After Effects CC: Master Motion Graphics & 2d Flat Animation | Video Course Center | Skillshare

After Effects CC: Master Motion Graphics & 2d Flat Animation

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11 Lessons (1h 22m)
    • 1. Introduction to the Flat Animation Buildup Course

      1:50
    • 2. Designing Flat Object in Illustrator - Part 1

      13:18
    • 3. Designing Flat Object in Illustrator - Part 2

      10:23
    • 4. Preparing Illustrator File for After Effects

      2:11
    • 5. Getting Organized in After Effects

      13:14
    • 6. Animating Flat Object in After Effects - Part 1

      12:35
    • 7. Animating Flat Object in After Effects - Part 2

      14:54
    • 8. Animating Flat Object in After Effects - Part 3

      6:18
    • 9. Reverse Animation in After Effects

      2:56
    • 10. Render and Export Flat Animation Project

      3:39
    • 11. Thanks And Wrap Up

      1:06
11 students are watching this class

About This Class

Do you like to learn how to create amazing, stylish, and stunning Motion Graphics in After Effects CC and Illustrator from scratch?

IF YES, So Enroll Now: https://skl.sh/2BpDPgm

In "Master Motion Graphics in Adobe After Effects CC & Adobe Illustrator" course you will learn how to create awesome and amazing 2d flat animation and create stunning Motion Graphics in After Effects in less than 1.5 hours from scratch

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You Learn By Doing:

In this course, you can immediately DOWNLOAD all project files (After Effects and Illustrator scene files), Reference Image (Washing Machine photo), and the Magic Bounce Script. So you can learn by doing and you'll follow along and work on your own project while learning. In this course we'll create our 2d flat animation buildup and as you know this is a popular style of animation you can see in television, movies, video presentations, commercials, ... and after effects motion graphics.

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What will you learn:

  • How to design an object in illustrator step-by-step. (No previous experience required)
  • How to prepare an object in Adobe illustrator for using in After Effects CC.
  • How to animate different elements in an object using different techniques.
  • How to reverse animation to create a complete animation loop.
  • How to render the final project and create awesome Motion Graphics Videos quickly.

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Who this course is for:

This course is designed to teach you Motion Graphics STEP-BY-STEP,  so even if you've never opened After Effects or Adobe illustrator before, you can follow along with the course and you will see how easy it is to use these programs to design 2d flat objects and create awesome Motion Graphics quickly. 

And after you enroll in this course you will learn all the essential tips and techniques you need to design and animate simple and even complex objects in Adobe Illustrator and Adobe After Effects CC to create incredible Motion Graphics.

I encourage you to watch all the lectures and then start creating your awesome 2d Flat Motion Graphics and post them here, So all of us will enjoy your cool flat 2d animations.

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Requirements:

  • No Prior Knowledge of After Effects CC, Adobe Illustrator or Motion Graphics Required
  • A working copy of Adobe After Effects CC and Adobe Illustrator
  • All project files are available to download

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If you want to learn more about After Effects CC, I highly recommend you to watch our other course “Master Lower Thirds in After Effects” to get familiar with the basics of Adobe After Effects CC program. And there you will learn about the After Effects interface, creating simple animations, creating shape layers, masks, and many other useful techniques.

Enroll & Enjoy Now: https://skl.sh/2BpDPgm

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OUR PROMISE TO YOU:

By watching "Adobe After Effects CC: The Complete After Effects Motion Graphics" Course, you don't need any other resources to learn the basics of Adobe After Effects & Adobe Illustrator, but if you have any questions we'll be with you in every step you need help, So you can send us a message and we'll be glad to help you quickly!

We want to make this After Effects Motion Graphics course the best resource for learning Adobe After Effects and Adobe Illustrator for beginners. So please watch all lectures and send us your feedback, this will help us to improve this course for future students and you will get updates for free.

This course is appropriate for all Adobe After Effects and Adobe Illustrator users. So after you enroll in this course you will learn all essential tips and techniques you need to design and animate simple to complex 2d flat objects in Adobe Illustrator and Adobe After Effects.

This course is perfect for everyone who wants to learn how to design beautiful 2d flat objects in Illustrator and learn how to give them life in Adobe After Effects and create amazing flat 2d animations and awesome Motion Graphics all in less than 1.5 hours!

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YOUR MISSION:

After watching all videos in this class, go ahead and pick an object from your environment and use all the techniques you have learned in this course to create eye-catching Motion Graphics and 2d flat animations.

If you want to show us your great works don’t hesitate to post it here and let me and other students enjoy your great flat 2d motion graphics.

I can’t wait to see your animations, We’ll be really happy to see your videos, So ... pick an object and start creating your awesome flat animations and motion graphics right away!

If you’re ready to have fun & create professional motion graphics and flat 2d animation, enroll now and I will see you in lesson ONE!

If you find this course useful we appreciate you taking the time to Rate it, and also recommend it to your friends, colleagues, and classmates. Thanks in advance.

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WHAT IS YOUR FIRST STEP?

Just CLICK THE ENROLL button now (https://skl.sh/2BpDPgm), and we'll see you in LESSON 1 ;)

We hope you enjoy this course as much as we enjoyed making it for you!

Other After Effects Classes:

Motion Graphics: Create Liquid Motion Effects in After Effects

 https://skl.sh/2Zd9awA

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Motion Graphics: Create Professional Lighting Logo Animation in After Effects CC

https://skl.sh/32MOGwV

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After Effects CC: Create Stunning Video Transitions https://skl.sh/2DW1NRG

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After Effects CC: Master Motion Graphics & 2d Flat Animation

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After Effects CC: Create Professional Lower Thirds & Titles https://skl.sh/2Gv0ADC

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Motion Graphics: Create Fake 3D Cartoon Logo Animation in After Effects

