After Effects Motion Graphic Beast | Alan Ayoubi | Skillshare
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13 Lessons (3h 2m)
    • 1. Introduction

      1:41
    • 2. Principles of animation

      5:36
    • 3. Types of keyframes

      12:39
    • 4. Types for speed graph

      5:29
    • 5. Jumping ball

      6:49
    • 6. Some Animation Techniques

      22:28
    • 7. Lettering Animation

      24:12
    • 8. Morphing Animation

      15:19
    • 9. Practice Project 1

      32:08
    • 10. Practice Project 2

      13:38
    • 11. Practice Project 3

      27:22
    • 12. Practice Project 4

      14:28
    • 13. End

      0:20
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About This Class

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Adobe After Effects 

This course is made for beginners and advance who want to up their game in animation and motion graphics. 

By the end of this course, you can call yourself an animator and a good animator!

Let me tell you why 

We will start the course by the principle of animation we will cover the most important one for motion graphics 

You will learn about all types of keyframes with practice

You will learn about Graph Editors in Adobe After Effects

You will know how to animate with ease

You will learn about some of the best animation techniques to date. 

You will learn how to do morphing animation 

You will learn about the letter animation 

With all of these, there will be practice projects,

Wait we are still not done at the end we are going to work on 4 real projects. You will learn step by step how to make each of them. Not only this you will have access to the project files and dive deep into them. 

By the end of this course, you will have a bunch of animation project that you can add to your CV and start receiving jobs from Clients. 

If you are completely new to After effects check my course adobe after effect from scratch. And shape modifiers form A to Z. after completing those you will be able to make the best out of this course. 

