I really play hand, inflating tires soul. All right, so the first part of the first goal, unique tractive is understand the denote cell you can use and you cannot use during the improvisation, okay? Live improvisation. But sometimes the songs Nadia minor key, it is in a major key. It's not a prominent role because you can think about relative scales, right? For exemplifying. A major are relative scale of a mirrors F sharp minor, so it's just count one, whole step and half, right? So F-sharp minor, pentatonic minus1 and work perfectly. But Gabriel, the top is a major tone. Is Each of photons in the major triad or RI? When I want a son of a major triad, are a problem. You can play the minor pentatonic. But we're concerned and major triads. So in this example, a major, right? So eight to sharp and knee. Eight nodes. E notes and C sharp note. You can improvise in a minor Tashi, but think. Yeah, Major Tom. Okay. So okay. Sure. All my shortcuts about how to improvise live and quickly him by year, where I'm playing agent section or recording. So just think about these two steps. First step is find 12 or three notes, okay? Then you can listen in recognise on your instrument, right? And step number two is passed all the pentatonics, okay? For example, if, let's give another example. If I'm playing, if I can recognize by year. Sharp, dirty Asana going to 50k. Okay. Can I think about E minor pentatonic? Yes. Because you have E, D, but you have a kind of problem with C-Sharp. Usually E minor pentatonic do not have a C-sharp. But if you think about Dorian, the ads, you have a C-sharp. So this chord progression could be an E Dorian mode. But can I think about D-minor? I have it directly here, a D minor pentatonic scale. Let me see you have a problem with a C sharp. Usually you have a minor Safina pentatonic scale. So some kind of weird, right? In D minor pentatonic, you have a seed notes and not a C-sharp, right? And can I think about C minor pentatonic? But it's going to sound a little bit weird as well, because you have a D note in D is a minor second. No, you can think about the Friesian mode, but not going some Perfect. Okay, So probably in this example right here, this tree notes, probably, okay, you need to test before you really have a 100 percent that is in this case or that escaped probably isn't. No. Alright, or even F sharp minor key, right? But the idea here is just Chu, Chu. To teach you my approach where I need to improvise and guitar solo, fast life and by year and is a very common situation when you are a professional musician. So I'm going to open our random backing track on YouTube. Just type back and track. And I'm going to apply our techniques with, you guess, just to see how it works. Alright? So the first thing is recognize a few notes, okay, 12 or three notes. Let's try this, right? So let's go figure Fang Chu. So he works very well as well. So P, O, D, B, a, and B. So I have three possible penalty. Let's try deep. Terrible, It's not going to work. So let's try a little bit better, but thinks now they're ripe and upon and let's try be pentatonic. See, no, sorry, denote this stick, right? Pentatonic, right? Yeah, this B, B minor pentatonic scale. Let's try blues note. So and fixed going to work perfectly. Now let's set a major six. So let's change this pentatonic to a Dorian, right? So G-sharp, so I don't like the 50s shoe shops not going to work. So let's stick with the B minor pentatonic in those node, right? That's for female or pagers. Works perfectly as well. So I have my rope and the bank Margaret, authentic blues, B Minor Asia. After the guitar is not going to work, Let's try Ionian mode. So minor six and C-sharp as a night. Whoops, wrong note. So let's try again. It's going to work perfectly as well. So let's stick with this. As you can see, you just analyze the song while you are playing the song. Cry. So suggesting parts into fall all is that by step to find the right norms, as you can see, a sharp as a darwin's not going to work. So let's get this. Or they are a pentatonic scale is not going to work as well. So E minor and are even, or even a minor. Let's try D, Let's try D-minor. That up. It's not going to work. So let's take with B array. So this backing track is in B and B minor. And my advice is practice this on YouTube. They have several backing tracks in several type of keys. So just put Iran of backing track and improvise applying this technique. All right, so see you next class. 25. Final notes: This is the last lesson of our course and I hope you enjoy all my lessons. And please, if you have any kind of Tao, just send a message through the blood or from a chef. And of course you can watch all these lenses over again. Score is going to have to lodge, develop your skills and check my profile on a plot of former have several very nice course for you. And of course, if you want to form your social medias, just look to my social medias right here. All right. See you later. Thank you so much. Bye bye.