Drawing and shading Realistic eye | Ritika Sridhar | Skillshare

Playback Speed

  • 0.5x
  • 1x (Normal)
  • 1.25x
  • 1.5x
  • 2x

Drawing and shading Realistic eye

teacher avatar Ritika Sridhar, Artist, Calligrapher

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

16 Lessons (1h 21m)
    • 1. Introduction

    • 2. Class project

    • 3. Drawing Lashes and eyebrows

    • 4. How to understand the Anatomy of an eye

    • 5. Female Eye Study

    • 6. Old man's eye study

    • 7. Baby eye study

    • 8. Male eye study

    • 9. Project Eyes - sketching

    • 10. Shading the Iris

    • 11. Basic layer

    • 12. Building up layers

    • 13. Depth

    • 14. Adding Shadows and lashes

    • 15. Highlights and finishing

    • 16. Conclusion

  • --
  • Beginner level
  • Intermediate level
  • Advanced level
  • All levels
  • Beg/Int level
  • Int/Adv level

Community Generated

The level is determined by a majority opinion of students who have reviewed this class. The teacher's recommendation is shown until at least 5 student responses are collected.





About This Class

In this class you will learn the techniques for Realistic Eye Drawing.  I will teach you  how to first analyse human eyes and to understand its anatomy At the end of the class you will know the technique to draw an eye  and by the end of the class You will be creating a beautiful artwork .

This class is for those who are struggling to create beautiful eyes in portraits without losing the person's Identity, by taking this class you shall learn the methods to add Realism and to bring Life to your Portraits with realistic eye  !


Meet Your Teacher

Teacher Profile Image

Ritika Sridhar

Artist, Calligrapher


                                                                       It’s Giveaway Time!

As you probably noticed, last  month I published A colored pencil drawing class.It’s about bringing realistic shades with coloured pencils and other mediums .

And I’m giving away a whole year of Skillshare Premium for free to a lucky winner!

There will also be another lucky winner who can win a Digital sketching done by me

All you have to do is:

       -Watch the class : ... See full profile

Class Ratings

Expectations Met?
  • Exceeded!
  • Yes
  • Somewhat
  • Not really
Reviews Archive

In October 2018, we updated our review system to improve the way we collect feedback. Below are the reviews written before that update.

Why Join Skillshare?

Take award-winning Skillshare Original Classes

Each class has short lessons, hands-on projects

Your membership supports Skillshare teachers

Learn From Anywhere

Take classes on the go with the Skillshare app. Stream or download to watch on the plane, the subway, or wherever you learn best.


