Adobe Photoshop For Beginners - Main Features of Photoshop | Ivan Yosifov | Skillshare

Adobe Photoshop For Beginners - Main Features of Photoshop

Ivan Yosifov, 3D Game Artist & Animator

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20 Lessons (1h 3m)
    • 1. Introduction

    • 2. Photoshop Layout and Panels

    • 3. Creating a new project

    • 4. Working with layers

    • 5. Resizing projects and images

    • 6. Cropping images

    • 7. Layer Styles

    • 8. Selecting different and Magic Wand tool

    • 9. Altering different parts of your image

    • 10. Adjustment layer effects

    • 11. Working with text

    • 12. The Brush tool

    • 13. Creating shapes inside Photoshop

    • 14. The Eraser tool

    • 15. The Spot Healing Tool

    • 16. Airbrush Technique For Smooth Skin

    • 17. Liquify effect to reshape parts of your image

    • 18. The incredible Content Aware feature

    • 19. Applying filter effects in Photoshop

    • 20. The Clone Stamp tool

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About This Class

Get started with Adobe Photoshop CC and learn all of the most used tools and features.

Want to know how to edit images, photos and more in just 1 hour!

This course is an introduction to Adobe Photoshop!
I will walk you through the very basics of opening Photoshop and learning various interface panels and windows to importing and working with various photos, images, cleaning acne, removing objects from image, applying effects, working with shapes and a lot more!

You will learn how to:

• Use all of the most used features in Adobe Photoshop
• Get started in Photoshop by creating your first project
• Navigate through the panel windows
• Import images
• Work with images
• Clean up acne in a photo
• Remove unwanted objects from images
• Apply different effects
• Work with vector shapes and files

This course is perfect for absolute beginner!

If you don't have Photoshop installed you can download it from the official Adobe's website and use 30 days Free Trial version.



