Expressive Watercolor Florals: paint loose Poppies | Nina Watercolor Lover | Skillshare

Expressive Watercolor Florals: paint loose Poppies

Nina Watercolor Lover, Artist, VINTAGE Loose Florals classes

Expressive Watercolor Florals: paint loose Poppies

Nina Watercolor Lover, Artist, VINTAGE Loose Florals classes

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11 Lessons (1h 5m)
    • 1. Introduction

      1:07
    • 2. Supplies

      1:49
    • 3. Colors

      3:31
    • 4. Shape & Values

      2:49
    • 5. Techniques

      9:07
    • 6. Warming Up with Poppies

      10:13
    • 7. Field Poppies. Part 1

      14:22
    • 8. Field Poppies. Part 2

      6:32
    • 9. Buds

      6:57
    • 10. Background

      5:59
    • 11. Final Thoughts

      2:07
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About This Class

In this class you will learn how to paint field Poppies in expressive style in wet into wet technique. First, we will have a look at possible difficulties which you can face applying wet into wet technique and dedicate some time exploring how to achieve these watercolor effects of beautiful bleeding and blending of colors. Then we warm up a bit painting some poppies and only afterwards we dive into painting of our main composition.

This is step-by-step class, so you will manage to create beautiful artwork, even if you are at the beginning of your watercolor journey. And for sure your poppies are going to be expressive and unique thanks to loose style.

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So, are you ready to create some flower beauty today? Grab your brushes and let´s have fun painting poppies! :)

x Nina

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Nina Watercolor Lover

Artist, VINTAGE Loose Florals classes

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 Colorful GIVEAWAY! Join Color Mixing Challenge for a chance to win this gorgeous watercolor set from Daniel Smith! Details of Giveaway are in this post

 

 WILDFLOWERS GIVEAWAY  is closed! The winner is Ingrid Darsonville Mouchel

 

 Join my WILDFLOWERS CLASS here and learn how to loosen up your style!

 

Do you love to paint Vintage flowers?

JOIN Vintage Loose Flowers In Watercolors: learn to mix dreamy pastel colors class