1. Introduction: Hi, I'm Analytica. I'm afraid that there isn't a calligrapher. I've been teaching on Skillshare for three to four months now. Welcome to my realistic I drawing course. This course is all about learning how to draw human eye. Eyes are the most important facial feature that actually gives or brings life into your drawings. This class is aimed for those who want to develop for great drawing skills without no experience level at all. And for those who are interested in experiencing and learning how to draw realistic portraits and ice. By the end of the class, you will have the knowledge of drawing any kind of human eye, from sketching to understanding the anatomy and shading it realistically. First of all, I will tell you all the materials that you'll need for the class. Followed by that, I'll start with teaching eyelashes and arrows. Since the project that you're going to draw four eyelashes and everyone's, there will be a complete demonstration of these two. Once you have learned that there will be a study of different dice, how all be believed looks, and how our main layer and the female a diverse, and how will the baby I will be. So understanding all of this will be very easy for you when you draw portraits. To make your learning process more interesting and fun. I've also prepared worksheets so that you'll be able to practice different types of lashes, brows, and also different eyes. You will also be getting a detailed PDF document of the by step instructions of declares. Don't wait for the, by digging the glass, you'll be able to create beautiful realistic eyes in no time. 2. Class project: Coming on to the class project. So this is the ice that you'll be drawing right along with me. I will be guiding you completely on how to draw this and shaded. For the reference image, I have linked the image that I'm using in this class, in the resource and the project section. So you can take them out. I have also linked few other images that you can use as a reference. 3. Drawing Lashes and eyebrows : First, I'll be teaching you how to draw eyelashes and eyebrows. Once you've got a basic understanding of how to draw eyelashes and a rose, you'll be able to draw an EQ Window flashes and throws. So let me start with a basic Boolean now. So I'll show you how the basic strokes for eyelashes and eyebrows should be. First give lot of pressure when you start and release the pressure as you move further. Sunlight this good pressure. And then release the stroke like this. You should not have a uniform thick straw for the lashes and grows. It will ruin the entire drawing or the Dell make it messier. So at this point, and at this point, see you have thickness and dark nets. That is what you need when you draw lashes and gross. So with that practice, let's see how to draw a lashes on the night. So this is the upper eyeline. I'm keeping this alert in the dark. Now, draw a line below that lightly because we're going to eat is that then draw curves like this. You can keep this lightly because we don't want, we won't need this leader. So we can it is that when you draw observed the direction of the lashes, it will go in these directions. In the medulla, the face trade. So starting with B like this. And it will turn slightly when it comes to this end. Also you observe there at the end, the lashes will have more height. So randomly add strokes in corresponding to the directions. You can see the land increasing from the start to the end, gradually. So first they used a lighter tone Benson. Now I'm darkening with the full B Benson. So draw different strokes with intersecting each other, overlapping each other. Like this. So, um, it is in the extra lines. And I'm creating small curves like this to keep it natural. You know, the eyelashes will have full selectors. Then I'm just shading it mildly. So this is how you draw lashes. So this is a representation of how the directions will actually look. So I've shown a demo of the upper lashes. After that, you can practice the lower eyelid slashes are from the worksheet and show you how to do that and demonstrate the worksheets. Now, this is the worksheet that I mentioned and you can find them in the resource section. If you have any doubts and finding the worksheets, you can always feel free to start a discussion on the class. It is actually available only on the browser in the PC. First, this is the eyelash e-book. So there will be step-by-step instructions are in drawing the lashes. See, I have mentioned in the all the steps in it, just whatever showed. Then I've also included different dipole clashes with different shapes, sizes, and angles. You can just print them out and try it on the right column. Let's now start sketching the eyebrows. So this is the reference image I've chosen. Look at the outline structure of the rules from the image and then sketch them like this. Um, so the curse and the sharpness Veda where it is required, see how the shape of the bros, our looks and then try to sketch it. So after sketching, I've enlightened they are applying and then shaded. Now take a lighter gray pencil like HB. And then I had strokes that we have already practiced. Remember the stroke should have more pressure menu start. And