1. Introduction: Welcome to this amazing font shop for Beginners course. Discourse was designed to train you how to understand and use the core features of Photoshop with a very short period of time in just one hour, you will be able to complete different tasks in daily basis. Just like resizing an image, remove objects from picture, remove acne from a photo, give a photo a new and fresh look. Perform any general tasks quickly in foreign sharp, discourse is perfect for beginners that have small business and want to learn very fast Photoshop and use it on a daily basis. So what are you waiting guys? Let's teach you photoshop. Just want our enrol now. 2. Photoshop Layout and Panels: So let's check out the damages that field be editing. So on the right we have dimensional girl. In the middle there is an image, female attack me. And on the left there is graffiti on the pillar. So this is the images that you'll be editing later in the course. Now let's look at Photoshop. So if open Photoshop, it probably looks a bit different than this. And that is because I customize my layout. So in Photoshop, you can do whatever you want with your windows, windows and tabs. So here I just picked up my tab and just move it. I can click on it, open it, I can place it back. And those windows you can see here, if you click window, you can see all different types of industries you can open in Photoshop. And this means that they are currently open on the screen so we can see layers, infinite adjustments. And if you look back, that's exactly what you have open. And these steps are also trolling the window, but they're not open, safe, risky history. We can now see here history that extract meaning that it is showing basically. On the top you can see all the settings that most software has. And we'll go over them later. And on the left you have the tools that we frequently use to move, select, or do any kind of editing on image. And next to the two on the right, you can see this arrow and you hold left click. You can see that fought for PR gives you some more options for the tools. So if a tool has the arrow, it basically means that there are more options that are similar to the tool that is currently flowing on the screen. So if you go to less Soviet velocity polygon to a magnetic last two, basically three different types of the same tool. So that's basically fought for layout in a nutshell. And next we're going to create a new project. 3. Creating a new project: Ok, so let's click on the file and let's create a new documents. So in this window on the right, we can suppress the details and you can see how the settings for it. And on the left, you can see that phosphate gives you some recent resolution that you use. But for right now you want to use this, but we will input our own settings. So first you have the name, so I want to change it for now. Below that you have it in height. And I usually use this full HD resolution, which is 1920 by 1080. There's often a toolbar. This of course depends on what you're doing. So if you're doing something for print, you can also change the color to CMYK. Or if you're doing something in black and white or grayscale, you also have beat most ho, how basically many colors or variants of colors you want. And advanced options human touch for now. So and also another good option is orientation. So here portrait mode or, or side mode. So basically does just invert width and height. We are going to keep it aside. Let's click Create. You can see this blank white layer and as you can see, there is a lock on it. So if I try to do something, it will ask me basically to convert it to non-normal layer because right now it's locked. You can't do anything to it and I just tried to model it. So let's click cancel. And there's a few ways to unlock is today is if you tried to do something. 4. Working with layers: So now that we have created a new document, let's see how we can feel the layer, one color. So there is few ways. One way is that if you already have a layer with a solid color color, but you can do is go to Edit, Click on Free Transform or control T. And now we can scale up and down or layer. You can also click in the middle and move your layer. While you are scaling it, you can hold shift to non-uniform escape. So the aspect ratio is not saved. But for right now let's just scale it manually. And now if you click enter, we have filled layer, we turn one color. Now is the Control Z. Or what you can do is go to Window history before you all the trends that you can make. So if I click on fit transform, you can say can go forward and back. We tried it. So let's go back to kinda size. And now let's see another way that we can feel our layer. So here you can see that we have a fill color and the background color. So you can swap them by clicking here. So foreground and background color can be changed independently. And what we can do is, let's click spam until white is foreground. And let's click all Delete on the keyboard. Now what we did this basically told Photoshop to fill the whole arrow butter forgone color. And let's think sex is the same as clicking here to swap the four cut. Any background color white, we can ask the control Delete. It, will also feel it so we can take that out. Let's look control delete, and it's filled. You can choose any color for that right now if you're white. But you can call, you can use our delete and control leads to fill your layers. Another way that you can fill our layer by clicking on let me see. On our pine Bucket two. And now if we click X and have the white in the foreground. So you can also click and just choose the clarity one. And now if you just click, it will just feel, feel are a layer with the selected color. And we can also do that for any other colors. Foreground, let's select red, let's label k. You can just feel without color. You can also click Control Z or cut to go back in history or under the click call to delete, fulfill it foreground color. Next, what you can do is create a new layer. By clicking the cycle here, you'll basically just create a new layer. And how layer's