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Transcripts

1. Introduction to the Flat Animation Buildup Course: Hello. Welcome. Thanks for enrolling in flat animation. Animate objects in. It'll be after exports in these scores were gonna design this awesome object step by step in Tbilisi, Georgia. But you can use adobe aftereffects to design you'll objects. It's easier for you on then. We've been animated in adobe aftereffects. This course is appropriate for all aftereffects and estatal users. And after you enrolled in this course, you will learn all essential tips and techniques. You need to design and animate simple and even complex objects. Inevitably, illustrator. And maybe after in this course are we show you how to design project in at the Illustrator . Next we show you how to prepare or objects in real estate or for using in after effects. Then I will show you how to animate different elements in or objects using different techniques on. Then we're learning how to reverse our animation to create a conflict. Ammunition on. Finally, we're learning how to render or final project and create awesome riddles quickly. Okay, I encourage you to watch our lectures on. Then start creating your awesome object and emissions. Post them here so all awas will enjoy your cool object animations. all after fix project files shown in these scores are available to download in Donald section so you can download, analyze and enjoy using them. If you find these course useful, we appreciate you taking the time to write on also coming to your friends, colleagues and classmates. Thanks in advance. Okay. If you're ready to have fun and create professional motion traffic's enroll now on I will see you in Doesn't want okay again. Thank you very much for taking the scores and I will see you in next video. 2. Designing Flat Object in Illustrator - Part 1: Yeah. Hello, everyone. And welcome in this video, I'm gonna show you how to design or object in other biggest straighter. So without wasting time, let's create any documents from menu Select file new operas control. And as a short cut, you have You have several presets, for example, mobile, that print film and video on art and illustration. I choose art and illustration present, and here you can select a unit for your documents. I want to use this while in a video. So I prefer to use pixels instead of points. As a matter of fact, points in it is suitable when you want to print a document. Okay, I changed with on heart to 1000 pixels on. I will show you how to change these numbers after creating a document. So press create button this white on empty document called artwork In other Illustrator. If you need ruler to design an accurate object from menu select vo rulers showed rulers or press council are or command are okay Now if want change artwork dimensions from menu select file documents that up here you can change units and by clicking on edit our port button, we can change the position on dimension for these artwork here we can change with value and high value. For this project, I'd prefer to use 1000 pixels for with on height these X value and why value boxes indicate position off this artwork on the screen. As you can see, these values are changing when I move this art board on the screen. Okay. Getting on a tool in toolbox to exit artwork editing mode. Another way to change artwork is using artwork tool or you can press shift. Oh, okay. If you can see at least toolbar out here from menu select window console and now you can edit art more dimensions. Okay. Before starting to design, let me show you how to navigate in. Other illustrator to plan on the screen You can hold a space for and left. Click your mouse on drag around to zoom in, hold control key and press plus button on your non fat zoom out old Consul key and press minus button on your non back to fit are more to your screen press console zero and to see artwork in 100 person size Press council one Okay, in this course we're gonna use an image as a reference to create or object in illustrator. So let's import reference image into this. Artwork from menu Select file place or press control shift P so it reference image impress Place bottom. You can find these reference image in Donald section for this course to police this image on the screen, you can simply click, or you can click and drag to a specified the size of this image. If you want to change immense size, you can select one of these points and move it around on. If you want to change its a scale uniformly, you have to hold shift key. Okay, click on this layer button to see our layers. If you can see this panel from menu, select window layers or press F seven okay directly on their them and rename me to reference. If you want to design an object that is exactly identical to your reference image, I highly recommend you to make another copy off this image and put it on your artwork. So hold all key and select and drag this image by doing this. If you have another copy, maybe you ask, Why do we need this small difference image here. I use vicious model friends to pick colors for or layers. Okay, now move this new copy to center and hold off and shifty and escalate uniformly to fit to the artwork. Now, as you can see here, we have two different image layers. Selected this new big reference layer and from menu choose window transparency or press shift console F 10 or from this section, you can press transparency button. Now. You can reduce capacity value here to make it transparent. Okay, now in Layer Panda, we can lock reference layer toe. Ever accidentally selecting these two inmates. Now, I want to create a background like this reference image for my design. Circulate on this. Create new layer button and rename it to backgrounds. Silicon rectangle tool on for free color. Select the color and for Esther Color, Select None Now Kelly Contract in Art Board to create a background. Now I want to add a gradient to my background like Visit France image. So click on this gradient tool and then click on background there. Now zoom back by pressing control minus key and move your mouse around this small square to see. Rotate handle for this gradient. Hold shift key amputated 90 degrees on move gradient to cover entire background there. Never click on top circle and click on color picker, then click on top of reference image to pick its color. Okay, move your mass somewhere like here on. Now you will see a plus sign beside your most Aiken, so click to create a new circle. Deborah. Click on it on by color Pickles. Select a color from image again. Follow the same process to create another circle underprivileged circle. Move this circle close to previous circle to create a sharp edge between them and finally directly on this bottom circle and pick a color from reference image. Now, if want to change colors for these circles, you can select each of them on double. Click on these color box and change it. Okay, now drag background layer on the reference layer and Luckett we have created or back are layers successfully. Now everything is ready for designing or object. So first of all, we must create a new layer and ragged between background layer on reference layer on Rename it to design. Now I want to create a rectangle for this object, so silicon rectangle tool. And here you can select a color for feel color and select none for extra color. Now the Contract in Art Board To create this rectangle, shape Gilligan Selection tool or press Vicky Now hit control and plus key to zoom in on. Move these edges to make a rectangle exactly identical to a reference in age. Okay to have round corners for visit tangle exactly like reference in it. Celica this small circle and drag it to the insight. Or let me show you another matter. So I hit control Z toe undo and from menu, select Window Transform or Press Shift F eight in Rectangle Properties section. Be sure to activate this link. Cornell Radius Values button toe have identical roundness for all corners and then increase this number until you see same roundness for all rectangle corners. Okay, this is or by the object. Now I want to design these circles to create a door for this washing machine so select ellipse stewed or hit Elke Kilic almost in center off the circle on hold out and shift key to draw a perfect circle from the center by holding all key. You can draw a circle from center on by holding shift key. You can draw a perfect circle instead of an ellipse. Now zoom in and press Iraqis on your keyboard to find the best place for the circle and match it to reference image While the circle is a six. Select that press. I key to activate eyedropper tool and click on this circle to pick its color. Okay, he wiki to activate selection to now I want tohave another circle. So Pris Consul C. Two copied into memory and then press council F to paste Musical exactly over this circle layer whole chief on all keys to expand it uniformly to create or second circle now zooming and check if it's exactly identical to a second circle indifference image. While this new circle is, this is selected press I key to activate eyedropper tool and click on second circle Toe pickets car now in Layer Planet. If you want to select a layer, you have to click on this small circle. Okay, killing on second circle and drag it under first circle. Now click on this small circle I can to select this layer and hit control C and control F to create a new circle on again Hold shift on Alki to escape this new circle unit for me. Okay, Pressed Nike and pick color from Big Circle in reference. Image on finally directed this big circle under these two second layers. Now I want to create this highlight so I can duplicate this A