when you end the stroke, you have to release the pressure gradually. So I'd now n number of strokes, great to overlap and intersect the strokes. Only then it will have a natural feel. When you add the strokes are absorbed in direction from the image. Database layer with HB pencil used to be benzyl and add more schools. So this is the first or the base layer for shading. After died. You can notice Magick with us soft brush. Make sure that it is ready gender. Before you use the British, ensure that the brushes T-inverse. So smudge it lightly. Lake idea. Don't be so hard on the people. So Bender either players and increase the darkness and using eNB charcoal black pencil and draw the same strokes with different directions. See the directions from the image again. Don't draw it on home. Observe the directions from the reference, and then draw that. Then at the start of the eyebrows and all the sides and Hs and strokes like this with Dido. But can we do V0 for B or event HB? But make sure you add it on all the sides to make it look natural. So now I've added on the board, then adding now in the dog. Then I'm smudging it all the way down again. Again, this has to be very light. So this is how you draw and sketch. And I brew. Coming to the worksheets. I have different eyebrows on the left, blend them and trade-offs on the right. So it has different shapes and different sizes. You will also get an e-book of drawing. I bruise like this. This is a step-by-step instruction for drawing and shading the IPOs that we've already seen. This is again, an eyebrow assignment that you can take to either side row and draw both sides of it. Or all the worksheets and the e-books are available on the resource section of the class. If you are checking all the clash on your mobile or dad in the app, you might not find it. Please do check it out on the browser or an obesity only then you'll be able to find it. If you have any difficulties on finding the PDF documents and the reference images, all the worksheets, you can always feel free to question me in their discussion section below the class. 4. How to understand the Anatomy of an eye: These are the ice studies that we will be seen. You can see each and every ice has different shapes and sizes. I will tell you how to analyze the different angles and sketch them accurately. First, I'll show how different ice can look. Not all the A's are similar, even though there are certain things that are common. Edi has its uniqueness, a dot and shape color. So you have to observe it before you draw. Start with this one. This is a melee, usually a male, I will look sharp and thin compared to females. But not every melee has the veto. Mostly every melee fall into this. Here you can see it's very sharp here. And also here. You can observe the sharpness in it. So when you're going to sketch in the first and foremost thing that you have to observe is the shape of the eye pros, observe how the eyebrows, the stats and n. And then you have to observe the middle line that is cutting through the eyes like this. Then observes distance from the end of the eyebrows to the end of the ice. This then the distance from here to here, that is the starting of the eyebrows and the starting of the ice. So these are all the things that you have to observe and your drop shape of the eyebrows, the lines, the angle and the distance. So this is the female lay with a lot of makeup on it. You can identify the makeup, the presence of the shine and the glossiness in their eighth. So again, when you sketch it first observed the shape of the embryos. So for your identification, I will sketch it out darkly so that you'll be able to identify the shape. So I'm outlining the eyebrows. This is the shape. Also observed, the unevenness in the head, strokes on the top like this. So noted down and when you shade it, you can add them on in your drawings. Have the Dart, identify the line that is cutting through the eyes. So from here to here, you can see this cross that is in this little straight. So this is how you would create the differences in each eye. Next absorbed the distance from here to here. And also from the edge of the eyebrows to the end of the ice like this. So this distance was waiting for each and every eye for some needed be very large and for summited be small. Now also note the height in the middle. So the next one, this is a baby size. So first observed eyebrows as have DO Loop. Then line that is cutting through the eyes. And then the distance. So you can see the shape is deferring a large when compared to the first two arrays we saw. And this height. For this one, I've marked the eye brushes, then the line, then the distance from the eyebrows to the eyes on the both sides, and then this eyeball height. So the next day is an old man site. You can see all the wrinkles and menu shaded tried to have the wrinkled so that you can now differentiate the age. Smog the eyebrow shape, then the middle line, then the distance on the both sides, and the height of the eyeball. So for the next I, so this is the main project that we'll be seeing. So I'll tell how the absurdist see the eyebrow shape actually sweaty cross, and even the eyes itself is totally cross. And it also has a