looking, photocopies, dot-dot-dot, top-most layer will be in front of everything. So I feel I say Click on red cell, select the blue color, click Ok, and then click fill. Now our foreground color has blue and our first layer has blue and secondary has read. And since our Larry's blazer is first, it basically occludes the layers below and it can hide a foe. Or first layer. We can also rename layer and click on this layer one, double-click and you can, I name it blue. And I will click down, can emit red. And we can also change the order if you want, just pulling it down and you have this this, I mean basically to make it invisible or visible. But we can also do is delete layers. So if I click delete here, it will just delete this selected layer. And I can also select both in click, click Delete, right? I can't because you need to have at least one layer. So if I create a new layer and next one red, I can just do it. Let's click Control Z. And I just click on the keyboard, delete, and that is another way to delete things. So for cuts in footfall are pretty powerful and I usually use a focus for most of these things. And another thing that you can do is blend layers in there is basically done by decreasing capacity here. And as you can see, if you get 50% blue and red purple. So you can also change the capacity to see through the layer. And few other things regarding forecasts that are pretty important is that if you click or hold control space and then click, you can zoom in. Or you can hold Control Alt space and click to zoom out. Pretty important. You also have a navigator here that you can also use to zoom in and out. Now a discipline that we can find here on window and navigate their forecast because it faster. And other important shortcut is space. If you fold space and just move around, we can just move around the layer. And that's about it for the foregut. 5. Resizing projects and images: Next thing that we're going to do is import image into Photoshop. So one way to do that, click on File Open. And here you can see are images and lets the connectome and click open. Now as you can see, we have our image opened. But you don't see are other layers. That is because we are in a different document, basically two separate documents, three different layers. So we actually want our image to be into this document. And there is few ways to do that. So let's say we have the image opened. What we can do is disconnect document and just pull our image inside a rather project. And you can X out of that. This is one way. Let's click Delete on the keyboard to delete the image. Another way, and how usually do is is going to folder, select the image and then just pull it into Photoshop. And he fought trapeze minimized you can just pull it down, put it here and Photoshop will maximize release. You can see the image inside our document. Now if you scale, it will probably get some blurring blurriness because the image is a bit smaller than our then our document material there escaped later. So let's scale it in a decent proportion. Let's click enter. And now let's center it. So this would be centered. Our next thing that we are going to do is click on image, canvas size in, let's say size it. By 1080. Let's click OK. And now let's click Control and scaled image again. And let's just fill our layer, basically 3D image. Let's click enter. And let's in the same way, open up graffiti. And let's scale it up to feel whole. 6. Cropping images: Now before we import the last team into, let's select blue called shift and select the red layer and click delete. So we don't need them. And now we can go into File and selected a girl image. And we can pull it up, as you can see it in visible right now, but you're just going to scale it up until three-fifths and click Enter. Now, as you can see, she's behind the graffito area and that's five friends that miserable. But we pull her up. You can see now she's visible. Now you can see these layers are a bit different and there is this icon, paper icon next to the layer, which means that this is smart object, which makes this layer non-destructive. So if you double click, you can see it, the new document is opened. And here we have the image. And we can also make edits here and click controls as the same. But the field, let's say scale this image here to this size and then scale it up. If this was not a smart layer, it will be, this image would be valuable Lori and noisy because we would lose reserves. Scaling, but non-destructive workflow. We try the smart object allows basically and manipulate this image and don't lose that quality. So next thing that you're going to do is move the girl below the graffiti. And let's click right click and restaurants layer so that the sequence has disappeared, meaning that this is not smart object anymore. And now if you click on crop, now you can actually cut this layer, say facades with something. This click enter and asks crop again and more of it, you can see that our graffiti has cropped. But our images behind, not Soviet have awesome information on the graffiti. Now, we can also do something like this. Select more of the image, click enter. But let's click Control Z because this is basically what we want. 7. Layer Styles: So the next thing that I was showing this blending styles, soy free click, right-click on the layer and go into Blending Options. Let's click Control Space Center, zoom in a bit to see it. Here we can see all sorts of styles that we can apply to our layer. So let's say we want something like stroke. It can increase the size. You can tell it to be inside in our, we have inside stroke. And you can also change capacity and do all sorts of effects that we want. With stroke. We can also do Bevel and blas, something like color overlay. You also have some blending modes, like screen or overlay. And you can enable a multiple. 