Freelancing A-Z: #3 How To Design An Awesome Logo | Dawid Tuminski | Skillshare

Freelancing A-Z: #3 How To Design An Awesome Logo

Dawid Tuminski, www.dawidtuminski.com

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10 Lessons (37m)
    • 1. Freelancing How To Design An Awesome Logo Promo Video

      0:51
    • 2. Before We Start The Creation Process

      3:11
    • 3. Let's Read The Client Brief

      2:30
    • 4. 1 Introduction To The Design Process

      3:39
    • 5. 2 How To Create The Leaf And The Stem

      5:52
    • 6. 3 How To Make The Leaf Bend

      3:21
    • 7. 4 How To Create The Anntenae

      4:37
    • 8. 5 How To Complete The Butterfly Look

      3:48
    • 9. 6 How To Add The Text

      7:14
    • 10. 7 Let's Sum Up What We've Learnt Freelance

      2:12

About This Class

"I learned more useful skills from this one video than a full class at a college."

"good information and techniques that make design easy and quick"

Welcome to the third part of the Graphic Design Freelancing A-Z course: How to design and awesome logo.

Logo design skills are extremely important for graphic design freelance projects.  

That is why in this project we will take real information from a real client brief and use it to design an awesome logo.

In the process we will use some fantastic and easy to follow Illustrator techniques, that will allow us to create an amazing design in a matter of minutes.

So if you are interested in:

  • How to properly read a client brief
  • How to design a fantastic logo based on the given information
  • And if you like some great Adobe Illustrator techniques

Enroll in the class and let’s let the designing begin!

Dawid

PS If you like the class, please submit your review and class project.  It will help other students, just like you interested in topic I teach, in finding my classes. Thanks!