small circle. This time I hit control C and then control V as can see illustrator the applicator This layer in a new position Move it over Highlight in reference image on then press ikey on with eyedropper Tool, pick, color from reference image. Now I want to cut this new circular from the off. These a small circle to do this. So like this small soccer hold shifty and select this new circle on now from toolbar, click on Shapey Little or hit shift end. If you can't see some of these tools, maybe you are not in advance to about moat. So from menu select window toolbar advanced if you choose basic, you would not see some of these useful tools. So always activate advanced toolbar Note now while or objects obviously selected at Gilligan's shape Pillar to. And as you can see, when I move my mouse over these two circles, we can see three highlighted sections. By default. You can see a plus sign beside your most I can on by clicking on each one of them. You can separate that section by holding our key. You can see a minus sign beside your most I can on it means if you click on each section, you will separate and delete it immediately. Now I want to create. It is a small highlight circle, so you can't replicate it from this inner circle or from toolbar. Select Ellipse Tool and let me choose white for its color and none for a stroke on hold all and shift and click and drag to create a small circle. Now let's create these to a small rectangular highlights, so select rectangle tool and create X tangle for now, change its color to something different. Now I want to irritate it so from two bars, like rotate to as you can see here on centre. Off this shape, we have a people paint called center that it means center off retains, so hold shift key and click and drag it to the left edge off their tangle. Now go to the right side of this rectangle and click and move your mouse to retake this object around that center. Pivot point hit Wiki to activate selection toe and move this rectangle to put it center Pivot points over the center off this small circle. Now let me create a new layer over design layer in this layer. I want to add to guidelines toe find center off this small circle on like this God lier. Now move rectangle shape Two of these near position again Move center pivot point to the left edge over Centrepoint off a small circle on Finally rotated this rectangle to match it to the reference image. Now activate selection to hold all key and move this point to change its shape. Now to create second highlight shape press control C and control F Salek rotate tool move center people point through this edge and rotate the rectangle. Activate selection to hold all key and move of this point to shrink it. Now I want to cut this rectangle shape from the edge off this big circle. So select big circle, hold, shift key and select this rectangle from toolbar. Click on shape pillar, tool, hold RK and click of this part off the rectangle shape to separate and dilated. Do same process for second rectangle selected. The insulate Big circle Gilligan Shape biller to hold alky Anglican outside part off the rectangle shape. Now we need to arrange layer orders. So select these two rectangle layers and drag them on their small circle. Now why the artist is selected. Press I key and pick a color from reference image and from menu select window transparency on decrease the opacity. Or maybe I can change their color toe white and again reduced capacity value. Okay, In Mexico, we're gonna design other objects. So thanks for watching and see you in next video. 3. Designing Flat Object in Illustrator - Part 2: Yeah. Hello, everyone. And welcome in this With all we are going to design remaining objects in Adobe Illustrator . Now I want to create this handle shape this time instead of using rectangle tool, I want to use rounded rectangle to really contract to create, handle, shape, press ikey and p color from reference image. And now we can change roundness by this small Soto tool. Okay, it's time to create shadow layer for this handle. So voil handle layer is a still selected press council. See and then control V to paste it in a new position. Move this layer and press ikey and pick a color from reference image. This layer should be under all door layers so dragged under big circle layer. Now I want to cut this handle shape from the edge off this middle circle. So select middle circle, hold shift key and select this handle shape from toolbar. Click on shape Pillar tool This time creek an outer part off this handle shape. To separate these section now select live part off the handle shape, press ikey and pick a color from reference image. We need to change layer or they're so selected and drag it under small circle layer. Now I want to create these a small rectangle shape press control and Pulaski and choose rectangle tool and drove this small rectangle. Activate, transform to and change wellness for corners. Okay, we have finished your shape successfully. Okay, let's create this panel. Shape Zo Mean create a rectangle shape and change roundness for the corners. First ikey and p color from reference image. Now I want to draw these circles so select and hips tool for field color. Select non on for extra color. Select the color, hold all and shifty and click and right on the screen. Press Erica's to move it and finally increase a stroke size. Now, while this circle is, this is selected press controversy and then console F to paste it, moving to correct position and change a stroke color. Now I want to draw these lines so we can use line tool or rectangle toe. But I prefer to use rectangle to change food color to, for example, Blue and said struck to none. Press like e and P color from reference image now reactivate rectangle tool on draw. Three rectangles. If these rectangles are not aligned and distributed. You can select them by holding shift key and then from menu. Select Window a line or press shift F seven on now in Alliance Objects section, click on Horizontal Ally left and in distribution section. Click on vertical distribute top or center. Now it's time to design these three buttons, so so like rectangle tool on draught. Small rectangle press like E and p color from panel object. Zoom in on drag this small circle to make round corners for this rectangle object to create a shadow press control, see and then control V and a slightly pull it down. Press ikey and peak color from referencing it on drag shadow layer under dark bottom layer . Now I want to draw this small white circle. Select Ellipse stood on drought here it seems I forgot to draw shadow for this panel. Object so selected and his controversy and control F on. Move it slightly to the right now hits ikey and pick a color from shadow layer. Finally dragged of this layer on their panel layer, he every after identical buttons, so select all three layers for first water press control, see and then control F hit shift key and press right arrow key to move it to the right again Press council. See on van concert F and move it to the right. Now I want to draw this big button. So this time select rounded rectangle tool. Move vortices to make it identical to the reference image, activate eyedropper tool by pressing ikey and peak color from this button object and change around this for this object. Selected Press control C and control V he color for this shadow layer on drag this layer on their dark butter layer. Now let's create these two circles. Select Ellipse Store for free color, select non and for Esther Color. Select green pulled out and shifty and click drag to create a perfect circle. Move and shrink it a little bit on. Increase a stroke size again. Selected and hit Control C and control F on a slightly. Pull it down, hold out and shifty and make it a little bit bigger on. Finally, change a stroke size. Okay, now I want to draw this a small door line down here, so select rectangle tool on Gilligan. Drag for a sore color. Select non on four feet color press ikey and pick a color open transport panel and increased roundness for corners. Now it's time to add a little detail through this door line source. Like ellipse tool on. Draw a circle here, pick a color by pressing ikey. No, I want to cut the V circle from the top edge off the rectangle object. So select these two objects and click on shape Builder Tool hold are key and click on top part off the soccer to separate until it it. Now I want to combine these four pieces into one object so kill you can drag over these four parts on. As you can see now we have just one object. OK, now it's time to create bases, so select rectangle tool and then click and drag to drought, zooming by pressing control and plus key. I think we need to move heirs to match it to the reference image now drag of the circle to create around corner for this rectangle. While this layer is the stewed, selected press consul, see and then counsel f pick a color from the color for this new layer. Now I want to divide this rectangle from this vertical line to do this, click on knife to hold all and shift case to cut this shape in a straight line. Now, silica this part off the shape and hit the Litke to delete it, select bigger shape and pressed ikey and pick a color from referencing age. Now to create another base shape selective these two parts and heat constancy and control f on hold shift key and press right arrow key to move the applicator layers to the right. Now we need to reverse these objects horizontally. So right, click on this layer and select transform escape in a scale window. Select non uniform option on for horizontal. Enter negative 100 persons. Okay, Now select these four objects in layer. Panel on dragged them