JOIN Vintage Loose Flowers in Watercolors: learn to mix beautiful colors class 

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Transcripts

1. Introduction: Hello. I'm Nina. I want the calla lower. Welcome to my new glasses on expressing what? The colors. I hope you have enjoyed my progress glasses in this serious where we painted going for hours and done the lines. Now it's time to level up your skills. And this time we will gain the field poppies in low style, in wet into wet technique. This classes beginner friendly first will have a Luca at possible difficulties which you can face applying, waiting to wear technique and how to achieve this beautiful watercolor FX are all bleeding and blending off colors. Then we warm up painting some puppies and only afterwards we dive into Beijing off our main composition all videos in real time so you can paint along with me if you're nutritious. General welcome. Press a follow button on the top. The join me in this creative journeys Grab your rushes and let's pain Some office 2. Supplies: for painting poppies and I will use the following supplies. Ah, what? The color of paper. You can use the cellulose paper for practicing on Do warm up exercises on for painting the main composition you can use. Ah, caught on paper. I'm going to use for the main composition. Gotten papers that this for an artist? Ical Ah, for exercises. I am using the's schedule. This paper is quite fine on, but, um ah, you can spend quite a lot off paper practices. But before passing ah, domain composition and got on paper. Also, try toe pain. Something on Qatar paper, not just jumping after settlers paper into cotton one. Because as they can behave for in different ways on what has worked for you for cellulose paper won't work for cotton one, then brushes I will use to brush is a big ones. They stoop for making ah, them. But the paper three rushes is that is, uh, like well, with number 46 and eight, I will use it for introducing the color and one a synthetic a brush. You can use a flat one or angled y. And as that is for lifting the color What color pains for the color suggestion because the next lesson Ah, what the color palette. What a boat on the water. One better to use to one with clear water and then as a one hour for cleaning your brushes , Baby Onda. Ah, good model. So just prepare your materials and let's move to the next lesson. 3. Colors: Let's prepare the colors which we're going to yourself or painting our poppies. Generally, my puppies are going to be under this kind off. Evening sunlight. Eso, it means, is that there will be mainly warm colors with ah, cool. Uh, shadows. For this I will need yellow, red and green. As for yellow, you conduce a Indian yellow Kinnock Redon yellow, transparent, yellow as a green, yellow. Any kind off yellow which you have, but it should be transparent. So when you're going to check Ah, your yellow, sir. Have a look that it would have was this kind of transparent circle or transparent square. Um, this two off one go cause they're quite nice. Ah, that is green yellow color this yellow with the change of green on da ah, transparent yellow milieu. So have a look at which yellows you have. I wouldn't suggested to use cadmium yellow as it's a park color and it won't give these kind off. Ah, lightness on, uh, transparency to your flowers. Ah, As for the Reds, I'm going to use cadmium red and bright red on Also, you can use a parole Scarlett. That's fine. Just check those warm reds which you have on green. So we're going to use our mainly for stem PSA and four butts for this. Ah, just, um, worm. Bring like, olive green green Onda. I have a one really beautiful greens that is from Daniel's Mrs called Undersea green. So if you have something similar Ah, that's fine. Ah, if no also, we can get some similar color. It won't be social with so many interest in shades, because this one has to some kind of, um yellow. We need the or I know that a really beautiful color anyway. Well, for darker green, we can get, for example, the mixture of green with sepia and then we'll get this kindof darker Green foreshadows Ah , the same. A foreshadows for our potpie says that we can use ah mimics or burnt sienna with Violet. Then we'll get this dark color or red with ultramarine blue is any We will get these kind off shades or red with sepia and will get this kind off brown reddish brown Ah, we can use all this mixtures onto just in different, uh, flowers toe at different shades and then also it will give all right one more deeper about using your color palette in case you're using some metallic. Wanna like Marley one or ceramic ones? Ceramic one. You won't face this problem, but with metallic one, I would suggest it to use Ah, like always as the same sections and for the same colors yellows, reds, greens on blue and other wireless and other kind off dark colors. Because there was time. Anyways, a pigment are We'll leave some traces on bond, um, so that each of the sections who will have their own color Ah, it doesn't matter as much as you clean it that anyway, later, there is some pigment is left. 4. Shape & Values: Let's have a look at the shape and will use off poppies for So so you have watched them. My, uh, Rose basics classes how to paint the roses in lieu style will know already that therefore, loose flowers is at this crucial za shape. So first you have, uh, to have the correct shape in a little turns me to this idea