Transcripts

1. Freelancing How To Design An Awesome Logo Promo Video: welcome to the third part of the graphic design of freelancing ese course how to design an awesome law. Go. You know, logo design skills are extremely important for graphic design of freelancers. So that is why, in this project you will take real information from a real client brief and use it to design an awesome logo. So in the process, we will use some fantastic and easy to follow illustrate techniques that will allow us to create an amazing design in a matter of minutes. So if you are interested in how to properly re decline brief and how to design a fantastic local based on the given information And if you like to learn some great adobe illustrator techniques role in the class and left the designing begin 2. Before We Start The Creation Process: before we dive into their local design process. I wanted to address to off the most common questions I get from students and let concern logo design. So many of my students ask, what size should the local be? Or maybe more precisely, what size to the document for the logo design be? I think you should take two factors into consideration. First, the comfort of your workflow, and the second that she will be presenting your concepts to a client during during the design process. So the comfort of the workflow means that working on the project cannot be painful to you because your document is too big or too small. I mean, when it's too small, the elements of the design, and especially the text, will get horribly difficult to work with. And when the document is too big, though, you may be caught in too much zooming in and zooming out, and what you also may want to take into consideration is also the fact that you're going to be present in your working copy Steer client eso. In order to speed things up. It's best to keep your documents at a reasonable size, which means that I wouldn't recommend anything below 9 60 by 5 60 pixels, and I think that if you keep it Teoh under 12 80 by 7 20 everything should work nicely. Plus, contemporary miners display the picture in 16 by nine aspect ratio, which means that everything is put against the Iraq tangles. So you might want to keep that in mind. The second most common question I get is what file four months. Should I give the local to the client in? Well, let me tell you, the answer is simple. All of them. I mean, if you want to be perceived as a professional designer, show your client that you care. So give them a J. Beck and a PNG, which they can easily use on social media sites. Give them a PdF, which must probably be the father be sending out to a print shop. I mean, it's most popular, it's scalable, and you can even make creditable if you want export your logo to a Photoshopped format just in case. The print shop or the developer is unfortunately not familiar with with vector file types. But most of all, give them the source files once they pay you. They become the owners of the copyright to your work, so you should give them the source files. Plus, if you want to go the extra mile for your clients, creating Fabricant for them so they can use so they can use it on their website. So create a document that is 64 by 64 pixels. Put the most prominent part of the logo inside and save it is a J pick our and a PNG. So now that we got these things covered, I think high time we started the creation process. So let's look, look at the client brief and let me remind you that these will be in the actual answers, though I translated them for your convenience. And these are the answer from an actual client of ours. So we'll take a look at the answers and we will build the local based on them. So stay tuned 3. Let's Read The Client Brief: Let's take the next few moments and read the client brief and the next few questions and the next few answers will be the actual answer that we received from our client. So the first question was, What's the name off the business? And I think that this is the most obvious and the most typical question that you that you can put into your client brief. So the name of the business is natural Atal Year. But note that there's also a tagline which says, Natural health, beauty and vitality. So when designing our local, we need to keep in mind that we have both the main name and we have, and we have the tagline. So the next question was, Was the type off the business and type of the business is natural cosmetics, handmade Estonian soaps, and please know that these are the actual answers of an actual client. I didn't express anything up. These are the real words of a real client. So next up is dietary supplements, herbal products and ecological detergents. So the next question was which words best describe your brand, and those words are nature, health, terrible ism, earth leave and herb so we can see that the company is really focused on natural on herbs, apparently, and on the anything that is related to the natural, healthy lifestyle. So which colors best describe your brand? So the colors that described the brand of the best are green, beige, brown, gray, basically, any any earth don't apparently, than that we can that we can use. So based on all these all these questions and all these answers, we can say that the the company, of course, we know the name of the company. So we know that they produce are distribute and natural natural products, natural soaps, maybe herbs, and that they are very focused on natural lifestyle. So based on all these suggestions based on all these information, we actually came up with a logo that looks like looks like this so you can see that there is a symbol on the left, which is a combination of leaves and a butterfly, and we got the text and the tagline on the right. So in the next few videos, we're actually going to learn how to how to design how to create this kind of a local inside illustrator. So it's actually do that. Let's start our design process 4. 