on their body layer. Okay, It's time to create shadow layer, so simply use rectangle tool to draw it. Press ikey to pick a color from reference image. This there should be behind our layers, so drag it under basis layers open transform panel and change corner around this for this rectangle shape. Okay, there only remained. Item is this dark part off the body shape. So select body layer and hit control C and then control F. Now select Delete Anchor Point tool and click on these two were teasers to do litter. Now select anchor point tool or hit shift see. But before changing form off this layer, let me pick color from a reference image for this layer, so press ikey and pick a color. Now again, activate anchor point to on drag these two hundreds to create these dark part. We can move these two toppings to do this select direct selection tool or hit a select the first anchor point on hold shifty to select second point and then a slightly pulled them down modified handles position to make this dark layer identical to a reference image. Now click on this Circle icon and change corner around this for these two sharp angles. Okay, finally, as you can see, if you have created or objects successfully and it's completely identical to reference image, so I always try to use this matter to create precise objects from your image. OK, now it's time to save the fine, so select file safe or save as choose a name on. Be sure whether we'll settle is selected as your file time in Illustrator Options Window. Choose a version for illustrator file and heat. Okay, Okay. This shape is completed, but it's not quite ready to use inevitably after effects now. So in next video, I will show you how to prepare it in Adobe Illustrator to be a usable object in adobe after effects. Okay. Thanks for watching and see you in next widow. 4. Preparing Illustrator File for After Effects: Hello, everyone and welcome. I hope you enjoyed the score so far in this video, I'm going to show you how to prepare a real estate or file for Adobe Aftereffects. As I told you before, this file with this structure is not usable in after effects. Because if you import this while all of your layers will be important as a single footage on so we cannot animate objects elements. So open layer panel. As you can see, if you have some players here, we don't need reference layers. So unlike it, impress this a small deal. It's water. Select guides layer on diluted as well. Okay, now we have only two layers background on design. These only or contains all over objects elements on because all of them are under one the year I mean design earlier, so they cannot be used as separated layers in after effects. So to convert these elements to separated layers, you have to select is on there and click on this small menu and choose release two layers sequence. Now, as you can see, all elements converted two layers and you can see a small drop down arrow beside the your name so select all of these layers and move them outside off the design. Their these earlier is now empty, so you can delete it. Now, these layers can be animated in after fix. But before that, I highly recommend you to name these layers here in Illustrator so you can find an animate them in after fix easily. So I'm gonna rename all of these layers quickly here to find an object in art. Both silicon is a small circle and then rename it. Okay, All of our layers have been renamed on. We are ready to open this while in after effects. Now, say, this world within your name. Okay. In next week we're gonna import this swat in after effects. So thanks for watching and see you in extra dough. 5. Getting Organized in After Effects: Hello, everyone. And welcome in this video we're gonna work on or read a bilious it or file to make it ready for animate. Inevitably, after Frank's to import file double click inside this Project window or from Menu Select file Import file, select a certain file and imported here in this drop down menu. If you have two options for import kind footage on composition, if a select footage option all the years will be important as a single footage or single layer. So as you know, this witness cannot be animated. So so the composition option for footage dimension, we have two options again layer size and document size. If it select acumen, size diminishes for all layers will be identical to composition size. That is not what we are looking for. So select layer size and press OK button. Okay, as you can see here we have a composition with the name identical to our real assert or far name on a folder that contains all AWS turtle layers. If you import a file into after effects and animated and then you decide to change color or form off some elements in illustrator, so you must save your illicit or file on. Then you can simply open this folder. Select off these layers right click and choose reload footage to update all objects on layers. Okay, let's open our composition to start animating. I highly recommend you to create a new composition and don't change this default a real estate of composition. So for a menu, select composition new competition and rename it to animate change with on hide to, For example, 2000 pixels, said pixel aspect ratio to a square friend rate to 29.97 which is great if you want to use this video on our line platforms. Set resolution to full on duration toe 100 frames now, often original composition and from many which was edit. Select on then select edit copy to copy our layers into memory on now, open animate composition and select edit paste. Now we have all the years here. First of all, click on this area and change display mode to layer name to see only layer names instead of layer names on forward slash fire name, which is a little bit cluttered now. Select background layer and from menu. Choose layer trance for free to come or free to comfort. Okay, now we don't need guides layer anymore. So deleted. Okay, I want to make some changes to this composition. I want to parents all there's to body layer so that if I move body layer, all other layers would move as well. So select all years except background layer on body layer. And now, from Parents Column. Of course, if you can see this column, you can right click on this area and choose columns. Parent, click on one of these pictures, Feikens from selected layers and drag it over body there. Okay, now I changed by the layer color to find it quickly. Now, as you can see, if I select on move body layer, all other elements will move as well. I want to put this object on center of composition, so we need the guy to find center off this composition. So from many a select view, Schuller's operas control are, if you remember or composition was 2000 pixels in 2000 pixels, so or center point is 1000 in 1000 pixels. Activate info panel. If you can't see this panel from many, which is window in four. Okay, let me zoom in a little bit. X value and values should be 1000 pixels. Watch X value and value in info, Panda. Okay, this intersection point off these two guidelines is center off all composition. Now move, buddy. Layer on police center off this layer over these intersection points. Okay. Now, vile body layer is a six selected. It s key to load escape property. Or you can open body layer, then open. Transform. Option on here. You can see a scale property. Okay. Increased escape. Now, if you're zooming, as you can see or layers are Blair to solve this problem, select all layers by person. Console a and now you must activate this continuously. Restaurant is button. If you can see this column simply right, click on this area and choose columns suits. Or you can click on the struggle suits Moore's button. Now activate these continuously restaurants button for our layers. As you can see now, all ears are sharp on Perfect. Okay, So good so far now is them back? Select body layer and change. It's a scared to something like 175. Okay, let's switch to full screen. To do this, put your mouth in composition window and pressed Ildar button till the button is directly below your escape key in the top left portion off the keyboard. Besides key number one. Okay, let's take a snapshot off or screen. I will tell you why we need visas. Snapshot later. Okay, again, press to Lumberton to switch back to a previous working space. If you are a new aftereffects, Caesar, let me show you how to navigate in after effects toe pan in composition window. Hold a space bar on left. Click your mouse on drag to zooming. Press greater than bottom about an under Elke to zoom out press list, Unbutton about an under cakey and to fit your composition toe. Visiting the operas. Shift on forward the slash. Okay, now lock background there. Tow. Avoid selecting it accidentally. Okay, as you can see here, you have lots of layers, and so working with all of them when you want to add or just keep frames is a little bit confusing. So what if you could make this composition a little bit less messy or credit? So it's a great idea to make Per comes from some elements that create a single object together. Maybe this question has crossed your mind. What is a prick? Um, in fact, a pill camp is something like a folder that contains some layers inside. To access to those layers, you must double click on your per cup. For example, we can make a poor composed for these two objects that create based subject for us. So select them and you can right click on one of them and choose per composed option or from many, which is layer for compose operas. Console, shift and see. Blame it toe base and hit. OK, now activate restaurants. Option on parented to body layer. Rakitic on base composition toe. Open it. As you can see here, we have a large composition