Download all the project files now, you will need it from the first lesson 

Transcripts

1. Introduction: Hi and welcome to Adobe Aftereffects Motion Graphic beast Curse have been doing motion graphic design on photographic For almost in this curse, we're going to talk about the wishing graphics. If you finish this curse, you can call yourself a motion designer and a good one. Let me tell you what. We'll start this course by the principles of any nation. We're going to cover the most important ones with emotion graphics. In this course, you will learn the types of key friends in adobe after effects. With the practice, we will cover types of rough editors with practice, you learn hunt any made with ease. You will learn lettering animation. You will learn morphing animation on all of these with practice files later, we will cover some of the most important animation techniques inside adobe after effects. And wait, this is not the end. By the end of this curse, we are going to work on four rail projects. You will learn step by step, hard to make them. Once you finish, this course will have a bunch off your own motion graphic projects that you can add it to your CV and court will you and start receiving jobs from the clients. If you're completely beginner, Adobe after effects, check my other course. Adobe after effects from scratch. Very well. Learn about basics off adobe after effects. By this, you will get more benefit from this course. But before you start with the course, make sure that you're down all of the files on the cross projects because you're gonna need it among the first. Listen, let's together start our course. See you there. 2. Principles of animation: Hi, everyone. Welcome back in this. Listen, you are going to talk about some of the animation principles by Frank Thomas and all the Johnson. We're going to cover some of them that are really important in motion graphics. So let's start with the 1st 1 which is the squash and stretch squash and stretch is a principle where any minute object gets flatter or longer, as you can see here and this emphasize their speed, momentum, weight and mass. In this example, we have three different balls. As you can see, this one is clearly a water Bolan, because there's too much squash and stretch on it, and this one can be a plastic ball. This one can be a pink bunk. There is something you should take care of it. When you're adding squash and stretch to an object, make sure that the overall volume remains the same. For example, here we have this shape 100 by 100. If you want to stretch it like this, I stretch it, but I keep the volume the same. I made this 30. I took around 60 from it, but I add 62. This one. I made it 160. So the volume over the circle remains the same. And here the same thing. I made this 160 this 1 30 The second principle is anticipation. This is when an object prepare for an action to give the audience anticipation. What is going to happen next? For example, Harry have two balls. One is with anticipation on the other. One is without. This one is without. Let's disable the 1st 1 As you can see, the animation just start like without any inspiration, and you can use this in motion graphic as well. But in some places you may need anticipation as well. Here we have the anticipation. The ball goes back and then goes forward like this. Now we given an inspiration that the boat is preparing to move to the right side like this . This is more used in animations. I'm in character animation stuff, but it is also he was full of emotion. Graphic. The third principle is staging. This is when you want to present an idea and make sure that is clear and unmistakably understood by the audience. And it's a very broad, a principle. It can be applied to the timing, acting and also the camera and go and the composition. This is one of the principle that is crucial for the emotion graphics. This one is a good example of staging, but this one he's a bad one. Why, let me tell you. This one has a right claiming everything comes when it's time and right position, and the camera angle is all right. So you have this bull coming, and then this one comes up, then the logo on at the end, your slogan or any type of step you want. But now we have a bad staging wife because things come up, not in their time and their position. He's not right. The whole idea off staging is having right timing, right, composition on right position and coming angles. The next principle is follow through. It's also called overlapping action. So what is this? It's when an object moves different. Part of that object moves in different times. Now we have the main object and we have the part of the main object. They're drugging behind the main object just like this, and they're moving in different times just like this in this project, off be grandinetti. They used the photo throw in different places. As you can see, here we have it. When she moves back, this is the main action, which is? She moves back, and the secondary action. The follow through action is the ponytail movement. Let's see here and also at the ink in the title we have this planet. This is my connection on. This is the secondary action. Ex principal is low in and slow out. This is basically easy in, and he's out in after effects. As you can see here in this example, we have slow in and slow out on in this one. We don't have anything on. This type of animation is very rare in real life, like you don't see anything like this in real life. That's why when you're playing with animation, it's always good to give is in or out to your animation. This looks much. This applies to animation and also with emotion graphics. The last principal that you are going to cover in this Listen, these are most of the things in real life. They move in the circular path, which is the arc on. Very few are moving like the robotic mechanical movement. So here we have. The very mechanical movement is very unnatural on not pleasing to the eyes. But if you check this one given off to our animation, it looks much better on much more natural. Okay, this was linked with this. Listen, Hope you enjoyed and learned something. You I'll see you in the next Listen. Bye bye. 3. Types of keyframes: Hi, everyone. Welcome back in this. Listen, you are going to talk about the types off key frames down with the project file named key Frames, and you will have this composition here. I created all the types of key frames with their speed graphs. You're going to go through them one by one. We will see how they work and how to achieve it in adobe after effects, we're going to start with the 1st 1 which is linear. Linear is a constant transition between two stages. There is no change in the speed in the way from the first frame to the last frame. The speed is the same. Okay, now, when it's going, create a composition and there I'm going to shoot the linear key friend and we will go to the speed graph the graph editor and see how it looks like. That's great. Our composition. I will name it test, and it will be full HD and then I'll create a circle. Okay, I'll press why? To bring the anchor point in the middle and now press p to bring the position. We're going to give a key friend to it. We will give a key from at the first frame, and then we will go to the 2nd 1 and then you'll move over circle to the right side. When you create key friends in adobe after effects, they are automatically linear. Here we have a linear transition between two points, two stages, and there is no change in the speed. It's all the same from the first frame. So the last thing this is the linear in adobe aftereffects. Now let's go to the graph editor. This is the look over the speed graph. If yours is not like this, maybe you're in the value graph. That's why you have to check this graph here. And as you can see, you have this rectangular look, which means our animation easily near. So this type of animation, the constant animation without any change in the speed is very rare in the real life. That's why I don't recommend you to use a lot in your projects. It's better to use Eazy E's on Change the speed off the animation on. I'm going to show you how to do that. Perfect. That's all about their linear key frame. Let's move to the next one, which is the toggle hold. The toggle hold is an instant change over the value, for example, are shaped anyone place and it's suddenly a pair in another place. Adobe after effects doesn't make any frame between the two key frames. It is an instant change over the volume. This type of animation also is very rare in the rail life. That's why you may not need it a lot. But it is there in case you want to use. No, let's create a composition. And there I will show you how to achieve the taco. Hold great. A composition. I'll name it Test three, and then I'm going to create another circle. Okay, Okay. Now press P for the position. We're making a key frame at the first frame now to achieve the Tuggle holes. When the Mac press common option and click on the key frame and on the PC press control and all. Now we have a hold key friend. If you go to the 2nd 1 and move our shape to the right side, if you play this you see, the circle is appearing suddenly in the right side without any key friend. I mean, without any frames between the two key frames just like this. Now, if I make more key friends, if I go to the second tube and move my shape hair and then here if I played the circle is appearing suddenly in different places without the animation between the key frames, without any frames between these key friends, this is all about the struggle host. Let's move to the next one, which is Easy's. This one is interesting. Easy is this is the most popular type off key frame in adobe after effects. It's used by creators a lot, however. It's not usually used in its normal form in the speed graph, they play with the speed, but it's always better to use it than linear, so easy, Easy is much better than linear. It will give a very small flock to your animation. This is the local of the key friend, and here is the look off the speed graph. It has this look off him, so the animation start slow and hair, it reads. The magazine moans. Beat on Van. Slow down again. Let's go to the composition and create an easy east key friend. Let's remove this shape. Go to the shape layer and your create another shape press. Why? To bring the anchor point in the middle and then press P to bring the position. We're going to give a key frame at the 2nd 1 and in the second to we're going to move it to the right side just like this. Now how can you achieve the easy East? It's like both off the key frames, right click key for my assistant and then Eazy e's. Or you can press F nine on the PC or function if nine only Mac click on it. And now you have the easiest key from so the circle start very smooth and slow in the middle. It reached the maximum speed, and then it becomes slow and smooth if you go to the speed graph. This is the look of this Pete grab. As we said, it's looks like a hill. The animation started very slow. Harry trees, the maximum speed, and then he slows down again. Yes, this is all about the easies. Let's move to that next one. Sometimes when you create animations, you want our animation to start very fast and then slow down. We want our animation to start smoothly and slow and then become fast at the end. Easy, easy in and easy out are made for that. Let's start with the easiest in This is the look off. The key friend on this is the look off their speed graph. No, let's go to their composition. And now I will show you how to achieve the Eazy e's in. Let's create a circle press way to bring the anchor point in the middle. It's always good that anchor point in the middle. So all the transformation animation start in the middle. I'll skillet a bit, just like this Press p to bring their position at the 2nd 1 I'm going to give a cue from So now you're in the speed graph. I'm going to change it to timeline. Click here. Okay, I will move my shape to the right side, just like this. No, we have a lean year transition. Any mission we are going to make it easy is in for that. I'm going to select both off the key frames and then right click key from assistant and easy, Easy, or you can use their short cut threatened hair, which is shift F nine for the Mac, Click on it and now we have easy, easy and animation. It starts fast and slows down at the paint. If you go to the speed graph, this is the look off this beach graph. No, As you can see, it starts very fast and then smoothly slows down. If you don't have the real time, render or there is a lot in your animation, make sure that you're putting your resolution in the final quality. Sometimes Adobe Aftereffects put it on the adoptive resolution to save the memory, but it makes the animation very lucky, and it's not real time, so make sure that it's in the final quality. So you see the real time animation. Yes, that's all about the Easy, Easy and let's move to the easiest out. Izzy's Out is similar to the easy Easy in but is opposite, so it's exactly the same animation, but in opposite direction. This is the look off the key friend, and here's the look off their speed graph. Now let's move to the composition and see how we can achieve this and adobe after effects. Let's remove these key friends, and I'm going to add new key frames at the 2nd 1 at the second to our circle will go to the right side. Now, if you want to add Izzy's out, select both off the key friends and go to keep from assistant and Eazy E's out. Now we have this animation, so the animation start smooth and slow, and it speeds up at the end just like this. If you go to the speed graph, the look is like this known. This little presents the animation. As you can see, the speed increases gradually until it hits the maximum speed. Yes, that's all about the easiest Let's move to the next one. The next one is very interesting for over across the time, Rafa Chris. Time is a very useful tool when you're playing with their position properties. Many times he create complex animations, and we cannot do this with only two key frames. For that, we need to create more than one key friend, and when he decided to play with the speed of it in the speed craft, it becomes very challenging as you have many speed graphs to play with it. Until we get the look that way, but Rupert grows the time. So if this problem, you're gonna slicked all of your key friends and then click on their off across time. What this does it turns all of the selected key friends into in betweens. Except the 1st 1 the 2nd 1 So basically, it combines all of the speed crafts. As a result, we will have only one speed craft to play with the speed off our animation very easily. Yes, that's all about their off across time. Let's move to the next one on the last one, which is linear continues. Okay, to explain this, we're going to the composition. I'm going to remove these key friends, and now he will give some new key frames. I'm going to give three key friends to this position. Okay? And at the second tomb, don't come. Sorry. Okay, You don't be here now. We have three key frames here. I'm going to turn these two easy's like them and Easy's No, If I want to change the speed off the middle key friend, if I go to the speed graph, if I want to change it, I have this problem. These points are separated. It is very hard for me to play with the speed of this key friend to solve this linear continuous comes in handy. Let's go back to the timeline. Now we want to turn this key friend to linear continues. For that, you're going to press comment or control on the PC and click on the key friend two times until you get the circle. Look, if you go to the speed Gruff. Now, these two points are connected, and we can easily change the speed over this middle. Kiefer, just like this. Perfect. This was all about this type of key frame. And also we're coming to the end of this. Listen, we covered all the types off key frames in the next. Listen, you