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Create Elegant Titles Animation in After Effects

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5 Lessons (40m)
    • 1. Titles Animation - Course Content

      0:54
    • 2. Titles Animation - Design Title

      15:40
    • 3. Titles Animation - Animate Title (Part 1)

      10:18
    • 4. Titles Animation - Animate Title (Part 2)

      4:59
    • 5. Titles Animation - Render

      7:44

About This Class

Create Elegant Titles Animation in After Effects CC

Enroll & Enjoy: https://skl.sh/3f28sdQ

Welcome to another really great after effects tutorial from Video Course Center.

In this class, we’re gonna learn how to create elegant title animation in Adobe After Effects CC and you will learn:

  • How to design shapes in After Effects CC.
  • How to import footages into Adobe After Effects CC.
  • How to create and modify keyframes to create smooth titles animation.
  • How to use Mask Technique to design professional text animations.
  • How to create and animate 3D Texts in Adobe After Effects
  • How to render your titles with Alpha Channel to use it in Adobe Premiere Pro, Final Cut Pro,...
  • How to add your title animations to your movies.

This class is very easy to follow and even if you are new after effects user you will be able to follow along!

This course is appropriate for all After Effects users (from Novice to Expert).

  • Do you want to be able to create your own professional looking titles animation?
  • Do you want to create cool animated lower thirds and titles on your own instead of paying someone else to do it for you?
  • Do you want to learn how to create professional title animation packages and sell them in After Effects Marketplaces?

So, you're in the right place at the right time, This class resolves all your needs!

So! What are you waiting for?!

Enroll now and learn how to create elegant and professional-looking titles animation in after effects.

Create Elegant Titles Animation in After Effects

Enroll & Enjoy: https://skl.sh/3f28sdQ

Thanks for enrolling in this course and we hope to see you inside this online video course!

Video Course Center 

http://VideoCourseCenter.com

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After Effects CC: Master Motion Graphics & 2d Flat Animation

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After Effects CC: Create Professional Lower Thirds & Titles https://skl.sh/2Gv0ADC

