After Effects CC: Create Stunning Video Transitions in After Effects | Shahriar Hosseini | Skillshare

After Effects CC: Create Stunning Video Transitions in After Effects

Shahriar Hosseini, Motion Graphics & Animations

After Effects CC: Create Stunning Video Transitions in After Effects

Shahriar Hosseini, Motion Graphics & Animations

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11 Lessons (1h 58m)
    • 1. Introduction to Video Transitions in After Effects

      0:56
    • 2. What Are Matte Transitions?

      6:41
    • 3. Create Your First Video Transition: Rhombus

      20:04
    • 4. Export Matte Transitions

      3:31
    • 5. Use Matte Transitions in Premiere Pro

      4:25
    • 6. Circle Video Transition in After Effects

      15:12
    • 7. Blinds Venetian Video Transition in After Effects

      15:21
    • 8. Butterfly Video Transition in After Effects

      11:20
    • 9. Curtain Video Transition in After Effects

      11:34
    • 10. Fountain Video Transition in After Effects

      11:39
    • 11. Polygon Video Transition in After Effects

      16:57
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About This Class

Learn How to Create Professional Video Transitions in After Effects CC

Video Transitions are a post-production technique used in film or video editing to connect one shot to another.

Enroll & Enjoy Here: https://skl.sh/2DW1NRG

In this course, you'll learn how to create Video Transitions & Matte Transitions in After Effects and then you will learn how to export and use them in your Video Editing programs such as Premiere Pro CC,...

You don't need any previous knowledge of Adobe After Effects and Adobe Premiere Pro CC, You will learn all the essential techniques you need to create your first Matte Transition. In this course, you will learn Motion Graphics in After Effects so you can create stunning and professional video transitions quickly.

Why you should use Video Transitions?

While working on putting together great video work, you will come across breaks in scenes where they need to come back together. In most cases, a video transition effect is used to merge the scenes together instead of having one stops completely and the next one begins. A great video transition can improve and enhance the production value of your video.

What will you learn in this course?

  • How to create Professional Video Transitions using Video Mattes step-by-step

  • How to export (render) your Video Transitions to use in other Video Editing Software (Example: Premiere Pro CC )

  • How to add Visual Effects in After Effects to enhance your Video Transitions

  • Effective Motion Graphics techniques to create matte transitions quickly

  • Create several awesome video transitions

  • Improve your videos with better transitions

What do you get in this course?

  • Downloadable resources (After Effects project files + video clips)

  • Premium support from instructor to answer all questions

  • Feedback on your video transitions projects

  • All future extra lectures and updates are ALWAYS FREE

If you want to learn how to enhance your business videos stand out from your competitors with these practical After Effects transitions to boost your brand or even if you like to learn how to create beautiful video transitions for your home-made movies then THIS COURSE IS FOR YOU!

All matte transitions taught in this course are trendy, professional looking and in high demand for video editors, YouTubers, vlogger video editors, designers, etc. Once you watch the first video transition lecture you will love to create more and more matte transitions in After Effects.

So what are you waiting for?!

If you like to learn, Enroll & Enjoy Here: https://skl.sh/2DW1NRG

I will see you in the first lesson,

Cheers,

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Meet Your Teacher

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Shahriar Hosseini

Motion Graphics & Animations

Teacher

High-Quality Training: Motion Graphics & Animations

 

Hi,

I'm here to create online video classes to teach you how to create awesome Motion Graphics, how to use After Effects to create Lower Thirds, Titles Animation, Visual Effects, Slideshows, Openers,... and other interesting video effects in Adobe After Effects, Adobe Illustrator, Adobe Photoshop and so on...