1 Introduction To The Design Process: in the next few videos we're going to create or recreate this version of the logo. It was ultimately chosen by the client. So let me just quickly break this logo down for you. So as you can see, we got simple a symbol. We're not that simple. A plane symbol on the left, and we got the name of the company and the tagline here on the right. So I guess that the simplest, most prominent aspect of this logo not only because it has a contrast in color, but also because of its of its nature of its shape. So you might think that creating this kind of shape is actually very, very complicated, and it's not. It's really simple once you know the right techniques. And if you saw my other videos, you know that my technique is all about simplicity getting straight to the point. So you'll be amazed how easy it is with some simple shapes and transformations to create this kind of a combination of leaves and a butterfly. So after we are done with this with this symbol, we're going to move to that to the text. So the original fund used for the logo design for the client was a paid fund. It's commercially available. Eso for licensing restrictions. I can't share it with you, but we can go. I mean, I'm going to go and you can go. If you want to work along with me, you can go with them in the free alternative of that phone we just called Play for display . It's a Google fund, so it's a freely available for you to use should you want to follow along. And the tagline was written with that with another Google fund, an original duck original design was also well was also using on this this lot of a lot of phone, which is also a Google freely available fund. So, as I said, we only have two colors right here. So we got the green collar and we got the gray color so well in terms of colors. The design is really simple, but it's actually a good thing. I think that keeping and keeping the colors simple and stick into 22 colors or even one color actually would be the best, so the local design can be easily reproduced on different media. Okay, so it's actually start, start our recreation process or our design process. And I'm going to start with well, as usual, creating a new art board, some simply going to initialize the art of war. Told by pressing the shift Oh, on my keyboard. And I'm gonna make sure that to move copy artwork with our board is not selected cause I want to only want to copy the art aboard. Sounds simply going toe click on it. Hold down the shift key and the old or option if your name actor to copy this art birth just like so. And I'm gonna go to the layers panel and I'm gonna old click or option click If you're on a Mac on this, create you layer icon. And I'm simply going to call it maybe design. Just like so. Okay, so let me move to the to the to the second artwork I'm gonna make. I'm gonna make sure that I am on the on the right on the right layer. This guy right here, I'm gonna lock the original, I think. Okay. So, as you can see, I got the default filling stroke set up here, so I got the white Phil I got the black stroke. I am on that on the right layer. I got the new art board created, which we can actually call as what corresponds. So it's name corresponds to the name of the layers. I'm gonna call it design, just like so And we are ready to recreate our logo. And we are going to start with the with the leaf or with the combination of the leaf and the bottle flights wing. But this is something that we're going to actually do in the next video. 5. 2 How To Create The Leaf And The Stem: in this video, we're going to start the creation of our of our butterfly, and we're going to start with a simple ellipse. So we're gonna grab the Ellipse still, by pressing the AL key on the keyboard and I am going to create and the lips that it's going to look something like so this should be fine. I wanted to be I don't want it to be a perfect circle. I wanted to be. I wanted to be kind of like a flat ellipse, something like that. I mean, you can go with a perfect circle if you wanna. If we test things out and you will simply get a different final shape off the leaf. So what I want to do right now is they wanna have, like, spikes on left and on the right side off the ellipse. So I'm gonna grab from the direct selection, will be pressing the a key on the keyboard, and I'm going going to simply Marquis around the left, left anchor point and the right anchor point. Just like so. So I am sure that I have selected that I'm selecting this anchor point and this anger point so again I'm simply going to select both these anchor points just like so. And here in the control panel, I'm going to click, not remove selected anchor points. I am going to click on the converter selected anchor points to corner. So I want to have spikes instead of instead of smooth, smooth corners. So, um well, the moment I click on this option, you can see that we created this kind of an eye shape. So we have spikes on the left and on the right. Okay, So the next thing to do would be to create a will. Kind of like a stem for a relief, some simply gonna grab the rectangle tool. And I'm gonna create a rectangle that is going to look something like this. This should be fine. And I don't want to go too far with it. I don't want it to be too big. And I'm gonna select both these guys and going. I'm gonna go to the align panel cause what I want to do right now is they want to align my my elements in relation to each other, and I want them to be aligned toe to the center, so I'm gonna make sure that the align to selection option is turned on and I'm gonna choose this option that says Vertical align center. So if I If I click on it, I'm gonna make sure that my my elements are properly aligned. Now, before I actually apply life effects to make our Leven our stem look like they are weaving , There's a few things we need to