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Transcripts

1. Titles Animation - Course Content: everyone. And welcome to another video tutorial in this video over gonna create this amazing titled animation together in L. A B aftereffects. Promise scratch, and you will learn how to create shapes. How to import food dates into every aftereffects, how to add key frames and convert into easy East to have smooth through animations. How to use mask technique to create better title and nations. How to render your titles with Offer Channel and finally, how to add your titles to your movies. You don't need any prior knowledge of aftereffects to create these startle animation on. By the end of this course, you will be able to create any type of title and missions in after fax, and finally he will be able to render your final projects to share on the Internet. So if you're ready to out fun, and if you are eager to learn how to create amazing and professional look, title animations and road now and now we see you in just in one. Thanks for watching and see you in the next video 2. Titles Animation - Design Title: Hey, everyone, and welcome to another video tutorial in this video. I'm going to show you how to create a simple title animation in. It'll be after effects. But if you are a new aftereffects user, you will learn lots of great techniques and shortcuts that they can speed up your workflow in. It'll be after. Thanks on. If you like to learn how to create more sophisticated title animations, I highly recommend you to visit our portfolio here. And I'm sure he will find lots of great videos, tutorials about creating title animations, lower thirds motion graphics and so on. Also, you will find great video tutorials for Edible Illustrator and before the shop, Adobe, Premiere Pro and so on. Okay, without wasting time, let's get started. Let's create a new composition or here you can press control. And let's answer a name for this competition. For example, title one. For with on height, you can choose one of these presets available here, impress its drop down menu, or you can enter it manually. For example, for ref, enter 1920 pixels on for height. Enter 10 80 pixels for pixel aspect for issue of select Esquire pixels on for frame rate and their 30 frames per second. Or you can choose one of these presets here in disrupting menu. For resolutions, select half on for duration. Enter 300 frames on Finally, for the background color less, choose black. Okay, first of all that straight. Our texts. So use of this type tool on Let's Enter text, for example, elegant titles. OK, now click on this text layer. Press the return key and rename it to text 01 Now press the wiki to activate selection, tool or press of his small air water in here at the top. Okay, now let's change the Texas style. So from the menu, choose window character or press console six to activate this character panel for the front less shoes, for example. Next are bold for the phone size and their 135 pixels and in paragraph panel, select central text. If you can't see this paragraph panel from the menu, choose Window Paragraph or press control. Seven. Okay, if you are a new aftereffects Caesar, let me show you how to navigate in this composition window to pan, hold their space bar key and click and drag around to zoom in and zoom out. You can use your mass school bottle, or you can choose one of these zoom levels in this zone. Drop down menu. Okay, Now I want to move these text layer to the center off the composition, so we need a ruler to find the accurate numbers. So from the menu, choose view, show rulers or press control are okay. Are composition. Dimension is 1920 in 10 18 pixels, so the middle point off are seen equals to 965 140 pixels. Drag a vertical line from the left ruler to the center. Here in info panel, you can see the X value. It should be 960. If you can see this info panel simply from the miniatures window in food or press console to let's zoom in a little bit. Okay. On. Move this vertical roller to 960. Okay, great. Now for the hearts and total er, let's track a ruler to the 540 pixels. What? This y value in info panel. Okay, great. Okay. Now direct these two guidelines to the left on top to delete it. Now let me show you another quick way to add guidelines so that you don't need to calculate the center. Point off the composition each time. Click on this, Choose greed and guide options button and choose title action. Safe option. Okay, Now let's zoom in a little bit. Here. These small trust lines show you the center of the composition. Now, drag a vertical ruler over this small vertical line and then at the horizontal ruler as well. Okay, you can zoom in a little bit more to see it clearly. Okay, Now, press shift on forward slash keys to feed the composition. Or here you can choose fit. We don't need these title action safe anymore. So turn it off. Okay? Now I want to force the structure to snap to these guidelines. So from the menu, choose view. Snap two guides. Now, if I move the title, it will snap to the guidelines. Okay, great. Also, you can select the text layer and press control home buttons on As you can see, it will jump to the center of the composition. Okay, now, here you can see a small process. This is the anchor point. Each shape and layer inevitably aftereffects has an anchor point pressed this pan behind tool or pressed of lychee. Now you can move this anchor point to whatever you like. Now let me show you how it works. Open this, transform property. And here you can see anchor point position, a scale rotation and so on. If I move this anchor point to this position, as you can see, if I changed irritation value, this text layer will rotate around these anchor points on. If I change a scale value, these text layer will be a scale based on the