8. Selecting different and Magic Wand tool: Next thing, let's check out the selection tools. So if you go here and click on rectangular Mockito. With this, we can just click and hold and select a part of the layer. And if you click Delete on the keyboard, you can see that the layer below is revealed. And by clicking control deselect, we'll deselect the selection. Let's click Control Z. And at the rate of the select is click on select and deselect. Now if you click V on the keyboard, you can see we went into the Move tool. Now if you move, you can see that matter hall into our layer. We're basically deleted part of the layer. So selection, let's us just select the part of the layer and deleted controls if you times that will control the two deselect. And if you hold here and we can also select elliptical market tool, which select, which gives us different type of selection, which is ellipse basically. And if you make a selection, again, click delete, and it will delete everything. That decides. If you click Control C. And another useful for cat is control ie, which basically inverts colors in the selection deceased generally. When I integrate scholar in whole image, but selection, we're basically just inverted here. And let's click Control E again. What we can do here is click, right click and select inverse, which basically means that this inner selection is no more our selection. Now everything outside is our selection. If you click delete, as you can see, everything outside is later than inside the plasma left opec. Let's look control C, control D to Deselect. And now you have a bit of a line because we were inverting stuff. So you can go a few times Control Z, that's the control D again. And now let's go to the magic wand tool. This is a selection or if I can find it. Let me see. Right here. Yeah. So magic one to basically lets us select every pixel that is similar to the peaks to the pixel world we clicked. So if you add, say, hide our first layer I select to act together. Let's move her up. And let's say we want to select this fight parts so it's pretty uniform colored. So we should get, and so I can click. If you got to slice them, but it's not the greatest selection there. Lifeless could control Z. We can trust tolerance. This basically mean how different pixel can be and still be selected. So let's say we need 60. Now let's click. Now as you can see, it's selected. Everything that we wanted such click delete. And it doesn't let us delete because our layer is smart left. So let's right-click and restaurants layer. Now if we click Delete and Control D, You can see it made pretty decent selection. Controls Z few times. Now let's see, we want to select and think a bit more complicated like lips. So if you just click with the tolerance of 66, 60, you can see that magic wand to overeat fits lighted pixels that we did not want to control Z. Now maybe train Stalinist authorities. Let's try this. If we click nice a bit better, we can hold shift and click TO make multiple selections. So it seems like 30 is a bit too much. So I'd say 20. Let's now try. And if you click like this, we can make a decent selection of the lips. 9. Altering different parts of your image: So now that we have the lip selected, let's try to separate them from the rest of the image so we can make edits to it. So one way to do this is hauled out and pulled him drop. This is going to create a copy of the layer. And now, if I click, right click on the selection psych inverse, we against cited everything except at the leaps. And let's click delete. And as you can see in this layer, everything except the ellipse is dilated. Control D. Now if the height is two below layer, as you can see that we only have the lips. Let's click Control Z times, toggle back. Let me show you another way is your race. So another tricky believe selected. If you click the forecast control Dre, this basically creates a new layer for us. And only the select visible. Everything else is deleted. And I can double-click and name eclipse. And now we can make separate edits to it. So if you go to adjustments here. So there's two ways to add adjustments in Photoshop. So one way is here. This is a nondestructive way. And then there is a destructive way in image adjustments. So this is destructive because when we apply these adjustments, we can change them later. So let's try to maybe trends vibrance for the lips. So if increase divine fibers maybe situations so you don't need to go overboard because then the selection will be re visit, more visible. So if you make something like this, k, glow image adjustments, maybe brightness contrast. So again, we can call too much here something like this. Let's click OK. Now if you look at our lips, there are way more vibrant. So let me show you another way, this non-destructive way. If you click adjustments here and click on brightness contrast, you can see how a new layer here. Now this layer only works on the layers below its own acne and grow. And if you train something in brightness, you'll see that things change now delivers don't change because we have separate layer for you that is a ball. And it won't be touched by. This suggests mental air. So let's make some small adjustments here. Maybe something like this. Again, maybe take here and saturation. And CO2 can do here, maybe make it a bit more radish. And one thing that you can also do if you only want these adjustments that are non-destructive to beyond one layer can also hold out. And click like this. When you click in between two layers while holding out, it basically becomes a sublayers of the above there. So if I now move this layer, you can see that lurks behind, doesn't have the adjustments. But if we disable this, we can see that both images scattered the adjustments. But if you click cult in between and we can see that the only one that gets, gets the trenches. 