are going to talk about the types off graph Editors. See you there. Bye bye. 4. Types for speed graph: Hi, everyone. Welcome back in this. Listen, you are going to cover graph editor in Adobe Aftereffects. We have two types of graph Editors. We have spilled graph and value craft. We will start with the value graph. For that. I'm going to any made this ball, press p for the position, make a key friend and then go around 40 frames or 30 frames and bring this ball down. I'll make it easy's. And now go to the graph editor. Click on it. Now, you should have something like this. Make sure that your own the value graph, not in the speed graph. You should have something like this to be able to play with their value graph. We should separate the dimension right click and separate the dimension. Now we can play with their value graph, and we have two things you have accept position, which is the presentable. And you have white position, which is the vertical one in the polygraph. Harry have the horizontal and vertical horizontal is the time. The duration of the animation and the vertical is the value of the value graph. We change the value of the speed during the time, so that's playing with this make something similar to mine. We want the both toe come very fast and hit the ground so you'll make this look off the value graph. Now, if I want at more key friends, I can go to the mental the plus one. I can add key friends like this. Now if you go back to the timeline added to key frames now we will play with the care, make something similar to mine. And like this, we made the jump effect. If you want to make jumps, you should use value graph is very easy to make jumps with the value graph. But now, if you want to make a more complex animation and more complex path off animation, for example, I want to move this circle to go to other side of the rectangle. Let's make an animation for that press. Be for the position more for 40 frames just like this, and then move the ball like this. No one has changed the path of the animation play with the path just like this. Okay, now, if we need to change the speed of the animation, let's make it easy. Is first. If you want to change the speed of this animation. You wanted to go slow, become fast and then slow again. If you go to the value graph, let's separate that I mentioned first, right click separately. Damnation. Now, if you want to play with the speed, it changed the animation path as well. And we don't want this. We want only to play with the speed. So for the complex animation path like this photograph is not good, it would almost be impossible to get the look that you want. You will take a lot of time with it, but you have another solution, which is the speed graph. Let's give this ball a complex path of animation. You play with the position. Move one second. Move a tear. Go another second. Sorry, let's move this morning. Then we'll go here. Now let's play with the path. Make it more complex like this. Let's make these key friends close to each other. Okay, this is good. We'll make it easy. Is now. Go to the graph Editor were on the speed craft. Make sure that you're in the speed graph. Not in value graph. I should have something similar to this. We want our animation to be fast, slow on fast. But before we do that, we need to do one more thing. This key friend we want to make it drove across the time. So you have one speed graph for all of the key frames because this photograph we have one speed growth for all of the key frames. So now I said, you'll make it fast, slow and fast. But now you're making up visit. You might get slow and in the middle it will be fast and then slow down. Let's make it slow at the end as one. And then you can play with the speed graph on Do whatever you want with it until you get the look that you want. Yes, but graph is very easy for this type of animation. The only downside is you have to play with this right on left side until you get the animation or the speed that you want. And the value graph is only good for the one dimension prepared feast like capacity and rotation. It's good for that and also for making jumping. It's This was the end of this Listen, hope you now have a better understanding of the graph. Editor in adobe after effects the next Listen, we are going to do a practice project. See you there. 5. Jumping ball: Hi, everyone. Welcome back in this. Listen, you are going to do this practice. We're going to make this jumping in this project to use the questions. Thresh principle. Okay, let's create a new composition. I've already made one. Which is this one? This is things are these. It's full HD and 60 frame on 10 seconds. We'll start by creating a certain in the middle of the composition. I'm pressing common and shift to make a perfect circle. Make sure that the field is stable on I will change the color. Too. Dark purple. Something likes President Ahn and rename its Make it. And now you're going to make the baseline. I'm using the pencil for that. Okay, with the ball above the line. And now you will Any made the position? Properties first, I will move their circle up press before the position. Make a key friend. I want the animation to start the 2nd 1 terrorist good in the middle between the 2nd 1 Second to our move the circle down. Go to the second tool and copy and paste this one. Now we have this animation but it's not what you want. We need to big Easy's. And after the easiest we need to play with the cares. Go to the speed graph on and change this graph. Now we're in the graph editor, and it's in the value graph. We need to change it to this graph on now. We need to play with the speed graph. Make sure that they are making something similar to Okay, so we want to hit the ground very fast and with this up, and this guy wanted to wait for the moment. Okay, that's plate perfect notice turned the area a friend er, by pressing beyond. Now we have this. The next thing we need to do is to add the squash and stretch effective. Let's see, here we need to make this. We need to animate the skill press as for the scale, and then shift you to bring the properties that has keepers on it, you'll make it keeping the skill here and Daniel going to the middle with the left for six frames and then unlock the skill make this 80 On the other side of the scale should be 120 . We need to keep the volume over the ball. That's why if you use a number from one side to shoot at the same number other side. So I'm going to serve the numbers again. I made 120 80 will go six frames to the right side and we will swell the numbers. I'll make this 80 and the other side will be 100. Then we will go to their end here. You're going to be the first key friend. Could be. I'm based in her. Now we have the squash and stretch effect on the book. The next thing you're going to do is to any made the line. We are going to make the wobble effect when the ball hits it. For that, we're going to any made the path. The first thing I'm going to do well at the point to the place where the ball this right here. And then I'm going to make it easier path. Use the convertible and make it busier like this. Now we have a careful line. Okay, Now move the cruiser here and you will move their line up like this. Okay, Make a key friend in the path right here, and then go here. And any mate this'll point, Bring it down with the ball like this. Then go to this key frame on to move it up. Then go around four friends, get down again for more friends, bring it down for more friend and could be the first key friend based it. Now we have a wobble effect. What? We need to refine it for sure. Can you move this and make them easy? He's now We have intersection between the ball on the line. We don't want that. We're going to fixed that with the speed breath. It's right here. We're going to plane of this big graph and you'll fix it like this. Okay, let's play it perfect. This is how you make a jumping Born with this squash and stretch effect. I hope you injured and learn something. You The next thing you may need to change some of the stuff for the design. For example, the local the bowl are the local, their baseline. It depends. Please don't forget to share your projects with me. I'm eager to see them and see how you make this. I'll see in the next Listen. My line 6. Some Animation Techniques : Hi, everyone. Welcome back in this. Listen, you are going to talk about some techniques in adobe aftereffects that will help you a lot in your animation. The first thing you're going to talk about the parenting parenting one. Prepare teas to another. For example. Harry parented irritation to the position. Whenever we change their position, the rotation will change with it. Let's create a composition and I'll show you how to create this. Enable title safe action and you're going to create a circle. Make sure it's in the middle. We're going to add the structure, it and disabled. Phil. We're going to create another shape on this layer, which will be there. Polygon tool. Something like this. I'll just put it in the middle. Okay, let's go to the rotation in position. You can find them hearing the trans firm. We have rotation and position. I'm going to connect the rotation, toe the position for that. I'm going to press option or all on the PC and then click on the stopwatch like this and parented to the position like this. Now all rotation is connected to the position. Let's give it some key frames. One key for him in the fair's frame. Let's move into the 2nd 1 on. Move the circle to decide. I'll make it easy's Go to the speed graph and make this look off the skin graft. No, you have something like this. Adobe aftereffects have some expressions. Like ready ones. You don't have to ride them. If you alter or option on the stopwatch, you will have access to these expressions who do the prepare teas and Loped out. No, if you change this, if I write a ping Pong in a state of the cycle, okay, we'll have something like this. If you change being punk to the offset, we will have something like this. If you want to use more expressions to concerted on the Internet for the after effect lope expressions, you should find many of them. Okay, now let's create this one. You're going to use the same technique, which is parenting. You want to create this roller coaster, create a new composition on Let's start by creating the base of the roller coaster music a circle. For that, we're going to disable film on to make their struggle. But figure now let's create another shape in this layer. Okay, Like this is good press. Enter on dreaming base. No. Nous rotated press, make a key frame on the first frame, Go to the 2nd 7 and make too. And now you're ready to make Archer. We're going to use the rounded rectangle. Sorry. Okay, just like this. Let's Nemeth chair and make sure you put the anchor point of the layer in the middle of the rectangle. Chris White, and bring it here. No, it's connected to the base. This is not what you want. You want the chair to move like a chair on their world coaster. For that, I'm going to connect rotation off their tango to the rotation with the base just like this , You will have this expression. Make sure that you put the minus sign at the beginning. No, if you play it, the church is rotating around the base. And also it's rotating around itself. So this is the technique. The next thing you're going to double decayed the chair. Okay. First, I'm going to change the chair. Local chair. I'll give it a color. And also I will change their with these through. I'll make it thinner, just like hers. Now we are going to replicate this chair public, ate it, move it a bit on, move it like this on the screen. We'll do the same thing for all the cookies. Okay, now I'll make a connector for these. Said shares will make another circle to connect all of them together. It's created from the middle. I'm going to remove the field and put it under everything. And now I'm going to adjust the position of the chairs and then we can change the color of the chairs. I will give it different color forager with them. - Let's play great. This project is only for demonstration. You can play with the A project and make it perfect. No, let's go to the third example off the connector and you're going to use this. So we're going to make this tongue like tires. This is a construction machine. I don't know what is the name of it. I just call it tractor. So let's create a new composition and bring the rowboat Double click on it. Copy all of them on Paste it Here. You can find this rowboat in the class project. I'm going to remove this one. Remove it. We're going to recreate it with the shape. I'll choose the wrong rectangle and create a rectangle like this one. I will disable the field. Andi, make the stroke thicker. Then go to the round rectangle. Make the roundness 76. OK, I'll just put it in the right position. Okay, lets increases the thickness and I'm going to change the color to be just like this one. Then we'll go to the stroke and we're going to add dashes two of them and play with the sittings just like me. Put the same thing as mine. Something like this. Okay, yes. Now creating our object and call it control. And then we're going to connect all of the layers to it. Now everything is controlled by there's no object. But as you can see, the tires are not moving with the position. So what do you want to do? We are going to connect, offset to the position offset off this entire thing that you just created come over here. But this stroke dashes and owned offset option and click and then connected to their position in the control. Not object. No, it is connected. But as you can see the tires are moving in the opposite direction. We are going to make a very small change in the expression. Let's go to the offset. Click here and put minus here. Now it's fixed. The tires are going with the position. Okay, lets any made this. Give a position a key frame at the first frame. Goto their 2nd 2 and move it to the side. Let's make it easy. Ease and quickly, just this bit graft just like this. So, yeah, that's all about the connector. You can use this for many different stuff. It just depends on you and your creativity. Let's move to the second technique, which is this one. With this technique, you can easily create moving lines like this. Hair use only one circle on it could effect. There is a lot of possibility. With this technique, you can change the look of your line. In many ways. Let's create a new composition, and I'll show you how to achieve this effect. Okay, let's enable the title action safe and you're going to create this circle. I'm going to give a filled with Andi stable a stroke. Give any color that you want Okay. No, let's any made this circle. Press p for the position. Bring it out over the frame. I'll give a key frame of the first frame and then go to the 2nd 2 and move it to the other side. No, we need to change the path of the animation. Make it a bit curved with this up a bit. This one don't. No. Let's easy either, or key frames and play with the speed graph a bit to get the look that we want. The animation that. Okay. Tried to make something like this. Okay, now let's go to the effects. You're going to give the echo effect. Sorry. Accidentally closed my effects panel. I will go to the window to enable it again. Here is a no search for the equal on drug it on your layer. Niall, change these sittings. Make this 0.0 point one. It must be minus No, you have something like this. Now go to PICO de Operator and make it composite in black in black. No, we're going to play with the number off echoes and you'll create our line like this. You can make it as long as you want? No, Let's play it. There we go. Now I can double ic eight. This one, control De. And then I will change the color and stuff. But first, I need toe change the position for that. I'm going to create a null object I'm creating. There's no object to control the position off the layer because you already have the key frames on it. We cannot move