position off these anchor points. Okay, if you want to snap this anchor point to the corners off the layer, make sure your pant behind tool is this is selected, and then simply hold the consul key. And now move the anchor point. Okay? As you can see, it is snaps to these small scores around the text layer. Okay, let's move the anchor point to the center. So this time, press control also on home buttons to move the anchor, point to the center off the text layer and finally activate the selection tool and press council home to move the text layer to the center of the composition as well. Okay, Now, I want to add two lines at the top and bottom of the text layer. So killing under composition window to dislike the text layer. Activate pen tool. Click on this fill option and Jews None for the struck option. Select the second item here. You can change the color on, then enter a number for the stroke with property. Okay, Now click here at the top, left corner off the text layer. Now hold the shift key and click here at the top right corner. By holding the shift key, we can create a straight line in after effects. Okay, Now it's like the layer hatred junkie, and let's rename it to line one. Okay? Now I want to duplicate this line shape to put it under the text layer. So why the text layer is assist elected its control de to duplicate it or from the menu, choose edit. Replicate. Did I get underlying Von for the shift key and pressed down a rocky a few times? Okay, Now let's move the anchor point of these two lines to the center off them, so select them and press control Ault on home keys. Great. Okay, now I want to add the second text. So use type, tool and write your text. For example. Animation, change the full size to 100 in paragraph Panel Select center text. Okay, let's move the anchor point to the center. So press control Ault on home keys Press council home to move it to the center of the composition. Now bring it down under the line to shape layer. And finally, let's rename it to text to Okay, now I want to add a consoler tothis composition to be able to change colors size and position off the title with just a few clicks. This option is great when you want to create it to be aftereffects templates to set them on the online marketplaces like video hive, motion elements, motion area and so on. So let's add an object from the menu. Choose layer, new nal object or press council art shift by. Let's rename it to control. As you can see, the anchor point off, this non object is here on the top left corner. So press the console out home buttons to move the anchor point to the center and then press control Home buttons. Okay, Now from the menu, choose Effect Effect consoles or press F three. Here we have effect controls panel to hold it open while working with the layers. Click on this lock button. Okay, now I want to add some color position on a scale controllers through this null object to be able to change our shape and text properties quickly. So from the menu, choose effect expression, consuls, color control. Let's rename it to text one press council D to duplicated and make text to again duplicate and rename it two lines. Also, you can create to color consoles for these two lines to have different color for each line . Okay, now I want to advance counselor to control the stroke with off the line shape on at two controllers to construct the size and position off the title. So from the menu, choose effect expression, consoles, slider, rename it toe line thickness and now let's add another slider. Rename it to title size. Now let's create another controller Effect Expression councils points control on the name it to title position. Okay, now let me show you how to collect the color, size and position off these texts and share players to these counselors. So first of all, make sure these two text layers are under these to learn shapes. OK? To be able to add the color to a text layer, we have to use an effect called feel effect. So select tech small layer on from the menu, choose effect generate feel. As you can see, aftereffects added a feel effect to this layer immediately and change its color to red. Okay, Now I want to connect these feel effect color to our text. One color consular. So while the text layer is a sense like that, press the e key to load all the effects apply to the layer. Here, you can see the feel effect. Okay, Now we want to kind of these feel color to the color slider so called the R key and click on this stopwatch bottle. As you can see, aftereffects created an a script here. We don't need it. So hit the litke and now click on this pick lip icon and drag it over the text. One color consular. Okay, now, if I change the color off this color controller as you can see the color off our text will be changed as well. Okay, now let's connect. Takes two to the second text color of consular. So we need these FX and preset pennant. If you can see this panel simply from the miniatures window FX presets or press council five. Now let's find feed effect. Okay, Not like this. Effect over text to layer Oregon. Double click on this effect to a play to the selected layer, which, in our case, it's text to layer. Here we have a real effect in effect. Consoles panel Now press the e key collected feel effect to this text to color consoler. Okay, Now use these. I drop button to pick the color off. Text one color. If you want to change both colors at once, select both of them and change the colors. Okay, it's time to connect lines to the line color controller. So select line von and press the U K two times to load all the properties. Or you can open contents shape one stroke one. And here we have the color property, hold the R key and click on the peak Rip. I can't and connect it to the lines color consular. Now I want to connect line to shape