See full profile

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Transcripts

1. Introduction to Video Transitions in After Effects : No, everyone. And welcome to another video tutorial from with Yoko Center. Come. I am very excited that you have taken the first step to improve your baby after skill. And you hope that you will enjoy the scores. Received great benefits from it in the scores were gonna learn how to create amazing simple to complex transitions for your videos from a strap. Even if you have never opened after its before, you will learn all the essential tips and techniques you need to know for grating amazing transition step by step in. The scores were gonna create several amazing my transition and in each actually will learn new techniques in after the aftereffects so highly encourage you to watch our elections carefully on. By the end of this course, you will be able to create a stunning video transitions on your own. Okay, if you are ready to have fun and create fantastic transitions and roll now on IBC Windows Support thank you very much for taking this course. And I see you in the next video 2. What Are Matte Transitions?: Hello, everyone. And welcome in this video I'm gonna talk about Matt transitions that are an easy way to add more production value at your video. And they can be done very quickly and easily. Matting a video means to combine multiple videos together into a single one. And you can think of a mat as a mask that will join to video clips together. In these scores, we are going to create some new mama transitions. And if you want to know, Lou, Mama transitions are made of black and white motion graphics. The idea is that one video of really mask to the black area on another door will be masked to the white area. Okay, let me show you how it works in. It'll be aftereffects quickly. So creating new composition for name type video transition set with 2 38 40 pixels. And for height, try to anyone. 60 pixels set the origin toe 100 frames and for background color like black. Okay, Now direct these two videos into this composition. If you need to change their scale for these videos like them, right, click and choose transformed for it to come live or press console our shift and H keys now dislike are layers on hide Video to layer for a second. Vivid, needed soon. OK, now click on rectangle to then click on the composition window on drive to create a rectangle shape, Be sure this shape layer is above the video layers. Sonic shape their press return key and rename it to match layer. Now, while these shape layer is a sense like that Kilic of this feel option and here's like linear Grady int. As you can see, we have a white to black color for this Grady int click of this small arrow and open contents and then select rectangle one property Now use move to hold shifty and like these two gradient handles to create a smooth white to black Grady ins. Okay, now then it use track matte for the top video layer. If you can see this track matte column, simply click on this target suits modes bottom or Kilic office. A small expand or collapse spot on. Okay, now, if you open track matte drop down. As you can see if you have two options all former channels on Blue Mama channels. But what is the difference between them all format On alpha inverted, Matt used field out pixels from an image or video, but Lou Moment and Luma inverted. Matt used the brightness. Okay, now let's see how it works. If I choose on format, we can see only that portion off the video that is inside this rectangle shape. And if I choose alpha inverted Matt, we can see all the outside portion off our shape here. In fact, all format on all four inverted. Matt revealed the entire rectangle because of this rectangle feed with pixels. And it's not important that the color off the sex angle is white, black or even rent. But if I choose Loom Amat, as you can see, it will reveal that portion off the video that is under the white pixels on hides That portion that is under the black area on obviously Loma inverted. Matt is the opposite of you. More Matt option. Okay, maybe at first it seems a little bit confusing for you, but when you use it several times, you will understand the cancer. Okay, Now, let's see what will have if I make video to layer visible again. Okay. If I choose all format for video one. You can only see that portion off the middle one that is inside this ex angle. And so you can see video to in outside off this rectangle shape. But if I choose all for inverted Matt, you can see only that portion off the video one that is outside of this rectangle shape. And so you can see the video to incite off this rectangle shape on If I choose Loom Amat for video one, we can see that the left portion off the middle one is visible because we have white pixels here on when we go to the right side video one will gradually disappear. So we will see video to On the outside of this rectangle is field by video to as well. And finally, if I choose Loomer inverted that we will have the inverted version off Umar, Matt. So we can see that the left portion off the video one that is inside this rectangle is invisible And so we can see video to hear on When we go to the right side we don't want will be visible again on the outside. Off this rectangle is field by video wand as well. Okay, now let's see how Imad Transition works in Adobe Aftereffects. Make sure you, del of the project fights you must use to video clips on one Blue Mama transition to follow along. As a matter of fact, my transition is a composition or a video on. We use it to create a smooth transition from one video to another one on. To do this, we have to use a track matte in after effects. We need to place to video clips in the timeline with a few frames overlap. Then we need to place our Matt transition above them. Both video clips need to have overlapped with the same live off our my transition on finally in track. Matte column for the first video or, in fact, top video layer, we must choose Loomer inverted Matt Option. Now let's see how we can create my transitions there, right click to open this my transition competition. As you can see. In fact, my transitions are some sort off simple motion graphics. We start with an empty or transparent screen, and as you can see, we must use shape players or solid layers to feel visa schooling with completely white color. If you want to use your mayor transitions outside off the after effects, for example, inedible premiere pro or other video editing programs, you must render it to have a mat transition in video format. Then you can use them to create a smooth transitions for your video sequences. Okay, if you want to have a quick recap off the workflow, a step one, we create emotion. Graphic using Hsieh players or solid layers. Step two. Converted to a video if you want to use it outside of the After Frank's Step three. Put two videos in the timeline with a few friends. Overlap with the same Live off our My transition s therefore, put my transition over these two video clips on a Step five for the top video clip we must choose. Loomer inverted Matt in track. Matte color. Okay, that's it. Now we have a transition for our videos. In the scores, I will show you how to create simple to complex my transitions, step by step in each luxury, really in different techniques for creating amazing my transitions. So I highly recommend you to watch Are the lectures. Okay, let's start creating our first matt transition. Thanks. Watching uninjured the course and see you in the next video 3. Create Your First Video Transition: Rhombus: Hello, everyone. And welcome in this with over gonna create these awesome rhombus transition and you will learn how to create these type of motion graphics using simple shape and emissions. Okay. Without wasting time, let us start creating the smart transition in ever. Be after effects. Okay, we need to have at these two videos in our composition. So from many was like file import, file or hit control. I select an import. All of these videos from video folder they are all five seconds on 30 friends per second. Okay. Kelly comforts a small button to create a folder on Rename it to widows on Dragged them inside these folder now creating new composition. Rename it to rhombus for with Enter 38 40 pixels and for height, enter 2160 pixels for pixel aspect ratio. Select score pixels. Set frame rate to 30 frames on for duration. Enter eight seconds or 240 frames. It's OK now, drag to read those into this composition or my transition will be two seconds. So if we need to have two seconds a lap for these videos, so go to 2nd 3 and select the second video and he left a score bracket key on your keyboard to shift the second video to this point. Okay, Now let me show you another matter to this process in Project Window, select the first video and then select the second video using shift key. This order is important to have layers in correct order in charming. Now drag them over this. Create and new composition bottom in, create section. Select single composition for use dimension from you can cite each of them because they have identical dimensions. Turn on sequenced layers and overlap options for derision. Enter two seconds on for transition. Select off. It's OK. And now, as you can see at the beginning, we have our first video here. Then we have two seconds overlap on find a leave. You have our second video. Okay, this was just to show you another method to create a composition so we can delete it. Now, if the size of your readers are not identical to your composition size, you can select them on, click on this small arrow open, transform and change school property to feed it to your composition. Or you can select the video layer and it s key on your keyboard to load scale property. Also, you can select the video layer and from many who choose layer transform and choose one of these options. For example, I choose free to come with. Okay, now let's start working on from this transition. So we select our layers silicon rectangle tool for full color click unfree options and select non on for a strokes like white color and increased this truck with 2 55 now in composition window curricular mouths on hold your shift and council case and dragged to create a perfect square sonic shape here, heater junkie and dynamic tour on this one. Now you can open this era button, then open content rectangle one rectangle path one on and change the size to 250. Okay, Now let me show you a method to find the center of a composition killing of these Jews. Greed on great options on now. Activate title action. Safe option. Here you can see these small crossed lines that indicates the center off this composition. When you select the shape layer, you will see this anchor point. If it's not under center off this school shape you can simply, It's like a square layer. Hold control on all K's and press home button on your keyboard. Now, if you want to police these score on the center of your composition, hold console key and again press home. But this shape layer will be our two seconds my transition. So we want this layer to start where the overlap begins. I mean, in 2nd 3 on ends where the oval have finished, I mean in 2nd 5 So select the second video it. I key on your keyboard to jump to the beginning off this clip now. So the crumpet, small layer and heat all on left square Bracket key on your keyboard To cut this layer at this point and finally select the first widow and hit. Okey to jump to the end of this sleep on then against, like Trump a small earlier and this time press all on right a square bracket key to got this layer. Okay, now let's animate this shape layer, so at first, select rumba. Small layer and heats are key to load rotation, property and change the rotation value to 45 degrees. Now we have a rhombus now I want to animate a stroke property. So be sure you are at the beginning off this room. Best shape layer on now. Change stuck with 20 and press these. Stop wash to create a key frame, Then press OK to go to the end off this shape, layer and change stuck with 2 55 Let's see purview. So open Review panel. If you can see these panel from many was like window purview or hit Consort three and press this play or a stop button. Also, you can choose a shortcut for purview. Here you can choose Space bar or not Pat zero. I prefer to use numbered zero So personal Pat zero to see the preview. Okay, Instead of playing off the work area, go to a few frames before shape their starts and press beaky it with network area Start handed toe this point on, then go to a few frames after shape here and this time, press Anke to move work area and handled toe this time now personal part zero to see the preview only for this area. Okay, it's not bad, but we want more interesting transition. So So it both of these key friends and click on this graph editor button. As you can see, our object moves with a constant ESP it. Let's switch between edit a spit graph on added value graph To see the current graph for the simple animation. Now we want to create a smoother animation. So tonight, both key frames, right, click on one of them and choose keep from Assistant Eazy E's or Press F nine. Then it's like and right click on the first key frame and juice key from velocity in this Indo for influence from outgoing velocity. Enter 40% now so I can right click on the Lasky frame and choose Keep from Velocity and for incoming velocity and her 60 persons. Now let's take a look at the graph editor so select both key frames on open graph editor suits to edit s witchcraft mode. As you can see, we have a smoother movement for this object. Now they're sweet starts from zero pixel per seconds. Then their speeds goes up and we have the maximum speed on this top point on find a live When we get closer to the last key frame again, their speed decreases to zero. Okay, now, personal part zero to see the results. Okay. It's great. Okay, Now I want to have more rhombus shape leaders to cover the entire screen. But as you may know, in after fix, we can only have one layer as a trackman toe. Overcome this problem. We have to create a pro composition from thes share player. So Saleh Columbus one layer, right click and choose per compose or from many which was layer for compose or heat control shift. See? Rename it to rhombus. Matt, activate at just composition duration on open new composition options. Now, as you can see, we have a two second per composition for our my transition. But it it starts from second free and ends in 2nd 5 So from menu select composition competition settings or hits console