do. Well, actually, a couple of things we need to do first, I want to make sure that my stem looks like it's like it has a bigger, bigger base and that it's and is Ah, well, it's like a spike spike. And so I'm gonna grab the direct selection tool from my this time for my for my tools panel . And let me just maybe zoom in real close now, normally what I would do. And I guess you've if you've seen my my other courses, you know that I wouldn't right now maybe select this path right here, delete it and then maybe join these two anchor points. But in this case, I want to show you a bit different technique. So I'm gonna make sure that I'm gonna select both these anchor points. I'm gonna shit us. I'm gonna click on click on this stopper Anchor point to stop right ankle point. I'm going to shift click on the bottom right ankle front. So I have both these anchor points selected. So this top anchor point and this bottom right anchor point, And now I am going to initialize the skeletal tool by pressing the asking on the keyboard. And then I'm gonna press enter and you would press you would press return if you if you are on a Mac. So in here, I want to scale this down uniformly, all the way to zero. And you can see that a soon as I am, as I'm decreasing the size and as soon as I decrease it all the way down to zero, you consider. Actually, these anchor points are sitting on top of each other and we can see that we have really nicely, really nicely done a spike. So just as a repetition, I'm going to select. I'm going to select this top anchor point. I'm going to shift click on this bottom right ankle point and know that I'm doing it with the direct selection tool so I can select Aiken, target the individual ankle points and I'm gonna initialize the skeletal, depressing the s key on the keyboard Crisp. Enter, Enter zero and press OK, just like so Now, the next thing to Dio before we apply the effect would be to select both stem and leaf and simply rotate them until they look something like that. This this should be fine again. The amount of the red off the rotation would would depend on your eye. It's your judgment. I think I'm gonna go make me with just more. I'm gonna go with something like this, OK, now it's time to to finally add the life effects and the life effect we're going to apply to both these guys is gonna go is called Flag. But this is something that we're going to do in the next in the next video. So just just to sum things up, what we did is we grab the ellipse just like so we would the direct selection tool selected both these anchor points main that turned them into a corner anchor points, then grabbed, grabbed the rectangle, made sure that they are aligned properly. Then we changed changed this thing's rectangle to essentially a triangle. So he selected Bull These anchor points we we enter to the scale tool entered zero for the uniforms K pressed, pressed. Okay. And then we simply rotated, rotated our our our leave an hour's time. So tell me, wasn't that easy? I mean, well, the easier, easier parts are are still to come. But I think that we already have in the basic shape and we're going and we're going to build on top of it. And I think that you were able to see how easy it is to create something something like so . So in the next video, we are going to apply in the life affect that is going Teoh, that it's called the flag. So that's something that you're interested in. Just keep watching 6. 3 How To Make The Leaf Bend: in this, You know, we are going to make our leave and our stem look like they're actually weaving like like they are the stroke by the wind. Let's go, Let's go. It poetically like that. So I'm going to select both these guys and I'm gonna go to the effect menu warp, and I'm going to go with the flag option right here. Now, the value that I am looking for would be something between minus seven and minus 10. But know that it depends on the size of your document. If your document is going to be is going to be bigger and your elements are going to be bigger, you're your amount of the band is going to be different. So it's up to you to experiment. So I'm gonna turn on the preview mode and you can already see how our how our leave an hour stand easy. Even I think that minus seven, you might be a bit too much. Or maybe not. Let's go with minus six. Let's go with minus six. I'm gonna press OK and what you can do. And actually what I am going to do is I'm going to maybe make the only the stem band a bit more. So I'm gonna select Onley, only the stem, and I'm going to go to the appearance panel and I'm gonna choose warp flag, so I'm going to click on it. And maybe, let's let's increase or decrease this value a bit too. Maybe minus tan minus 10. Should be fine. Okay, so the last thing to do here, it would be to simply go to the go to the select. Both these guys go to the object, Manu, and just choose expand appearance because we don't want we don't need it to be alive effect anymore. We we are happy with the effect. And we wanted to be a simple, simple path without any and in effect, applied to it. So notice that after this, after this transformation, we will. Our elements are a group, so we need to, um, group them. So I'm gonna go with the control shift plus g on my keyboard, just like so. But notice that after after we expanded the appearance, we actually got to our elements. I'm gonna move them to the right, and we got some left overs right here. You can see them right now because, I mean, when we go to the outline mode, you can actually see that we have a copy copy right here. That way we don't need it's constantly going to delete it just like so And go back to that to the preview mode. Just like so. Okay, so the last thing to do, he would just simply select both these guys go to the Pathfinder tool and she was minus front to actually subtract the stem from our from our leaf. So we got the basic shape created and tell me wasn't that easy? I think that was super easy. Once you know the right techniques, once you know how to think about well, how to properly think about how to achieve certain effects. You know, you know the tools, of course, But if you know how to use them correctly, you can create this kind of this kind of this kind of effect very, very easily. So the next thing to do would be to simply add the antenna and then rotate and reflect Aled , the all the elements will the leaf and the antenna to the left and to the bottom. So if That's something that you're interested in, and I hope you are interested in that. Let's move on to the next video. 