it up and down it. Witness up the animation. Okay, Now we change the position with the note object. We will change the color of the layer as well of the circle. I'm going to move these key friends. We have delay between two. And now we have something like this. What make this kind of line different from the line that you can create with the stroke is that you have full control over the look of your line. You can add anything to the circle and it will reflect on this line. For example, if you play with their stroke, if you had a bit of the struck to it you see, now we have this look over the line and of course, it can change the color on everything that you can do with the shape layer. You can do it and it will reflect on the line. Imagine you have the possibility to work with all the modifiers that you have in the shape players. You can make some crazy line designs with this technique here. If you remove, the minus is gonna sweep the head of the line. Okay, let's go to the other line and make some changes to it as well. But the content lips struck. It's edible. This truck. We'll make it, boy. No, if you just able of the field, you don't have something like this. May this right? Okay, if you give some dishes. As I told you, the possibilities are endless with this technique. Perfect. Let's go to the other technique, which is immutable. We're going to create something like this metal. If let's create a new composition, Andi, we'll start with creating a circle. We're going to make two circles a big one and once more amusing, a common shift to make a perfect circle, then enable the feel on. Gave it a car that you want now controlled the public aid. I'll make this smaller. You think it's too small. Make this one a bit bigger. Put them both in the middle of the frame. And now I'm going to give the key frames for the position. Press P for the position and you will give a key friend We'll go to the 2nd 1 on. We will move them just like this. They're going to make them easy. Ease and play with the speed graph. Make this local this graph. Okay, Now we will create the mutable effect. We're going to create an adjustment layer for that and put it above. Everything will go to the effects and search for the rough. It's rough, and it's put it on the adjustment layer and you're going to play with these sittings. Okay. May get 133 and then the skill should be 240. Change the effectual influence to a zero and its sharpness. Increase it to 10. Okay, now we have this miserable effect, But do you want to make it perfect for that? I'm going to create another Ashman layer and you will call it beam. Now go to the thick on set for the beam effect. What did here? Check the composite on the origin. Then we will change the color to be similar to the airport colors. Okay. Okay. Now we are going to connect the starting point. An Indian point to the position off each circle. For that, go to the beam effect option and click on the stopwatch. With the start, it will appear here for you. Now take the parent toll on connected to one of the circles and now do the same for the and we're going to do the same thing. Option and click. You'll have this one connected to the other circle position. No. Make the length off the beam. 100%. And you should have something like this. Let's make their softness zero. And you're going to connect, end and start thickness together because he won both of them to change the mural. Tenuously. That's what you are going to connect them. We don't want this effect. You want to connect them on? I want them to change together. So for that, I pressed option one of them and click it like this and connected to the other one. Now, whenever I change the start, Angel change. Move it just like this. Okay, Now Let's create our animation. I'll put this under the beam effect. Now we need to increase the thickness. Okay, we have something like this and then you're Annie made It made a key frame here. Press you to see the key friend. I'll move this hair on around. Terrible making zero. It's playing. See? I'll make it easy. East first. Okay, In this big graph, make something like this. It's already good, but you can make it better. Carrots of a thickly on to make it the thinner. Make sure you are in the first room and make it thinner. It's a bit slow, I think. Let's move this here, Make it thicker. Yes, that's it. This how you can create the metabolic effect? Let me show you some example. If you combine some of the techniques, but you can grade as you can see, I combined the metabolic rate and also their line effect. And we carried something like this. It's around them, seen like germs and antibodies are attacking it. So I created this one with needs able the mutable effect. These are all circle together and I move them the position When this line hits it. I moved them like this. And then they suppress like this with the position. If I enable it way have something like this. Okay, Now it's your turn to create your own stuff. I can't wait to see your project shared with me in the class project. 7. Lettering Animation: Hi, everyone. Welcome back in this. Listen, you are going to talk about littering animation. I will show you all the techniques how this animation has been made by Sasha Laughter later , you can use these techniques not only for littering animation but for transition and many more. We're not going to any meat a forward in a state. We're going to animate only one letter. And with this I'm going to show you all of the techniques that you can use to meet other letters and use it elsewhere. Okay, here we have two words. You should have them in the class. Project I'm going to use is in love. Al Qaeda in your composition. Make it for alleged e N 60 frame and I will name it. Okay, I'm going to copy the work, love and paste it here on. The next thing you're going to do is to convert this illustrated foil to shape layer. Ship players are victor files in adobe aftereffects. Right. Click on it and go to the create and then create a shape Victor. Now remove this one. No, me to separate letter l from the rest of the world for that. I'm going to use Master, make sure you could care to make it mask and create your mask. Something like this. Okay, make sure that you have an end like this one. Okay, I by mistake, make a new shape layer. I'll remove this one. And now he composed this. Put it in the middle. Right click pre combos, only L. So in letter l we have intersection like this. That's when you need to separate. I'll separate this tale with the rest over there later. For that, I'm going to use theme asked. Whenever you have intersections like this, you have to separate your letter because when you animated, they will intersect with each other. And probably so for that, I'm going to separate this one. Then control data duplicated, press him for the musk and make it. Now we have two parts of this letter. Okay, I'm going to rename this to tail, and this one will be Just make sure that the separation is perfect, just like this one. And now we're going to do the animation. The right on animation for the big part of the letter. Just this one. There's a couple ways that you can do the right on effect. I'm going to use this method, which is the pento. I'll make a stroke on the letter. Okay. Make sure that it's only struck is enabled on the film. Is this able? Okay, I'm going to do the mask around the letter for sure. It will be the first part. Okay, Now we need to re find this trip. We needed to cover all of the letter. Adjust your stroke as much as it can to cover the letter. We need to play with the with to make sure discovering the liver. So I'm going to the sittings of the stroke into the content shape on better this truck. They're lying. Couple make it their ground. Okay, like this. Increase the width of this truck until it covers the little. Okay, In my case, this one is good. Just say 50. Okay? This looks good. And the next thing we're going to add that term path modifier. Okay for that, you're going to the content here at the term. And now we can and he made this truck with the term path we're going to play with. Make it end of the first frame. We go to the friend 30 and make it 100. Don't move this keeping a bit on, Make them easy is then I'm going to play with the speed graph. Make sure that you're having something similar to mine. If you want the same effect. Okay. And now they're going to use the track. Matte, which is here. Make sure that the strike is above the letter and make it l fam it. Now we have this right own effect. But as you can see, we have some issues just here. For that, I'm going to play with this truck. I will, at some points here, to the mental and that couple over the points there and play with him like this. Now we fix this issue. That's perfect. Now let's any made the second part of the letter, which is the tail. We will use the same thing. I'm going to use the stroke. The shape tool. Syria have select tail. That's why it's mass. Now make sure that they are not selecting anything when you're creating your path. Okay? Dressed up like this, you go to the sittings stroke. Then line cop may get thrown cups like this and then you're going to use the term path them with the fire Onda. We will. Any made it? Bring it down. Okay, under the field. And you're going to any made make a cute friend. So you want us to start once the first part of the animation finish? You want the tale to continue with it. Now, let's go to the speed graph and make sure sorry. Make sure you are making us photographed like this one. So I'm doing this because you want the second part of animation to start right away. When the first part of the letter finishes, we won the 2nd 1 which is the tail to start right away. So I'm going to move the key frames in the timeline. I just did to make sure it is starting. Okay, that's good. Now bring it over the tail on. Make it l famine. Sorry. Should be awesome. I'm not helping make it a limit, Okay? And now everything is working perfectly. As I told you, there are a couple of ways that you can do the right on effect. One of them is using the pen tool and the struck the other one is creating a stole it on using an effect called stroke. We have two types of stroke. We have a stroke that is coming with the after effects. You can find it in the generate and stroke and the other one is trapped. Could struck for both of them unit to create a mask on your layer. So the basics are the same, like the techniques are the same, but the effects and the ways are different. I'm not going to do the whole animation again. I'm just trying that you can do it with this victim. You make it on the transparent and make sure that you're choosing the mask. Make sure that you're choosing the mask mask. You can do the same thing with the start and the end they can. Any made it on. Make the ways to cover the letter. And the same thing for the trap could, by the way, we're going to use the trap. Could stroke for some splash effect, so make sure you are downloading it and installing it's 1/3 party plug. Okay, Now remove this through. We'll go to the effect. And here is their red giant truck. Could three stroke, and it works the same as the Mr of the Readiness trip, but it has much more features, but for this purpose is the same. Okay, I'll remove this one. And now I want, at an effect to look like the brush is writing it because it's very, like, flat. You can see here. We don't want this for that. I'm going to add an effect called Orphanage. Okay, Now play with the complexity. Make it 10 and then the borders. Let's play with the skill. Okay? Okay. Like, this is good, but we have an issue. As you can see, part of the letter R gun from here. We can fix this with the stroke. We can add there with to the stroke, but then you have another issue. This part of the letter is appearing. This issue is specific for this letter. Maybe you don't face this issue with other letters. So for that, I'm going to add some extra points to the stroke and I'll move it around until I get a good result. I can use this effect as well. Simple choker. Put it above the ref image. We can play with it until we get the result That that's fine. These kind of issues need a lot of experiment until you get the result that you want. So make sure that your playing with these points and these filters until you get what do you like. Okay, like this, It's good. I'll keep it like this one. Now, I'll could be this, too. Filters Mr. Effects on Pace it on the Mr Clothe. Okay, Now the effect is too much. I'm going to decrease the border. And I also decreased their simple choker. B minus 11. I still want to fix this. It's very annoying. Okay, things like this, it's good. The next thing, we're going to select all of the layers and you're going to pre compose them. Select all of them, right? Click pre compose. How will name it? L No, I need to add some valuation off the colors to the letter, so I'm going to mask it first. Like this Doubly Kate. And I'm going to the effects generate, and I'll at fail effect. I need some colors. So the first color I'm using this yellow. And then in the timeline, I will make some delay between this layer, so we'll have something like this. But I think it's too much. I will make that delay between them. Only one friend. Okay, Like this is good. Now I will duplicated again with one frame on. Change the color to something else. This is good. I'm going to change the color of the first copy, which is black. That will effect and make it, though. A very bride low. Okay, I'll make you one more copy, which will be white. And it will be the last cookie. You can make as much as copies that you want. Perfect. Now I will select all of these layers and composed them again. Right. Click pre combos. I'll name it. L again. No, we need a background. All right. Clicks on. Make a soul it on. I'm using this parable. Carla put it. Okay, Now that we've done this, the next thing you're going to do is to add the squash effect on for that. We're going to any made their scale off the battery. This first, make a mask for the lettering, and then we're going to add the squash effect by animating risky. Make sure that the anchor point is in the lower part of the letter press is for the skill. We're going to give a key frame somewhere around here. Okay, move it here. And now we are going to change this scale here. I was able the mask, so I didn't press it accidentally. Just until I do this mission, I'll bring it down. Something like this. It's way too fast. The second key frame should be somewhere around there, where the letter is about complete. Okay, that's good. But I think I'll change the position over the anchor point press wife or the anchor point and move it here. The beginning of the letter. Okay. No, it's better. So, like the key friends, make it easy. Ease on. Go to the speed graph. Okay. Make something like this. Okay, That's good. I think I'll make it slower. I will move the second t friend, but farther to the right side. Okay, that's good. Now we're going to make this blast effect. I'm going to create a new soul. It and you're going to add the trump. Could three d struck? You can download this from the red giant website. It's 1/3 party again. It's a very cool one. And no creative must like this when the soul it Now we need the taper, but the taper enable it make with the Taper Start on Eat 100 you will have something like this. And now we are going to any made the end and the start to make this brush effect For that, I'm going to make them both zero give a different both of them press you to shoot their key frames, move around eight friends and made both of them 100. Now we need to make a delay between them. I'm going to move this start key firms. Two frames, maybe more. Make them easy ease. Let's see. I think it's way too fast. I'll make it a slower movies. Now. It's good. I'm going to adjust the mask and then I'm going to double Katie Layer controlled it public ated, and then I'm going to move the mask. The middle just did like this, and then