layer to this color control asthma. This time, let me copy of this script into memory but pressing consultancy or right click and choose copy Selected line to impress the U Key two times. Hold the R Key and click on the color stopwatch. Delete this default scraped now past the script from the memory in this script area by pressing control. V Great. Now, if I change the color off the lions, consular, As you can see, the line color will be changed. If you want to change this truck size off these lines, simply select them. And here in this top menu bar changed their struck with to something else. Okay, now let's connect a slog with to the line thickness Consular. So select lines one. Press the U K two times. Open a Cirque one on Hold the R key and click on the stopwatch beside this throw Griff and finally, directly speaking, I can't over the line thickness. Consular. Now, if I change the line thickness, as you can see, we can change the stock with easily. Okay, let's follow the same process for lying to selected open this stroke. One hold the alky. Click on the stopwatch on dragged the P clip I can over the line thickness, Counselor. Great. Okay. Now I want to use a consular to be able to change the size off this title using a slider instead of changing each object and text size separately. So right, click on this nearer area and choose columns. Parent and link. Now select all of these texts and shape players on drag. One of these pickup I can't overcome so layer or let me undo by pressing concert Z. Now you can open one of these drop down menus on select cultural layer, which is the first layer. Okay, great. Now select the cultural layer. Click on this arrow on in transform section you can find their scale property or while the layer is this is selected press the s key to load a scale property. Okay, Now hold the all key and click on this scale. Stopwatch on drag the peak If I can't over their size a slider. Let's change the size value again using this slider. If you want to have a value more than 100 you can increase this number great. And finally, let's connect title position. Consular. So if you want to, you can move this control nal object on their screen manually. But if you want to put it in a precise position, I recommend you to use appoint consort er so press the peaky to load the position Property Paul, the R key. Click on the stopwatch on drag Picket Michael over the title position. Okay, by different our point council value is 50 50 which is here on the top left corner. Now you can change the X and Y values to move this title to a new position. If you want to place it on the center off the screen, we should enter 964 x on 544 vie because this point is the center off our composition. If you want to place it here on the left modern area, you can enter, for example, 500 for X and 800 for vie. And maybe we need to change the size value as well. For example, something like 60. Okay, great. Let's undo these two last actions. Okay, If you want to hide this console null object simply turn it off by clicking on this eye icon. Okay, We have finished designing the tighter in the next window. I'm gonna show you how to Anne with these Titan on the really lots of great techniques in every aftereffects that will help you to be able to create awesome and professional title animations. Okay. Thanks for watching and see you in the next Freedom by 3. Titles Animation - Animate Title (Part 1): Hey, everyone, and welcome back in this video I'm going to show you how to animate this title in Adobe Aftereffects. So without wasting time, let's get started. First of all, let's animal delights. So moved the line one online to to the center of the composition. Let's hide these two guidelines. So from the menu, choose view on turn off these show guides option. Also, let's hide these two text layers on lying to as well. Okay, now let's focus on animating line von shape, layer. So could you come this arrow and then click on this. Add water from the least select dream path item. Okay, Now make sure you are in frame zero. If you can see this frame in this area, simply hold the concert key and click of this number to show the frame numbers now open through path and change and value to zero. Answer the key frame at frame zero. Now let's go to the frame. For example. 20 and change. The end value to 100 aftereffects would create a new key frame automatically here now ascribing timeline to see the results. Okay, let's see Prevue. So move this left blue handle to the frame 50 or compressed Anke to move the work area and handled to the current position off the time indicator. Now from the menu, choose Window Prevue or press controlled. Three. Open this section to see the other available options for preview panel. Here. We can add a short card for this play and stop bottom. The default option is the space bar, but you can change it to whatever you like. No press this place, top bottom or president Space Sparky to see around purview. Not bad, but it's not smooth enough. So let's convert these key frames to another type to make its move. Animation. So So, like the both key frames, Right? Click and choose. Keep from Assistant Eazy e's or press F nine now. So, like the second key frame and choose keeper velocity, then for influence Property from the incoming velocity Inter 100 persons. Okay, now, first a space Baki. Okay, it's great. We have a small for admission now. Okay, Now I want to animate the position off this land shape. So show text more layer and press the peak et load the position property. So the key frame for position in frame 20. Now let's go to the frame. For example. 50 on Move the line to the top or set position Y two. Negative. 