for base layer. We don't need these amounts off empty area around, please. A small object so zooming a little bit on press these region of interest Martin and drag around these based objects. Now for men, you choose composition crop camp to region of interest. Now we have a smaller composition size for these objects. Close based composition on as you can see or based composition moved to the center so selected on. Bring it down. OK, now it's time to you That snapshot we took a few minutes ago. So click on this snapshot button to see or safe to stop shot. And now you can use Iraqis to match baseball composed position to a snapshot. Okay, great. Now we can follow the same process for right based object. But instead of creating another perk, um, I prefer to duplicate or baseball camp and use it as or second base. So, like this baseball camp, and from many or choose, edit, replicate or hit control D Now hold shift key and drag duplicated layer to the right by holding shift gear this layer removed in a straight line zooming and find the right police for these space object. Now, we don't need these two old base layers, so select them and hit delete key on your keyboard. If you take a look at or a stop shot, we will see that this new base layer should be inverse horizontally. So open a scale property. Unlock this Jane bottom on at the negative before X value to reverse it horizontally. Okay, we can do the same process for these small bottles here. The FBI, Three buttons so we can make a per composed on duplicated two times. So select these three elements, right? Click on them and Jews per composed. Rename it to bottom and he it's okay. Activate Russ. Tries option on parented to the body layer. There were click on bottom for compose and open it again. We have a large composition for a small object. So you is a region of interest. Bottom on direct around these a small objects from many, which is composition, crop come toe region of interest and close these ProComp inanimate composition move bottom per cup and again use Show it snapshot button to find the right place for this button that is identical toward a snapshot on also referencing age. Now we can deal it all off the layers for bought in two on bottom three. Select bottom for come and he's consul D to duplicate it on. Move this new but into the position that is identical to a snapshot on. Finally create another duplicate to have all three buttons here. OK, now it's time to create, ever composed for this big button. So select all these four layers as you can see I have added a big Bt in text to the beginning off the layers name so we can find these layers quickly if you have lots of layers in or composition. Okay, right click on. Create a prick composed for these layers and rename it to big bottom. Now activate restaurants. Option on parented to the body layer. Never click on big button program pose toe open it U S original interest button and drag around these small objects on from many, which is composition crop camp to regional interest on Finally close these ProComp inanimate competition change big bottom per composition and again use a snapshot button to find the right place for these ProComp. Okay, now those same process for panel. As you can see, I have added panel text to the beginning off the all elements that belong to panel object. So select all of them right? Click and choose per composed. Rename it to panel and it's OK now Activate pasteurize option and parented to the body layer. Double click on panel per crumples on open it. Use original interest button and dragged around this panel Object from many witches composition crop come to original interest and clo thes ProComp in animate composition, Move pardonable camp and again use Show a snapshot button to find the right place for these per Come. Okay, follow the same process for door handle. This object consists of four layers, but I want to create a pair composed from just these three front layers. We cannot add Handle shad earlier. Toe this per camp because I want to put shadow layer under door rings layers. So select just these three layers. Brad. Click and juice per composed. Rename it toe handle and it's OK now activate trust. Rise option and parented to the body layer. There were click on 100 per campos toe. Open it your original interest button on drag around of these handle object for our menu. Choose composition crop camp and finally close of these ProComp in an image composition move, handle per camp and again used a snapshot bottle to find the right place for these. Break up. Okay, Now we want this handle shadow. Earlier moves with handle per come so selected on Parenti toe handle ProComp. Now, if you move handed, this shadow layer will move along with it. Okay. Now I want to change anchor point off this handle per come. So from toolbar, click on pan behind tool or press y key and move this anchor point to the center off the object that in this case, it is center of or composition as well. So now if I open for taste, property and change petition value as you can see, this handle and its shadow really rotates around these anchor point. Okay, As you can see now we have a communal timeline with fewer layers. Now I want to organize this project window, so create a folder and rename it super camps. Select Africans have created in this window and dragged them inside programs folder Okay or object is ready to admit now. So in next you though, I'm gonna show you how to create an awesome and eye catching animation for this object. So thanks for watching and see you in X Widow. 6. Animating Flat Object in After Effects - Part 1: Hello, everyone. And welcome in this video we're gonna work on animating or object in after effects. But for animating this object, we need some nal objects. So from menu select layer, new nal object or press control all shift on viikii. But maybe you have this question. What is an object and null object is an invisible there that has all the properties of a visible earlier so that it can be a parent to any layer in the composition. We're gonna use no objects, concert position, rotation and escape off other layers. Also, we will add some properties to annul, object to console, bounce on motions for all animated layers. So the objects are very useful. Invisible objects in aftereffects OK, select or first null object on his return or in turkey and rename it to body move, create another Nall object and rename it to base. Move on. Finally create colonel object and change its name to our okay. Now you mean to have a better view. Select off these three nal objects and move them to the center point if you want to. A snap objects to the guidelines simply from menu select view as snap two guides. Okay, Now we need to move anchor points for these two renal objects to the center. So selective. These are no object. And from toolbar, click on pan behind tool. All press viikii. Now move its anchor plane to the center. Follow the same process for body move on body based nal objects. Okay, great. We're gonna use based move nal object to move and rotate based subjects. And then I parented toe body moving object on finally parents but immovable object to these are knowledge ect. Okay. I want to cancel body layer by using body moving object. So for body layer in parents column to his body. Move now. Object Now if I change position off body moved all object as you can see or body layer on all the layers that are parented to eat Well, move as well. And if I move this Arnel object, you can see that the body on our parented layers to it And also these two other nal objects will move along with it. Okay, Now I want to counsel of these two basis layer with base moving object, So select them on in parent column. Choose based. Move now if I change based smooth position as you can see or basis will move along with it on. Let's change parents for shadow layer. I don't want shadow layer moves with body layer. So in parents column for shadow layer, choose Arnel object as its parents. Okay, here's a quick cap off. The process to basis becomes parented toe base moving object base moving object parented toe body moving object Also body layer parented to body moving Object on finally body moving All object and shadow layer parented toe all No object. Okay, it's time to animate. First of all, I want to animate body object so select body move press are key to load Protest property on hold shift and press s key to load escape property, asthma Go to frame zero and click on these to stop what's to create key friends here? Then go to frame 25 again for rotate and scale, create key frames Now go to the beginning and for escape property type zero unfold rotate type negative one on negative 90 Now if I scrub in time land, you can see the result. I want to have a smooth animation for a scale amputation. So sorry. Klasky Frame for a scale and Jews Key from assistant. Easy, Easy in or hit Shift. F nine. Gilligan, A graph editor Button on for last key frame that is still selected. Drank this handle to the left. If you see the scare of type, it means you are in added value. Graph moat, so you can also search to edit a sweet graph malt on dragged the handle to the left. Do the same process for the last key frame off rotation converted to Eazy E's in on Dr the Handle to the left. Okay, I think it's better to finish escaped transformation a little bit sooner, so I move it toe frame. 22. Let's see a preview move work area and handle to frame. For example. 