I'll double equated again and move it to the side on just it like this. Now, if you play it, we have something like this. Now we want to add this splash effect to the end of the tail as well. So somewhere around terror in the animation finishes, we want to have this. So I duplicated the layer, and I'm going to move this truck over here. And now we need to move it in the timeline as well. We want toe this plush to happen at the end of the animation. So I'm going to move it like this by the end of the animation. This special. Okay, let me adjust the mask. And I think it's a bit the what is too much. I'm going to decrease the with off the thickness of the stroke. And I'm going to do that for the other stroke as well. I'm going to bring down the chicken yourself. Okay? I'm going to double Kate this one and change their look over there. Duplicated again, even mask like this. Let's play it. Perfect. One last thing we want to do. We want the animation to start with another stroke right from there. So I'm going to public 81 of these, and I removed the key frames on it. Okay, I'll make the start zero so we can see the stroke and I'll move it here at the beginning of the letter, and I just didn't like me. Let's increase the thickness. So it matched the beginning of the letter. And then we want the animation to start at the beginning. It's moved to the beginning and you're going to any made the start and make a key frame on the start. On the end. Press you to see the key friends. I'll move around 20 frames. Sorry at the beginning. Both of them should be zero first. Kiefer. He'll go around 20 or 30 frames, make both of them 100 and then I'm going to move the key frames on the start. So you make a delay between them and we can see the stroke. Okay, now you want this animation to start at the beginning. I'm going to pre compose everything except the background on the stroke that made now can now move all of this. So you want this animation to start and complete the battery. Let's make it easy's. Okay, there's something quote I think we need to just the timing and also a mask. As you can see here, the mask is not perfect on the time goals. That's just it. I'll make one more point here. Okay, Think it's better still, we need to adjust the timing. Okay, let's move this a bit to the right side. Okay? Like this. It's good, I think now increased the thickness a bit. Okay? And then you're going to add the rough edges and then change the settings of the rough edge like me. Make sure that you are coping the last numbers I'm going with. I'm just experimenting. I'm just trying to get this painting effect. Okay. Like this? I think it's yes. This was kind of this. Listen, Hope you enjoyed and learned something new. I'll be waiting for your projects. Make sure to use one over the words that I give you and your project and assured with me in the class project seeing the next listen. My wife 8. Morphing Animation: Hi, everyone. Welcome back in this. Listen, you're going to talk about morphing more. Think is a transition between one object to another. One more frank is one over the very important attribute to the high quality motion graphics in most of your project. You may need to use this technique whether it's the transition between two seas are a transition between two objects. We can do simple morphing by changing the shape of one object to another one. Or we can do some more complex one by splitting and assembling objects. Let's together see some of the basics of more thinking Adobe aftereffects. Let's start with this one. The transformation between the rectangle under circle. Okay, let's create a new composition for that. Okay, Make sure it's what I do on the frame rate is 60. Okay, We'll go to the shape, too. I'll create a rectangle and then change the color to anything that you want. No, Cleave the layer. You're going to create another circle on this layer. Make sure that the circle is perfectly inside that box just like this. Okay, No press p for the position. We're going to any made this Move it to the site like this on. Give a key frame. Go to the middle of the 2nd 1 and move it to the side. No, but the 2nd 1 Kewpie pays the first key frame. Make sure it's in the middle. Now make it easy East with with the speed graph, you are going to make this look on the speaker. Okay? I'll just turn the area of render like this. OK, now it's time to do the transformation. I will go to this big graph. Let's change the speed graph like this. And then we will look to the pick off the speed where the rectangle moved the fastest. These are the peaks of the speed and this one You are going to cut our layer from this picks. Go back The timeline Common Chef De like this, you're cut. Has got back to the speed graph to see the pick. Somewhere around here they go to the timeline. Come on, Chef De now we cut it. Now the middle layer, This one We're going to remove the rectangle. Just a moment like this. If he played, we have this transformation. It is called one friend Transformation. Perfect. Let's move to the 2nd 1 which is the morphing using the path. We're going to change the path over the object just like this one. So we have one layer. We just give the key frame to the path and change it to another object. Here, I created a new composition. We're going to create a rectangle, make sure it's in the middle. I used common and shift to make a perfect triangle. I mean a rectangle. We'll make it a bit bigger like this. Okay, No press p for the position. Give one key friend We're going to give the same animation that we did for the previous project with this site. Go to the middle rectangles of this side in here could be the first key friend. Paste it, Make it easy's and you're going, Teoh, play with the speed graph. Make a speed graph like this. So you have something like this. Now go to the first friend. We're going to create the triangle inside district. We do the poorly too. Make this one. Make sure it's inside it. Then go to the sittings on make the points. Three. Now we have a rectangle. Make sure it's inside this rectangle click on the police star and converted to the busier path. Do the same thing for the rectangle. Right? Click making busy breath. Now go to the path on the rectangle. Make a key friend the first frame. Move a bit. Now go to the police star path. Make a key friend could be this key frame and paste it in the path of the rectangle. No, Remove this Pallister and we have something like this now. No, this is the transformation key friends. Let's move them to the pick off the speed. This is the pick of the speed. Let's move them there. Okay, Now make them closer to each other. There are around four frames apart. Make it easy's who do The other pick could be this one. Paste it. Moving three frames or two frames. Could be this and pasted Just a kiss. Okay, Now, if you play it, we have this transformation. These are just the basics of the transformation. Using path, you can have very complex things. After this, we're going to transfer him the letter A to B. So we're going to recreate this one? We have transformation from A to B and we use the path animation to do this transformation . So let's create a new composition and you're going to create early letters. Okay, let's give it it's like this on Make it black. Amusing trouble to black. Make sure it's in the middle. Control the to replicate, and you're going to change it to be make it be, tell you the color to writ for any color that you want something that is different from the wife. Lock it because you're not going to play with that on a we're going to, right click on it, then go to the create on great shape from the text. And now we create a shape from our text. I'm going to remove the A. Let's bring down the upper cities. We can see what you're doing and bring the content. Here we have these two you have to purpose. Okay, I'm going to public eight this path, the 2nd 1 and then whether the marriage path we're going to change, the more to the excludes the intersection and then you're going to give key friends to all of the pathos. The key friends will be at the fairest friend key friends And now we're going to change this path. Let's move a tear in this corner, and then you're going to move all of the points here. You will make it one point. The reason I'm doing this I want this path to be disappeared at the first frame. This will be a part of B. That's why we don't need it. Okay, No. Move the closer to somewhere own tear. Okay? There will be good. And now the transformation starts. We're going to move these points to match the B. So basically, we're going to create a can go to movies here. We can move this one here. Actually, you Here. I move this one here. Okay, I'll go to the pen tool and we need to create a point, right pres v and move it up. Can. No. Let's move this one. Okay, Perfect. Now let's move. This one that appeared to the first frame. Let's play and see what we got. Ok, now it's time to smoothing these points to the convert tool, and I'm going to start with this one, okay? It's moved to the other one. Okay? These things needs a bit of time until you get the right shape that you want. Come on, Tar for their roller. Bring it right here just to see the space between these two. Okay, make sure that you're making something like this. Or maybe you can make something better than okay, I'll go to the cover to on your going to convert these two busier paths like this. Then we're going to change them like this. Try to make it perfect as much as you can. If you spend enough time with it, we're gonna come up with something very good. Okay, let's play and see what we have. There's something wrong. Obviously. Have some key friends. I need to move these over these key frames. We don't want these. Keep Grams. I'm pressing shift, by the way on moving. Now we have something like this. I'll make them closer. 1234 Fires around six frames apart. Make it easy. Is go to the speed graph on play with the graph like this one. Okay. I think the final look of the B is not what I want. I'm going to play with it a bit, especially the upper side. When the timeline, make sure that the court stories in these key friends on. You're going to change some stuff I was going to play with until I give the look that I Okay, I think like this is good. Let's play it again. Okay, Let's remove the B. We don't need it anymore on Presti here. We're going to make the opacity 100 and then click on the layer again, press before the position and then shift you to bring other key firms. Now you're going to give a key for him to the position. You move it to around one second team. Sorry. We need to move it to the start and then her own gun. Second, we needed to move to the middle, just like this. Let's make it disease. Because the speed graph on make this look okay. Like this is good. No. We need to move to the peak of the animation with animation with a position which is here, and I will move these key frames on the pathos here on. I will decrease the duration between them. Okay, The position on emission, he said, but slow on. Move this key friend. Okay. This is the transformation between a and B on the rez depends on you. If you want to make your design nicer, you can add some extra effects. Can add the referent EVs and you can change this to rusty color. Can do all of the stuff that you want on. The transformation will remain the same as you can see at the ICO effect as well to the spending nation. And then I can recompose this. Come on, shift. See on then. I can create a solid for the background. Make it purple. Just like this. We have our through information. If I remove Echo from here, I don't like it. Algerians, the color white again. And here we have our transformation. Okay, This is the basics of morphing in adobe after effects. The rest depends on your creativity. What? You come up using these tools. I'll see you in the next Listen 9. Practice Project 1 : Hi, everyone. Welcome back in this. Listen, you are going to create this logo animation. There are many thing going on with this logo animation. So get ready to learn a lot off new things. We will start with creating a new composition. I'll name it 11 full HD on. I'm going to enable the tight election safe. Next thing you're going to create a circle, I'll choose the electoral from the shaped ALS on. Make sure you're credited from the middle click and shift and common to create a perfect circle just like this. Okay, then I'm going to control due to duplicate it and I'll make another circle that is bigger than this. Then I oldest able to feel this will be our path that the other circle will go around it. Okay, Perfect. I'm going toe Name my shapes. So this is the path on this one will be the main circle on this one will be the death. Perfect. Now the next thing is to convert the this shape to the busier path. Click here. Right Click convert to busier Pref. Now we have a path that you can playing with the points. Okay, so he did this to use this secret. The secret is coming with the doobie aftereffect. It's great. No, From the path. Harry has three options. We're going to use the last one trace pass. This will make an all object that goes around the path. Okay. Make sure you are selecting hair path on Trace the path. No, we have a no object that is connected the path and goes around it in Look. So what you are going to do, we're going to make a smaller circle and connected to this? No. Okay, now we will use the lips too. Great circle. We're going to press comment on shift together to create a perfect circle. And then I'm going to move it, make sure that you enable the Phil. Then I'll place it above the no object, Okay. Should be in the same place now, part of the circle. So they know object. And if you play it, how are small? Circle is going around. The big circle is connected to the null object. Perfect. Now the null object is going from the right side to the left. We don't want that. You want to go from left to the right. That's why I'm going to exchange the place of these key frames on the null object just like this. We will fix this. Now, don't go from left to right. We need to remove the loop expression as room for that. I'm going to press Paul and click on the stopwatch just like this. No, we have one round without look. Okay, The next thing you're going to ease, ease our key friends, right? Click on your key frames key from Assist un and Easy's. And then you're going to the grab editor. Then the speed graph on and I'm going to play with this scare. I'm with this side because I wanted to come slow and fast that they just like this. Okay, the next thing we're going to do is we want or a circle to stop before it reached to the middle. So somewhere around here for that, I'm going to play with the key frames on. Go to the second key, frame this one, click on it and tell you the progress. Okay? This place is good somewhere around her, So five is good. Okay. Now, our small circle is very close to the big circle for that. I'm going to move their small circle a bit away. Just click on it and move it. It will not change anything from the animation, because animation is have anyone that no object so, like, this will be good. Okay. And I'm going to double click on this circle, make it smaller a bit. When we double click on the circle, it selects the shape from the content, not the shape layer. Okay? And then you're going to any made the circles to hit the big circle. For that, I need to change my anchor, point our price y and move it in the middle off the circle ones. The animation of the rotation of the circles finishes. He wanted to hit the big circle. So I'm going to bring the position by present, be quite a key from here and go 10 friends and our circle should hit the big circle like this. I'm going to refine the animation path with these bundles. Perfect. If you play this, you have something like this. Okay, I'm going to move this. Uh, I think I'm going to make it a bit longer. Maybe you want friend. Okay, then make it easy. Ease Good to the cares. If you're lost like this, make sure you're oppressing the magnify tal Here. Now you can see your speed graph. We want the circle to hit the big circle very fast. You are going to make this look off this big graph some of this here so you'll come fast, like, very fast. Just like this. Okay. Make sure you're making this big graph. Look, Okay, Okay, Perfect. Now, the next thing is making this warbling water effect on the big circle. It's when the small circle hits it. We won that war for that. I'm going to change this circle to the busier path so we can play with the points I'm going to quickly elapse through. And then lips path, right Click on it, make it convert. Too busy path? No, it's like the path. Now we have the points that we can any mate. Just like this. Before we any made, I'm going to add two points One here and one here. Okay, Now you will. Any made this point? Okay. Before we start any mating, I'm going to look this path, bring it down and look it because we don't need it anymore. Now we'll go to the main circle. I'll move it up. Okay. Here. And then you're going to give key frames to the path. So the moment it hits it, one friend before it hits it, we're going to make a key from Okay, let's make it from here. I'm just trying to figure out their right place. Where the key friend. Okay, we'll move. One friend and I will bring this down and then another frame. I'll move it further down, just like this. Actually, I'm going to move this one friend more, Okay? Like this. And then go for frames. 