cake on for a start time code, enter zero, and for duration, enter 200. That means two seconds or 60 frames. Now it starts from zero and ends in second to okay. Now, in from the smart composition, we have our shape layer. Okay. Now I want to have more couples off this rhombus shape to cover the entire screen. But before that Salik shaper and hits you key on your keyboard to load all key frames, hold control key and click office number to change display style to see the frame numbers, then go to from 20 and move the last key frame toe this time why the shape layer is selected Heat control de. To duplicate this layer, select promise to layer and press Yuki two times to load all change properties and increase the size, for example to 400. Then be sure you are at from 20 over this key frame and increase struck with two. For example, 105. Okay, now follow the same process. It's control de to duplicate this layer and create rhombus. Three. Press your key to times increased the size to 650 and then increase, stocked with 2 155 again up to get to create rumpus. Four. Change the size to 1000 an increase cirque with 2 205 again the applicator create rhombus. Five. Increase the size to 14 50. Now increase struck with 2 255 replicate from the six increase the size to 2000 aan den increased start with two A 305 now creates rumpus. Living chances size to 26 50 and then increases throat with 2 355 Now create From this eight increase the size to 3000 and 500 then change struck with to 405 and finally hit control The to create from this nine change size to 40 to 50 and then increased a circuit to 455. Okay, now prison about zero to see the purview. Great. Okay. Okay. Now we need to feel this whole. So sonogram this one and it's concerti to duplicate it, rename it to rhombus center and drag it under our layers changed layer color to, for example, orange. For this layer, click on three color and forget with white color and click on the stroke options and select None hit UK and it these key frames and change throat with 20 because we don't need stroke for this layer again. Now, while this layer is a C selected, he s key to load a scale property booted from 20 and said escape toe 100 set a key frame, then go to the beginning and change a scale. Property to zero. Select both key frames, right click and juice. Give him assistant Eazy E's Now right click on the first key frame and Jews keeping velocity and for outgoing velocity, enter 40% on. Find the lead right click on the Lasky frame and for incoming ferocity and their 60 persons . Okay, now personal part zero to see the purview. Awesome. Great, but gave you have finished arm a transition, but let's add a few frames offset to our layers to create more interesting my transition. So let's add a few markets to our layers as a visual representation for our key frames. Be sure you are at from 20 over your key frames. Press control A. To select our layers from many rituals. Layer markers at marker. Now hold council key and click on Run the centre on drama Small layer to dislike them. Now go to friend five Empress Left Square bracket key to shift these layers to friend five . Then go to from 10. These crumpets, too, on heat left square bracket again go to friend 15 pieces like Crumb's three and he left a score bracket key. Go to friend Giunti. This is a Columbus four. He left a school bracket, then go to from 25 de Select rhombus five and he left a square bracket on Follow this impresses to create five frames offset for all the remaining layers. Okay, great. Okay. Now let me show you another way to create offsets for your layers. Quickly select members to all shifty and click on the top layer. This order is important. Now go to from zero AM pressed left score bracket key value layers honestly selected from many, which is animation key frame assistant sequence, layers. We know our layers are 60 frames. So if I want to have five frames offset, it means we need to have 55 frames overlap for our layers. So active it overlap. Option now, enter 50 frames instead of 55 frames. Okay. As you can see, our last key frames on markets are not inside our timeline. So his control z to undo. And now for duration and their 55 frames on for transition. Select off. Okay. No prison. About zero. Great. Okay. Are Matt transition finished? So let's go back to Rambis composition Now select video one on from track. Matte column Choose. Loom are inverted. Matt. If you can see this column right click on this area and Jews columns, modes or you can click on the struggle, suits molds, bottom or finally can click on this. Expand or collapse. Porton down here. Okay, now the magic begins. Let's see the preview. Awesome. Great. Okay, You like to create more interesting my transition. If yes, So let's at some effects to our videos on my transition. So like to be the one in effect and presets panel find transform effect and drag it over your video. One In effect, consoles panels like Transform Effect It Return Key and Renee me to transform, Escape hold shifty and stopped to the beginning off my transition, said the key for him for a scale property at current value. I mean 100 as now. It's not to the end off my transition and change scale value to 150. Now let's add a transformer effect to our second video. So Jack transform effect over video to rename it to transform escape bold Chief key and stopped to the end on such a key frame for escape property at Collins Value. I mean 100 on, then a stop to the beginning and change value a tool 50. Okay, now let's scrap in timeline or press number zero to see the results. Awesome. Great. If you see some empty area around your videos that you can click on the struggle transplants agreed to see this transparent area. We can add a motion trial effect to them so in effects and preset, and they'll find motion trial effect on drag it over video to layer change out with with on height, toe 500 on Activate Mirror AIDS option and finally, the like of these motion tile effect over the transform effect. Okay, now, if you ascribe in timeline, you won't see that empty area around your videos anymore. Okay, Now let's add some special effects through this scene to create more amazing transitions. So select the first widow in effects and preset, and they'll find exposure effect in color correction folder and drag it over your first widow, go to the beginning off my transition and said the key frame for exposure at value zero, then go to the end and change exposure to three. Now select the second video. Drag another exposure effect over your second video, go to the beginning and set a key frame for exposure at value three. Then go to the end and change exposure to zero. Let's see Prevue. Okay, good. Okay, Now let's add another effect. It's like the first widow in efforts and preset panel. Find tint effect on Drag it over. Your first video here in Map Boy to you can change white color to another color. Now go to the beginning off my transition and set a key frame for amount to teens at Value zero. Then go to the end and change its value to 100. Now it's like the second video drag another teens effect over your second video. Here again, you can change map white to color while you are at the beginning off. Matt transitions that the different for amount to teens at a value of 100 and then go to the end and change its value to zero. Let's see the results. Great. Okay, now let's add 1,000,000,000 effect to our videos. So it's like the first, though from many which was affect Blair and sharpen camera lens. Blair Then go to the beginning off my transition and change the radius value to zero and staticky frame. Also enable repeat etch pixels Option now Go to the end and set a key frame for Billy Radius at value of 50. Now select the second video and apply a camera lens blur effect to eat. Now go to the beginning and change its value to 50 and staticky friend. Also enable repeat X pixels option and then go to the end and change its value to zero. Okay, let's see the results. Okay, great. Okay. Let's change key frames to create a smoother animations for our transition. So select our layers and heat. Yuki to load. Archy, friends select all key frames on right. Can you can choose keep from Assistant Eazy e's now open graph Editor. Be sure edit SP graph option is enabled. And also activate a snap bottom. Okay, now select are left key frames on. Move key from handles to the right side until you see 40 persons now. Like all right, key frames on move. Keep from handles to the left side until you see 60%. Okay, let's see the results. Okay, Now we have a smooth for admission for on my transition. Great. Okay. If you don't want these sharp aids for your my transition Saleh Crombie Smart layer on from menu. Choose effects Baylor and sharpen fast box blur on. Then increase Blair radius and also enable repeat edge pixels Option to cancel this blur effect around your videos. Or you can escape my transition layer to hide the smaller effect on the X. Okay, let's see the results. Great. Awesome. You can even add another effect to your mat transitions. So slick rhombus mat layer in effects. M preset panel. Fine, turbulent displaced effect and drag it over your mat transition. As you can see, by adding some effects to your mat transition, you can create more interesting transitions. You can change complexity to create different styles for your my transition. Okay, If you don't want any off these effects up, let your videos or my transition, you can simply turn them off toe, have a simple transition effect. All you can activate some of them on customers. Your transition effect. OK, In this video, you learned how to create Matt transitions on how to add amazing effects to create more interesting and complex transitions. In upcoming videos, you're gonna learn new techniques to create different on Amazing Matt Transitions. Okay. I hope you have enjoyed the score so far. Thanks for watching and see you in the next video. 4. Export Matte Transitions: Hello, everyone. And welcome in the pervious video, you learned how to create in my transition on in this with over gonna learn how to render our my transition to use it in video editing programs like Adobe Premiere, Pro Final Castro and so on. Okay, as you can see in charm line are Matt Transition is a prick composition and we cannot use it outside off the after effects. So we have to create a video from this become But before starting render process let's check of a spring camp open my transition for come in that transition composition, we must have a transparent background for the first few frames. So click on the struggle Transparency, great bottom to see this white and great check war that it means we have a transparent background here. Now, if I scrub in timeline as you can see, our shape covers the entire screen on. We have a full opaque screen with white color at the end of this spirit camp. So everything is okay and we are ready to render an export our Matt transition. Okay, Now in project window, select mats for come from menu select composition at to render queue or hit. Console em. He every are three sections. Render such things out with modules on output to in render setting section, click on best settings, Option said Quality to best resolution to fool and in frame Rate section, like the option that matches to your math Transition from rates. Now it's OK button now. Colligan Lossless option here for format options, you can select a V I or Quick time and be sure to select RG people. Us. Are far for channel option if you want to have transparent background for your videos yet, in this case we really needed you have to choose these options. Okay, if we sell a quick time for your format killing our former options button. And for video Codec, you can select animation or Jay Peak 2000. If you have a 0.264 video Codec in this list, please do not selected because it's when 264 video Codec does not contain all fortunate and transparency. So let's like animation and hit OK now for outward to option selected destination folder and hit save bottom. I'm finally click on Render Bolton Okay, random finished quickly. Okay, now let's see how we can use these rendered widow my transition in after effects. So right, Gilligan Project Window and choose Import file or his control. I so like rendered video my transition and imported Now in our Matt transition composition , I want to replace this pro camp with our rendered widow. So select math become in timeline, then slight important video and finally hold all key or option key for Mac users on drag this widow over the mat transition. ProComp. By doing this, we will replace the video with our pickup. Now, be sure that for our first widow track might drop down is said to Lamar inverted Matt. Okay, As you can see, these widow works perfectly with our Matt transition program. So instead of using EPO camp, you can use a video. My transition. OK, in the next video, I'm gonna show you how to use this video, Matt Transition inside Adobe Premiere Pro. And if you are working on a Mac, you can use it in your video editing program like Final Cut pro and so on. The process is almost the same. Okay, I'll be have learned new skills in this widow. Thanks. Watching and see you in the next video 5. Use Matte Transitions in Premiere Pro: Hello, everyone and welcome. In the previous video, you learn how to render an export your mat transition and in this with over, gonna learn how to use it in a video editing programs like Adobe Premiere Pro. As you know, Adobe Premiere Pro Israel off the best video editing programs for Windows. And if you are working on a Mac, you can use Final Cut Pro. The process is almost the same. So follow me and learn how to use a rendered Matt transition to create a nice on a smooth transition for your video sequences. Okay, lets import two videos on our rendered My transition so inedible. Penry a pro from Menu Select File New Project. Enter a name here, for example, video transition. Click on Browse Button and choose a location for your project file. Other settings are okay for this, though, so press OK button. Okay, if your current working space is not like mine, simply click on this editing button or from menu or select window working spaces editing or his Ault shift. Five. This section is project that is exactly like Adobe Aftereffects Project panel, so to import files, DoubleClick in this window or right click and select imports. Selective videos on our rendered Matt transition and important. Here you can switch between least view. And I can view by using these two buttons. And also you can use of these slider to adjust the size off icons