40. Okay, good. No, against, like the Bosque frames and Eazy e's. So, like the second key frame. Keep for a velocity on enter 100% for influence property now, Prince Dae, Space Marquis. Okay, great. Okay, let's follow the same process for lying to. So show the line to shape layer at the three path effect. Let's go to the frame zero Enter zero for N property and Siddiqui frame. Go to the frame 20 and change end value to 100. Conrad These two key frames to Eazy E's on for the second key frame. Enter 100 person for influence property. Okay, So, like the line to layer on press the peaky said the key frame for position in frame 20. Go to the frame 50 and move the line to the bottom or set position. Why? To 140 convict into Eazy e's on for the second key frame and of 100 persons for influence. No presidents me, Sparky. Okay, great. Okay, Now I want to see these text one layer only when these lines are opening up, so I have to use a mask in these situations. At first, let's change the color off these lines, shapes and control not object to something else. Okay, now I want to make a mask for my text one layer. So let's use these rectangle to for feel. Choose white color on for their struck option. Choose none. OK, now click and drag to draw a rectangle between these two lines. In fact, we must cover the entire text with this rectangle shape. Okay, let's rename it to mask VON. Okay, now press the wiki to switch to the selection to now Put this mask one layer on top of the text one layer and change the label color to red. I suggest you to use red color for your masks to make them recognizable. Okay, now I want to use a mask technique, so my text layer will be visible only when it's inside this rectangle shape. So select X more layer. Click on this Tuggle searches modes, mater or right click of this narrow area and choose columns. Moz, here we have these mode on track matte columns now in this track. Matte column for text one layer Select all format option. Let's see what we have here now If I move, text one layer. As you can see, this layer is visible only when it's inside this rectangle shape area. Okay, great, let's undo So press council Z. Okay, now I want to animate this mask shape as well, so let's go to the frame. 50. You can press page up or page down keys to move on. Frame forward or backward. Select the mask one layer. Okay, now press the escape to load a scale property unlike this chain button to be able to change the X and Y values separately. Announcer The key frame for a scale in this frame at Collins Values. Now let's go to the frame 20 and change their scale. Why value to zero again? To make a smooth for admission, convert them to Eazy E's for the second key frame change influence to 100 persons. Okay, As you can see, our text layer is visible only when these lines are opening up. Okay, great. Okay, Now let's add an emission to take small earlier to have an interesting result so press the s key to load their scale. Property. Let's go to the frame 20 and change the scale value to 85 set a key frame. Now go to the frame 50 and changing to want hundreds. Convert into Easy is on for the second key frame. Change influence to one hundreds. Let's see every nontrivial. Okay, great, but let's make a better results. So all the control key and click on the first key frame to convert it to linear type again on Let's change the scale value to 75 for this key frame and select the first key frame. Hold the alky and press the left Cherokee five times to move it. Five frames backwards. And also it's like the second key frame. Pulls the alky and press the right arrow key five times to add five frames offsets. Okay, let's see. Iran purview. Okay, great. You have a nice result now. Okay, Now let's animate text to so on. High detects to layer. I want to add a three D animation to these text layer. So click on this button under this cube. I can't to convert it to a three d layer Let's zoom in a little bit. Okay? Now I want to rotate this text layer around a point here on top of the layer. Currently, it's rotates around its centre because the anchor point is here at the center, off the layer. Let's check it, President are key to load irritation property. Now, if I change the extradition, as you can see, it rotates around this red access that is parallel to the center point off the text layer. In fact, this is the anchor point. So if I want to rotate these texts around here, a point at the top, I have to move this anchor point, so activate pan behind tool. Click on this anchor point. Hold the shift key. I move it upwards somewhere around here. Holding the shift key helps us to move the objects in a straight line. Now, if I change the extradition as you can see, the text layer will rotate around this stop point. Great. Change the extradition to zero again. Okay, Now let's go to the frame. For example, 30 on change the exhortation to 90 on such a key frame. Now go to the frame 70 and change the exhortation to zero again. Convert them to Eazy e's and change the influence to a 100 persons. Now let's move this work area and handle to the right toe. Have more friends to make Iran. Parham, you Let's see the round Prevue. Okay, great. Okay. Now I want these text to layer to be seen only when it comes under the line to So we have to use a mask or all from our technique again. So de select all the years by clicking here. Create in your rectangle shape here. Okay. Renamed the layer to mask too. And put it on top of the text to layer. Okay, now let's change the mask. Label color to red. No, press the cultural ault on home buttons to move the anchor point to the center and then pressed a cultural and home buttons to move the rectangle shape to the center of the composition on. Then bring it down under the line to shape. Okay, now in track. Matte column for the text to layer select all format option. Okay. Now we can see the text to layer only when it comes under the line to shape. Great. Also, we have to parent these to mask layers to the concert hall. Object Asthma Because we want these mass to move with other objects. So selective both mass layers and for the parents select console layer. Okay, great. We have finished the first section off this animation in the next, though, I'll show you how to create animation for closing these tighter. We will explore two different ways to create a loop animation. So thanks for watching and see you soon in the next video. 