10. Adjustment layer effects: Another thing that we can do with adjustments layers is basically make a selection where we want to use them. So let's click again on this adjustment layers and select something like levels. And this will affect all the layers below. So few may bring it to the top. That basically means everything will be modified by this adjustment layer. So let's say we want to change some settings. But we want only a part of the image to be affected by this adjustment layer, which we can do is click beyond the keyboard or click on Brush. And let's increase the size of the brush. So if I go to BRAF settings, I can increase the size. And now if I, let's say select, make a selection on my image. You can see this change basically Finally, what is affected and what is not affected and feed increase this added. So you can see the difference V basically these parts to not be affected by the Adjustment Layer for everything else to be affected. Another cool thing that we can do is let's click adjustment layers and click black and white. Image is black and white, but maybe we don't want it to be black and white. It can change the opacity. So damages in more or less factored and this is not possible if you went and use the adjustments, adjustments over here. 11. Working with text: So the next thing that we're going to look at is text tool. So if you click here, you'll see that your cursor changes to a type two. And basically if we click anywhere on the screen and we will get the option to write texts. So let's call this face with acne. And now if you look up here, we have few options for our text that we just wrote. So you can change the font. Maybe want a completely different font, maybe something like this. Now as you can see, it did not change because we did not have it selected. So by clicking and dragging, you can just select the text and let's change it to some other font. And also what we can do here is change the color. Maybe we want it to be black. Click OK. We also have the boldness of the text, size of the text. So if we increase the size, increases the sharpness the centering social auntie took off from, let's say, let's click enter and let's type something. You can see this one will center it and this one will start at the same place basically. And if you select everything, we can see that it can start from the middle, basically. Now let's select mu2 and let's move it on the screen. Now when we wrote this text, what happened is we got another layer and this is specifically the text left. So you can see that this is selected. And if you double-click on this team, we can also edit it again. Now, if we click, right-click on it and let's try. Now there is no more editing of it. Now it's normal air basically. Now as the control Z. Another thing that we can do here is I layer styles that we used before. Maybe want to drop shadow. Let's increase this. Maybe make the shadow white For some reason, change the Blending onto normal. Let's increase the distance. And we can get all sorts of effect with this. So you can do the same thing like on the other layers. So let's click. Okay. And now what we can do is go to Window and paragraph or character. And here you can see even more options for your text. So you can tilt your text. You can change the distance from rows of text. You can change the distance between each letter. Size, decrease this, and do all sorts of things. Things here. So this is your character in window and character. So you put it here and then just open it up for another. I'm editing some. And also you can double-click easily and just change your font whenever and however you want. Next thing that you can do is you want to have multiple funds or something like that. You can, again click on the Text tool, click anywhere, type, let's say leaps. Select everything may be turned to the color. Let's say red. Click OK. Go to the Move tool. And you can put them here. Next, tulips. And now as you can see, we have two layers and I fees enabler effects. We can see our text is not affected and that is the reason that I mentioned before, which is that these adjustments there needs to be above, that they're above, they affect everything, but select leaps and move them in this selection, let's click black and white. Click beef to go into brush and just paint over the lips. We can see that that are Adjustment Layer doesn't work here anymore. 12. The Brush tool: Now let's look at the brush tool a bit more. So if you disliked this effect, and let's actually frequently sorrows to minimize this blend, blending styles on this layer. Now what we can do is let's acne image and with the browser, just paint. Now what you are doing is basically painting on the layer. But these can be bad because painting on the layer means that this paint, if you don't undo the effect will forever beyond the image. So we can't editor later this basically destructive of workflow socially click Control Z. And let's select this top adjustment and create a new layer. Now if you paint, everything that you paint will be on this new layer. Now disproof brush has its own pros. And up here we can see some of them. Things like capacity say for you decrease, this, will have less than the stock to the brush. So it done, he paints it 20% of the strength. You have flow smoothing, which is not that important right now. And we can find them more options in the brushes and brush setting. So let's go and brushes. And it's windows. Window right here, which has the size options, increases, size, gets bigger size, and have types of brushes. But if you go into BRAF settings, here we can see way more options increase the hardness. This basically means for the bronchial, there just would be harp. And as you can see here, edges kind of have this circular motion, say increase the spacing nicely Control Z. And you can see how the brush, brush pains to basically kit circles in there all lets you control Z. You want to be a smoother line. We can decrease this. And now if we paint, the edges are way smoother and there is no, no that bumpiness. Now if you click on the color here, we can trend to any color that you want and paint like that. And hearing this brush settings, we can see different types of graphs. You don't have to the circle for a brush. You can use this whatever object this is, increase the size. If we click, we get different types of objects. There is also a way to import your own brushes if you, if you need that. But let's go back to their own brushes. There is R, so roundness or what we can do here is decrease this and make it a more Martin basically. And here we have all sorts of options that we can also apply. So I think we can leave out some shape effects later. Let's say that you want to be around them. When we paint, we can increase the annual Jupiter. And now we get this effect where it randomly rotates interaction 20% more to one side or the other from the default site basically. And that's kind of it for the brushes. We can now delete this layer. 