of this flower like the essence of the flower on DA, as's for Bobby says they have cop shape, so it's quite simple shape. Uh, that's why it's even more important off while you are pained in Bobby's in loose style is to keep up with will use. What I mean is that, uh, toe half a really clear idea where it's going to be the lightest area, sir. Ondas the darkest. So let's have a look at our like these focus on. You can see that this is so cop shape as a took part. This is the lightest on does the darkest, he says, the bottom where it connects to the stem. So that is here. They're motile from dark to light. Let's have a look at another Bobby s O. That is when we see is a flower center. In this case, we can see that it's like the flower center divides into on and, uh, the values are going to be from the bottom. Here is the darkest part towards the light. Then it's going to be their darkest places that they say flowers in there and then again, the spittle. So there will. You saw the same from the darkest the words ally. So that is a like in this ah model, uh that the battle subdivided into from dark to light and as a part of the same from dark to light and the flower center is is the doctor's place. And as a saree force view off, Bobby could be like this one s o. Then the same. We can see that we don't see the flower center, but we can notices that their metal subdivided into Onda this'll line is like the lightest area which separates in tow. Barnes on the will use the same from the dark to light from the dark, the light. So that's which corresponds to this model. So that's mainly everything, which I wanted Tau bay your attention. As for the shape and will you saw off what is Let's move to the techniques which were going to use 5. Techniques: Let's have a look at the techniques which were going to use. Ah, one of their main techniques Is that this wedding with That's when aware introducing uh, what banged in the wet surface? What is our aim? Is that away? I would like to get this kind off. What? The color beauty To get this this kind off bleed. So when the color sound makes sense, isn't mixing themselves are on paper, onder. Then you get the kind off Really beautiful effect. So to get this it's a bit tricky because it will depend on the consistency off your painter and on their how ah, wetter is your paper. So let's have a look. I will make what? This part off paper so you can see that this this area of paper is wet, but it's like a battle so that the water can move in different directions. Uh ah, next week, let's make one like disease. So I'm moving the brush from here toe towards them, and I will introduce the color from this side on the one more I removed uh, the water from my brush and I will make one more pedal for here. I would say that this is a just a bit wet, went on, pedal wet. Now let's move to the paint I will use as a mixture off Indian yellow on and get me in red This and then first let's introduce here that I have. I did really a bit off water and you can see that this part has got dry quite quickly on duh as the pain, the almost doesn't move. This one was wet. Let's introduce the pain and you can see how it's moving up. And here, let's introduce here. So what? We can see that if ah, the paper is not, um, wet enough so you won't get any effect. Is that the painter will I will stay there if you face some problems with this wedding to a technique that it could be. One of the reasons is how it is your paper. In this case, it was toe like not enough What? This was just perfect on this one. It was with spittle, and you still can see there there is ah, that battle over there and the color doesn't move, so it most, but mainly it stays in the same area in case you have the special, you just take a paper towel with this. People tell. Remove this extra water like this and you will see that now the pain starts to move in that direction. So actually, removing this water has worked at as a like stimulator for the pain to move in that direction. Ah, let's have a look at another thing is, uh, how wet or how watery or how dry should be the paint. Uh, first, let's have a Luca when it's really concentrated paint. Let's take their darker Williams that it's ah, I'm using Ah, cadmium red, who is Serbia? So here is the color and as this color mixture is more consistent and the 1st 1 and lets it turned you so here, I won't try because it's really already Dreiser paper. But here the paper still wet so I can introduce here at the bottom and because this dark William and let's see how it moves. Um, let's try now with uh, really dry, so I really dry paint. I'm taking the pain directly from the pen and introduced so like this and we get even darker, will you? And then it starts to interact onto the colors to start to mix up on the paper. So that's how we're going to mix our colors on paper on Does that is another technique introducing the one color into another. Ah, while introducing another color the papers. The surface should be still wet. Otherwise it could be like with this one that you introduced on. It just stays there so it doesn't move. So you won't get this kind of beautiful bleeding as the paper should be wet but not peddle wet. On another thing is the pain. The pain should be also quite watering, which you're reading so that it will start to move engaged you are facing ah, like the spindles. Just remove them always. But that will another thing which I wanted. The