50. Then open preview panel. Now you can click on this play or stop butter or for short card. You can select a space ball or non pat zero. I prefer to use non fat zero now for us. Zero Key to Pray Prevue to have a smooth for admission at the beginning. So, like these two key frames, right, click and choose key frame assistant Eazy E's or processed night. Now it's time to start animating the door. So at first I'm gonna animate door Big ring, open escape property. Go to frame eight. Click on stopwatch to create a key frame and change scale value to zero, Then go to frame, for example, 24 change a scale to 100 toe. Animate other two rings faster. I can copy and paste these key frames, so click on a scale property toe, highlight all key frames, then from many or choose edit Copy. Now select door, Middle ring and he s key. Go to frame 10 to have two friends offset. And now it's like a scale property and from many will choose. Edit paste now for the small string that is door glass layer. Open a scale property. Go to frame 11 and choose edit paste. I think it's better to parent door glass highlight two door glass layer to have the same animation on both of them. Now I want to animate this small circle, highlight zooming to have a better view kilogram pan behind tool and dragged its anchor point to the center. In fact, I want to escape this object from the center off the composition instead off its center. Okay, open a scale property. Go to frame 14 and set a key frame and change scale value to zero, then go to frame. For example, let me see, for example, to an eight on set its value to 100. Okay, now select first key frame right click. Choose Kiefer on velocity on for outgoing velocity. Inter value 75 persons by doing this or object will be escaped slowly at the beginning. In fact, we are creating a dealer here for or first key frame. Now I want to animate handle object. Be sure its anchor point is under center which is collect here. Now select it and press are all chief and press s to load, rotate and scale properties go to frame zero on for rotate Enter negative one, then go to frame for example, here on frame 25 change its value to zero for a scale, said the key frame on friend 25. Go back to frame zero and change scale value to zero. Now select first key frames off scale and rotate properties, right click and choose key from assistant Eazy e's now again, right? Click on a scale property. Choose Kiefer and velocity on for outgoing velocity. Enter value 75 persons on Bright Gillick Andrews, a property choose keep from velocity and for outgoing velocity, Inter value 75 persons. Okay, maybe this question has crossed your mind. Why don't I convert last key frames to ease ease? In fact, I'm gonna use an A script to create a realistic and very a smooth bance effect. And to use Visa script, Venuto have leaner key frames for a Lasky frames. So I highly recommend you to leave last key frames a linear type. We are going to create very smooth animation by using these awesome script. And I'm sure you will be satisfied with the final results. Okay, Now I want to animate these small highlights, so select door small highlight again. Select pan, Behind tool and move anchor point to the center press are all chief and press s key. Go to friend zero. Unlike uniforms, scale bottom critique key frame for a scale and change scale wide to 50. Go to frame to anyone and change it to 120 in from zero for rotation. Enter negative 180 Go to frame 26 changing to zero now. So, like first key frames off a scale advertised properties crackly and choose Keep from Assistant Eazy E's Right Click on Escape Key Friend. Select Key from velocity on for outgoing velocity entered radio 75 persons and then right click and rotate Key frame Select key from velocity on inter Valuable 75 persons. Okay, let's take a look at or grafitti tour. As you can see here. Rotation property changed slowly at the beginning off. Danny Mission. OK, do say process for door. Big highlight. So press our whole chief and press s then go to frame to said Key frame for a scale invitation. Unlike uniforms, scale bottom again Select pan behind tool and move anchor point to the center. Now go to frame 22 change a scale y toe. 125 on in frame to change scale. Why 2 50 in front to for rotation. Enter negative 180. Go to friend 25 change it to zero now. So the key frames off a skate Invitation property, right, Greek and choose keep from Assistant Eazy E's right click on a scale key frame selling given velocity and inter value was 75% on then right click on 48 key frame Select Keeping velocity, and it's a value of 75 persons. Okay, now I want to show you a technique called track matte. But because or body color and highlights are white, I want to add a different color two of these highlights to show you what I'm going to do. So at first let me at an effect called feel effect. So select these two layers on from many, which is effects generate feel. Now I want to cut these highlights from the edge off door bickering, so select your big ring on from many will choose edit. Replicate. I want to use least abdicated layer as a math layer. Let's change its name to do a big green mask and change layer color to red to find it, isn't it? Now select door, big ring and door, big ring mask and press s key to load a scale property for both of them for door Big green mask. Silicon Valley's scale stopwatch to dig it all. Key frames. And now I want to connect these scale property to do a big ring escape property. So when door bickering Esseker property change, this Askar property will change as well. To do this hold all key and click on the stopwatch. Now we can see that aftereffects creates a street for this property immediately. Now we can track this picture. I can overdo a big ring. A scale property. Now a scale property for this layer is the same as escape property. Off door, big ring. Now select your bickering mask on heat control de to duplicate it again. Dragged or bickering Mask to on top, off door. Small highlight and dragged your bickering mask over door. Big highlight. Now select your big highlight. Endure small highlight layers and click on the struggle. Sweets Moritz bottom and from track. Matte column. Select all format option now, as you can see or highlights will be cut from the edge off the store. Big ring. Okay, We don't need these feel effect for these layers and more so you can delete them or you can disable them. Okay, Let's see what we have so far. Okay, Great. In next door. We're gonna work on animating other objects, so thanks for watching and see the next video 7. Animating Flat Object in After Effects - Part 2: Hello, everyone and welcome. I hope you enjoyed animating this object so far in this widow. Very good. Animate or remaining objects. Now let's animate Panel object. Open panel composition set Resolution toe full and 50 Toe window Now select panel earlier. We want to a skeletal from the left to the right. So killing compound behind Tool Hold shifty on. Move anchor point to the left edge. Unlike this uniform escape chain motor while we are at form zero Such a key frame and change scale Extra zero Go to frame 19 Andi change. Ask Alex 175 Do same process for panel shadow. Unlike scale bottom Go to frame for example 11. I'm going to start shadow earlier animation from here Set a key frame. Gozo for M 20. Set a key frame. Now go back to frame Relevant killing Kontan behind tool Hold, shift key and move Anchor point to the left edge on change Scale eggs folio to zero. Okay, now I want to animate left circle. So select it. It s key to load escape property. Go to friend five and change scale leaks to zero Now go to frame for example 19 and change it to 175. Okay, Now select a scale property and from many which is edit. Copy Now select right circle. It s key on goto frame relevant to make a little bit officer, select escape property and press control V to pay ski frames here. Now. Select vertical line and hit s key. Go to friend. 11 said the key for him here on. Unlike a scale bottom said a scale of I to zero. Then go to frame 25 change it to 175. Okay, Now select down line and hit s key for down line. Use pan behind you and move anchor point to the left. Go to frame 12 on like a scale bottom set a scale, x 20 Then go to frame. For example, 26 on change it toe. 175. Okay, Now select middle line and he s key. Go to frame 13 on like escape. Activate plan behind. Tool on. Move anchor. Point to the left, Go to from 27 set the key from here. Go back to friend 30 and said a scale excuse eo. Okay, you're saying process for top line use plan behind tool and move Anchor point to the left. It s key in frame. 14 set escape. Extra zero. Then go to from 28 set a scale weeks to 175. Okay, let's take a look at it. Okay, So I was so far. Now it's like all first key frames, right? Click and select Key Frame assistant Eazy E's again. Right. Click and juice Key from Velocity and enter 75 for outgoing velocity. Okay, Now I want to create masks for or circles and lines. In fact, I want these objects to be visible. Only went are inside panel logic. If you want to learn more professional techniques in after effects, I highly recommend you to watch or course low authors in adobe aftereffects. Okay, Now select panel air and hit control de to duplicate it. Rename this new layer to pan and mask and change layer color to red to fund it quickly as a quick tip. Always use a specific color for your mask toe. Find them quickly in your compositions. Okay. Direct panel mask on top of panel of circle replicate this mask players of all times and put them on top of all these layers. Now select all these layers left circle right Circle a vertical line down line, Middle line on top line. Kilic untangle suits. Modes on from track Matte Colin, Choose all format. Okay, now, if I s crop in timeline as you can see or objects cut by panel mask layer. Okay, that's it. Carlos. Panel prick up. Okay, now I want to animate bottom pickup So open. It's up. Select button. Bondoc us pan behind. Tool and move Anchor point to the bottom. He s key on. Unlike escape property. Go to from zero and said scale. Why? To zero. Then go to frame. For example. 