7. 4 How To Create The Anntenae: in this video, we're going Teoh, create the antenna and that we are going to finish our our will Butterfly plus leaves combination. Kind of a kind of a symbol. We are going to do some rotating, so in some reflections, and we're going to maybe add the colors at the same time. So the first thing that I would learn that I want to do is I want added the antenna and you might go for the Ark two, if you want, you can simply grab it from the tools panel and then create an art that was go there would go from there from the this bottom anchor point to somewhere here maybe if you want to go for this kind of a transformation or creation than go for it. But I wanted to show you a different technique. I wanted to show you how you can reuse the element that you already have inside your document. And so so everything just just just looks nice. The and your skin is a portfolio is is a bit is a bit bigger, so I'm gonna grab the direct selection tool, and I'm going to target this bath segment to right here, some simply going to click on it. And now if I just copy and paste it in front, I am going to get I'm going to get a simple, simple path right here. So what I What I want to do right now is I want to move. It may be a bit to the right. Grab the direct selection tool and move this bottom anchor point. So it snaps with this bottom anchor point right here and now I can simply play around with the curvature off this off this corner, like so So So our our antenna looks Looks something like this. Of course, we can still move. This guy may be a bit to the left, just like so Play around with the with the curvature, like so And there we go. This is how easily you can You can create that. You can create this kind of this kind of elements this kind of effects using using that the parts of the design that all that are already already here, that that you already created. So the last thing to do to to finish the antenna would be to simply creating the lips. That's I'm gonna create. It's gonna look something like So I'm gonna move it a bit to the left to somewhere here and there we go. We got the main, the main thing of the main part of our body flight and created. So what I'm gonna do right now is I'm going to select this leaf. I'm gonna initialize the rotate, told by pressing the R key on the keyboard, I'm gonna collect somewhere here in this anchor point and bring this guy down and hold on the bulky at the same time. I think that this should be fine. That, uh, that this looks nice. So I'm gonna move it now all the way to somewhere here. This should be fine. And I'm gonna select it again. We're gonna initialize the scale tool by pressing the asking on the keyboard. And I'm going to maybe make this guy smaller in relation to this anchor points. I'm going simply going toe old click on this anchor point, and I'm going to make it smaller to something like 75. 75 Should be fine. And I'm gonna hit okay, just like so. So what we can do right now is we can simply grip all these guys initialized the reflects told by pressing the okay on the keyboard. And I'm simply going toe all to click somewhere here, and I'm gonna hit a copy, just like so Now we can move. This guy may be a bit to the right And what I still want to be want to be sure is I want to be sure that this this bottom part of the butterfly, this bottom leave is actually aligning properly with this with this antenna, so I'm simply going to select both of them. I'm gonna go to the Align panel, make sure that the line to selection is on. And I'm simply going to press this option. Horizontal line left just like so. And I'm going to do the same with this guy's will. These these guys, I'm going to select them, go to the align panel, and this time I want to make sure that they aligned properly to the right, just like that. Now we can still may be moved this guy a bit to the left. We can still move these guys a bit a bit up, just like so. And of course you can play play around with the rotation. Maybe, maybe with some curves. You comply with that all you want. I just wanted to show you on the proper techniques and the easiest ways to create this kind of a well at 1st 1st glance. Quite a complicated shape. But I think that too. By now you can you can tell that it's not all that complicated. So in the next video we're going to we're going to give collars to our to our bottom fly, and then we are going to add that text. So if that's something that you're interested in, just keep watching. 8. 