commander is about the consistency off paint. So when we are introducing the paint, it's better to move it from one area where we're going toe introduce the color toe our towards Andi. Uh, here. So now both areas of paper as the same. Let's have a look at the paint here. I have really watery paint. Andi, I introduced this really watery paint and it stars to move quite quickly and to bleed, and we can have also a bit dark. So here we have this. And now let's introduce uh I remove all extra water from my brush so my brush is almost dry and I use is the same cadmium red. I am taking it directly from the pen and I introduce it here and you can see that it's almost doesn't move Another thing. What you need to keep in mind are more more watery paint than more movement eso And as a point to keep in mind is about the paint is the consistency off the paint. More paint, more water opinion does and more flow. Onda uh, dry, pained, less flow And I wanted to show you one more option. When it's happens, for example, are here? Here there is one pedal Ah, let's introduce a color. I will introduce yellow it has moved. Then I will introduce a bit off red. It has more under beat darker Will you like exists? You can see that. Uh here it was quite well with the paper on the pedal has been accumulated in this area. So the pain has got up on it stopped or it's like staying in this top part. What you can do is to release this paint just a with a clean brush, you remove extra water and you can notice that now the pigment star says the pain starts to move into that direction. So that is also one of the solutions. For example, when you have painted and here you have got quite nice effect and, for example, from society also can notice that Ah, here is there is tiny area where the paint has got like stuck So the same just a whiskey in the water. You remove these extra water and you passes a brush and you may notice that now the pain starts to move also in that direction so that this also how you can solve this problem once you have, they spend all. So first you can remove the better, like, in this case, or just a with ah, damp brush. Just her more for our like to make Jamaica to create the way out, uh, for the water 6. Warming Up with Poppies: well, let's have a look of houses. Techniques are work in practice on before starting our main composition. Let's paint the several of Pope Isa for warming up. I will use cellulose paper, so that's fine for practicing the shapes. Ah, but later, if you're going toe paint as the main composition on cotton paper first Ah, give some destined to the paper and to see whether it works the same for you as, ah with the cellulose paper. So I will use Ah, big brush for making weather the surface on smaller brushes for introducing the paint. So let's make a simple cup cup shape. So for here, like this. And let's start to introduce the color. I will use Indian yellow and it starts to move already. Uh, then let's said, uh, here 1/2 that makes off cadmium red. Who is Indian yellow. So you can see my mixer is quite the watering under starts to move really beautiful. Here, you can make one more biddle legs and, uh, read like these for here. Uh, so now what we're missing are the darkest will use here at the bottom. A word connects the work on exit flower to the stem forces. I will use green eyes that this undersea green from Daniel SMEs Onda um you know that the green is complementary color toe the red on dit will great, Really beautiful shade. And you can see already How would the colors bleeds? Really beautiful on for painting stem. Just I use another smaller brush onto with clean water for here. I'm great in the bus exist, so just whistling What? That And then I introduced the color the same green color. If you don't have under sea green or some dark green, you can make suggest normal green we sous Abia and you will get to the darker shade off green. So here we have our first will be Can do we have practiced Is is blitz. Uh, what else we can do is throw it, for example Olive green to make more interesting there, Stan. So it would be able to some light areas like this I want to introduce a are beat darker, uh, color that this I will makes a green with Serbia and they're small dots here to make it even darker with another brush. You can actually also put in practices is like how to grate to the way out now for the painter I was clean, clean brush. I remove some extra water on buzzing like this, and you can notice that their big men stars. The pain starts to move into the direction so and also you can form some pedals. So that is our first hoping is ready. And let's at the one more looking in the direction. So I will go this area. Ah, so more or less that is going to be this shape and the let's start to introduce the color the same. First, it's going to be Indian yellow. We're here. Onda. We will make here the flowers and there. So also I start. So it's moving from the darkest to the light and hear the same from the darkest of the light. So next one is going to be this hour. Mix off, commemorated with Injun yellow on what he has. The same more cadmium red four is there. Let's makes up the darker shade, cadmium red that was burned Sienna and let's introduce also for here and for here in the lowest part. So like this, and now they're flower center. It's going to be as a mixture off burnt sienna. How is while it? And here we add the flour center. What else you can do is