1234 And then move this up. Way up. Just like this, then for more friends and bring it down again. And then for more frames, copy the first key frame and pasted Could be this one. Control. See and paste it. So now you have something like this way. Have this worldly and want to effect. Okay, I think here it's a bit way too much. So I'm going to bring it down a bit. Go to that key frame on click on the point, bring it down a bit just like this, Okay? I think like this is good. The last thing we're going to do is to slate all of them on Make them easy's Okay. Now, if you look at the animation, we have something like this. The next thing we're going to do is to push the big circle down when the small circle heads it. So for that, I'm going to play with their position. Okay, I'm going to the main circle crispy. And then for the small circle, I'm going to shoot the key friends by pressing you, so I see what I'm doing. Okay, Right here. I'm going to make a key friend for sure. It's on the position, and somewhere around here, I'm going to move the circle down. So during this animation, because we move the big circle down, the small circle appears in some places here. We're going to bring it down, make sure you're in the last key friend on. Bring it down like this. Okay. Next thing I'm going to move these key frames one from to the left side, just like this. I think it's good you make it easy. Is right. CLee key from assistant easy is and then go to the graph editor. This big graph, you're going to make this look okay. Now we need to add the bouncy fixed to their position when it hits it and it goes down. You want toe bones for that? Your don't use an expression. So I'm going to get the expression from this website. Just go to Google and search for the balance expression for after a fix and you will get a lot off results. I'm using this website with that It's expression arc opiate. I already cope it. Then go to the position and now shift and click on the stopwatch on the position and paste your expression. Now you need to change some stuff. I'm going t o change the amped to frequency to six and decay to 12 like this. We have a nice bounce effect. There is one thing that we need to fix is the position key frames we have on the big circle When it comes down. I think it's way too much for this. I will move their cruiser on the timeline in the second key friend. This is like the key friends and now move it up just like this. Okay, that's perfect. Okay, the next thing we're going to do is to create this breast effect. When the small circle hits the big circle, we want this brust effects to happen behind the big circle. These shapes, like rectangles, triangles and circles and also plus two brust behind. I'll start by creating a rectangle. I will make a struck around 20 and stable the Phil. I'll tell you the color to purple. You can choose any car that you want, and then I will move the anchor point. Press y, move it in the middle of the shape like this. Okay, the strike will be 30. Better then. I'm going to create other shapes. Make sure that you're creating each of these shapes in different layers. Make a circle, impressing comment and shift together to make a perfect circle. And then sorry. I need to select the poorly gun. Okay, Go to the points and bring it down to three. Now we have a triangle. Don't move The anchor point for this as well in the middle. And also for the circle as well. Bring it in the middle and I'll tree the plus one I'm using the pento for that. Okay. Make sure both of the lines are in the same layer account. Increase. It's like the layer and increase the stroke. Okay, like this, I think it's good. Now I'm going to double IQ. Ate this stuff on spirit around the circle. Okay. I forgot to move the anchor point for this. I'm going to put it in the middle public ated. I'm using control to public eight. - Okay . I think like this. It's good. Now we need to add the rotation animation toe all of this for that, I'm going to select all of them. Go to the first frame press are make a key friend. Go to the last frame on, rotate them. Let's see, It's a bit slow on going to the last frame on a rotating like this is good, but I need to move these shapes around because they are not in the right place. Just move them around. As you can see, the rotation is very slow. We need to change that. For that. I'm going to the last key friend and then sorry. You need to select all of these shapes and locations like them. No, change the value of the rotation. Okay, now is better. But we still need to change their position. They're not the right place. I'm going to speed up this a bit. Okay? Now we need to any made the position of this shape. You want them to brust behind this big circle? I'm going to select all of them, and then you're going to move the closer in the timeline to the place where the small circle hits the big circle. This is where we want the brust to happen. So for that, I'm going to select all other shapes and press p for the position. Give one key friend and move it around one second. Okay? Like this. And then I'm going to move these shapes one by one, to the middle of that big circle. Later, you're going to move the circle to be above everything, so these shapes don't appear. You want them to come and behind, not in front of it. Okay. You know, if you played, you have something like this. Now we need to easy, easy or key frames. I will select all of them, right? Click key from assistant. And easy is and then you're going to the graph editor in the speed graph. We're going to play with the cares. Okay, make a speed graph like this. Okay? It's good. But it's not in the right time, so when it hits it, you wanted to happen. So I'm going to select all of the key frames and move it a bit to the right side. I think it's good. I'll move the circle above all of these shapes. No, you have something like this. Okay, the last thing we need to do is to give the past a key frame. You want them when they brust to disappear. But I'm going to select all of the shapes again. And this time, Presti, for the opacity, give one key friend move it to the middle. Okay. Then moved to the end of the animation on Make the opacity zero. Now you have something like this. Okay, The next thing I'm going to change the color off some of these shapes, going to still like them and change their colors. You can choose any color that you want. I'm using this car for now. Maybe later. I will change it. Okay. We will have this orange, The yellowish orange. Only careful. That looks great. We've came a long way. Okay, Now we're going to turn thes shapes because we don't want them to be visible at the beginning. So I'm going to this friend before the animation starts on. I'm going to turn them all together just like this. And the next thing we're going to any made this big circle? We want to give a skill animation to it. Empress presses for the skill and make a key from here. Go to the first frame and put the scale to the zero. Okay? And then I'm going to ease ease the key friends. Let's play with it with their speed graph a bit. Okay. We want their skill of this circle to be complete when the rotation off the small circle completes. So somewhere around here, going to the timeline and I will move my key friend. Before I do that, I'm going to move these shapes below his breath shapes. We don't need them anymore. Okay, I'm going to use this bottom. It's called chez button. Click on it and hair enable it now they're disappeared on the time they are still in the project, but we don't see them in time. Okay, Someone around here, we're going to move or less Keep in there. This one will be in the first frame. Okay. I need to play with the speed. Grab more. We wanted to come slow and then fast. So make a speed graph like this. Okay, Perfect. Okay, The next thing you're going to add our logo, bring the ogre. You can add any local that you want using this partner logo. Make sure it is in the right position, then given effect Coldfield generate and then feel make the color white. Okay, Now we need to any made this logo as well. We want to come in when this small circle has the big circle. So we need to animate the position. Get a keeper into the position and move it to the right side a bit. Move the closer to the left side and move your logo up just like this. Okay? Move a key friends to the left side of bed because you wanted to happen. Once the circle hits it, I'll make it easy is on. Make the speed graph just like this. We still need to play with the key frames a bit. I'm going to move into the left side a bit. So once the rotation off the circle finish on it, Headset. This will happen just like this. Okay? Okay. We want our logo to come from. Nothing. We don't want it to be visible. Like you wanted to be visible only in the circle. For that, I'm going to Dublin. Kate, the circle. Move it above the logo. We're going to use the track. Matte. I'm tackling the sweets and in the Logan going to use the Alfama just like this. Now our logo is visible only in the circle. Perfect. We're almost done. All we need to do is to add the text on, do some adjustments. I'm going to create a new composition for the project, creating your composition. Make sure it is full HD and you are going to make it 60 friends and then you are going to move our other composition inside it. The one that you just created, This one. We're going to bring it here. Let me quickly change the name of the composition. I'll make it main Kump. Okay, Okay. We want our animation to be in the middle when it finishes. As you can see, it's not in the middle. Move it up just like this. Perfect. I'm going to create a background from the soul. It get white. Bring it down. Okay. Here. I don't like the orange color. I'm going to change to the same rate as the circles. I'm going back to the first camp. Sorry. Here, disable the shy button. Now you have all the layers back said like them on. Change them toe the same writ. I'm using the color picker. Sorry. Okay, just like this. Select all of them and use the color picker to use the same writ as the circles. Okay, let's go back to them. Main composition. Okay, much better. Now it's time to add or text. Let's go to the main. Come. But first we need to Any made this circle? When it finished this animation, it will go to the left side. So the textile mills happen. I'm going to get a key from here over on one second and move it to the left side Somewhere here going to easy, Easy My key friends go to the graph Vegetarian This big graph. We're going to make this big group. Okay? Okay, It's good, but I don't make it a bit faster. I will move this key from Okay, Good. Now we will add the text. Go to the text tool on right power for anything that you want. Make sure you select the text and changed the phone Total boto or any one that you want. Put the bolt and change the color too dark gray and make it all capital. I'll make it black. Actually, Roboto black will be good. Okay. Skillet habit controlling public aid and write the other word. The world. Okay, power. I need to align them just like this. He will move it up a bit, just like this. Okay, so the moment does go to the left side. We want the text reveal to happen to the right side. I'm going to give a key frame to their position. Move it a bit and then move them to the left side So the text will come from left side to the right. And the opposite think is the circle going from the right side to the left side. Okay. You have something like this No, it's very brink. We need to adjust it some of these key frames a bit. Okay. Make them easy Is and go to the graph. Editor in the speed graph. Make this look okay. We still need to adjust this. I'm going to move these key friends of terror and this one right here. We want our techs to come behind the red circle. We don't want it to be visible here for that. I'm going to create shape. We're going to use the truck month, so we'll create a circle. A very big one. I will remove the stroke and enabled the felt any color because it will not be visible. Bring it down and make sure it's here because you want our text to come right behind this red circle. Okay, I'm going touches these key frames a bit to the right side like this. Okay? And I don't want the both off the power on the world to come together. I will make a about one frame or two friends. Difference in the timeline will move the world to the right size. You have a bit of the delay between the tomb. I think one or two frames are enough nose like both of the text control shift. See or come on, chefs see and pre composed the text. Bring it above or below the shape that you just created. A big circle. And now in the track. Matte, We're going to make it. El Fama. No, actually, the Elsa you very. Now we have this. It's good, Very good. But we need to adjust a bit. We want the takes animation to happen a bit earlier. For that, I'm moving it to the left side. But as you can see it this way too early. It's a pair here before the circle is in its position. So I'm going to with the right of it still there, Okay. Like this is good. Yes. Play all of innovation. Yes, that's all on the last thing. You're going to enable the motion blur on all of them. Make sure that you talk on the switch if you don't see the motion blower in your timeline. Okay? Go to the main com and in the text. We're going to add the motion blow to the text as well on all of this. No, everything is done. We just need to change some of the colors. I'm going to give a greedy int color to this circle into the effect generate ingredient. I'm going to give it a light, read it and then a very dark one. We have a combination of both. It gives a very nice look to our shape when you can do the same for the text. We can add the greedy in trump to the text as well. Let's go to the text camp and at the greedy in room I'll change this color to purple and this one to the dark one. Let's play with some colors and see how it will look like. Actually, I'm changing this to something bluish. Okay, I'll copy this in, pasted on the other text. Okay. I didn't like it like this. I think a darker color for the text would be nicer. Let's go back to the composition and see something like this is good. Copy and paste it on the other. Now, if you want to change the combination off the colors, we need to play with the handles of the greedy run. Move them around until you get the local get through. Want something like this would be good. Yes, that's it. Hope you enjoyed and learn something new. I can wait for the your projects. I want you to play with this project and come up with something new. Some new colors, new text on some new shapes and animations. 