5 How To Complete The Butterfly Look: in this video, we're going to give colors to our to our symbol. But when given colors and maybe changing some some stroke values here with the antennas, you you will see that we might actually encounter So encounter some problems without with the alignment and one with the antennas. But the problems won't be something that we were that we can conquer that we can that we can solve. So let me just stop talking about it and actually start and start giving colors. So I'm gonna grab all these guys all these leaves, some shift clicking on those I'm going to a press. The shift acts to exchange that the stroke with the field. And I'm going to give it this nice green color just like so Now with the antennas, I'm going to increase their stroke valued to maybe maybe three. And I'm going to change a stroke to to this green color. Not when we take a closer look here at our antennas. We can see that the things are not aligning properly. So let's act. Let's actually fix it. Let's see. What if we just move it just a bit up? This should Well, this almost looks all right. So I'm going to simply may be moved this guy a bit to the left, a bit up, just like so. Okay. And I'm gonna move this guy. I'm gonna do the same with this guy. I'm going to move it up. It would look something like So I think it I think we got it. I think we got it right just like that. So, as you can see, we got a problem with that with the with the antenna. You know, I think that it might be even beneficial if we if we created the antennas. Maybe even at this stage. But I just wanted to show the complete the complete symbol, the complete look off, the off our of our of our symbol s. So I think that we can save some things here with do with some simple alignments. But for now, let's just increase our the value of our of our will ellipsis on the antennas. I don't know the technique for it. I'm sorry. And I'm gonna I'm gonna change the color to green just like someone may be moved This guy just a bit up to somewhere here and then I'm gonna do I'm gonna simply sample with the eyedropper tool that I initialized by pressing the I key. I'm going to sample this this antenna just like so and I'm gonna move it, move it up to somewhere here Now may be in order to to be sure that the antennas are are exactly the same. I'm gonna delete this guy right here. I'm gonna grab this one initialize the the reflect tool, and I'm simply going to try to find the center somewhere. Here, I'm going toe all click somewhere here and I'm simply gonna hit copy. Just so just so I ensure that our antennas are are exactly the same And they are looking nice. And the last thing to do here before we actually can concolor today will be to select both the antennas, go to the object menu, go to the expand, and I'm not really concerned with this feeling. Stroke of options right here. I'm just simply gonna hit. Okay, so now my my stroke is exchanged into feel, as you can see right here and now. I can call it a day upper and our and our butterfleye is actually is actually finished, just like so. So there you go. This is how easily we can create a shape like this again. I encourage you to experiment with all the techniques that we just that we that we learned in the last few videos to to play around with the flag values, maybe with some with some rotation, some reflections, transformations. I really encourage you to experiment with all the techniques and well, because this is how you get good at all those things if you just practice them and practice them enough. Okay? So in the next video, we will be adding our the tax. So we will be adding the name of the company and we will be adding the tagline. So that's something that you're interested in. Just keep watching. 9. 6 How To Add The Text: in this video, we are going to add the tax, the name of the company and its tagline. But before we actually do that, let me just make this bottle fly fly, actually, so just grab it and rotated to the left that it looks something like this. Okay, so now what I want to do is that we want to simply grab of the type tool. And I think I'm going to just create a simple points type because I won't be created any paragraphs. I'm simply going to click somewhere here and just type in a natural tell. Yeah, just like so. As I said before the type, Well, the font family is called Play for display. So I'm going to go with play for display, just like so, and let me just give it a proper collar, which is this great guy right here. And I'm going to move it, maybe make it slightly bigger, just like so. And now let's take let's take care of the headline. So I'm gonna go with I'm gonna grab her the title again, collect somewhere here and just type in natural health. B ut beauty and vitality, just like so now the fun type. Will the fund to families called Lata as we already know. So I'm going to change it to that, just like so I'm going to change it too bold or maybe regular. Let's go with regular and it has to be written in old. Well, it has to contain old capital letters. I'm gonna go to the character panel and simply click on this old caps option right here. And I'm going to go to the color swatches and give it this nice gray color and I'm gonna make this fund smaller, so I'm going to use them. The ever so handy control shift Plus will come out or the less than symbol I'm gonna make get this small. And I am making it this arbitrary arbitrarily too small because I want to go. I want to play with that and play with them with the track and actually off this off this tagline. But before I do that, I just want to be sure that the spaces between all these letters in the natural Atal yeah, name are equal, So we could actually let our I decide and maybe go to the character of Panel maybe player play around with the tracking or maybe play around the Kernan. But I'm gonna show you a different different technique. But ultimately, what we are going to be what we have to do before handing this designer to to the project and definitely before handing it to the to the printer, we need to create outlines. So it's a simple as simply pressing the control shift plus O on our keyboard. So what we did is we exchanged the life taxed into a simple paths. But as you can see, this is a group. And in order for this technique that I'm about to show you to work, it needs to be a new group. Well, I mean this This group needs to be on a group, some simply going to press controls, plus shift plus G on my keyboard. I know that I'm using quite a lot of shortcuts, but if you've seen my other videos, you probably are already familiar with my technique, which which used a lot of shortcuts. And