13. Creating shapes inside Photoshop: Now let's check out how we can create shapes in fought for. So if you look at tools, we can see here that there is a shape tool. And if you click on that, you'll get fewer options up here. And if you just click and drag, we can create the shape. Now these options let us customizer flips. So something basic like color. We can Asaad the removes strokes or if I just select, let's say blue, we get this basically stroke with some pattern on it. We can remove or customize the pattern if I click here. So I can make it a straight line, maybe dots. And I can train how could the line is. So maybe 15. And you have here width and height of this shape. You can also see here in a property spherical change even more our prints, and of course, you can open this by going to windows in properties. So here we can maybe truths to kids, smooth corners. If that is something that you need for a project, you can also see we can cut out or odd. We choose what you want to do with this, with this shape. Now you just want other shape. And you can only edit selected the Shape Layer. If I select some other later, you can see there is no more options in here. If I change this, the color of the fair point, but it will change for the next triplet you create. Next into canoes called left-click on our tool, intrude for some of the different shapes that fought for us. So maybe another useful Ellipse tool. And if you click and dragging Syria creating ellipses and if you hold shift, we can create circles. And the last important flip two is custom femto. Here you get an additional option to choose some random favorite hot forgives. You can also download some Phipps from the internet. So you can click on any shape you want. Choose a color. Control Z, we don't fund it for data. Let's create a new layer. So if you just create an empty bladder, greater faith, it should fill that layer with the Right. Now let's choose a color. And if you drag hold Shift, recreate the narrow. 14. The Eraser tool: And told that you are going to trick cout is erased tools. So if we look here, we have the razor tool. And if you click, let's first. Delete. Rectangle are closely to leaps and we can click Delete on the keyboard. And let's just name this one. Now we click there isn't, but it shows us that we can't actually do. That is because this is shape player, not normal air. Which means that this is not the same way that the smart objective is not editable. So click right click here and the rest are layer. Now, we cannot carry stuff from this level. Let's click Control Z. And for raiser we have new options. And here we have first is the size in hardness, hardness. Rafting agents are of the brush and decides is just the size of the brush. So as you can see now, we are erasing, but the edges are small and you can change that by increasing hardness or choosing different types of brushes that 40-foot gives us two. If I click on hard brush, let's say 32%, we click on drowned and it'll change properties to get to the heart. And it get defect like this. We should also have the opacity. So if you decrease pasty, we want delete everything, we leave it. We also have hello, but a bit more complicated that you probably will never use. And we can also use pencil or block to delete things. 15. The Spot Healing Tool: The next problem that we're going to track out is a really important one that is a Spot Healing Brush Tool. So before we start using Eclipse, minimize this window and few of the layers so we don't need things like text. So you just want to have this image below. Now let's click on the image. And that's Spot Healing. Brush tool basically does, is kind of photoshops way to figure out what you want to delete in how you're going to replace it. So if I, let's say I click on this pimple, we can see the teacher has disappeared. So basically what I did here was try to figure out what, what you wanted to delete there and how it could replace it. And this is a really nice way to quickly just delete anything that you'd find on the skin. And most images are added to this way and edited in general. So if you just decrease this scale here, we can also do it something like this in the skin. And you can edit this, this image as much as we want so we can delete anything with any pattern that is on this image. And you also have to be careful that sometimes when you are editing things it can fortification accidentally take something that you maybe did not want to be replaced with sorrow right now. Photocopies not making those mistakes. Probably because the skin is pretty uniform and there is clear distinctions between parts. But if it was, if the image was a bit more messy, Photoshop would not really know exactly what to do. So if let's say you wanted to, maybe it'll use this part of the hearing. You can see how Trump kind of left out here and did not do a created trout. So when you're using this tool, tried to find things that are unclear surface and you know exactly how to change. It. May be something like this part here. So that's how you use Spot Healing Brush Tool. 16. Airbrush Technique For Smooth Skin: So in the previous tutorial, we learn how to use the Spot Healing Brush Tool. In this tutorial, we're going to use something called BRAF technique. Tall, kinda smooth out the skin and get more tree-like magazine effect of the skin. So first thing that you are going to do is duplicate the layers. So binary to duplicate this, the still click, right click and click Duplicate Layer. Let's click OK. Let's get control. So I can ask duplicate it by holding out and pulling the layer up or down. And we'll be and replicating it. And let's double-click era