with, uh, bigger brush, the same you can make like this, and then it will move and you will. Grades is beautiful. Uh oh. Moment over the paint. Ah, this one. It was already dry, so it hasn't moved. So we will leave is the way it is. But this one, we can move a bit further. So that was that. It will get ah, like blended with the color of paper on there will be like murdering who was the paper. So just always brush like this under with ah, less introduce a even darker shades is that is going to be with green for here, or we can use is the same burnt sienna with while it But this time to have in the mixture more burnt sienna than while it and we can Yeah. For here that is another color mixture which you can use So for uh, uh, that is another color mixture which you can use it for a change in, uh, system. So let's make understand. Just always uh, clean water and introducing. So it's like warm a shed. Uh, so that's actually our practice. You can create the whole field, cower the whole paper. Ah, with purpose. Let me show one more thing is, um, on the background. So let's add one more technique which we're going to apply for making the background just waste clean water I'm making with some areas. It's like some anyone like our Indian leader paper with, uh uh, water Onda. Then let's add splitters. So we're going to add some splitters, uh, on wit and other splitter. Zaveri will fall on dry Baber, and we'll see the difference. I will use the same colors which we have used for painting our puppies. So that is a really easy way off, creating expressive background and a bit stronger. I can remember it on the only thing that the police scour all those surfaces which may suffer from his the paint and the splitters. So Justic gives them covered. And let's add some greens letters. So you may see that those platters. So which has got in that area where it was the paper wet. They got like blew it and the ones which have fallen on dry paper. They stayed like small dots as a size. So for splutters depends on the size off your brush and different brushes. A great different sweaters. Also, the mixture should be quite watering as a way there would be no splitters. So here we have. I were warm up puppies. And also, if you aren't happy with some splitters, you just remove them with a paper towel a little. So just breakfast. Orbital with your purpose and once ready, let's move to our main composition now always feel poppies. 7. Field Poppies. Part 1: So let's start with our main composition. Ah, that it's going to be three. Poor piece with somebody more less legs is I'm telling more or less because it will depend . How will behave for what? The colors on the water so always is going to be here. Nicer price and have prepared brushes. Ah, one big brush, uh, to make wetter the paper. Ah, one or two smaller brushes to introduce the paint and one brush. I would suggest a synthetic one fled brush, uh, or like and gold one for removing some for lifting out some a painter. Onda a Making the highlights so hair for brushes prepared as well. Uh, paper towels. Onda. Let's start. I'm going to paint out on cotton paper. Ah, that this fibrin artistic on the size of the paper is more or less 20 by 20 centimeters. First, that for the central flour which is going to look in the direction are always clean water I am making now what this surface, uh, more or less trying toe like that, it would be the shape of the flower and another thing that I'm moving my brush from the point where I'm going to introduce to the color Andi outwards. So here and then Now let's prepares a color. Um, I will make so injun yellow I'm using the brush number six Onda Uh, get me red. So then we get this kindof really warm read, and we start to introduce the color. So for here you can see that there was a pedal and the color has stopped moving so we can help with brush just to indicate the direction and try to form the pedals. More or less legs is Onder. Then the next color is going to be or more concentrated cadmium red. Also, let's introduce it for here. I feel like he's some little Andi. Now let's make so burnt Sienna. So we started with really light colors on bond moving towards more concentrated on the darker shades so that to create disease illusion off, William and I will make sit there with a veto. Far can remember it. And let's introduce it for here. Probably a bit more off commemorate like this. So it should be quite dark. Read William, and to introduce it here, Where's the shadows? The next one color we're going to introduce is that is going to be green, green and threat that complementary colors. So, uh, green will create some nice shadow. Oh, here it starts the magical for the colors. So you are here, Onda. Ah, let's it even more concentrated I will make So I'm using undersea green. You can use a, uh, just ordinary green you here for and to make it Ah, darker. You can get a bit more off sepia. So here I will it be more off SAPIEN, and it's really beautiful, uh, color lending here. So with sinner brush now, I will make us a stem. So just with water, I'm great in first a Zapata's like this on then in some areas, introduce the color and you can see how it starts to flow. Ah, let's introduce also some green. I'm using that by green here I am really referring undersea green. So some darker green here s O to make it more interesting. The shades of stem on also some warm green. I'm going to use the olive green in some