20 and set scale. Why toe? 175. Okay, you Same process for button one. Shadow move Anchor point to the bottom by using pamby onto said s key. And unlike uniform escape, go to friend. Want to make a little bit offset and set a scale? Why? To zero finally go to frame 21 said escape. Why? To 175. Okay, now for button want circle. I want to animate its position. So heat peaky to load position property Go to frame, let's say frame to and such a key frame. Now go to from 32 set position. Vie to 60 on now Go back to frame to and change position by 2 155 Okay, now select first scale key frames off these two layers, right Click and Select Key from Assistant Eazy E's Again, right Click and choose Keeper and Velocity and enter 75. Now select wealth Position Key frames, Right Creek and choose Key for him. Interpretation on for a special interpretation. Jews Linear select for ski frame, right click and Jews give him Assistant Eazy E's Again, right Clinic and Juice Keeper and Velocity and enter 75. Okay, now I need the mass layer to make bottom one circle visible Only event It is inside, but in one dark. So replicate but on one dark By pressing control. D change its name to button one dark mask. Change layer color to red. Put it on top of bottom one. Circle on for bottom one circle from track. Matte Colin. Choose all format. Okay, now, if I describe in timeline as you can see or circle. Object is visible when it is inside this button. One dark layer. Okay, that's it. Close button. ProComp. Now I want to animate big, but simply camp this button up here, so open it up. Select big button dark, you span behind you and move anchor. Point to the bottom. He s key and unlock uniforms. Scale bottom. Go to from zero and set a scale by 20 Then go to frame. For example 22 set a scale. Why toe? 175. You. Same process for big buttons. Shadow move. Anchor pouring to the bottom. He s key on, unlike uniforms, scale butter go to for involved and said scale. Why? To zero finally go to frame 23 set a scale. Why toe? 175 for big button top bring. I want to animate its position. So heat peaky too low position, property Go to frame, for example, frame six and said the key friend Now go to frame 23 onset a key frame for current position And now go back to form six and change position by toe. 220. Okay, now I want to animate position for big button down. Bring as well, so heat peaky. Go to from eight with two frames. Delay onset. Akif Right now go to friend 25 set a key frame for current position on. Now go back to friends, ate and change position by 2 280 Okay, great. Now select all first key frames off our lawyers. Right Click and select Key Frame Assistant Easy's Now select both scale key frames, right? Click and choose Key Friend Velocity and enter 75. Now it's like both position key frames, right? Click and choose keeping velocity and enter 75. Now I need a mass layer to make big, buttoned down. Bring on top ring visible only when they are inside big button dark. So replicate Big button dark by pressing concern. D Change its name to big button dark mask change layer color to red again. Press Council D to create another duplicate. Now put one of them on top off big button down ring and put the other one on top of big butts and topping. Now select down ring and topping from track McCollum. Choose all format Now if I ascribe in timeline, as you can see or circle, objects are visible only when they are inside. Big button, dark layer. Okay, Kyllo's big button for camp. So let's see what you have done so far. Okay, Great. Now I think it's better to have offset between some objects. Sell so it panel and move it to frame, for example. Nine. Okay for buttons. Let's make offset as well. So move all buttons to friend 14. Move second button to frame 18 on drag Third button to frame 22 Now, as you can see or buttons come into the screen with a little offset. Okay, for Big Western, I move it to frame 18. Okay, let's review looks great. Okay, now I want animated this small door line down here, So select down door line Press SG and unlike uniforms, scale water go to frame. For example, here in Friend, 15 said a key frame and change a scale X 20 Now go to from 25 change scale leaks to 100. Right. Get it on first key frame select. Give him assistant Eazy E's On again, right? Greek and Jew ski from velocity on Enter 75. Great. Okay, Now I want to animate falling effect for body objects. To do this, I'm gonna use the body leer. So, like model air, it p all shifty and press are to load position on vegetation properties, go to frame. For example, 16 said the key frame for current position value. Then go to frame 26 change positions. Why? To 175. Let's hit the window. Okay. As you can see, it falls after for him 60 now, right, click on first Key friend. Select Key from Assistant Eazy E's again, right Click Choose Given velocity and enter 75. Now I want to add a little bit rotation. So in frame 16 I set a key frame and change rotation value to negative 15. Go to friend 26 on changing to zero. Right. Click on first Key frame Select key from assistant. Easy is again Right. Click Choose keeper and velocity on. Enter something. Five. Okay, let's see what you have done so far. Okay, good. Okay. Now I want to enemy at these bases. To do this, I'm gonna use based move null object layer. So select base. Move it. Be on hold. Shifty and prince are key. Go to frame. 10 said key frames for both properties. Go to friend, for example 25 set key frames for current values. Go back to friend 10 and change position. Why? To something like negative 200 on for rotate. Enter, for example. Negative. 15. Select what? First key frames. Select key from assistant Eazy E's on dry. Click on first position. Key frame choose Keeper and Velocity and Inter 75 on. Finally right. Click on first rotation key friend. Choose Kiefer and Velocity and enter 75 as well. Okay, let's see the result. Okay. I think we have to change position value to 175 for Lasky frame. Okay, great. Okay, Now I want to move shadow here to new position. So selected and use shift on down there. OK, to bring it down faster. Okay. This is a good place for shadow now to animate Chad earlier, unlike uniforms, scale water go to frame 28 said a key frame for current scale value. Then go back to friend 15 and change scale X value to zero now It's like for ski friend Kiefer in my assistant Eazy E's Again, right Click choose given velocity and enter 75. Okay, let's see Prevue. Great. Okay, Now I think we can animate this dark layer over body layer to have a better details in our animation. It's very small detail, but it can improve your animation. So select body, dark layer. It s Caity Lotz scale property. But before it's killing this layer, we should move anchor point to the bottom for this layer. So us pan behind, tool and move anchor point to the bottom. Go to frame, for example zero unlike uniforms, scale bottom on change. Scale of I value to 50. Then go to frame 21 change escape by value to 85. Right click on first escape. Key friend selected from assistant Eazy E's again. Right Click. Choose Kiefer and Velocity and enter 75. Okay, I think it's better to move second key frame to someone like frame 14. Okay, awesome. Now, to select our layers from menu, choose edit, select all on turn on motion, blur for all layers and also turn on motion blur button for this composition. Asthma. Okay, Let's see the result. Great. We're done. Admission is almost finished in Mexico. Or we're gonna use or Magic bass a script that would create a smooth and eye catching admission for us with just a few simple clicks. Copy and paste. So see we next with the which is magic part off the scores. Thanks for watching and see you soon. 8. Animating Flat Object in After Effects - Part 3: hell over, Bond. I hope you enjoy the score so far in this video, I'm going to show you how to add or Magic Bassa script tour objects to create an awesome animation very fast and easy. By using this metal, you can create realistic bounce effect without creating lots of key friends that are really time consuming to create and modify to each of these super cool results. As a matter of fact, in this video, I'm gonna show you how to conserve response effect with just three simple controllers. So you can change Pacific for all admitted objects with only three year sliders instead of changing and modifying hundreds off key frames, it sounds great. Is it it? Okay, let me show you how to create this awesome effect. First of all, we need a new composition, so creating your composition and change its name to control composition settings are not important for this controller, so it's OK in this console composition. Create a noon object and change its name to controller. We need three sliders for these consoler so from many or choose effects expression, control slider control, select this slider control and hit return to rename it to a MP control, which controls amplitude for us. Now, while these slider is the state's selected from many, which is edit, replicate to create another copy, then rename it to Frequency Council, which councils for conserve animation again from menu. Choose edit, replicate to create another copy and rename it to Decay Control, which controls decay off our animation. OK, now click on this lock button to hold these FX council panel open. Okay, now open animate composition, and he's cultural A. To select everything here and then hit you key on your keyboard. As you can