name, call it face effect. Now that we have these two layers, you can select the first layer. And what we're going to do is click beyond the keyboard or click on the BRAF. And actually before that, let's choose the eyedropper tool, which will let us select any color from the layer. And we want to choose our skin color these between dark and bright parts. So we don't want them presenting from here or from here. And something we write here is pretty good. Next thing that we're going to do is go to brush. In R. We're just gonna edit the brush. So we want a normal circular BRAF. So I'm going to disable Shape Dynamics. And you can edit all of this in brass settings. So I'm going to disable ship dynamics and select the default brush and maybe dequeues a spacing a bit. Next thing that we need to do is increase the BRAF size. So I'm going to resize the browser, something that would work fine. Maybe something bigger. Let's put 500. This is pretty nice. So what you are going to do is start brushing over the face between the two. Decrease capacity. So this capacity is way too big. Makes, make it something like 15%. And now if you prefer the face, there will be a slight difference. And you go over it. And that is exactly what you want. Just a small difference in skin tone. And we'll try to go uniformly over the face and try to not go over the edges of the face. Maybe also put some over here. Get a uniform skin color. Now, as I'm painting the skin, we lock faker, faker, which is fine. We are not going to use this image is final image. So I'm going to paint something like this. Maybe evens put somewhere here, get a more uniform color. Next thing that I'm going to do. Is decreased the size of my brush. So now it's a bit too big and it's something like 250. And now go over the slips area. Something like that. Also here seems like there is not much and try to keep it uniform size a few times in the same place. Now we need to pay into the noisy bits and the North has a bit different tone. So we are going take the eyedropper tool and select some medium part of the nose. And now let's go back to the browser and let's paint nose. Get it at uniform colors, modalities, skin. Let's pick out the color in front of the nose. Is smoothie there too. So we'll need a bit smaller, would say 100 with smaller brush for this is the control over the border is a bit something like this. And the last thing that we're going to do is paint a bit inside the laws. So let's select the dark part of the nose. We can also say the color maybe make it a bit darker within 20 to read something like that. Again and try to get inside the nose a bit, something like that. And now that we did that, we can hide the face layer and go to the bottom layer. And now we can go to killings, Spot Healing Brush. It'll increase the size. And now we can clean up the face a bit so and we can just clean in general. So if you're doing this professionally, you will spend a bit more time and title, clean up every little part. But for now let's just say in general, clean these big parts. So kind of a smooth scaling but only with spot human birth, we can't get to smooth skin. Some general parts. Now that these parts are smooth, we can go back to our Face effect, enable it. And now if we decrease capacity a bit, you will see that below layer starts appearing. And we can put something like maybe 65. And a good way smoother skin and get dot magazine effect on the face. 17. Liquify effect to reshape parts of your image: The next thing that we're going to look at is liquefied liquefied effect. So if you go to Filter liquefy, we're going to get this menu. And here on the left, we can see how different tools for the disinfect. So the first one is trust our Warp tool. So this allows us to move things. The firm takes effect and go back. And if I increase BRAF size, let's say to something like a 180, what we can do is maybe if you interchange the tr1, put it a bit inverts. We can also pull things, so maybe leaps when Tito smile a bit. We can do something like this. We can also be this tool change shape. If maybe you want something to be thinner or to move things. Now you have to be careful if you go to the side, you will get the same effect that you'll pull the image inwards, which will leave the space to the side. And if you go to the second tool, this tool lets you just go back on your changes. So maybe I don't want this to be stretched here. I can just use this tool. Maybe I want to bring back the finger. I can do that to have the smooth tool twists to. Another important tool is the pucker tool. So if increase the BRAF size a bit, what we can do with this tool is just a frame things. So maybe I want flips to be a bit more shrinked. Or maybe something like here. I can shrink that. Blogs, toys the complete opposite platoons. Let, let us increase the size of things. So if something to pop up more, we can use this tool. We can also twist clock phi stole. This might Let us do effects like let me see. If I hold out here and click and hold, you can see that the image starts twisting. May be, i want her to smile a bit more. I can use this total twist it and maybe then use the move tool to move it to the top. Looks something like that. And for cuts are similar. So if I click whole control out space, I can zoom out or control, or control to zoom in. And here you have all kinds of different properties for this, for, for the sleek 5X. And at the end when you finish editing, if you click okay, everything is updated here. 18. The incredible Content Aware feature: Let's check out another cool feature in fought for purchase content of air tools. So let's say that in this image you want to add a bit more info to the side. So let's say we want to add another part here to the image. We can crop it. Click enter. And now that we have this part, let's take the cipher tool. And that's k, the selection solids. Pull it a bit more than where the image, something like this. Now if you click right click, click fill. Here, you can have different types of feeling for this. So we can feel it just by color and pattern and material use