on Sundays. Okay, Now select video one on video to and write them inside. Timeline. As you can see, Premiere Pro creates a sequence off these two widows. Okay, now, let's import are rendered Matt transition into timeline on drug it in Vetri Channel. Let's zoom in a little bit. Okay? Now we want to have a transition, but in video one and video too. So we must have overlapped for these videos on Like what we have in adobe aftereffects. I have to drag. We don't want to be on top in veto channel now. Drag rendered Matt Transition toe Vetri channel over these two widows and step it to the end. Our video. One clip. Okay, now more video to to the left toe. Where the mat transgender start. Okay, as you can see, if you have overlapped frames Exactly. Identical toe are rendered, Matt transition layer. Okay, now, if I scrub in term line, you will see video one, then my transition that covers the screen with white color. And finally you will see video to So currently we don't have any transition between video one on video too, because we didn't apply any loom amat or loom Oh, inverted Matt to our first video. So, in the spinal killing of this small air button and select effects panel in the search box type Matt and hopefully premiere finds of these track matte key for us okay, you can drag it over video. One clip. Here, you can see a small plus line besides your mouth icon on. Also, you can see that the color off this small FX box change to purple that it means we have applied at least one effect of this layer video to does not have any effects. So it's ethics box has a great country. Okay, now select video one and then open Effect Council's panel. Here, you can see track matte key effect. Okay for this Matt Options select video tree that in fact, it refers to the three channel Here you have the one veto on victory. If I drag this Matt transition toe before channel. Then I have to select video for for this Matt option. Let's drag it again. Toe Vetri channel and change Matt to video tree on now for compass it using. We have two options, Matt. All far on Matthew MMA, That is exactly. Look what we have inevitably aftereffects for campus it using Choose Matthew MMA on activate rivers option as well. Okay, now, let's see a preview. So, press space Marquis grades Awesome. It works perfectly. Okay, Now you have learned how to use your rendered Matt transition inside Adobe Premiere Pro. So you can create awesome on beautiful transitions in adobe after effects on. Then you can import them inside Premiere pro final cut, roll on other similar video editing programs and create stunning videos. Okay, I'll be have enjoyed this lecture, please. But the next widow is to learn how to create more interesting and also my transitions. So thanks for watching and see you in the next video. 6. Circle Video Transition in After Effects: Hello, everyone and welcome. And this with over gonna create these awesome circle my transition. So without wasting time, let's start creating. It's creating new composition. Rename it to circle for with Enter 38 40 pixels on for height. Entered 2160 pixels for pixel aspect ratio. Select escort pick Source said Frame rate to 30 frames on through duration. Enter eight seconds or 240 frames. It's OK. Okay, director videos into this composition. If the size of your videos are not identical to your competition size, you can simply select them right. Click and choose transform feed to come with okay or Mac Transition will be two seconds, so we need to have two seconds overlap. For these videos, go to second free salad bottle widow and he left a score bracket key on your keyboard to shift the second video to this point. OK, now let's work on our circle. My transition so the select our layers. Activate title action safe to find the center off the composition. Click on Ellipse Tool for field colors on white color, killing on a stroke options and for a stroke, select none in composition video. Click your mouse and then hold console and shift case on drag to create a perfect circle. Select shape, layer its return key and rename it to a 2nd 1 Now you can open this era botton than open content. Ellipse one Ellipse path one and then changed the size 25 hundreds. Okay, if the anchor point is not under center off the circle shape. Select circle layer. Hold control on all keys and press home button on your keyboard. Now, if you want to place the circle on the center of your composition, hold console key and then press home button. These shape layer will be our two second matt transition. So we want this layer to start where the overlap begins. I mean, in 2nd 3 on ends where the overlap finished. I mean in 2nd 5 So select bottom video hits I key on your keyboard to jump to the beginning off this creep. Now select 2nd 1 layer and heats all on left square bracket key on your keyboard to cut this layer. At this point, then it's like the top video. It's okay on your keyboard to jump to the end on again, selects like Amalia on this time. Press also on right square bracket key to cut this layer at this point. OK, now let's animate this shape clear. So at first, select circular and heat esque et load a scale property. Hold, shift key and move time indicator. It is snaps to the beginning off this layer. Change scale 20 on press stopwatch to create a key frame here, then hold shifty on. Go to the end of this layer on increased escape property Anti. It covers the entire skein. For example, 950 now move work area. Start on n handled to make a shorter preview on then press number zero to see the preview. Okay, great. Okay, Now let's create a smoother animation. So select these key frames, right? Click and choose. Give him assistant Eazy e's or press F nine. While your key frames honestly selected. Click on this button toe Open graph Editor panel. Be sure your add edit SP graph moment on. Also, activate a snap bottom now select the first key frame, removed the handle to the right side until you see 40% on, then so like the second key frame on moved the handle to the left side until you see 60%. Okay, Now personal, but zero to see the results. Okay, It's great. Nice and smooth. Okay, Now I want to have more sickle shaped layers to cover the entire screen. In fact, we need to create paper composition, so select circle one layer right click and choose per composed or from menu. Choose layer per composed or hits. Council shift. See Active. It had just composition duration on open new composition options. Okay, as you can see, if you have a two second per composition for all my transition, what are composition? It starts from 2nd 3 and ends in second fight. We wanted to assert from frame or 2nd 0 So from many a strict composition, competition settings or press council K and for a start time code, enter zero and for derision, enter two seconds or 60 frames. Now it is starts from zero on ends in second to okay. Now we wanted obligates several circles shapes to cover the entire screen. But before that summit shape, layer and hit you key on your keyboard to load all key frames, pulled console key and click here to change Display a style to see the frame numbers go to friend 40 and move the last key frame toe. This time while shape layer is this he selected, he'd console d two times to create two new copies. Okay, Now let's at a few frames offset to our layers to create more interesting my transition. So press council A To select our layers from menu, choose layer markers at marker as a visual representation to Seaver. The key frames are when we want to add offset to our layers. Then hold control key and click on circle one to de select it. Now go to friend five and press left score bracket key to shift these layers to friend five . Then go to frame 10 de select circle to on heat left a school bracket key. Okay, great. Now, if I ascribe in term land, you can see these two circle separately because they have the same color. So select circle one and click on food color option You have. You have edge s me. That means hue, saturation and brightness. For 2nd 1 I want to have to a new five person brightness for second to I want to have 50% brightness. And finally, for the last one, I must have 100% brightness to cover the entire screen with white color Press number zero. Great. Are my transition almost finished? But maybe this question has crossed your mind. Why did I change brightness for those shape players? Let's go back to the circle composition for top video from track. McCollum. Choose Louima inverted Matt. And now let's see a preview. Great. Okay. Did you get the point? If you remember from the previous lectures Loom Amat uses the practice. In fact, Luna Matt will reveal the white on hide the black area. Let me hide bottom video for a second. If I change track matte option to loom Amat, as you can see here are video will be 100% visible where we have 100 person white color and it is 50% visible. Where we have 50% white color on it is 25% visible where we have 25% white color. And finally it is invisible outside off these circles because here we don't have any color . And if I change track, matte option to loom are inverted Matt. As you can see, we have an inverse effect where we don't have any color. I mean, outside, off the circles we will see 100 person off the video and where we have white color. For example, in our last circle, we can see the video anymore. Okay, let's make the bottom video visible again on Let's see a purview. Awesome! Great. Okay, you would like to create more interesting transition. If yes, so let's at some awesome effects to our videos. So it's like First widow in effects and preset panel type transform while your video layer is this is selected. Double click on this effect, or you can drag it over your first video in Timeline Selector as former effect he three junkie and Renee Me to transform escape. Now go to the beginning off my transition for transform effect. Create a key frame for a scale property. Now go to the end of this layer on for a scale property. Enter 200. Now let's at this effect to our second video. So at another transform effect, your second video in effect council spaniel, rename it to transform escape. Now go to the end of this layer on for a scale property. Enter 100 said the key frame. Now go to the beginning of your mat Transition and change scale value to 20. Let's see a purview. Great. OK, but as you can see, he have you have some empty area around these second videos. So to solve this problem, let's at another effect in effects and preset on their type motion time. The like of this motion tile effect over second video on for output with on height answer five hundreds. It seems it doesn't have any effect on our video to solve this problem. Dragging this motion child effect layer over transform a scale effect on If you like to have mirror effect, you can turn on mirror ads for motion tile effect. Let's see a purview. Great. Okay, now let's add a little visitation to our videos as well. So in effect, on preset on their type transformed. Drag it over your first widow in timeline. Select transform Effect it return on. Rename it to transform rotation. Now go to the beginning of your my transition for transform rotation effect created key frame for irritation. Property on Now go to the end off this layer on for rotation property Inter Negative 30 degrees. Okay, Now let's add the salutation effect to our second video. So apply a new transform effect to your second video re namely to transform rotation this time. Good. The end of your my transition. Create a key frame for rotation property at zero value on. Then go to the beginning off this layer on for retention property, enter 30 degrees. If you see empty area around your first video, it means you have to add motion tile effect toe this video as well. So let's copy motion tile effect from the second video and paste it over the first widow in effect, consuls panna, and then drag it over your transform effects. Okay, let's see the results Personal. Pat zero Great. If you don't want to see these sharp heads, you get Adebayor, effect your circle map become so select circle mattpeckham from menu. Choose effects blur and sharpen fast box Miller, increase my radius. For example 20 And be sure your repeat as pixels option is on. Okay, let's see the results in circle composition. Okay, great. Okay, Now let's add another amazing effect in effects and present identifying turbulent displace effect on drug it over your my transition here for displacement option, you can select to East Change amounts value of, for example, 2 50 Let's see the results. Great. Okay, okay. Now let's add some nice effect to our videos to create more amazing transition. So select the first to go in effects and present, and I'll find exposure effect on Drag it over your first, though. Go to the beginning off my transition and said the key for him for exposure at value zero. Then go to the end and increase exposure two or three. Now select the second video. Drag another exposure effect over your second video. Go to the end and change exposure to zero and Sadiki frame on. Then go to the beginning and change exposure. Value a tool. Three. Let's see a preview. Okay, great. Okay, Now let's add another effect. It's like the first widow in effects and precept panel. Find tint effect on drag it over. Your first widow here in map right to you can change what color to another color. Now, go to the beginning off my transition and said the key frame for amount to teen at value zero on, then go to the end and change its value to 100 now. Also like the second Video Dragon. Other teams effect to your second video. Here again, you can change Mark White to color while you are at the end of my transition. Set a key frame for amount to teens at Value zero. Now go to the beginning off Matt Transition and change its value to 100. Okay, let's see the results. Great. Okay, now let's add 1,000,000,000 effect to our videos. So, like the first? No. For a menu, choose effects Blair and sharpen camera lens. Blair. Then go to the beginning off my transition and change the radius value of 20 and said the key frame, also a neighbor. Repeat X pixels option. Now go to the end and set a key frame for believe radius at value of 50. Now select the second video on. Apply a camera lens blur effect to eat, go to the end of my transition and change its value to zero and staticky frame. Also an email. Repeat each pixels option now go to the beginning and change its value to 50. Let's see the results. Okay. Great. Became Let's change key frames mode to create a small for animations for our transition. So select our layers and hit you key to load our key frames. Select all key frames on right click and choose. Keep from Assistant Eazy e's while on key frames. Artist is selected Open graph a detour. Be sure Edit suite graph. Option is enabled on also activate a snap bottom. Okay, now select are left key frames. Hold shift key on your keyboard on move key from handles to the right side until you see 40%. Now some are right key frames, all shifty and move key frame handers to the left side until you see 60%. Okay, let's see the results. Okay. Now we have a smoother animation for all my transition. Okay, If you don't want any of these fx apply to your videos or my transition, you can simply turn them off to have a simple transition. Okay, let's turn on some of these effects again to see the final results. Great. Okay. In this is that you learned new techniques for creating my transitions in upcoming videos of we're gonna create more amazing my transition. So I hope you have enjoyed this score so far. Thanks for watching and see you in the next video. 