areas for here. Work here just so that it would be more interesting on uh um what else we can do is with fled brush we can remove. Ah lifter some paint like this I'm Dippenaar my brush in clean water. Then I remove, uh, extra water on. And like this aunt again, I clean it on dressing. So that is to create the some highlights in some places so that the but also will look want transparent? Uh, probably that's all. So our first puppy is ready. Now let's move towards the second flower. Second flower will a maker with so that it would be it would be three forced you onto so that we could see the center and we'll have fun also with their center of the flower Ah, the same We start there first There was making wet the surface more or less Ah, trying to like in that place and how it would be the shape of the flower. Later we will correct it and we start to introduce is a color the scene I really like this mixture off Indian yellow ways Cadmium red because it's gives really nice Onda um really tender this kind off warm bread and we're imagining that it's like sunset. Uh, on we are somewhere in the field in joins us Oh, please. So we're introducing the color, and, uh, I beat more off cadmium brand. So for here, Onda, Uh, actually, we can make some Please. Some didn't seem are, um, just brush strokes Tried to imitate, um, how it would be the battle saw off Bobby's. And now let's introduce. Ah, the shades. Uh huh. And what we can do also is here. I will use one more brush. This one fled brush and it keeps well, water. And I would like to make here, like some space for this, but also that they will start also to move the pigment in the direction. And, um now, let's add the darker shades for this I will mix burnt sienna. I always get me in red, so it's quite sick color and we introduce it for you. Uh, also, we decided to tread. Ah, flower center. So, uh, we have to keep this in mind because I forgot already. And, uh, this means is that is going to be from the darker the words light then would be flower center and another side off pedals will be the same from the darker to the light s Oh, that's why Ah, let's modify a bit. So here I will lead some like that. And also with the brash we will help. Is this petals to flow? That is just was clean. Would there Onda? Now let's graters Illusion off highlights, uh, for here Let's great some battles whistling brush that we create And here's a line for here you need toe Ah, wash your brush every time Otherwise, er it gets that big Men that and you can move it to another place instead of just removing . So here is uh we have recovered the shape and now let's at the the dark and will use for this I will use ah more burnt sienna. So to introduce it for here and for the site and a bit more off cadmium aerate also to introduce for this area. And um now let's make the center I will take smaller brush so that I don't want that it will really flow Ondas The paint will need to make our not so watery as previously because I don't want that our flower center will go and cower everything. So for this I will mix Um, for this I will makes a burnt sienna with violet and the mixture is quite sick like this. And for here we will make the flower center. Let's add a bit more a while it So that is going to be cooler. The collar. So for here also has a shade. You can add a bit from this side. Probably a bit more. Then it will believe. Really? And now let's move. Ah ah, you are green and we will add stem. So for here on it will start. The blade is this weight. And, uh, that is really beautiful bleeding so that for this kind of bleeds as the paper should be still wet but not federal wet. And the paint which you're introducing it should be quite a watery, but not too much water. As wise, it will make backgrounds. So that is the consistency are off. Ah, the painter and, um, the paper. So it should be also quite what button always out pedals. Andi, just whistling water from here starts to run also. Ah, is it pained and to introduce for here as they make so far? Greenways, uh, say Bill. So to get the darker shade of green like this also, we're gonna a bit more off our Ah, a bit more off olive green in some places to make it warmer for him. Andi, Uh um, what we can do is also to make one more separation off petals from this site. Let's see. And I would say that, uh, to add more to make more shadow. So I will it on the mixer, which I have here, or frets and probably a bit off bright red. And just with some, it is better to have dryer is a mixture, because otherwise it won't create like this and for here a bit darker, so that also to create the illusion off. All right, so, uh, getting ah, darker shades are closer to their bottom so that it will create also the illusion off. William for here. So our second puppy is ready. 