4. Titles Animation - Animate Title (Part 2): Hey, everyone, and welcome back in this video, I'm going to show you how to create a loop for this title and mission in and to be after Frank's. Although you can add key frames to text and shape players to animate closing part off this idol and mission here, I'm going to show you how to use a great technique called time mapping. So instead of animating all shapes, text and layers again too close of this title, we can create a complete loop title animation with timely mapping technique quickly. So without wasting time, let's get started. Okay, So, like our layers and press the U key to load all key frames. As you can see, all of them are before from 70. So press the UK again to hide the key frames. These select all the years and then make sure you're at frame 70. Now from the menu, choose layer markers. Add marker. Oprah's there, Starkey on your non pat. Never click on this marker and type in. If you want to delete this marker, simply hold the consul key and click on the marker. Now let me show you another way to add markers to a time night. Hold the alky and pressed a Starkey on your non pat again and type in. If you select a layer and press all on, a Starkey will add a marker to a layer. Okay, let's undo the last action. Okay, Now let's create another composition. So press council, end for the composition name? Enter Title one animation and leave all the settings as they are. Okay, now drag title one composition inside it. No. Let's use time and mapping effect to create a loop animation. So right. Click on the layer and choose time. Enable time remapping or press console odds. T aftereffects with great two key frames. One at the beginning and one at the end. We need to have another key frame here over this marker at frame 70. So go to frame 17 and click of this small diamond bottom toe. Add a key frame here. Okay, Now, if I move this middle key frame to the left, our animation will be finished sooner on. If I move it to the right, it will take longer time to finish. Okay. Great. Now select the slayer Press Council D to duplicate it. In fact, we want to create every rest version off the first title to create a loop title animation. Okay, so, Christie Yuki to load all its key frames as well. Now, right, click on the second layer and choose time. Times were slayer or press control also are Now move the time indicator over this in marker from the second layer double click on the in marker off the top layer and changing to out or the R key and press open bracket key to cut ofhis layer. From this frame. Here, you can see a colored line under the layer. It shows we have added a time reverse effect of this layer. Now go to the frame for example 125 and select the top layer and pressed open bracket key to move and force the layer to start from thes frame. Now select the bottom composition or the alky and press close bracket key to cut this composition from frame 125. Now hold the shift key and move the third key frame until it is snaps to the frame. 125. Okay, great. If you want to hold the satchel for a longer time on the screen, simply move the top competition to the right. For example, it starts from Frame 200. Hold the shift key, and it's not the right edge off the bottom layer to this frame and also is not the third key frame off the bottom layer to this frame as well. So as you can see, we have it on the screen for a longer time. Okay, if you want to change their speed off the title, simply move the second key frame off the bottom composition. If you move it to the left, our animation will be shown sooner on if you move it to the right. Our animation, we replayed slowly. You can do this for the top composition as well, by moving the last key frame to the left and right. Okay, okay, Now let's go to the last frame off the title. Press the Yankee to move the work area and handle and yes, let's see around purview. Okay, great. Now let's convert the first key frame off the bottom composition and also the last key frame off the top composition to Eazy E's. This will create a smoother animation for us. And yes, let's see around Prevue again. Okay, Great. By using this technique, you can create a smooth and complete loop title and missions quickly. Okay. I hope you have enjoyed this widow. Thanks for watching and see you in the next video. 5. Titles Animation - Render: Hi, everyone. And welcome back in this video, I'm going to show you how to render and export your title animation in. It'll be after fax. Then you would learn how to use this title on the movie in Adobe Aftereffects. So without dressing term, let's get it started. Okay, at first, let's import an image into this project. You can import a movie as well. I'm going to show you how to add this satchel to a footage so you can double click in this area in Project Window toe Open Import Window, Oracle right Click and choose Imports file or press control I or finally, you can use the menu and Jews file import Fine. Now it's like an image or video file and imported. Okay, now let's create in your composition. So First Consul end and give it a name, for example, Final. If you like, you can change these settings, but I leave them as they are. And now, like this footage in to find out composition. Okay, now let's cover these compositions with this image, right click on the