15 Day WATERCOLOR CHALLENGE - Maintaining a Creative Practice | Nivetha Subramanian | Skillshare

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15 Day WATERCOLOR CHALLENGE - Maintaining a Creative Practice

teacher avatar Nivetha Subramanian, ARTIST - INSTRUCTOR

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

18 Lessons (1h 55m)
    • 1. Welcome to my class!

    • 2. Supplies

    • 3. Day 1 - Birds on wire

    • 4. Day 2 - Airplane

    • 5. Day 3 - Daisy garden

    • 6. Day 4 - Bird on a fence

    • 7. Day 5 - Sunset with Branches

    • 8. Day 6 - Sea horse

    • 9. Day 7 - Humming bird

    • 10. Day 8 - Garden Silhouette

    • 11. Day 9 - Red sunset

    • 12. Day 10 - Pine tree

    • 13. Day 11 - Birds in flight

    • 14. Day 12 - Twin Palms

    • 15. Day 13 - Flower vase

    • 16. Day 14 - Blue Landscape

    • 17. Day 15 - Hot air baloon

    • 18. Thank you for joining!

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About This Class

Hello Creatives! I'm so excited to have you here, let's do an easy yet effective Watercolor challenge! Keeping in mind of the busy lives I have structured the class in a way that everyone can follow along! Also this challenge helps you to maintain a creative practice. You need not spend hours of your time creating, just spend 5 to 10 minutes and see the results for yourself!

For 15 days we are going to paint a polaroid landscape using watercolours, I have tried my best to keep a limited pallete so that it will be easier for you to follow, also I have chosen easy subjects and made the techniques much simpler. 

I bet you that by the end of the challenge you will have not only a clear perspective on maintaining a creative practice, you will also be more confident on your watercolor techniques! So why wait, let's get into the world of colours!