different angle. So note that and mark all the common things that have gone through earlier. So I have included the outlines of each and every either dies. I'm sketching with D worksheets for you. So if you have any difficulties, you can observe it and draw. Or if you want to only concentrate on the shading parts of the eyes, you can download and put in the worksheet and start shading each and every day. You have the reference image and also the outline of it. 5. Female Eye Study : So from the observations that we have made before, now let's sketch the eyes. So I'm drawing the line for the eyebrows, the marking the distance NAMD eyebrows to the ice. And then I've also sketch the middle line of the eye. Now why I have outlined the eyebrows as well? First, everything will be rough. Then we can find dune each and everything. Then I will multistart and the Adolphe I. So note the difference from the reference image. See how crazy this from the end of the hybrids. So it goes like this. So I'm marking direct point. And then just outlining it. After that, I am placing the eyeball. So then the line below the eyeball. Soon as you've seen there, I have drawn only the inner line of the eyes. Now I have drawn the outer line, or the outer line of the eyelid. This is not a detailed study. Instead it's just as simple study of how to understand the outline and hold the shaded. So now you have the rough outline. After this, let me show you how to fine tune this unshaded. So I'll start shading the eye bonds. First. I'm giving a basic layer with any pencil you can give it. I am giving it with full VPNs. When I'm shading the eyeball, I am living on the highlighted portion. Make sure you leave the potion invite to that venue shaded further, you can get DPR white of the paper. First, I'm actually shading all the shadows so that it will be easy for you to understand you. You can also do the same thing. First, identify whether it is dark and shade the shadows foods. So these are all devotions. Better, the image has darkness in it. You can observe it from the image. I have marked and shaded all the shadow parts. After those, let me sketch the eyebrows. I'll draw the basic strokes that we usually do. I'm adding more strokes. I'm also adding dark and light strokes mixed. After adding the shadows, I'm also adding the light dawns here and there in the upper eyelids and also the rest of the portions. Now, I will add the depth to the eyebrows a little more like this. I have also dark and deep shadows in the eyeball. This is not a complete realistic shading. It's just in a study so that you understand where this dark invaded a slight means you can now observe it for the shadows I had and vegetable the highlights up. Let me add the lashes. Do remember the directions that have w. Keeping that in mind, also, observe from the reference image and draw the lashes. Usually the lower eyelid will have less lashes when compared to the dog went so far lower lake die. Of a first I study is complete now. 6. Old man's eye study: For the second one, I've chosen the old man's eye. Observing the eyebrow shape. I'm sketching that first data mark the end of the eye and the starting of the eye. Then the distance. Then sketch the shape of the eyes and the eyeball. So the shape is slightly bend and they tested well, or to say the age looking at. So tried to replicate the same. Here again, when I'm shading the eyeball, I'm living the highlighted portion. Then now I might indeed shadows to the eyes. He hadn't this eyeballs I can see the lines in the pupil. So I'm also adding dark. So I'm just shading wherever they can see dark tones, letters, the shadows. So here it is very dark. And also here the islets of folder. Here we go with the eyelashes. Here. You can see the skin donors actually very light. And here when you observe it, the I rows and this area looks totally dark. So similarly add darker tones to wait. Like this. We can add the wrinkles later, since it's not a detailed study now, I'm just going to roughly sketch and stay there. Now I will shade all the midtones. The midtones are nothing but the value that lies between the darkness and the highlights, the shadows and the highlights. Even here, there is a small amount of greenness in it too. I'm adding that also 0 here and a few lashes am darkening it. And for the wrinkles, I'm just lightly adding it here. I didn't dare, not a lot. So this has to be dark. For the eyebrows. I'm using charcoal pencil from Crayola because this I brew from the reference image has weighed out on that door on the starting. So without the shading a large we can achieve the darkness from this. So after applying the pencil, I am smudging it out with the brush. Like this. Not only for the eyebrows wherever you can see dark Don't you can use to spend it. So overall I'm smudging, get here and they're little. You can see without even spending a lot of time, they have achieved the darkness and the highlights in the eyes. So this is how you shade this. I 7. Baby eye study: Next day is the baby eyes. So again, for this start with the basic lines that we have observed it earlier. So I'll draw that first. First the shape of the eyebrow, and then the starting and ending lines. No to the