8. Field Poppies. Part 2: Now let's Ah, paint as assert, Bobby uh, sort Bobby, let's make somewhere for here Onda would be just looking probably up. So let's see what shape will get as the same was one brush. I'm making wet this surface so and let's introduces a color. I will start to this time and be differently. I will use ah quite diluted Indian yellow I first I will introduce Indian yellow. Uh, I will leave some here like some space whitespace. So that's is this time. Uh, if you have some drops just a wispy but that will you remove they remove them on for here. Let's also remove some pigment like this. Ah, that also This time, let's leave more white space On day we will, uh, make also that we would be it would be noticeable. The flower center and next one is going to be a just can you read So for you and then from another side. Next, let's introduce burnt sienna Always scared memory it quite sick mixture for here from that side you're probably corrective in the shape like this and next is going to be burnt. Sienna mixed the with while it but the more, uh, like brown color so that it would be in the mixture. More are burnt sienna roses. On the while, it's on this brown dark brown will introduce here. I removed some pains of it. It won't be so watering off introduced from that side as he I have removed to some parts of with a paper towel. So there is really tiny area where the paper is dry so it doesn't allow this big mental toe move backwards. So it goes outwards for here. I would add a bit more offering this this way. And now the darkest will use. I will use the same burnt sienna mixed with while it but this time more Well, uh, while it ours isn't burnt sienna. And here we will introduce in the flower center. So and with this flower will make, um, something different. We will marca Ah, the edge off the battles for this I will use ah bright red color and I will make it and not really watering. So I remove some extra water from my brush Onda Then I start toe turn this way. Uh, my brush so that it won't It will leave some space is white and in such great great in some better off. Oh, for here also, let's add a bit more off cadmium red so that it will create warmer shade of red. So this one is going to be brighter. What we can add more is to make also a more prominent, uh, flower center For this I'm using the same mixture off. Ah, burnt Sienna was while it more while it and just several dots because my paper has got already dry in that area. So and a bit more here off dark color. And let's see if still yes. So there is still there was still wet that area. So you can see this really beautiful bleat as a color which I have introduced. It was, ah, not really watering, but somehow watering because also that is another condition to make it bleed. And now let's at the system. So just I This brush is just with water, clean water and you can see that now is the color started to move also, uh, backwards and we will add a bit more off green. So here Yeah, and I think that this one is really warm flour. I don't know that generally the feeling. So that's, uh that's why I had let said also toe the stem, Um, this mixture which we have used off burnt Sienna with what? So then the stem also is going to be warmer compared to green, so one more poppy is ready. 9. Buds: And now let's at some butts, Onda, uh will make a big round. Oh, let's see that Probably for here We have quite a lot of space is so we can add some but Kia on Uh huh, the same First I was this brush I'm making the shape of. But so just like oval shape and like this the same I'm moving the water from where I'm going to introduce the paint outwards because here I will be system will usefully There's a so weather forced them Onda Ah, let's start there with Aidan First Indian yellow just to make it bright Ah, then olive green and our final touch is going to be undersea green Dark Williams off green You can mix green with sepia for these darker will use so that it won't be really, really bright green. It's more beautiful when it to be more like dull color. So for this, you can make so your greenways sepia and, um so take out this water. In your case, it probably you can It won't have this water collected, But just in case if this happens it here you have what you That is a way. How you can just remove it and to use for stem, I will clean my brush. And just with clean water, I'm more wins is big Meant been created us them. So just also keep a night to make Ah ah, This stems are really thing on the shape so that they won't be really strata. But just like this way we on, uh, mine thirst in line Might more dynamic. I will it even darker, will you Here. Ah, for this I will makes green with, uh, se bm and for us here from this part where I think that there is shadow and I will it this darker color, uh, also, let's introduce a bit off one of green so that it will baby warmer, more cheerful for here. What we can do also lets it here some red. And let's see, you've still it's wet. Then it also could be really, really nice just a bit off what we can do to make it. Ah, beautiful. Just there with, uh, clean brush with water was getting with her brush with skin. With that make it like this and it will start to bleed on. Uh, these, uh, sport you just move it. Ah, First, afterwards, the paper. So that it will be dissolved when in paper like this and let it a bit more off. All right, then it would be like different will use. This one is really, um light Andi. Now let's add some bride read on. You can see piers and magic starts on. Does the paint is more concentrated? So here we have one. But let's add um yeah, as this sir, like, uh, seats one. So they have already finished the ah blossom on the same. That one is going to be smaller in size. So for here first I will make the shape shape on that one is going to be mainly green. So I will use olive green on the then darker green for here on here. It has some kind off this shape. Onda leads at this time. This one I have made it. Ah, on dry. And then just the some parts. I will bus, uh, my brush with clean water so that to make it a bit blue, that's it. And let's move this towards the paper so that it would be dissolved. It won't leave some marks And also I will it some darker will use to there shape. I'm probably a bit more off Serbia here. This Oh, this so clear is going to be the shadow. So he's going to be from this side darker and some lines. So I think that this is our composition with poppies. I wouldn't add anything else s O that you leave some space for bracing and what we can make . Ah, is the background. 