I would really advise you to learn the shortcuts because it will make your work for more, more professional and quicker, actually. Okay, So what I will do right now is they will simply select all these guys that maybe just maybe , Zoom and just a bit better. I'm just a bit more so. I'm going to select all these guys with the selection tool. Click on this and letter. So I'm making it. Are making it a key object. I'm gonna go to the line panel and here in this distribute space in option I'm going to set . Let's see, five. That's gonna be way too macho. Bow to two should be fine. Let's leave it at two. Okay, I'm gonna do the same with these guys. I'm going to select all these guys. Click on this a letter, go to the align panel and hit horizontal distribute space to to just like so. And I know that some things might Well, they optically don't look fine. Especially the combination off the teeth letter right here. And with this, a letter right here and the tea. And here I mean, mathematically the distance between this part of the letter A and this part of the letter T is two pixels, but optically it doesn't look all that good. So what we could do is we could simply select all these guys. So this tell you were word, and I'm gonna group it, so I'm gonna go control g on it, and then I'm gonna I'm gonna add to my selection some shift clicking on the letter A just like so and not I'm clicking on the a letter. I'm not calling the holding down the shift key right now, so I'm going to click on the a letter again. Go to the align panel, and maybe I will decrease it to zero. Let's see what it looks like right now. It might look just a bit better. So I'm going to the same with this natural, this natural word. So this that I'm going to select the Turell Words, group them by pressing the control geo my keyboard shift. Click on the letter A and then click on it again, not shift. Click, go to the align panel and choose horizontal distribute space with zero pixel value. Just like so to move it a bit to the left. Okay, so now that we have the track and actually covered with these guys right here, what I want to do is I want to I want Teoh match the tracking off that off the natural health, beauty and vitality text, too. Well, with my natural until year in the main main text. So I'm simply going to maybe this time and match it with this. Well, first I'm gonna I'm gonna make sure that they aligned properly. So I'm gonna bring it a bit up and to the left. So the natural word while the and letter of the natural world is actually aligned with the natural world right here and this. Then I'm gonna go to the character panel. And just so our scripts, a portfolio is bigger. I'm going to increase the tracking for this taxed to let's see, 35 That's what it looks like. I think it looks fine. Judging by my eye. Yeah, I think I think I think I think it looks all right. I don't want to. I don't want to watch me clicking all day all day trying to maybe add or subtract 11 pixel over one point from the track and I again encourage you to tow play a play around with the tracking yourself. So the last thing to do would be to simply select this natural help Burian vitality taxed and simply Go ahead and press the control shift plus O on my keyboard to turn this all into into outlines. And then I'm going to select all these guys group them. Let me just move it to the right. Maybe maybe let me zoom out a bit. And I'm gonna select to make sure that all these guys are a group, some simply going to select them and press control G. And that I'm going to select all of them, go to the align panel and simply press a vertical vertical align center. So they so they align. So they align really, really nicely. 10. 7 Let's Sum Up What We've Learnt Freelance: So there you go. This is how easily you can create this kind of a this kind of a logo. And I told you that it would be easy. I hope that by now you can actually understand how all these techniques can work to your advantage, how we can, how we can use them to create your own logos and the logos that she would create for your clients. So before we actually move on before we actually move on to creating the business cards, let me just briefly sum up what we've learned in this in this well in these videos, actually. So first we created the leave and we created it. We created the leaf for using a simple, a simple ellipse. Remember that we just created on the lips. We turned on both the left and the right ankle point into corner points. And then we added the stem way, used the warping technique called flag, and then we added them in the antenna. We rotated and reflected everything, and then we will scale down these bottom leaves a swell, and then we just added, Thio added the text, and we used to play for display fund that's available from Google phones. And then we added to this tagline. Natural health, beauty and vitality. We, of course, the fixed, fixed the trekking. And of course, we added the proper colors, which was the green and the great color. So in the next project, we would create a business card that goes well with the idea off our logo and actually in the next project. We are not only going to create three different kinds of business cards, but we're also going to create a template that you can reuse use every time you're creating business cards for your clients. And we're going to create two different kinds of templates. So both for the for the Americans. So we're going to use inches, and we are going to use millimeters or centimeters for the international markets. Just so you just so you are covered if you are working for for American clients, or the clients are using the imperial, the measuring system and the clients that use them metric Majerten system. So if that's something that you're interested in, I would advise you to move on to the next project, and I hope you had a had a lot of fun creating this design