midline. Than that, I will sketch the eyebrows. So the shape is really different because of it is babies are a blows, so accordingly draw it. You can see this is a third phase, the IEEE. So obviously the eyeball is looking at the top, so accordingly change the angle of the eyeball. Now I'll add the shadows, two dice. Now this up top island has really dark from the image. This is a baby's eyebrows. It's not very dark from the main staff Towson, so I keep it light. After adding their basic strokes of the eyebrows, I'll just smudge it littered with their flesh. Now you get the shadings well, no, for the pupil and mark their darkest shadows. I'm using for weep instance here. Too. Don't forget to leave the highlights pushing. So from this image you can see the smart, very dark. The whole pupil is non diet. Instead only on the agency does that. So I'm shading it accordingly. I am again continuing with the shadows. And then I'm drawing the lashes, see the shape and the angle of each and every lash. Since it's a baby's eyes, It's very thick and also T-shapes are different. The lashes on mood. So I am drawing like that. You can see I'm not drawing each and every large of the same height, invading the height of the lashes and also the thickness of it. That is our natural lash we look to try to keep that are like that. We are keeping the uniform. It can be natural. I'll start with the midtone shadings. So here denominator is not ready that the skin is fairly pale. So my Leon shaded. Since it's not very dark, Let's keep it the same thing. After adding the shadows and the midtones are smoother than the shadings with the help of the brush. You should be very gentle on this step. If you either rubbing it hard, then it will spoil the entire drawing. Also after each and every time you use a brush, clean it via a vineyard owner, smart people. So I think the eyebrows and the pupil has to be a little bit dark when compared to the reference image. So for direct, I will smoothen this and then add darker dawns with the help of a HB pencil. I think this darkness will look good. So that's it with D toward eyes steady. 8. Male eye study : Moving on to the last I0. This is a melee that we saw earlier than the approaching to an IEE lesson. Similar to all the previous i's that we saw. First I will identify the eyebrow line and understand and analyze the angle of it and draw it on my sheet. So I have my eyeline on. So now I'm sketching the eye Bruce. Understand the shape of the IPO from the image and try to recreate it. See there's a curve here, and then it is meeting together like this. So I'll fill the eyebrows likely later we can shade it. So this is the eyeline. So see here the distance is very small. So no diet and start outlining the ice. That was the outer line. Now I'm drawing the inner lane. It is stored in the dark in that place so you'll not be able to see it if you're not able to analyze the outline, use these off copy of the image. So with this third of outline, I'll start shading it. Since the eyeball and the eyebrow ideas are Bailey the alkyne, this, I use charcoal pencil for this. So depending upon the darkness that you need, you can switch between dependence. This type of charcoal will be really dark and you don't have to shaded the Lord with the simple laws, scribbling loaded, you can get the darkness. So now I start applying the charcoal. I'll just match it with the brush. I've almost got the basic tones now. So it is very dark. Let me shade that as well. Now I actually, I'm using Staedtler API charcoal black. With data. Add some details to these rows like this. I use a HB pencil here. It's comparatively lighter than the rest of the portions. I'll draw the lashes now. So it's maybe 10. And it talks about a bike rack at the garbage. It is a little bit dark when combined to the lower eyelid lectures. So similarly, I do it. Then you can see here it is limited by DAG. So for that I'm using for B Benzer to share it or what? So differentiate the darkness and the McDonald's. Now for the highlights, I will erase here and there where I have highlights in my reference image. With the needle dataset, I'm just tapping on the drawing. Sometimes it will create patches. So you have to be careful when you use this eraser. Be gentle on it. Now, over all the four I's studies are complete. So you can know now, sketch it with the help of the outline that I provided you are with your own plan and trying to shade it. 9. Project Eyes - sketching: Hi, So in this lesson I'm going to show you how to sketch our class project. That is this ice. So this ice, you can see the eyebrows are slanting and the eyes is also little bit slant. It does are not as readily facing. I you can see from the angle of it, it is very crossed the line that is cutting through the modulus. So cross. You can also see the distance here, as well as the distance here. So absorbed in height also. So let's draw this now. So I have my hardcopy as well so that it will be easy when I measured it. And at the soft copy I will use it for the detail, the shadings. So with the help of this printout, I will first draw the eyebrow line. When you have a print out and absorbed closer, you'll get a clear understanding. So I know this land. Here