content of air. And let's click OK. And I've fought for PR, tried to automatically, automatically figure out what would be here based on the rest of the image. So if you click Control delete, you can see that it does a pretty decent job. Now, there is some repetitions here. So maybe we can do something like this. Right-click, feel, clinical K seasons and tried to figure out a better way. Now it looks way more natural. Natural. So it can do a pretty decent troubles just adding more content. But you have to be careful that the trust can add content out to nothing. It usually just continuous whatever was happening before. Tried to add things like knows or, or rest of the year, it won't work. So let's click enter. We can actually try that out. So do something that fought for Qantas, predict what, what is happening later. So something like here, it won't work. It doesn't know that the noise exists. It will just try to duplicate what was before. So let's click on. One thing that the troops do decently is these fingers soil, increase them a bit. So we can create a selection here, something like this. Right-click fail. Let's click OK. And Control D. And as you can see, it actually did a pretty good job here. It extended the fingers, he extended the neck. Looks like it was part of the image the whole time. And other parts do valleys, these parts to the side. It will just continue the finger continued the white part. And we can see if that work. And this is really easy way to essentially add more content, but you also have to be carefully controlled d, We can see that pretty decently continued to finger and continue the rest of the image. 19. Applying filter effects in Photoshop: Next thing that we are going to look at is how Todd Filters on our image. So first let's double-click tore layer, Soviet, unlock it, and then we can go into field term. And here we have all sorts of options for kind of effects that different ought to image. So let's say that you want to distort the image, we can click on repo. And maybe cuz the amount c, what happens? Click OK. And you get this ripple effect on our image. Let's look at some important filters that you will be using frequently in sharpen filter. So I'd save our image to be a bit more blurry. You can click on blog and smart bluer. Now let's drag part to see how it looks. Maybe wanted to smooth out the image a bit. Let it decrease this movie made want high-quality. Now if we click OK, the effect will be applied and you can see the difference. So blue is good one. So let's actually apply a bit stronger Gaussian blur. So put it on maybe one. Let's click. Okay, so we have a bit blurry image. And let's say the important it like this. And let's say we want to sharpen it a bit. We can go the filter sharpen, click on sharpener, smart sharpeners, tricyclic, sharpen, see what happens. And you can see an image and caught a bit far PR. And the nice thing about filters in Photoshop is that you can click Control Alt F to apply the filter that you already did before. So if I click Control Alt F, I can just apply this sharpen filter and we can see that imagery looks almost the same as before. Now, we probably lost a bit of quality, but DT is better than the blurred image that we had before. So filters can be really useful to attitude imager out some really easy and nice effects. 20. The Clone Stamp tool: And the last thing that we're going to try to do in this course is try to remove these graffiti from this walls. So there's fewer ways how you can load this. Philistines double-click and click OK to analog this layer. And one ways we can use the content of air to Latinos before. So if you select the graffiti click, right-click. And Phil, we can click OK. And we can see what about fats for dysarthric Control, D select. And you can see that it's actually a pretty decent job. Now there is some repetition here. And we can use our Spot Healing Brush to decrease the size. And tried to remove these spots here. Something like this. Now it looks like it's not repeating. I'll, so this part I naive content of air can, can handle this. But actually did not do a backdrop. It looks actually pretty good. So we can do something like this. And it looks like there was nothing before. Now let's go to our May Claire. And let's see other ways you can do this. Another way that we can do this is by clicking on the clone stamp tool. Now let's increase the size. And what clone stamp tool does is basically picks up if you hold out these target, you click somewhere. Let's click on r. We can see that we picked up dot and we cannot paint it somewhere else. So that's basically it's constant does so much we're going to do is let's say things here. And we're going to pull it up a bit and try to paste it up here. And try to basically paint over the graffiti. Now it started repeating. So I'm going to take another part and try to fill it up. And you can get something like this. Actually there. We're going to do something like this. Maybe also decrease the size. And here maybe you can copy this or this part. And let's amount now this looks a bit first than before, but we can kind of play around, get some different effects. And you can also go on Spot Healing Brush Tool and try to see if it if it fix it a bit. So let's keep that. Xena was not good. So we can kind of get the effect of removing the graffiti. And what we can also do is try to just use the spot healing and it can, by itself removed these graffiti. So Phaedrus paint everything in release. Content of air actually does a pretty decent job now we can see few problems. So here we have there. So we can have something like this. As we have this spotter disruptive spot here, that tidal noise. 40 for people to be able to remove? Probably not. So if you just use spot here and you might get a bit worse. So for these graffiti, I think the best way was to use the content aware and then clean it up with a brush tool, which spot healing tool. But you can use any combination of these effects to easily remove graffiti from this pillar. And that brings us to the end to this course. Thanks for participating.