7. Blinds Venetian Video Transition in After Effects: Hello, everyone. And welcome. I hope you have enjoyed creating Matt Transitions. And this course so far in this with over gonna create these amazing blinds vanish in transition. So, without wasting time, let us start creating it. Quickly create in your composition. Rename a tuba lines Venetian for with enter 38 40 pixels for height. Enter to anyone 60 pixels for pixel aspect. For issues, select score pixels set for em braid to 30 frames and for derision, enter eight seconds or 240 frames. It's OK. Button. Okay. We need to have at least two videos in our composition. So drag two videos here. If the size of your videos are not identical to your composition size, select there. Right click and choose. Transform. Fit to come with are my transition will be two seconds and we need to have two seconds overlap for these videos. So select bottom video and drag it to 2nd 3 Now they have two seconds overlap. Okay, Now let's work on our blinds. Finish in transition. So the select our layers click on rectangle tool for feel color. Select white Gilligan stock options on forex stroke so like none come back a little bit. Activate article action. Safe option to see the center off the composition in composition window. Click and drag to create a tall rectangle. Rename it to rectangle one. That's Yuki. Two times to open all properties. Unlock size option and change with or X value to 600 height or y value to 2000 and 500. Okay, we want to put this anchor point on the left side, so select rectangle. Want Empress control Ault on home buttons to move the anchor, point to the center off the rectangle shape. Then hold Consul Key and press home button to move the shape layer to the center off the composition. Okay, Paul. Shifty on move the object to the left side. Now I want to move the anchor point to the left side. So active it pan behind. Tool to be able to move the anchor point. Then hold console key and drag anchor Point to a Snap it to the left point. Okay, Now let's cut this shape layer to create our two seconds my transition. So hold shift key and jump to the beginning off the second video. Now select rectangle one layer and heats Ault on left school bracket key again. Hold shifty and jump to the end off the first widow and then select rectangle one layer on . This time he'd ault on right a score bracket key. Okay, Now let's animate this shapely or so at first, Select rectangle one layer and he s kitty. Load a scale property. Unlike of this uniform a scale option. Go to the beginning off this layer and change scale x 20 and press a stopwatch to create a key from here, then old, shifty, and go to the end off this layer and change a scale X toe one hundreds. Now some of these key frames right? Click and choose K from Assistant Eazy e's or press F nine while your key frames honestly selected Open graph Editor panel. Be sure you are at edit suite Graph mold and also activate a snap bottom. Now select the first key frame on. Move the handle to the right side until you see 40 persons. Then it's like the second key frame and move the handle to the left side until you see 60% . Okay. Now I want to have more rectangle shape players to cover the entire screen. In fact, we have to create a pro composition, so select rectangle, one layer, right click and Jews per compose. Rename it to blinds Venetian Matt and activate at just composition, derision and open new composition options. Okay, as you can see our composition, it starts from second free, but we wanted to start from frame or 2nd 0 So open competition settings window or press control K on for a start time code. And 30 now, As you can see it, it starts from zero and ends in second to okay. Now we need more rectangle shapes to cover this scene with white color, so select shape their hold console key and click here to change display style to see the frame numbers go to frame 13 on move The last key frame toe. This time one shape layer is this is like that. He'd consult the six times to create six new copies again. Now let's distribute these rectangle shapes in our composition, so move the last rectangle shape. I mean rectangle seven to the right side, thence like rectangle. One layer old shifty and silicon rectangle seven to sort are layers now open Align panel. If you don't have this panel yet from many or choose window a line on, then in distribute layer section Kilic and distribute horizontally. Okay, as against he here, we don't have correct order for these rectangle shapes. I want to have rectangle one on the left side, then rectangle 23456 and finally rectangle seven on the right side. This is a small box in aftereffects, so let me show you how to solve this problem. Select and delete rectangle to two rectangle, seven layers in composition. Window move rectangle one to the left side, replicates rectangle 16 times, then in terms line, change the order off the layers. We must have rectangle one on the top on rectangle seven at the bottom. Now select rectangle seven and move it to the right side. Then select all the years from top to the bottom by holding shift key and in distribute layer section Gilligan distribute horizontally. Now, as you can see, we have the correct order for these layers. Okay, now let's add a few frames offset to our shape layers to create more interesting my transition so Press Council A to select our layers hit Yuki to see all key frames. Go to the time that we have key frames and press Starkey on your non fat or from miniatures layer markers at mortar. By doing this, we have visual presentation to be sure, when we add offset to a layers or last key frames Vontobel outside off our timeline. Okay, Now select rectangle one pulled shift key and click and rectangle seven to select all years . This order is important. No. From menu, choose animation key from assistant sequence Layers activity overlap. Option Vinit four frames offset. As you know, Oliver layers are 60 friends, so we must have 56 frames overlap to have four frames offset. Okay, on finally said transition toe off and hit. OK, button. Okay, let's see the preview. Great. Okay, Now go back to the blinds. Venetian composition on for top Ido in track. McCollum Select Loom A inverted Matt on move of work area start and end handle to create a shorter ramp review. Okay, now let's say Prevue greats. Okay, Now let's add some nice effect to our videos to have more amazing transition, so in effects and pre sentinel type transform. Drag it over your first, though. Rename it you transform, escape, then hold shift key and go to the beginning of your my transition for a scale property, said a key frame at Collins Value and then go to the end of my transition layer and change it to 50. Now select the second video. Did I get transform effect over your second video? Rename it to transform scale, hold shift key and go to the end off the second with a layer and create a key frame for escape property for Collins Value and then go to the beginning off Matt Transition Layer and change school property to 150. Okay, now let's see a preview. Great. Okay, now let's add another effect. So in effects and present, and they'll drag a transform over your first widow, rename it to transform position, then hold shift key and go to the beating off your my transition. Create a key frame for position property. Go to the end off my transition layer and increase position X property, for example, city to 1920. Now again from effects and present on a dragon transform over your second video. Rename it to transform position, hold shift key and go to the end off the second video layer. Create a key frame for position property for Collins value. Go to the beginning off the mat transition layer and decrease position X property, for example. City 20 Okay, now let's see the purview. Great. If you see empty area around your videos, you can add motion tell Affect your videos. So in effect, sem preset and they'll find motion trial effect. Did I get over your first widow? For output with on height, Enter 500 on activity Middle AIDS option and drag it over transform effects. Then select motion trial effect from anyone. Choose Edit copy to cover it into memory and place it over your second video and again dragged over transform effects. Okay, now let's see the purview. Great. Okay, now let's add 1,000,000,000 effect to our videos. So psyched. First, though for many, which is FX, Blair and shopping camera lens Blur. Then go to the beginning off the mat transition layer and change block radius value to zero and set a key frame. Also enable repeat edge pixels option. Now go to the end and set a key frame for Blair Radius at value of 50. Now select the second widow and apply a camera lens blur effect to eat. Go to the end of my transition and change its value to zero and set a key frame again. Enable repeat X pixels. Option on now Go to the beginning and change its value to 50. Let's see the results. Okay, great. Okay. Now let's add some nice effects toe our videos to create more amazing transitions. So it's like the first, though in effect, some preset on and find explosion effect and drag it over your first widow. Go to the beginning off Matt Tradition and said the key frame for exposure at value zero. Then go to the end and increase exposure to a three. Now select the second video. Direct another exposure effect over your second video. Go to the end and change exposure to zero and set a key frame and then go to the beginning and change exposure to value or three. Let's see the preview. Okay, good. Okay. Now let's add another effect, like the first widow in effects and preset, and I'll find tint, effect and drag it over your first widow here in Matt Frei to you can change white color to another color. Now go to the beginning off my transition as a key frame for amount to teens at Value zero on, then go to the end and change its value to 100. Now select the second video like another team's effect to your second video. Here again, you can change my boy to color. Now go to the beginning off Matt Transition as a different for amount to teens at Value 100 then go to the end and change its value to zero. Okay, let's see the results. Great. Okay, lets Genske frames moat to create a smoother and missions for our transition. So select all ears and hit you key to load all key friends, select all key frames on right click and choose keep from Assistant Eazy E's. While all key frames honestly selected, often graphic is or we sure edit s with Graf mode is enabled on. Also, activate a snap bottom Okay now, so it are lived key frames, hold shift key on your keyboard and move key frame hander to the right side until you see 40% now. So it are right. Key frames, old shift key and move key. Frame hundreds to the left side until you see 60%. Okay, let's see the results. Okay. Now we have a smooth for admission for our my transition. And finally, let's at some effects toe. Are Matt transition so psyched Berlin's Venetian mat layer from many witches. Effect Baylor and sharpen fast box below. Increase Blair Radius, for example, Certitude 10 and enable repeat each pixel option. Or we can scale Matt transition a little bit to solve this problem around your math transition here. So let's enable repeat each pixel option. Okay, let's see the results. Okay. Now, let me add another effect to arm a transition. So in effects and preset channel fine transform effect on DoubleClick toe attitude. My transition there. Rename it to transform askew, increase sq property, for example, city to 25 and change sq access to 90 degrees. Okay, now, as you can see, if you have a better transition state, but our Matt transition can't cover these sections off the composition to solve this problem. So like Matt transition earlier, it s kitty load escaped property and increase it, for example, city to 130 persons. Okay, lets see purview. Great. Okay. You have created very nice and smooth transition between your videos. If you don't want any off these Baylor or skill effects over your mat transition, you can simply turn them off. Also, you can customize your effects and turn on or off Any effects applied your videos. For example, Let me turn off teens effect for our videos or you can change map. Why? To property 14 effects on. If you want to have a simple transition between your videos, you can turn off all these effects up. Alert your transition and videos. Okay, I think it's better to other transform effect to our Matt transition instead of changing escaped property, so changes school property toe 100 from effects and present on the drag. Transform over my transition, bringing me to transform, escape and change skin value to 130. Now you can activate askew effect again. OK, In this video you learned new techniques for creating my transitions, and also you learned how to add special effects to create more interesting and professional looking transitions in upcoming videos. We will create more amazing my transitions. Okay. I hope you have enjoyed the score so far. Thanks for watching and see you in the next video. 