10. Practice Project 2: Hi, everyone. Welcome back in this. Listen, you are going to create this title in this title. We have couple of words. They're dropping down on top of each other. We will start our project with creating a composition. I'll name it. Uh, stay project. Okay. Make sure this full lady on six different Now we'll create another composition. Name it. Stay home Text. This composition is for the text you're going to write. Stay home in this competition. Oh, enable the title safe origin and then going to write Stay home. I'm using the front row boto on black. Okay, Just like this, I'm going to add these brackets. I don't know what they call it in English, actually. Okay, then I'm going to change it to regular people in this on this own as well. And the next thing we need to cripple or composition, click on this icon region of interest. And we want our composition toe only cover the text like this. Its adjusted. Okay, that's good. We will at the Bagram. I'm going to create a solid and black one and put it under the text and then go to the composition. Let me just this a bit more. Okay. Now we can go to the composition and crop to Origen off interest. Now we have our composition that covers only the text. Let's create the second text and it will be the same thing. We will call this current dean scoping the other text. I'm going to paste it here. Controlled me for the paste on Bring it in the middle And now we are changing it to current een and we need to make it black. It's circular. No. Okay. Make it black. Perfect. Now we need to crop this as well. Click on the icon. Original interest on Drove the crap like this. Okay, lets credit background for this as well. A black solid on Put it behind the text. Then we can go to the composition and crop to the region of interest. Let's create another composition and create our 2020 text. Okay, I'm going to copy this on paste. It's hair. Bring it in the middle and make it hashtag 2020. And now we will crop it to the region. Off interest created background. Let's make sure that you have, like, make sure that your Texas in the middle. Create a background from a soul. It black one put it in the text. Good composition and cripple the region of interest. That's great. Our last text that will be covered 90. Okay, let's go. Be this text on basted here changes the government 90 Put it in the middle, then we need to crop it. Okay, let's create a background right click on soul it We have a black solid here. Put it behind the text and me just December. Go to composition crop to the region of interest. Perfect. No, you have all over text and you're ready to start animating our project. Okay, I will bring the text a home here. But first I need to enable that tight election. Say so. I know where my compositions are. I'll put their stay home, text her, make it smaller, mother. A press There's for the skill and put it right. Okay, let's bring the covert 90. So the beginning. I'm going to do the design. This is my process Off animation. I do the final design and then I start animating it. So now you are doing that design the final look that we want okay, Like this is good. Let's bring the 2020 and I'll put it right here. Press are two rotation for the rotation. Okay, Just like this. I pressed as for the scale and make it a bit smaller. 86 is good. Just make sure that they're not overlapping each other. They're just touching each other for that. I need to change the rotation very precisely on the position. Okay. I think like this is good. They'll make it a bit smaller. Make it 81. Okay, let's bring the final text, Which is the current e. Okay. Press are for the rotation. We wanted to be like this, and I'm going to make it smaller. I'm playing with the skill. No. 85 is good. Just like the other text. Make sure that they're touching each other, but not overlapping. So I need to play with the rotation. Very like carefully. You can press common to play with the rotation if you want to, like, precisely change the like the value of the rotation. I think like this is good. The next thing is I'm going to change the color for the stay home in the background. color go to effects generate and greedy in drum. You're going to make this like a mix between yellow and orange. Make this yeller and then we need to play with the handles over the ingredient. Click on the greedy int. The handles should appear. Are there not a bearing? Because you have to click on this. Say I Can you see this? The mask. Make sure if you don't see the handles off any layer, click on that one. Okay. Like this is good. I'll copy this and paste it on. The background for the Corbett fixed has changed the color to green. No makes to grease together. Okay, that's good. Click in the mass struggle again to see the handles. Sorry. Perfect. Now we already for animation. Let's select all of the text press people position, give a key frame and go forward for 10 frames. You can count them, or you can just see the 10 frame on the timeline. Okay, Now we will move this key from here. Move the closer to the first frame, and now you're going to move these texts individually outside the frame just like this. Okay, now it's like all of them make it easy is go to the speed graph and make this look of the speed graph. You want them to hit very fast to the ground. So we're going to make this look over there. Speed graph. Okay. We don't want them all to come together for that. I'm going to move them in the timeline, have a delay between them. So the first thing you want stay home to come and then covet. Let's move this a bit. I move this one around two or three friends, so make sure that you have two or three frames between each over them. Okay. For this, I'm going to make it a bit slower because it's very small. You should take more time to hit the ground. Okay. The next thing is animating the rotation for the 2020 and current in because they're rotated. Press are for the rotation. I'll give a key friend move a tear, go to the beginning like this on, make the rotation zero, and then you need to easy, is it, and you're going to play with it in the speed graph. Okay? I think like this is good. Let's go to the current Tina and do the same thing for it. Press are for the rotation. Make a que friend move its hair and no, make the rotation zero and then easies and go to the speed graph. Let's play with care. Okay? I want the rotation to happen during the way. Not when it gets it. So I'm going to play with the speed graph. I think like this is good. You also try to make something similar to mine. Okay. Now, to make the hit more realistic, we need to add bounce effect. For that, you're going to use an expression called bounce expression just right in the Google Mom's expression for the after effect. And I'm using this website just could be this expression opiates go to after effects option and click on the stopwatch for the position and paste it here. Okay, Now we need to change some of the stuff when this expression in the frequency or make it six on decay will make it their wealth just like this it's seeing now we have the bounce effect. Okay, Lets copy this and paste it to others. Press option and click on the stopwatch and paste it the same thing for the two others. Just to remind your option is old in the PC. Okay, Now we paste their legal expression. All of them, and it's played and see how it looks like after at the bounce effect. It's plate. Okay, that's very good. The last thing they are going to enable them wishing blue, all of them. And no, it looks much better. I think it's way too fast. I'm just going to play with the key frames will move the last key for him. This one. Okay, let's move it. Uh, to the right side of it. Like this. Okay, now it's a bit slow. Okay, let's move these key friends to the left side of, But I think we're going to move it to friends. Yes, that's it. That suits. Yes, that's it. Hope you injuried and learn something new. I'm waiting for your projects. I want you to work in the same project, but with different color and try to come up with something new 11. Practice Project 3: Hi, everyone. Welcome back in this. Listen, you're going to create this graphic title, okay? We'll start with creating your composition. Take care and I will name my composition project Earth and into 60 frame. Full HD. No. First think I'm going to create a background because we don't have any background. I will, right? Click and create a soul. It I'll make it purple, dark purple like this. Sorry. Okay. And then look the background because you don't want to accidentally select it. No, I will enable the tight election safe. And then I will go to the shape to create a rectangle just like this. And then you're going to remove the failed from the strict angle and add the stroke. Okay. Make sure it's in the middle. Go to the fill on, disable what? Then go to the stroke and at some stroke and change the color toe white. Okay, that's great. The next thing you're going to add the term path to the rectangle rightly care, turn path, and then you're going to play with the start and end. I will put the start and the end to 69 because you wanted to start from this point the middle point. So it will be 69. So, whatever, they will start in the middle to any made the start and end. I'll make a key frame at the first frame. And the 2nd 1 the start will be 100 the end will be around 30. Just see what is good for you. I wanted to be something like this, but we need to adjust this with the offset. We need something like this. Okay, now we're going to his ease The key frames. I'm going to sleep with them. Right? Click. And keeping the system than easy is we're going to go to the speed graph and make this look over this big. Let's see how it Okay, let's move this. Okay? Make something like this from this big Griff. You should have animation like mine. The next thing you're going to do is to scale the width of the rectangle and you're going to use the size has got to derek tango and the size. The reason you're using the size is because it doesn't affect the width of the truck. If you use the scale, the scale will affect the width of the stroke, and you will have their stretch. Look, just seemed like this. See, now our stroke is stretched like this, and we don't want this for that. You're going to use the size, controls it on, not going to play with size. Okay, we'll move the closer in the timeline to between these two key frames somewhere around here , make a key frame when the size go around seven frames on scaled the worth. Okay, Like this is goods will make it easy. Ease on play with cares, make a speed graph like this. Okay, now we need to move the key friends I want them to start with. There ain't and the start of the term path just like this. Okay, Like, this is good. We will go around seven friends, and then you're going to reduce the size or the with off the tangle again. Just like this. Okay. I need to play with the care on this bit breath. Okay. Make something similar to this one. Okay, that's good. Okay, that's it for now. Let's go to the earth and change the color and some off other stuff of it. Okay, Let's go to the project. I'll bring this to a new composition, drug it and drop one than your competition. You can get this picture in the project files. I'll name it. Earth, Earth one. Perfect. Let's go to the effects on your going to attend color correction. Okay. And then you're going to add levels. Let's play with the levels habit. You get darker like this. Okay, dedicate this one. Okay, Now we will go to, at another effect, go to effects, generate. And you're going to at the ingredient room and you're going to at the dark purple and a bit lighter with with the murder. But he has something like this. This combination with the hand us off the greedy around. Have something like this. And now go to the moods. Make it exclusion. The blending one should be explosion. Okay? No, We can remove their levels on the tent from this one. What can then you're going to the 1st 1 I'm sorry. Let's go to the 1st 1 on duplicated again. Move it and you are going to remove the tent. And now you're going to copy this greedy in drink on pasted on this one. Great. Move It above the levels on the blending moved to add. Now we need to play with the label sub. It will make it darker. Okay, change it to 369. I'm sorry. Everything happened to be 69. You're going to double decayed this one. Move it up and change the blending mode to normal. And you're going to mask this to the shape does mascot This could be okay. We're going to move the handles of demands. Something like this. Now press f for the feather and further the mask like this. Okay, I'm going to make these colors. Doctor, on the Gideon room. Okay. Make sure to make something similar to this one. No good to the main camp and bring our earth inside it. Okay. Place your earth just like this. Okay, great. No, We need to fill this blank spaces that we have here. You wanted to go behind. There's for that. I'm going to public eight this rectangle. I will move one of the copies above it, and one will be under it. Okay, move this above it. And the owners under it, you're going to change some of the sittings from the start. and end. Go to the key friends here, the second key friend. Make sure that the process is on it and make this zero. Okay, Now we fix this issue. Let's play it and see I can. No, You have another issue. It's going to see here. We have a cup because both of them are like any mating. For that. I'm going to cut this one. The one that's above it. Okay. Somewhere around her, before it reached to the earth Control Chef de to cut and remove. Now we fix this as well. Perfect. The next thing you're going to any made the earth. We wanted to move with the rectangle. Okay, praise the earth and then press P for the position and then press you on the tangle so we can see the key friends. And this is the final place that our earth you want to stop? Move the cruiser hair on, then move the earth to their outside. So it moves with the rectangle just like this. Let's make it easy. Ease on. Go to this graph. I'm going to adjust this just to see how it looks. You just follow me, okay? Make us be gruff like this one. And now you go to the beginning. The start of the earth. We wanted to like a pair with the stroke. We want our Earth to come behind this truck through the struggle form and the earth will come behind it in the time line. We need to find the right timing. Somewhere around there will be good. Let's move this key for him a bit. Okay, like this, it's good. Now we have an issue whenever you play with the position and you have to keep friend that are opposite that each other. For example, when key frame is moving to the left and the other one is moving to the right, you will have this issue. As you can see in a state of immediately going to the left side. It goes the right side a bit, and then to the left side. Let's fix the speed graph, and I will show you how to fix that issue. So you see, we still have that thing before it goes to the left. It goes to the right a bit and then start to go to the left. For that, we're going to the path animation. This is And you're going to move these handles in the middle of the anchor point. You still have it quick care and move this handle as well. Just like this. Now, we should get rid over this issue. Okay? Now it is good is going to the right and immediately going to the left again without that extra animation. Okay? Just make us with graft like mine. I'm still playing with it until I give the right animation. Okay, Things like this, it's good. Okay, We need to get rid of this part because we need our earth to be behind the stroke. So for that, I'm going to create the shape bigger tango and give any color. We'll use this for the track. Matte. Okay. Okay. We need