we have the hybrids. So it goes like this. And then you have a slight bend here. So this is the top line that I learned spoiled. And another line show the eyeball is actually present here. Then I'm drawing this line. So the lashes out or lente at the end. Here we have the highlight for the eyes. Now with this basic or client, I ever made some changes that I can see. I see a little bit of changes here. So I'm doing that. It's pretty wide indeed offense. Now we don't have to add the details in the eyebrow. Bill just Monte outlined perfectly. Understand its shape and an, a dummy, and then sketch it. Now we have our outline ready. If suppose you have any difficulties in drawing this, you can print out the reference just like me and trade. Even then if you're facing difficulties in drawing it, you can find as outlined in the worksheet below the resource section. You can download that and print it out and use it as a solution. Or either you can observe and draw from that for better understanding, I've provided you with this. 10. Shading the Iris: Let's start shading the eyes now. I'll begin with the items. I'm using taco, they'd be black from Staedtler. So if you see the reference image, here, we have the highlight to leave off that portion. And here the shadows are present. So we have to get the complete darkness in those areas. Also, you can see that my pencil is really sharp, so try to have your pencil as sharp as possible. First and multi places variable, we have to get the shadows. After marking that, I'll shade these potions now. Since it is very dark and filling each and every part of the paper with the sharp black pencil. I mean the AB black pencil. After this, if you see the image, you can find lines in this area. So for that, I will draw those lines. Lake small strokes. I will slowly fill in the white gaps. Here I will use for preventive to fill the gaps. Because our reference images not fully dark bucketize those white reflections live. And also the lines. Now I darken these potions, let them all. Now, we saw that in the reference image there were lines both with the black and white. So for creating those lines and mutate using this battery razor and creating small lines on the iris. Like this. Next step would be adding these details both in the black pencil and also with the eraser until I'm satisfied with the shadings. But, uh, make sure you have a very sharp pencil because those lines are very thin. After that, if you notice it deeply that a few lines in these schedules do like dots. I'm creating those with this battery razor. Since we have our ETAs, the light they will be or some white spots in the sheet. So to firm those are dots I'm using for events. I'm shading all over the eye is my leaf with the Spencer. This is done now. Let's shade the rest of the portions in the upcoming lessons. 11. Basic layer: To start off the shading in the rest of the oceans. First I'll use a to B pencil and then add a shadings beta where I can find shadows. As you all know the shadows or the dark tones in the picture. So here I have the DOM. So for that slowly added first render it with the do we vented. I'm not going to straight away start with the darkest shade. Instead, I'm going to do laid it up by increasing the tone step-by-step. Even in this portion of the sclera, we have shadows and either mate, so I'll shade it here as well. And this edge, you can see this really dark. So first I'll shade here in this layer with only two beep and later in the list upcoming layers, we cannot doubt Gandhi. Don'ts. Now I'm shading here. I will also give a basic form for the April's link, the first layer with this pencil itself. So I'm drawing eyebrow hairs. As we have seen in our previous hybrid drawing lesson, we have to draw overlapping eyebrow hairs and also we have to fill in the space completely with many strokes as possible. Also, make sure to remember to have to use that basic strokes that we practiced earlier. 12. Building up layers: In the process of layering. Now I'm going to add four we Benzer to the shadows that we have shaded already. So slowly I'm filling out the gaps in the Bible. I'm not adding all the eyebrow hairs now and stood here and there I am drawing few strokes. And for the rest of the portions, I'm just shading it. In the upcoming got layers. We shall add the strokes of the more depth. Now I might in-depth here. To darken the don'ts. You don't have to shade it with a really dark strokes or lines. Instead slowly shaded all those ideas and cured if you see it is very light. So I have lightened it. I will also share these areas. It does not having the Lord of depth in here, even though I'm shading with my leaf. Since it has some mild codon death. I use a brush now to gently rubber was if shadings so that it will fill all the gaps that we might have left out when shading. It has to be very mild blending. If you rub do hard on it with the brush, it my daughter, when they're drawing. So be careful when you do that. This is it for the layer, though. We can add more depth and more highlights in the next layer. 