8. Butterfly Video Transition in After Effects: Hello, everyone and welcome you. Hope you have enjoyed the score so far in this with overground. Create this amazing butterfly transition. So without wasting time, let's get this started. Create in your composition. Rene. Me to butterfly for with and they're 38 40 pixels for height. Enter Tony 1 60 pixels for pixel aspect ratio. Select escort pixels set friend rate to 30 frames on for duration. Enter eight seconds or 240 frames. It's OK. Okay. As usual, Jack, two videos into this composition. If the size of your videos are not identical to your composition size, select them right. Click and choose Transform free to come for it. Okay. We need to have two seconds overlap for these videos. So go to 2nd 3 on drug button widow to this point. OK, now let's work on our bottle fly transition. So disliked are layers Silicon rectangle tour for full color. Select white. Open a stock options on forex Cirque select none now double click and rectangle tool to create a rectangle in your composition. Rename it to butterfly one. Go to the beginning off the second video. Select butterfly one layer. Hold all K empress left a score bracket key, then go to the end off the first Widow layer with all key and then press right square bracket key now in effects and present on and find radial wipe effect on drag it over. Butterfly one. Layer it. Stop to the beginning off bottle for like one layer on. For transition. Completion, enter 100% on staticky frame. Now a snap to the end of butterfly one layer on for transition completion. Enter zero persons on for wipe option. Select buff Now hit Yuki to load all key frames. So, like these key frames, right, click and choose. Keep from Assistant Eazy E's Operas F nine while your key frames honestly selected. Open graph Editor Panel search to edit SP Graph mode on Be sure a snap button is activated . Now Select the first key frame on. Move the handle to the right side until you see 40% on. Then it's like the second key frame on move dander to the left side until you see 60%. Okay, Now I want to add more shape prayers to create an amazing butterfly transition. In fact, we have to create a pro composition. So select butterfly one layer right click and choose per compose or hit control shift. See? Rename it to butterfly Matt. Activate at just composition. Derision on open new composition options. Okay, as you can see our composition. It starts from 2nd 3 but we wanted to a start from frame or 2nd 0 So open competition settings Window or Prince Consort K on for a start time court. And 20 now, As you can see it, it starts from zero on ends in second to okay, let's stop you get this layer three times. Select shape, layer on hit Yuki to look all key frames hold console key ankle here to change. Display a style to see the frame numbers go to friend 40 on move the last key frame toe. This time, while shape layer is a system like that, he'd controlled the three times to create three new copies. Let's ascribing timeline. Okay, we need to add a few frames offset toe are layers to create more interesting my transition . So select butterfly one pole shift key and click on butterfly for hit you key to load. All K friends go to the time that we have key frames and press stocky on your non fat or from miniatures layer markers at marker to see where the key frames are now from many, which is animation. Keep from assistant sequence layers Activate overlap. Option on. As you know, we need five frames offset. So we must have 55 frames overlap on, Finally said. Transition toe off and he eats. Okay, let's see the preview. Okay, great. Okay, we can see these four shapely or separately because they have the same color. So select butterfly and one layer and click on field color options. Here we have a speed. That means he'll saturation and brightness for butterfly one. I want to have 25 person brightness for butterfly to tribe. 50% brightness on for butterfly tree. Enter 75% brightness on Finally for butterfly, for I want to have 100% brightness to cover the entire screen with white color. Let's scrap in timeline. Great. Okay. And now go back to the butterfly composition Move work area start and end handles to make shorter prevue on, Then for top ido in track. Matte columns like Loom a inverted Matt. Now let's see the preview. Okay, great. Okay. Now let's add some effects to create more amazing transition. So? So, like the first widow in effects and precept, and they'll find transform like it over your first, though. Rename it to transform, escape, hold, shift key and stopped to the beginning of your transition for transform effect. Create a key frame for escape property on Now go to the end of my transition and decrease a scale property to 50. Now apply a new transform effect to the second widow. Rename it to transform scale, go to the end off the second video earlier. Create a key frame for escape property at current value on then go to the beginning on increased scale property to 150. Okay, lets ascribing timeline. Okay. Okay. Now let's add another transform effect to our videos, So drag a transform effect over the first door. Rename it to transform position, hold shift key and stopped to the beginning of your transition for position. Property said a key frame at current value. Now go to the end on decrease position value of for example, 30 to 40 Now apply a new transformer effect to the second video. Rename it to transform position. Go to the end off the second video layer created key frame for precision property at a current value on. Now go to the beginning off the mat Transition layer on increased position value for example, City to 10. 40. Okay, let's ascribing timeline. Okay, Good. Okay. If you see some empty area around your videos, you can add motion trial effect to them. So in effects and precept, and I'll find motion time effect like this motion trial effect over your first video for outward with on height, enter 500. Activate mirror s option on, then dragged over. Transform effect. Now it's like motion trial effect on heat control. See to compete into memory, select second video and press control V to paste motion tile effect over it and finally dragged over transform effects. Okay, Now let's add a biller effect to our videos. Cells like the first pseudo for a manual. Choose effects Blair and sharpen camera lens. Blair Then go to the beginning off the mat transition there and change block radius value to zero and set a key frame. Now go to the end. And so the key frame for believe radius at value 50 and turn on limit edge pixels option. Now select the second video on that, like a camera lens blur effect to eat on, then go to the beginning off the mark transition layer as a key frame for Bill of Radius at value of 50 on. Now go to the end and change its value to zero. Okay, let's see the results. Okay, good. Okay. Now let's add some special effects to this scene to create more amazing transition. So it's like the first widow in effect, some precept and find exposure effect on double click. To add it to your first video, go to the beginning off the mat transition layer and said the key frame for exposure at value zero on. Then go to the end and change exposure to three. Now select the second video. Apply an exposure effect, go to the beginning and said the keeper in for exposure at the value of three. On. Finally go to the end and change exposure to zero. Okay, let's see the results. Okay, great. Okay, Now let's add another effect. It's like the first widow in effects on present panel fine tint effect that click to add it . Your first widow here in math boy to you can change what color to another color. Now go to the beginning off the mat transition there and said the key frame for amount to teens at the value 0% And finally go to the end and change its value to 100 persons. Now select the second video. Apply a new tint effect here in math boy to again. You can change white color now. Go to the beginning and said the key frame for amount to teens at value 100% on. Then go to the end and change its value to zero persons. Okay, let's see the results. Okay, Good. Okay. Now let's add some effects toe are Matt transition so? So that the butterfly math layer from many, which is effects Blair and sharpen fast box Blair, increase Blair radius and then turn on Repeat s pixels option now in effects and present panel. Find turbulence effect on Addie to butterfly mat layer. Okay, It's grabbing time. Right to see the results. OK, now for amount. Property, enter 300. Strong again. Great. Okay. Okay. If you want you can increase complexity for example, 32 5 or less to create some amazing effects. Okay, lets see a preview. Great. Okay, Now let's work on our key frames to create a smoother and missions for our transition. So select our layers and hit UK to let all key frames select all key frames on right, click and choose. Keep from Assistant Easy's while all key frames obviously selected often. Graph editor. OK, now select are left key frames. Be sure you're in added s fifth graf moat on. Also, activate a snap. Bottom hole. Chief key on your keyboard on move key frame handers to the right side until you see 40%. Announcer are right key frames all shifty on. Move key frame handles to the left side until you see 60 persons. Okay, let's see the results again. Now we have a smoother animation for all my transition. Okay, if you don't want any of these effects, apply to your mat transition or your videos. You can simply turn them off to have a simple transition effect. Or you can customize your effects by disabling some of these effects. Apply to your videos on my transition. Okay. I hope you have enjoyed thescore so far. Thanks for watching and see you in the next video. 9. Curtain Video Transition in After Effects: everyone and welcome you. Hope you have enjoyed the score so far in this with over gonna created this amazing cattle , my transition. So without besting time, let's start creating this. My transition. Creating your composition. Rename it to cattle for with enter 38 40 pixels for height, enter to anyone 60 pixels for pixel aspect ratio. Select score pixels said frame rate toe 30 frames on for duration. Enter eight seconds or 240 frames. Okay, we had to have two redos in our composition. So drag two videos into this composition arm. A transition will be two seconds. So we need to have two seconds overlap for these videos. So go to 2nd 3 on drag bottle widow To this point, if the size of your videos are not identical to your composition size, select them right, click and choose transform fit to come with. Okay, now let's work on our cats in transition so we select our layers. Kilic a rectangle to for fill color, select white color Gilligan Stroke options and for Estrich, select none. Zoom back a little bit now. Hold shift key and click and drag a big square that covers the entire composition. Select shape, layer and press Yuki two times on for size. Enter for thousands on 500. Hold counsel on all case Empress Home button to move anchor point to the center Off this score shape now Activate title action Safe while shape layer is this he selected. Hold control key and press home button to move the shape layer to the center of the composition. Andhra Name a two cats in one. Now go to the beginning. Off the second widow, Select Katamon earlier. Hold Alky Empress left a score bracket key. Then go to the end of the first widow layer. So a cattle wall. Ear hold bulky and press right. A square bracket key. Okay, It s key to load a scale property unlike uniform A scale option A stop to the beginning off Kirton one layer on for a scale X Enter zero and staticky frame. Then stop to the end off cattle warrior on for a scale ekes enter 100 Now hold Shifty and heat are key to load tradition property as well. It's not to the beginning off cattle one there on for rotation. Enter 45 set a key frame. Now it's stopped to the end on for rotation and through zeal. Now select these key frames. Right, click and choose. Keep from assistant Easy, easy or process F nine. While your kid dreams honestly selected Open graph editor suits to edit eSpeed Graph more and be sure a snap button is activated. Now select first key frames and move the handle to the right side until you see 40%. Then select second key frames on. Move the handle to the left side until you see 60 percents. Okay, lets a scrub in timeline. Great. Okay, Now go a few frames before cattle one layer and press beaky under keyboard on. Then go a few frames after this layer and press Anke to make a smaller ran prevue. Okay, Now I want to add more shape layers to create an amazing transition. So we have to create a pro composition. So select Chetumal air right click and choose per composed or hit control shift. See? Rename it to a cattle Matt. Activity at just composition duration on open new composition options. Okay, as you can see, our composition. It starts from 2nd 3 but we wanted to start from frame zero or 2nd 0 So open composition settings window or press council K on for a start time code. Enter zeal. Now, as you can see, it is starts from zero. Okay, let's stop. You get this layer several times to create amazing transition. So select shape, layer and hit you key on your keyboard to load all key frames, Hold control key and click here to change displays. Trying to see the frame numbers. Okay. Now go to friend 40 and move these last key frames to this point. He s sake. On your non fat or from menu select layer markers at market to create a visual representation for the key frames position while shape layer is this is like that it controlled the three times to create three new copies. Okay, let the scrap in. Timeline. Okay. We need to add a few frames. Offset toe are layers to create more interesting my transition. So select cata one. Hold shift key and click on Katyn four. No, from many, which is animation. Keep from assistant sequence. Layers activity overlap. Option are composition live is 60 frames. We need five frames offset. So we must have 55 frames Overlap. Okay. Said transition to off on heat. Okay, let's see the preview. Great. Okay. To see all the layer separately, let's change color for these shape players. So select cattle one and click on full color option. Have you have edge a speed? That means hue, saturation and brightness for cattle one, I want to have 25% brightness. Forgetting to I want to have 50% brightness on four cats and three I want to have 75% brightness. And finally for Katyn four. I want to have 100 person brightness to cover the entire screen with white color. OK, let a scrub in. Timeline. Great. Okay, Now go back to the Katyn composition on for top Ido in track. Matte columns. So, like Loomer inverted Matt on. Let's see the prevue. No, Awesome. Great. Okay, Now let's add some effects to create more amazing transitions, So select the first widow in effects and preset panel tribe transform. Did I get over your first, though? If you can see if a cultural spaniel, simply from many, which is effect effect controls or press F three rename it to transform scale hold shift key and stopped at the beginning of your transition for transformer effect. Create