see, aftereffects shows all properties off all the years that you have created key frames for them. Now I want to add or bounce a script to these key frames. So at first, open Bounces script X five that you can find it in down the section and copied into memory . Now hold all K and left click of his stopwatch for a scale. Property off body move nal object layer, as you can see after effects, will create a small script here it delete key to delete it. Now police control V to paste your A script from memory into this a script area. Okay, now you can see or a script. Here in this group we have three main properties. Amplitude frequency on decay. Okay. I want to connect these three properties to order sliders to control bounce effect for all objects with only these three sliders. So for a pleated property did this number Then click and drag this picture. I can over amplitude courts or the slider Now for a pleated concerts later enter 0.5 now for frequency Property did it. This number track picked up. I can over frequency concert slider on enter too on Finally for decay property did it This number track perfect. I can over decay control the slider on Enter 2.5. By using these two simple sliders, you can console bounce effect for all of your layers. As a matter of fact, in most cases, you only need to increase or decrease Ikea cultural slider to achieve the best results. But you can play with amplitude controller and for a consequence, orderto have more or less dynamic bounce effects. Okay, Now I want to use this new script that we have created for body move leer on added toe all there's that have key frames. So click on this script area and press control A. To select this new script. Then right click and choose copy. Now hold Arche and left click on Rotation Property. Did it this default The script on press control V to paste or new script? Here. Now follow the same process for all there's in this composition. So let's at this a script toe are layers quickly. Okay, let's see the results. Great. But in fact, we don't need this effect for basis. We want them to stick to the ground instead of bouncing. So select based move, layer and press Yuki toe open key Friends properties. Now we can turn off this equal button to disable this script for this layer so or bases wouldn't jump anymore. Okay, great. If you remember, we have some prick comes on animated objects and key frames. We have to add this a script toe all animated objects in this project so open all these becomes in baseball. Come, we don't have any animation and keep from here so close of this become open Big Watson for come select all ears and press Yuki again hold RK and left Click on stopwatch on press council V to paste or a script here do is in process for all layers here. Okay, lets see a preview. Great. Now he have You have a very a smooth bounce effect for all layers. Okay, Don't forget to turn on motion Blur for all these layers Now open bottom. Fricka. Select all There's on Percy Yuki again. Hold Alky and left. Click on stopwatch on press council V to paste this script on Turn on motion Blur for our layers Now open 100 boot camp! We don't have any animated lier here, so escape this become open punditry camp Select our layers on Prince UK again Hold all key left Gilligan Stopwatch on press council V to paste this script and finally turn on motion blur for our layers. Okay, let's see the results. Great! Now close All pro comes. Let's see what you have done so far. So press ramp review, But looks great. I hope you enjoyed creating thes smooth animation in next widow. We're gonna work on rendering this animation so you can publish your videos on the internet . Thanks for watching. And Siri next widow 9. Reverse Animation in After Effects: Hello, everyone. And welcome in this video, I'm gonna show you how to open animation in after effects. In fact, we are going to create every best version off or video to create a loop. It's especially useful when you want to create animation loops for online platforms. So let's create in your composition. Her name it to loop change duration to 300 frames. For now on, other settings are Okay, so Priss. Okay, bottom. And now drag animate composition into loop composition. Okay. I think we can use 85 frames for first part, So go to from 85. Select animate layer old alky and press a right bracket key on your keyboard. Now, while this layer is this is selected from menu select edit copy to copy this clip into memory. Now select edit paste on hold shift key and drag it to the right to a snap it to the end off or first clip. Now, if you're scrubbing timeline, you will see that our animation place two times, which is not what we're looking for. So we have to reverse second clip to have a complete loop for this animation. To do this select second, kill it, right, click on it and choose time, time rest, layer or press console. Arts are okay now if I ask up in timeline, as you can see or object enters into screen from friends. Zero toe from 85 again from for an 85 to frame 170. It goes back to the beginning. Now, if you want to have a gap between each play of your animation, look, you need tohave more frames after second clip. We want to see or background after second clip, so we need to have a background for this composition. So go to animals composition and copy background layer into memory. Now hide unlock background layer, inanimate composition, open loop composition and his control V to paste back on their here. Put it under our layers on Now it's right edge to extend it. A little more friends after second clip. Okay, now, if I screw up in timeline, as you can see, we have accomplished loop and a gap after second clean. Okay, it's great. Now turn on motion, blur for our layers and also turn on motion blur bottom for this competition on Now go to frame. For example, 200 Hold shifty on drag work area and handed to snap it to this point. Right click on work area bar and select tomb camp to work area now or an emission is ready to render So in next week. So I'm going to show you how to export these awesome animation. So thanks for watching and see you next widow. 10. Render and Export Flat Animation Project: Hello, everyone, and welcome in this video. I'm going to show you how to export your videos so you can publish your animations toe online platforms quickly. Then I will show you how to use Adobe Media Encoder to compress and create high quality videos with very a small outward file size. Okay in Project Window Selecting Luke composition on from menu Select composition had to render queue or press control em now in render setting section, click on best settings and be sure quality is said to best. Resolution is said to fool on a frame rate is said to 29.97 which is great for island platforms in output module Gilligan Last less for formats. Select quick time open format options. Window on for video Codec Select animation I highly recommend you not to use. It'll be after expecting compressors because they don't give you high quality output files so you can render your files with animation Codec and then use another sufferer to compress your videos. In this case, I'm going to use adobe media encoder to compress or video fine and in output to section. You can choose a name for your outward video. Now, if you want to have motion, blur in our final video issued to enable motion blur bottom for all layers and compositions now open when they're cuter and president their bottom okay or render feast, but usually videos that are created with animation. Codec have very large files slides, and so they are not suitable for Ireland. Platforms in fact, vineyard to compress of the slide, tohave the high quality and small file size so as your file to the skew. For formats, select each 0.264 which is great compra. So to create high quality and small five size click on this preset link toe open export settings window in video tap for profile, select high option for level Select five said Pixel Aspect ratio. To escort pixels for frame rate, select 29.97 for foreign with on height. Enter 2000 pixels, said Target, betrayed to to Said Maximum betrayed to four on four bit rate and coatings like the V B R. Two past. It's okay and press start Q button to convert your video fight. Okay, when they're finished, let's open the final video in quick time. Andi from menu, Select Video loop or Prince Control. L. Okay, great. Now here. You can compare it to be after Frank's with Adobe Media encoder at would fall size Use difference. Great. Okay, Now you have learned how to rendered your videos. So it's time to publish your animations on the Internet. And don't forget to show us your awesome videos. I hope you enjoy this lecture. Thanks for watching and see you in X widow. 11. Thanks And Wrap Up: Hello, everyone on Congratulations. Well done. In this course, you have learned successfully how to design an object, inedible assert, or how to prepare less certain files, how to import and organize files in after effects. You have also learned animation techniques, and finally you learn how to export and compress your redos. Now you're ready to create any object you like in your environment. So go ahead and pick an awesome object from your room, kitchen or your class. And use all the techniques you have learned in the scores and create eye catching videos. If you want to show us your great works, do not hesitate to post it here on. Let me on other students. Enjoy your great animations. I can't wait to see your animations on will be really happy to see your videos. So pick and object and start creating. You're awesome and emissions right away. Thanks again for watching and don't miss out or bonus lecture. So see you next Widow