13. Depth: To start off with the depth first cell grow, I drew with a HB pencil. I'll draw really sharp and thin lines with different directions and different angles. Observer from the image and draw overlapping lines like this. So the, you can see the directions with the change in Egypt Every potion. So at the start date you to be very light and keep those lines very light. I have to add darkness. If you see in the image here, there is a lot of darkness. I have just a speeded up the video because I'm doing the same process again. If we want to create the highlights, some white strokes and the eyebrows, use the ED cases and the bad bleed is since that image has a lot of depth, I'm using a B pencil here as well. By using a HB pencil on the skin, we have to be very gentle because it has a lot of darkness in it. We have to add it on liberty. With mild depression. You can see I'm slowly shading it like building up layers. Now I'm creating the islets portion. Here as well. Our image has a really dark shadow. Why the shading, the dark areas like this, you have to understand that the slide was actually present. You can see the shadow is lying after eyelid. That is after the line. So I heard shaded accordingly. I'm adding layers here again. I'm almost done now giving the depth to the eyes and also the eyebrows. 14. Adding Shadows and lashes: In this lesson, I will show you how to sharpen the shadows a little more, and also show the process of adding lashes. And this portion of the eyes you can see the amine below the eyes. It is really dark. So I'm maintaining the dark dawn. So you might think why we are layering it and increasing the darkness rather than directly giving the darkest tone on the sheet. It is because if you a good the dark dawn directly on the sheet, and if you go wrong, somebody will not be able to correct it. Also, if you go layer by layer by increasing the darkness, it will give us more definition to the shading and also a natural field. Coming to this part you can see the dark shadow Andy, lightest on and not blending together. So now we have to blend those two dots together. Like the shades are gradually decreasing. If you will see in this area, there is a bright white line. Now let's add lashes to our drying. So before the other adding the lashes, observe it first. Bear the line lice. And slowly add each and every line, because you are going to add it with the darkest eight VPNs. So you'll not be able to erase it. Even if you erase it, there will be marks on the sheet. So it's better if you use a light tone first. And then you can now increase the darkness with the HB pencil. Before adding lines here, I'm shading it here. Because after you add lines, it'll be difficult for you to fill the gaps. So first off, shaded with the darker tone and then you can add the lines. Now we have added lashes on their top and the bottom eye lids. I see that a lot of white dots in this potion. So for that, I am using the kneaded eraser and creating the white dots due to the reflection of the light that a few lashes that reflects the light. So to create that I'm using the eraser. 15. Highlights and finishing: Now this lesson is for completely adding the finishing touches to our drying. I'll either be lightening the highlights or darkening the shadows. I think the domain here is not completely merged with the lightest tone. So to bring this MOOC shading, I'm now using hits B pencil and slowly mixing it. The body dark and the light tones. I'm also shading over those highlights that we created because I want the highlights to me subtle, not very bright. I'm shading or Waldo dawns on the mid-tones again to just smoothen it out. I pressured or welders very slowly. So let us differentiate this part of the third line. I'm hiring a little bit of methadone here. Everything that I do depends upon the image that I've chosen for the US adult on there. I'm just reflecting that in my drawing. Let me smarten it with the brush so that it won't have a rough texture and neck. And here the line that does have threads, the sclera and the alert is actually light. So I am MA, it is in those areas wherever the highlighted scene. Whereas when I can see a reflection of the light. So I'm smoothly tapping with the eraser on the paper. Again, here is a bright line. These are all the small, small details that I can notice from the image. And I'm trying to recreate that small white dots on the skin that is reflected due to the light. From the major can see that a small white hairs in their skin that is present. It's been reflected so much because of the lighting. And you have dots over here, near the lashes. Also here and there. There are a few dots and small hairs. So that is worth while this is I think we haven't shaded this portion enough, so I am not adding dark shades here. Drying us done. I have added all the details that is required for this drawing. 16. Conclusion: We have come to the end of a class. Hope you enjoyed learning it. Once you've watched Hitler's, don't forget to leave it if you want to. So this will be a major engagement for me and, and also for other students so that they didn't know what to expect in the class. Whole D3 to fall IS steadies hand. Once finished our drawing project, my, they'll help you learn a lot of things in this class. We'll be doing another beautiful class. Thanks for joining me in today's class.