a key frame for a scare property at value of 100 then go to the end off my transition there and increase scale property to 200. Now let's add a scale effect to the second video. So dragon new transform effect over your second video on her name it to transform a scale, go to the end of my transition layer and create a key frame for a scale at Collins Value. A snap to the beginning on for transform effect created key frame for a scale property at value of 50. Okay, let's see a preview. Okay, great. Okay, Now let's add a little bit arbitration. So drag another transform effect over your first widow Renae Me to transform rotation. Go to the beginning off my transition layer and said the keeper and for rotation, property at value zero debris Now go to the end off my transition and said the key frame at value of negative 45 degrees. Okay, now drag another transform effect over your second video on Rename it to transform rotation . Now go to the end of my transition and said the key frame at value zero debris on. Then go to the beginning off Matt Trans, Shelia and said The Keeper. And for rotation property at value of 45 degrees. Let's see a preview. Great. Okay, If you see empty area around your videos, you can add motion tile. Affect your videos. So in effects and preset panel, find motion trial effect. Drag this effect over your first widow for output with on height, enter 500 on activate mirror AIDS option and drag it over. Transform effects. Select visa effect, then from many which is edit. Copy now select second video and from many will choose edit paste on drug it over transform effects. Let's see if review Okay, we solved the problem. Okay, Now let's add some s special effects through this scene to create more amazing transition. So in effects and preset Channel four exposure effect on drag it over your first, though. Go to the beginning off my transition and said the key frame for exposure at value zero on . Then go to the end and change exposure to three. Now that I can new exposure effect over your second video go to the end off my transition and change exposure to zero. And so the key frame and finally go to the beginning off my transition and change exposure to value a three. Let's see a preview. Okay, great. Okay. Now let's add blur effect to our videos. So select the first to go from many, which was effects Blair and sharpen camera lens. Blair now change Blair radius value to zero. Go to the beginning off my transition as a key frame for believe radius on activates repeat edge pixels option. Then go to the end of my transition and change. Believe radius value to 50. Now select the second video from many, which is camera lens. Blair Now go to the end off Matt Transition and set a key frame for Billary Ideas at value zero on activate repeat X pixels. Option on, Then go to the beginning off my transition and change polar radius value to 50. Okay, let's create a ramp review. Great. Okay, now let's change key frames to Eazy E's More to create a smoother transition, so select both video layers and hit you key to load all key friend select all these key frames are right, click and choose. Give him assistant Eazy e's, then open graphic deserve window. Be sure you are in added SP graph moat, and also it's not. Bottom must be activated. Select all for ski frames on. Move the handle to the right until you see 40% on final easily. All second key frames on move right Key frames. Handle to the left until you see 60 persons. Okay, let's see for review. Great. Now the obvious move for admission for our transition. Okay, and if you like you can add some cool affects your my transition as well. So So cattle Matt Layer in FX and preset panel. Find CC lens effect and drag it over your mat transition. There. Change the size toe 175. Then click on this position bottom and click on the center off the composition. Okay, now let's scrap in timeline to see the results. Great effect. Okay. And finally, let's add Blair effect, too, on my transition as well. So select Quetta math clear from many, which is effects Blair and sharpen fast box blur and change. Miller Radius, for example, City to 15 or 20 on turn on repeat edge. Pixels option. Okay, let's see for review. Great. Okay. If you don't want any of these effects apply to your videos or Matt Transition, you can simply turn them off to have a simple transition effect. Okay, let's turn on some of these effects to see the final results. Great. Okay. Okay. I hope you have enjoyed the score so far. Thanks for watching and see you in the next video. 10. Fountain Video Transition in After Effects: Hey, everyone and welcome. I hope you have enjoyed the score so far in this with over gonna created this amazing fountain transition. So, without wasting time, let's start creating these my transition. Creating your composition. Rename it to fountain for ref. Enter 38 40 pixels for height, enter 2160 pixels. For pixel aspect or issue, select escort pixels. Set frame rate to 30 frames on for duration. Enter eight seconds or 240 frames. Okay, Venue to have two videos in our composition. So attractive videos into this composition Ormat transition will be two seconds. Soviet to have two seconds overlap for these videos, so go to second free and drag button Widow two. These points If the size of your videos are not identical to your composition size, select there, right click and choose transform fit to come with. Okay, let's work on our front in transition so we select our layers. Click on rectangle tool for Phil colors like Dwight, click on stroke options and for a cirque, select non. Now click and drag a tall rectangle on the left side. Renamed this shape layer to fountain one select shape layer and press Yuki two times. Unlock size option on for size. Enter 700 pictures in 2160 pixels, hold council and all case and press home button to move the anchor point to the center off the rectangle shape on activate title action. Safe option. Now hold shifty. Go to the beginning off the second video and move the left edge. Our function one layer to this time, then hold shifty. Go to the end off first with earlier and again move the right edge off Phantom earlier toe this time. Okay, now hit. Escape the load a scale property activates pan behind tool, hold Consul key and move anchor point to the bottom. Unlike uniforms, scale option now hold shifty, and it's now up to the beginning of the fountain one layer and for a scale, why enter zero and such a key frame? Now? It's not to the end off Phantom one layer and for Esca, why enter 100? Now? Press Yuki to load all key frames. So, like these key frames are right. Click and choose. Keep from Assistant Eazy E's Operas F nine. While your key frames honestly selected, often graphic little panel such to edit a speed graph mode on. Be sure a stop button is activated. Now site for ski frames and move the handle to the right side until you see 40% on. Then select second key frames on Moved the handed to the left side until you see 60%. Okay, Let's see what we have now. Goods. Okay. Now I want to add more shapely years to create our founding transition. In fact, we have to create paper composition. So sick fountain one there. Right click and choose per campos or his control shift. See, rename it to funding Matt and activate at just composition, derision and open new composition options. Okay, As you see, our composition, it starts from 2nd 3 But we wanted to start from frame zero or 2nd 0 So open compositions, settings window. And for a start time code and 30 Now, as you can see, it starts from zero. Okay, let's duplicate this layer two more times. Hold control key and change the spell. A style toe frame numbers sonic shape here and hit you key on your keyboard to load all key frames. Go to friend 15 on Move the last key frame toe this time. Okay, Now I want to feel this composition with this shape layer, but I need to convert these shape to a poor composition. So select shape here and creative composition on Rename it to founder in shape. Okay, Now I want to change composition size to have a competition exactly identical to the shape here. So, in competition settings window for with enter 700 pixels on for height, we have 2160 pixels. Now, let's add a marker to this chair player. So select Shabbir hit you. Key to load key frames. Go to friend 15 over these key frame. He s sake. On your non fat or from many, which is layer markers. Add marker. Now let's stop to get this ship earlier while shape layer is this is selected his counsel d three times to create three new copies. Okay, Okay. Now we need to add a few friends offset 12 layers. So psyched. Founding one old, shifty Anglican founding for he's Yuki to see all key frames now from miniatures and emission key for him. Assistant sequence layers. Okay, V 83 frames offset. So you must have 57 frames. Overlap said. Transition to off on heat. Okay, okay, let's change the color for these shape players. So it's like fountain one Anglican feel color option for fountain bond. I want to have 25% brightness for found in two, and they're 50% brightness for founding. Three types, 75% brightness and finally, for found in four. I want to have 100% practice. Okay, lets ascribing timeline. Great. Okay, now let's open fountain math composition. I want to fix this fountain Matt Composition with this fountain shaper camp. So move this become to the left. He threw junkie and rename it to found in shape one. Go to friend. 15 on from menu. Choose layer markers at marker. Now he's concerned ive five times to create five more copies. Now reorder the layers. In fact, we must have found in shape one on the top, on front in shape. Six. At the bottom, move fountain shape six. To the right side, select fountain shaped one. Hold shifty and select fountain shaped six in a line panel, click on distribute horizontally now select front in shape. One. Hold shifty and select fountain shape. Six on from menu, which is an emission keep from assistant sickles. Layers activites overlap. Option. We need five frames offset. So we must have 55 frames over. Now it's a transition to off on heat. Okay? And now go back to the fountain. Composition on for top video in track. McCollum like Luna inverted Matt. Okay, let's move work, area a start and end handles to make a shorter ramp review. And now let's see the preview. Okay, great. Okay. Now let's add some effects to create more amazing transition. So select the first widow in effects and present panel transform. Drag it over. Your first widow hits a junkie and Renee me to transform position, hold shift key and stopped to the beginning of your my transition for transformed effect Created Keeper in for precision property at current value. Go to the end off the mat transition layer and decrease position. Why to zero. In fact, I'm moving it from the center towards the top. Okay. Now drag another transform effect over the second video. Rename it to transform position. It's not to the end of your mat transition. Create a key frame for position. Property at current value and then go to the beginning off the mat transition layer on increased position. Why? To 10 80? In fact, I'm moving it from the bottom towards the center. Okay, let's see what we have now. Great. Okay, Now let's add another transform effect to create more dynamic transitions. So dragon transform effect over the first Widow rename. It will transform, escape, go to the beginning and said the key frame for a scared property at Collins Value. Then go to the end and change scale property to 50. Now add to transform effect your second video rename it. You'll transform scared, go to the end and key frame for a scale property at Gordon's Radio and then go to the beginning and judge school property to to hundreds. Let's see the result. Great. Okay, okay. If it's the empty area around your videos, you can add motion tell affect your videos. So, in fact, some preset and they'll find motion trial effect Directed these motion trial effect over your first widow for outward with on height, enter 500 and activate mirror AIDS option on drug it over transform effects. Now it's like motion tile effect from your first, though, hit control C To copy it into memory, select the second video on heat Conserve E to paste it and find the leader. I get over transform effects. Okay, let's see the results. Okay. Great. Now we have more dynamic transition. Okay, Now let's add a blur effect to our videos. So? So, like the first widow for a menu, choose effects bilion. Schorpen, directional Blair, leave directional to zero degrees. Now go to the beginning off the mat transition and said the key frame for below. Live at value zero on. Then go to the end of my transition and change its value to 100. Now select the second video for a menu up like a directional blur to eat. Now go to the end off the mat transition as a key frame for beloved them at value zero. Then go to the beginning off my transition and change its value to one hundreds. Okay, let's see the results. Great. Okay, Now let's add some s special effects toe this scene to create more amazing transition. So some like the first no, in effect, some preset tunnel fund exposure effect on drag it over your first though. Go to the beginning off Matt Transition and said the key frame for exposure at Value zero and then go to the end off the mat transition and change exposure two or three. Now select the second video on drag another explosion effect over your second widow. Now go to the end of the mat transition, change exposure to zero and set a key frame on. Then go to the beginning off the mat transition and change its value to three. Let's see the results. Okay, great. Okay. Now let's change key frames to Eazy E's mode to create a small for transition. So select both video layers and hit Yuki to load all key frames. Select all these key frames on right, click and choose. Keep from assistant. Easy is then open Graph editor Window on. Be sure you are in the editor s with graft. More on s not button must be activated. Select all for ski frames on. Move the handle to the right until you see 40%. And finally select all second key frames on move right key frame handles to the left until you see 60 persons. Okay, Now let's see the final animation. Okay, great. Very nice. And a smooth transition. Okay, if you don't want any off these effects, upload your videos or my transition, you can simply turn them off to have a simple transition effect. Okay, let's activate effects again to see the final transition. Okay. I hope you have enjoyed the score so far. Thanks for watching and see you in the next widow. 