this shape to go with the stroke. It will be right behind it with the stroke starts here. Just connect this shape to it, and you want to go with it to bring down the pastie, Presti, so we can see where we are and you're going to any made the position? Press people the position. Go here on. Okay. Here. Move it to be here. You wanted to go with this truck began. Move it. Let's make it easy's and play. You see how it is. As you can see, it's not going with it. So we're going to play with the cares in the speed graft to make it perfectly connected to this truck. I'm going to adjust these speed graphs until I get the right results. You can also do the same. Just make sure that in every frame it's connected to the stroke and you can adjust it with their speed graph. Okay, okay, that's great. Let's go to the next move. Just this one, and you can see here with this connects. Let's play with this with graph. This is a bit tricky and time consuming, but if you play with it like for five minutes, you're going to get the right results for even less than five minutes. Actually, when I got it perfect, let's bring back the A pass to the shape first e and make it 100. Bring it over the air President toggle switch to bring the truck month and make it Alfa Hubert. Now our earth is behind the stroke just like this. Next thing we're going to add text, Use the text tool your don't write earth. You can use any text, any phone or any color. I'm going to use white color on right earth and the phone. You can use Roto, but I'm going to use another one, which is a good thing. Something Gothic. Okay, this is nicer because the letters are stretched on their toll. Okay. You want the animation over the text to happen somewhere around here, you're going to go to the text, select the text, and then animation. We're going at a pastie. Okay? Bring the past in down here. None at any key frames here. Now go to the range selector and you're going to any made the offset. Make it zero. It should be zero the first frame. Then move it forward until the animation completes here. We're going to make it 100. I think the animation is a bit late. We need to move the key friends to the left side of it. I wanted to happen earlier. Okay. Like, this is good. Let's make it easy. Is okay. Thing that's good. The next thing will be the background. We're going to add a color to the background. Let's and look it. And at the brilliant. Okay, I'm going to use the color that I have on the earth using the color picker from that. Now, let's move the handles off the greedy in room. Keep playing with them like this until you get the look. Okay? We wanted to be but lighter in the right side and darkening like this is good. The earth. As you can see, it's not in the right place. You wanted to be like, but more to the left side. So that's why I'm going to the last key friend, which is the last place that it stops on. I'm going to move the air a bit, just like this. No, it looks much nicer on our design is more balanced. Okay, The next thing is creating the stars for that. I'm going to use the shaped hole Onda lips, one that lives tool. I'll make a very small circle. I'm using a common shift to make a perfect circle. I'm giving the color over very light purple. Look, I think we'll make it even smaller. Just double click on it and make it smaller. Sorry. Okay, Now we will go to the shape modifiers at Peter to it. Make the number of copies 36. Okay, let's move it up. Okay, grab the anchor point and move it up like this, and then you will doublet. Kate, this. Repeat there. Bring the options, go to the transfer position, make this zero, and we're going to play with this one, Okay? Now we have something like this. No, you will. At the third modifier, which is regal transfer. Bring it below the two repeaters. You're going to the trance fair and then change the position on the scale. Okay, 17 6 and then play with the position. Just play with it until you get something random like this. It doesn't matter. What is the number. The rotation doesn't change anything. Let's plant. As you can see, it is very fast. We need to make it slower for that. You're going toe the wiggle per second on. Bring it down. Let's make it one. And see it is still very first all press common or control on. Bring it down to 0.1 is still very first. Let's change it to 0.5 I'll just write it 05 Okay, like this is good, but the stars are too big. We need to change the size over the Ellipse. It's good the size on. Bring it down. Okay. Like this is good. Okay, let's play with the position of the wiggle. A bit more to make more variation. Okay. Should be good. Like this. Let's change the name to the stars. Enter and bright stars. And for sure to bring get behind everything Perfect. Let's enable the motion blur. Going to switch the toggles. Any name of the Bush number for all the layers and let's render it and see what we got. Okay, let me disable the title safe action and make it fit so we can see it better. Perfect. Our animation is much nicer. There are a couple of stuff we need to add. No, the beginning with animation. You want this circle thing like we need all of the stuff to come out from a circle. So I'm going to create a circle with the shape layer. Okay, let's go to the frame where the animation starts. Somewhere around there, in this crate or a circle, Press white to move the anchor point in the middle because you're going to scale. So you want the skill to start in the middle, drink it behind everything and over the background. Let's see where the animation starts. In this frame. The animation start. I'm going together, key frame to their scale, make it zero and then go to their place where the animation finishes like almost finished. Okay, somewhere around her, I'm going to skill the Circo until it covered the whole composition. Just like this. Make it easy is on. We're going to play with the speed graph. So animation of the circle goes smoothly with the other animations. Make a speed graph like mine. Let's see. I think it's of it's fast. He wanted slow and then first. It's good, but we need to adjust it right here. The animation is outside the circle. We wanted to be inside the circle during the whole animation. I'm going to move this handle like this is perfect. No, sweetie, the toggles Then go to the track matte and put the background on the Alfama at Miss Crater solid and make it white, and you are going to put it behind everything. Okay, let's play the animation and see? It looks amazing. Now we have the last thing to add and you'll be done with animation. We need to add this splash effect when the animation reefs around her somewhere her. We need us. Bless effect. For that, I'm going to use the shape pool. I'm using the mental for that. I'll make a shape like this, and then I will bring the anchor point in the middle. Actually, at the pick off this shape here, Public ate it. Came with hair, double click and play with these points. Okay, moves anchor. Point to the pick again. Okay, Now move this down. Okay, Double click on it so we can play with the points. Okay, control D move a tear. DoubleClick. And now he can play with the path. Make something like this. Okay, Now select all of them. Press P for the position. Give a key friend all of them like this. Okay? I'm going to move them to someone around to move them here. Okay? No, I'm going to move one by one. Move them down and then make the scale zero for all of them. Okay, You have something like this Now. I think I'm going to change the positions here. Let's move this of its farther, this one as well on this one. And I know it's very first. We're going to fix that now. Select all of them, Presti for the opacity and give a key friend to see other key frames. I pressed you. No. Let's move and make the opacity. Zero. Okay, we need to fix that. It's very fast. Let's move. All of these key friends. Okay, Still very fast. Okay, Now we made it a bit slower. Let's like all of them and make them easy is and go to the spill graph. Select all of the frames. I'm in key frames. Make sure you're selecting all of them and make this look over their speed graph. Okay, It's good, but the timing is not good. Let's move these in the timeline number to the left side. So it happens a bit earlier. So you wanted to happen when the earth go back. Let's move these behind the earth. Sorry. This is not the right position, but it below the stars. Just like this. Yes, And that's all hope you enjoyed. And there is something new. Don't forget to share your projects with me. I'm eager to see them. I will see you in the next listen. 12. Practice Project 4: Hi, everyone. Welcome back in this. Listen, you are going to create this one, okay? So here we have this metal effect. We are going to achieve this in this. Listen, let's create a new composition. You name it anything. Okay. Make sure this full HD and 60 frame. Now we have this outside by creating background. My background will be dark gray. And then I'm going to enable the title action safe. Okay. And now we're going to work with the design. Okay? How I work. I always create the final look off the design. So I create what I want to see. That ain't of animation. And then when I finish my design, I start making so let's create a circle. We're going to credit in the middle. I will press common and shift together and click like this to create a circle. Now create a circle. Our circle is a dick. I'm going to make it smaller, just like this. Perfect. And then we will start creating other circles. Okay, I'll start creating different circles and I will separate them in the composition randomly . Let's do it. Create one here, press one to bring the anchor point in the middle. Okay? I want public. Ate it with this here. Public ated again. I'll give this here. Make it bigger. Move this Here. Get smaller. I'm going to love the background so I don't accidentally click on it. Can you make another copy here? One big circle here and I'm going to stretch it like this. Another one? A good figure. I'm gonna treat you kiss Double K did make it smaller here. I think this one is quite fix. I'm pressing shift. Make it a perfect circle. Can we get smaller? One of the bigger. This will bring this. Okay. You just have to distribute that, uh, randomly. Okay. I didn't like this one. I'm going to make it less stretched. This another one here. Another one. Okay. Try to distribute your circles like this. The next thing you're going to. Any meeting them Before I do that, I'm going to rename this one because this is our main circle, which will include the logo. How will enter and sorry press enter. Name it. Main circle. Okay, Now select all of the above shapes like this and go somewhere around here before you reach to the second to hear press P and the position will come up. We're going to give a key frame, then go somewhere around terror half a second, close to the one second here. And then we're going to move these circles one by one. Like this. Sorry. Now we have something like this. I know the innovation is very boring. We're going to make it easier, right? Click Easy's. Then you're going to the speed graph on making this look off the speed. Make sure they're selecting all of them together. So we want it to come a bit slow. Reached the magazine on speed here. And I'm still again. No, you have this one. Okay, It looks perfect. Now that we did our animation, there is still one stage of the animation, which is this'll one. You're going to give it a skill you wanted to come from. Nothing. Then this explosion happen. So before we do that animation, I'm going Teoh at the notable effect to these circles. Like the whole purpose of this material is metal. If it so we did our animation. Now I'm going to add, uh, an adjustment layer right click adjustment layer and put it above everything like this. For now, I'm going to disable the background because he's gonna cause as problems. Okay, go to the effects. Right? That roughened gifts. As you can see, you already have some some kind of metal that they're going to play with this, uh, settings to make it that now you're going to change some of the sittings for the border. Put it at 44. It's sharpness and virtual influence will stay the same. Make the skill around 650 just like this. Okay, I think that's it. Okay, now we're going to do there Fair station with animation. We already did the 2nd 1 which is this one. The 1st 1 is you wanted this circle to scale in their composition. We wanted to come from nothing with. So for that, I'm going to bring this circle above everything else, not above the adjustment. Make sure that I just mean there is about everything because it gives the immutable effect to everything else. So we're going to bring your logo our luxuries. Power is a power. Okay? Make it small like this, and then you're going to the effects. Generate film, make it right Okay. Now, to any made this, we're going to create a no object. Make sure that the no logic is in the middle. Three the no object here and connect everything to it except the background on the it just men layer. Select all of them and use the parent. Or if you don't see, the parent will make sure directly care. And make sure dis checked here. And also, you can sometimes play with this toggle switch. Bring new options here. Okay? No click here on connected to the knowledge. Now everything is connected to the no object prisons for the skill. Make a key friend and move the cruiser too close to where the second stage of the animation happens, which is here. Now move this key Friends, move the closer to the first frame on to make the scale zero. No, let's easy. These are key firms. Go to the cares can give this look over there. Okay, We don't want this to happen. We don't want that animation to stop here. And then the second animation toe start you want before this animation finishes the second animation to start. So for that, I'm going to there timeline on. I will check one with this. So I see the key frames on it. Okay, So what I'm doing today I'm going to select all of these circles, press you to bring the key frames. Select all of them on moving to the left side. Okay. Like this is good. Perfect. Now everything stops here. As you can see, an invasion stops here. You don't want that. You want these circles to keep moving outside of the frame. So for that, I'm going to create another no object. Bring it here and I'm going to connect this. No object to it. Why we did this. Because everything else is connected to this. No object. And if you connect this no logic to this one means everything is connected to this object. So I'm going to press skill. Come somewhere around there, make a key friend go to the last key friend. I mean the last frame. Just 2nd 10 Give him figure. If you 120 will be good. If you want to make it like then Mr make it faster. Bring it. Yes. No. Select all of them on pre compose. Right? Click recompose. Name it anything. Okay, now the name of the background. Okay, that's all. I'll just do some adjustments. As you can see, Harry had a problem. There's a bit of the cut here, so for that, I'm going to dear just mean they're rough edge, and I'm going to increase the scale. Looks like this. And you continue the colorize Well, you can add this effect just right for in the effects. This is the color Gideon colors. And at some of the colors that you want, you can make anything and then you can move their handles like this. Create a nice combination of colors. Okay, Lets play it. You know, the local disappeared. You need to put a little above the adjustment on. That's all. Hope you enjoyed and learned something new. I'll see when the next listen my way. 13. End: Thank you so much for watching this course. I hope you enjoyed and learnt something. You all be waiting for your projects. Police turned with me in the class project. I want to review them on give you my feedbacks. I'll see you the next coast on. Don't forget if this is the first time you are checking my closest make sure for my profile becoming with Marco.