image and juice transformed. Here we have three options fit to camp fit to come with on feed to camp height. If I choose fit to come or press council arts F aftereffects really stretched the footage horizontally and vertically to cover the entire composition. Okay, now he's concert Z. Let's zoom back a little bit now if I choose fit to come with or press console art shift Age after fix will escape the footage until it covers the entire composition horizontally. Here you can see that footage aids are touching the composition left and right eggs his consuls e again on Finally if I choose fit to compile it or press control our chief G after flexibility scaled the footage until it covers the entire composition vertically. Our footage is touching the composition top and bottom eggs. Okay, now hit the control Z again also, you can press the s key on here. You can change the scale value manually. I prefer to use fit to come with so press council art shift on edge case. Okay, now let's add the title. So opened the title animation composition. Hold the shift key and select all layers from the top to the bottom from the menu. Choose edit, copy or press control. See Now open final composition on Jews. Edit paste or press council V. Okay. Now, if you want to have this title for a longer time on the screen, simply move the top layer to the right and that just edge off the bottom layer. And also, don't forget to press the U key and move these key frame as well. Okay, I think you have learned how to manipulate these key frames to change their speed and time of a title impervious video so you can play with them to get the best results you are looking for. If you want to change the position off the title, you can select these two layers on. Move them under screen. Okay, lets heat concert, see, or you can open the title composition. Select the council object. He'd have three to load the Effect Council's panel on Finally adjust of these title position property. Now go back to the final composition. And now we have the title in this area. Okay. Okay. Now let me show you how to render the startle too important to be after effects. So open title, animation, composition. Suppose we want to have this title under screen for 300 frames. So let's move the top layer to the end black work area and handled to the right at just the left off the bottom leer and finally moved the Lasky frame two year. Okay, if you want to render a title to use over the footage inevitably after fax for Adobe Premiere Pro, you have to render it with the transparent background or all four channel. Currently, our background is empty and transparent. To check it, you can simply click on this Tuggle Transparency. Great bottom. Here you can see this white and grey check word that means your background is empty. In fact, we are going to render this title with an Alpha channel or transparent background. Okay, Now select the title. An emission composition in project window on from the menu. Choose composition at to run their cue or press control end. Okay, here we have three sections. Render such things Atwood Muzzle on outward To click on the best settings set quality to best set resolution. To fool. This will create a high quality video file with the large five size. But if you like, you can choose half now you can see the resolution 965 140 pixels. Here, let me choose full again. Okay. Here in frame rate section to his first option. I mean, use comes friend rate 30 frames per second on then press the okay button. Okay, Not click on this lossless option Informal section. You can see different available formats for your video. Here we can choose a V I Quick time movie and so on. Also, if you want to render your titles in image sequence format, don't forget that J f X equals does not support all four channels. So you have to choose PNG or tar gossip queens. These format contained Unfortunate. So you can render your title with transparent backgrounds. Okay, let me choose Creek Time format Now here in video output channels select RGB plus all for option toe at all for channel and transparent background to your final video. OK, now click of this former options butter. Here we have lots of great video. Codex. If you like to have high quality videos, I recommend you to choose animation. But this format will create a large file size for you on. May be you have edge pointed 64 in your video Codec list. This video Codec is great. It will create small fall size with an acceptable quality, but unfortunately, each 640.264 does not contain Alpha Channel. So we can choose each 0.264 to render title animations because we need a transparent background. So let's choose animation video Codec press OK, on. If you want to render your videos with audio, you must import on out your file into your timeline. And then here you can choose all your hearts. Put on option on a just of these all the options as well. It's okay on finally in output to section, you can choose this nation folder given name to your final video file and pressed. Okay, bottle on. Finally, we can press render button to create the final results, so be patient until after fix. Render zero title animation, but as a team you can turn on your caps lock key on your keyboard. It will freeze your competition window and so it can reduce your render time because after fix does not need to refresh an update composition window for every friend. Okay, great aftereffects created the final video title for us. Okay. Thanks for your watching. And I hope you have enjoyed these scores. If you like to learn more about it to be after face, I highly recommend you to visit our portfolio now. And I'm sure you will find lots of great video tutorials that will help you to enhance your this case in L. A B after Rex. Quickly. Thanks. Have a nice day and see you soon. Bye.