10. Background: for the ground. We're going not apply our splitter in technique, which is lots of fun. Onda. We will make splatters on wet and splatters on July for these are first let's make wet some areas. Um trying Noto make wet everything, for example. Ah, here we can see that this part is really already, like, filled with flowers. That's why I would add that the ground from the here that it's a bit more space and probably somewhere for here in the lower part. So this part So we will make wet, but also don't make them like this way. So just anyone, uh what? And, uh then we will introduce some splutters. So for here, more or less, our background is going to be Ah this'll away. I think that is going to be quite quite nice. Onda with another brush, we will introduce our splitters force letters. I'm going to use the same colors which I have used for copious because, Well, great, actually the illusions that there are more poor pieces, they are in the field, usually as they grow, saying like many big community And let's add some sweaters so you can see those ones which are full in the Where's the paper was wet, they got blurred, and the ones here, which have fallen on dry paper they abstain, has small dots. If you aren't Ah, if you got some must. But they're so in those places where you don't want them, just a waste paper towel. You remove them on. Uh, I'll let's make a bit darker. So I am. I didn't toe that my mixture burnt sienna, and also you can make some sports. That's fine. They also will agreed this feeling off a variety off multitude off Bobby's and a bit off bright red. That is like a big quote cooler color camp. And with this brush, I will make it a bit extra yourself so that it won't be so concentrated. That is the same. If you aren't happy with some parts you can remove just with. But that will on and dark brains. Let's add also dark greens because usually that his field, um, was lots of different herbs on some more splitters. No, I would say that, um, probably that So what? Um, so this one's guys got in already dry? Um, also, I haven't Ah ah. Weren t Is that before I didn't splatter to need to cover all this or free sees around so that they won't won't get dirty and covered with all these splitters. Um, let's make this more smoke. That is just the with the clean water. I am moving the payment. So this way here probably to join because I don't like this border white border because it makes like, the feeling that, uh, this, um, bop it has been like that out. So that's why I'm trying to make it likes. Most transmission Romans is 4% of the ground, so I like, exists. Onda Uh, let's it some more, um, splitters off dark green color. For this I will mix green with Serbia and just several drops. So, for example, Szish ones I don't like. They have fallen just in line and it's not really beautiful. So let's remove some. It's all that it won't be. Also, it could be some kind off herbs which are growing in line up, up. Uh, just have a look at those, um splitters, which you are and happy with. Remove them. What else we can do here? Just was dry brush. Did one more stroke. I think that yeah, exist then also told me Quite nice. Uh, so actually, our painting is ready. That is our field off book. It's on. I hope that you have enjoyed the process. And I am really looking forward to seeing all that bid, which you have grated. Thank you for painting with me. 11. Final Thoughts: some words of encouragement and engaged. You have tried on the arms really happy with the result in which you have got the main thing. Don't give up on try again because first, the bank loose flowers. Uh, it's much more complicated. Andi, Um, it's like you can control one part of the process. On another part is, uh what the colors are on the water on that sometimes, like you can control it only partially that enters out there, which you see that it's not always what you will get late there on the paper. Andan other Think of what I wanted to tell you is that it only looks is that it's really easy on De so that here brushstrokes another one that it also takes practice on, uh, many tries. So just the first trial with settlers paper. Andi, once you feel more comfortable, you can pass it toe caught on one. And I just wanted to show you on the two tier Europe. Was that for me? It also took me quite many tries. The vein, the focus on defined the colors of the shakes on, uh, feel I have got to that composition which we have painted in the class, so just, uh, keep on grated and injured the process. Thank you for watching my glass. I hope you have enjoyed it. If you like the class, please leave a review and upload your class project. There's a class project gallery. I'm looking forward to see all the beauty which you have created. If you're going to show you artwork on Instagram police take me so that I could see. Meanwhile, you can check my other glasses on skill share and keep on creating. She's my next class. Bye.