11. Polygon Video Transition in After Effects: Hello, everyone and welcome. I hope you have enjoyed the score so far in this with over gonna create this amazing politan transition, I will add a controller to be able to remove or at points toe are shape layer for creating different shapes styles for our my transition. So without wasting time, let's start writing of this awesome my transition create in your composition Rename it to polygon for with enter 38 40 pixels for high to enter 2160 pixels for pixel aspect for issues like a score pixels set frame rate toe 30 frames on for duration Enter eight seconds or 240 frames. Okay, now we need to have two videos in our composition. So attractive videos here our mattresses share will be two seconds So go to 2nd 3 and drag bottom Widow tothis point Okay, If the size of your videos are not identical to your composition size, select them on from many which is layer transform feet to convince. Okay, now let's work on our polygon transition So the select all years Tilikum Polident tool for feel color Select white click on a stroke option and forests Looks like none. Activate action titles Safe option now hold shift key and click and drag a polygon shape in composition Window renamed this shape layer to pile it on one select shape layer and press Yuki two times silicon Paulius or path 12 times to open its properties. Change outer radius to a 375 and change points to six to create a hexagon shape. Okay, while shape layer is the since elected, Hold cultural on all key Empress home button to move anchor point to the center. Off the shape layer on again. Hold council and press home button to move this shape to the center. Off the composition. Okay. Now hold shift key. Snap to the beginning. Off the second video, Move the left edge off Politan one layer to this time and again. Hold shifty. Good. The end off the first video and move the right edge off the polygon. One layer to this point. OK? Select polygon one and he s kitty. Load a scale property. Hold shift key and stopped to the beginning off polygon one layer on for a scale. Enter zero and staticky frame. Then stop to the end off polygon one layer and for a scale and their 100. Now select these key frames, right? Click and choose key from assistant Eazy E's While your key frames honesty's like that. Open graph Editor panel ch teau edit eSpeed graft mode on Be sure a snap button is activated. Now select for ski frames and move the handle to the right side until you see 40% and then select second key frames on. Move the handed to the left side until you see 60 persons. Okay, Now I want to add more shape layers to create our politan transition. In fact, we have to create a prick composition. So slight polygon one layer right click and choose per composed or heat control shift. See, Rename it to polygon Matt on. Activate at just composition. Derision on open new composition options. Okay, as you can see, our composition. It starts from 2nd 3 but we wanted to start from frame zero or 2nd 0 So open competition settings window and for a start time code, enter zeal. Now, as you can see, it is starts from 2nd 0 and ends in second to okay. We want to cover the entire composition by these polygon shaped Soviet lots of shape players to have more control over our shapes and to be able to change Matt Transition and shape properties quickly. Venue to convert these shape layer to a pre composition again, so select polygon one layer right click and choose per campos. Rename it to a polygon shape. Activate, adjust composition duration on open new composition options. Select palette on one layer and hit you kitty load scale key frames and then move the last key frame to frame 20. Now let's crop of this composition. Click on region of Interest, Bottom hold, shift key and drag around of these politan shape, then from many, which is composition crap camp to region off interest. Now he's console K to load competition settings and for with and hide, enter 775 Select polygon, one layer on hold Cultural Kia Press home button to move the shape layer to the center. Okay, now go back to the polygon Matt composition. He every wanted obligated this become to cover the entire screen, select polygon shape, clear its return key and rename it to polygon shaped one. Move this shape to the top left corner. Now his counsel d. Six times to create six more pickem players. Reorder the layers so that we must have polygon shaped one on the top and polygon shape. Seven at the bottom. Now move polygon shape seven to the top right corner, then select polygon Shape one old shifty and click on polygon shaped seven layer on. Finally, in Alan Panic, click on distribute horizontally. Okay, now I want to create another row off these polygon layers, so select our layers, its control de to duplicate change color off the layers to something else. For example, Orange In Timeline, select one of these duplicated layers and dragged them under previous layers on Voil, the artistic selected hold shifty and in competition window dragged them down on move them toe, freed the holes between shapes. Now against like our layers by pressing control and a keys hits council D to duplicate on drag all duplicated layers in time right to the bottom on. Then in competition, window dragged him down to fill holes between shapes and finally select and replicate bottom row off program players Dr all duplicated layers in time, right under previous layers change color for duplicated layers on in competition with the whole shift key and drag them down and fill the holes between shapes. Okay, if you need to cancel like a true off the programs on, move them using error gates to the correct position. Now it's grabbing timeline to see the results. Okay, great. Okay, now let's go back to the Polygon composition for first video in track. Matte Colin. Choose Lamar inverted Matt. Okay, now let's move. Work area. I start and end handles to make shorter run purview on. Let's see the review now. Great. Okay, Now let's add a little bit. Offset to our polygon layers to create more interesting effect. So open polygon shape. Recall. Select polygon. One layer on heat, Yuki. And be sure your key friend is unfriend 20. Now open polygon mats. ProComp. Go to friend 20. Select all airs and from menu. Choose layer markers at marker. No, silly. All layers from the top to the bottom by using shift key on from miniatures animation. Keep for him. Assistant sequence layers activate overlap options. Okay, Now we need one frame offset. So we must have 59 frames overlap. Okay. Said transition toe off on heat. Okay, Okay, let's see the results. Great. And now let's see the results in polygon competition as well. Awesome! Great. Okay, now how we can change a layer. Orders to show of these polygons in a diagonal order. I'm gonna show you how to do it properly. So be sure you are in Politan Math. ProComp press council A to select all layers hit home button on your keyboard to go to the beginning off the timeline Empress left a score bracket key to shift all layers to frame zero. Now go to frame for example 15 to see all the layer separately. Okay, Now we want to show these layers in a diagonal order, so select RPF layer and move it to the top in timeline on change label color to red. Now, I want to see our layers in this order. So selected these three layers on move them under the first layer in timeline and change their labor color to yellow. Okay, Now let's select our third collection off layers in this order on then move them under yellow layers. They are five layers change labour color to aqua now, so forth collection off layers, move them under acquires changed labour color to pink. Select next collection, move them under pink layers and change labour color to pitch against the like. Next collection. Move them under pitch layers and change labour color to blue. Now select another collection, move them under blue layers and change labour color to green. Now select next collection. Move them under green layers and change labour. Color to purple on. Fungal is like the last one on moving under purple layers and change its labor color to brown. As you can see, if you have two layers here on the left, we don't need them, so select until it. Okay, now select top layer. Hold shift gay and click on the bottom layer for a menu which is an emission keep from assistant sickos. Layers activate overlap option. As you know, we need one frame offset. So enter 59 frames for overlap said transition toe off and hit. OK, let's see the results here. Okay, great on. Let's see the results in Politan competition as well. Okay, great. This is what I was looking for. Okay, Now let me show you how to change all polygon shapes with just one simple. It's later off in polygon shape. Rick, come from menu Jeez, Layer New nal object its return key and rename it to cancel her. Why? This nal object is this is selected from many, which is effect Explosion controls slider control. Select this effect hit return and rename it to polygon points Gillick of this lock button to hold this panel open now Select polygon one layer and hit Yuki two times Hold all key and click on points. Stopwatch. As you can see, aftereffects will create an expression for this property. Now you can track this pick, clip icon over polygon points. Slider console. Okay. Now you can console polygon points by using this slider. For example. If you set it to four, you will have a score shape. Okay, Now go back to the polygon Math. Really? Come. If I go to the end of the timeline, you can see these gaps between shape players. To solve this problem, he's control A to select our layers press s key to load a scale property and increase the scale value to cancel of these gaps. And if Impala gone shaper come I change polygon points slide there to 50. We will have a circle shape. Isn't it great? Let's see the results in Polygon Matt and final composition. Great. Okay, let's change Polycom points to six and change a scale value to 100% again. Okay, now let's add a little bit more details to our main shape. So selected and his control D two times Select polygon one and click on food color option for polygon one. I want to have 25% brightness for polygon to I want to have 60% brightness on for Politan free. I want to have 100% brightness. Select polygon one followed on to annapolitan free. Go to from 20 and from many. Or choose layer markers at marker. Now select polygon to on Parliament three on. Move them to friend three to create three frames Offset knots like polygon free and hold alky. Press page down key three times toe at three frames offset to a this layer as well. Okay, let's see the result. Okay, Great. Now open Polygon Matt Competition to see the result here. Okay. And finally, let's see the results in Polygon camp. Great again. Okay, now let's add some effects to our videos to create more amazing transition. It's like the first judo in effects and preset panel type. Transform like it over your first though his return key and rename it to transform skate, hold, shift key and step to the beginning of your mark. Transition for transform effect created key frame for a scale property at current value on , then go to the end of the match transition layer on degrees scale to 50. Now drag another transform effect over your second video. Rename it to transform scale shift key and start to the end of your my transition for transform effect created. Keep them for a scale property at Collins Value on, Then go to the beginning off Matt Transition Layer and Increase Scale toe 150. Let's see the results. Okay, great. If you see empty area around your videos, you can add motion tile. Affect your videos. So in FX and precept Unefon motion trial effect. Drag it over your first widow for output with on height, enter 500. Activate Miller. It's option on. Drag it over. Transform a scale effect now select of this motion trial effect hit control C to copy it into memory, Select second video and Heat constant V to paste it. And finally, that I get over transformed. Escape effect. Let's see the results. Okay, great. Okay, Now let's add Blur Effect 12 videos. So select the first, though from many which is effects. Baylor and Short Men CC Radio Blair Now go to the beginning off the mat transition and set a key frame for amount at value zero. Then go to the end of the my transition and change its value to 100 said Tied to fading Zoom. Now select the second video. Apply a CC Radio Blair effect to it. Now Go to the end of the match transition, said the keeper in for amount at value zero on. Then go to the beginning and change its value to 100. And finally said type two fighting zoom. Let's see the preview. Okay, great. Okay. Now let's add some special effects to have this scene to create an amazing effect. Select the first widow in effects and precept panel Find exporter effect in color collection folder and double click to add it. Your first widow then go to the beginning off the mat transition and set a key frame for exposure at value zero and now go to the end and change exposure two or three. Apply an explosion, effect your second video, go to the beginning off the mat transition and set a key frame for exposure at value of three. Then go to the end and change exposure to zero. Let's see their purview. Okay, great. And finally, let's at some effects to our my transition. So select Paladin mat layer from menu. Choose effects Baylor and sharpen Fast Box Miller. Increase Miller Radius, for example. City to 10 and turn on repeat X pixels to hide this bill effect on their heads. Or you can scale polygon Matt composition a little bit to solve these problems. Okay, lets see. Review. Awesome. Great. Okay, now let's change key frames to Eazy E's mode to create a small for transition. So select both video layers and hit you key to load all key frames. Select all these key frames on right click and choose keep for him. Assistant Easy is then open graph editor window. Be sure you are in edit sp Graft. Mouth on a snap button must be activated. Select all key frames and move the handle to the right until you see 40% on. Finally select all second key frames and move key frame handers to the left until you see 60 persons. Okay, Now let's see the final animation. Okay, Great. We have created a very nice and smooth transition. Okay, If you don't want any of these effects a plot, your mat transition or your videos, you can simply tell them off to have a simple transition effect. Okay, Now let's turn on all effects to see the final results. Great. Okay. I hope you have enjoyed creating of these professional and amazing my transition. Thanks for watching and see you in the next video.