Meet Your Teacher

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Nivetha Subramanian



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1. Welcome to my class! : Hello guys, welcome back to musculature class. And I wish you all a very Happy New Year. So I know I'm late on this platform. So I have come up with the most interesting class. Yes, we are going to paint 15 Polaroid landscapes today. Sounds interesting rate. I'm very excited for each and every one of you who joins this challenge. So it is a 15 day challenge. Even if you don't have time, just spent five minutes. And you will be amazed at what you could create in those five minutes. So I have created this class and have structured it for all the DC lifestyle that is going on today. So I really hope you enjoyed this glass and I have made sure it is under two hours so that you can break down the glass into different sessions and followers as you like. So let's get started and let's start this year on a positive note. And I'll see you in the next session. I hope you enjoy. 2. Supplies : Ok, let's discuss all the supplies that are required for this class. Starting with watercolor paper. I'm using cold press 300 years, a 100% cotton. You can work with any kind of watercolor paper that is a 100% cotton. Make sure it is a minimum of one for TLB so that it is able to handle the washes that we're going to meet. So I always use arch because the paper is so heavy and it really suits my style of work. And I have thought paper into similar sizes. So that at the end we'll have a beautiful collection. We are going to paint 15 for, right landscapes today. So make sure your partner peoples in even choices. And now let's discuss all the colors that we are going to use. Today. I'm using a mix of brands. I'm not relying on a particular grant. I will discuss each and every color in every session so that it is easier for you to follow. So don't worry if you don't have the exact sheets that by half, you can always use any colors. I'll also mentioned some alternate colors so that it is helpful for you. And then additionally, you would meet whitewash. This is bourbon kilonewton. In case if you don't have white wash, you can always use a regular white watercolour paint. And I'm also going to use a goal from trying. So I'll just use the gold paint spray on top of some of my paintings as it gives a nice contrast. So this is totally optional. If you don't have gold, you can always use the right or just keep the step. And then coming to the brushes. I'm using a fewer IT today, starting with the larger Hake brush. So any kind of larger Flood fresh will do just for covering up the background using the water. So that is the purpose of this brush. And then you would need a larger round brush. This is a nice number ten from silver black velvet series. Use any kind of larger ON brush that you already have in hand. And you will also need a pointed brush. This is a size eight from Princeton. Doses of pointer drawn brush. Use any kind of pointed brush that you have. In case if you don't have appointed wrong grass, you can always use a size 0, size one. So that would work perfectly. So the next brush is assigned 0 from Princeton. So we are going to use this for the fine details. Since we're painting many paintings, I would highly recommend you have tiny precious, even if you don't have the pointer, don't brush. It is totally okay. Make sure you have a size 0 or one. So that will help you on large. And then I'm using a flat trader from Princeton. It is a size ten. If you don't have a flat shader, no problem. You can always use the round brush. If you having flat brush, make sure it is of smaller size. Otherwise, just use the wrong crush that you have, but it worked perfectly. I'm also using an old toothbrush just to spread the paint. So use any kind of old toothbrush or even you can spray using your painting brush or a mechanical pencil. Now, an eraser for sketching purposes. And I'm also using a micron pen. This is a waterproof print. Make sure your penance waterproof so that when you apply paint over, it doesn't smudge. And that's it for the brushes. And the also need masking tape just to secure the people to the board. And it also gives clean white edges. Then we need a board, any kind of surface just to give gaba watercolor paper here and just using an old private which had been to the quiet just for the video purpose. And a pilot, of course, I'm using a ceramic blades here. So if you don't have a pilot just uses ceramic plate, it works perfectly fine. Somone to bio palette and it is not needed. And then we need to jars of water. So one to clean out the brushes and one blue pigments. So you need not change the water. Offense. So that is the reason I have to jazz and some paper towels just to remove the excess pains. So that's it for the materials. So let's start painting. I'll see you in the next session. 3. Day 1 - Birds on wire: So these beautiful birds in a BCCI background, I used to falling pollutes. The first one is the beach from white Knights. Use any kind of each collective behalf. And our great operand use anything. And then a great Orange, which is a synonym, orange. And as you showed the black exit, I have already sketched out some tiny birds on a wire. And make sure you're able to paper firmly to the board so that the painter TSMC can now time to call it the paper with water. And I'm loading of wind brush with a beach color. And I'm using the beach only at the center portion. And now I'm taking the great operand from juno mission and I'm slightly mixing it with the beach. Certainly get a beating effect. You can mix, initiate that you want with bleach and automatically color looks more blush. And now when cleaning up pages, as I add more water and no time to document the top and the bottom portion. And mixing the orange engineer with the bright Opera. Soon schemes are nice, pinkish, orange. And again, I'm applying it randomly here and also make sure you don't cover the entire paper with orange and pink because speech is going to be dominating the entire painting. So I'm using a lot of speech and a bit of orange and pink. Now I'm just making the blends look more even. And normally firstly, the strike unless you see me firstly, solar light. So again, I'm going to the second layer. For the second layer, as you notice, I haven't applied water. This is because if you wonder secondly, to be super bright. And if you're painting is a bit smaller than can always go and directly for the pins in the ACFE painting on a larger sheet of paper, I would suggest you go with the correlator afforded. Since it is a small sheet of paper, it is easier to control. So there is no need to apply water. But if you want, you can always go in with a layer of water and then apply the paint. I often get more questions on when a watercolor painting tends to fade away and it is not asked by apprentice years. So sometimes I used this technique when we first layer is completely live in JACC. Firstly to strike, you can always go directly with the pins in the second layer. Don't apply water. But if you find it difficult to control my razor blade, a slight amount of water, don't ablate, do much work that otherwise you won't get the vibrancy. And this is my third layer here. I haven't played wonderfully third layer spin. So for blending, I'm just using a weight than brash animals and making sure my brushes clean. And I'm vacuuming the top and the bottom media and enlightening the central idea. The problem about the media looks almost read. This is because of the Orange and Pink combination. And make sure you work a bit faster. Menu or donor Blackwater so that you get more even blending. And now I'm dropping the words. Make sure you use it. Crash that you have. And then slightly outlining you. Repented nine serviceable here. So I'm just following the pencil lines. As I always say, you can always outline the subject using a micron band or what? So sometimes the pencil line tends to fade away in your play molecules of colors. So in case if you want, you can always outlined a little waterproof pin. And I'm slowly filling up Liberty using the black color. So it looks more beautifully the contrast of color black and being penned the features, I hope you like this. And I hope BOB ending termed as beautiful as mine. And I cannot wait to see your gorgeous class projects. So do post them in the and I'll get back to you. So the y's have to be extremely pin 0.1 micron. You can also use a brush if you're confident with the material, you didn't want to mess it up. So I'm just going, oh my god, Pan. And now I'm using the goal from fine Peck and spraying some gold paint. Make sure you spray only. And in case if the goal beam falls on top of the black, it can always School with another layer of black for the birds. And once the gold paint trace how painting Stan slowly and gently remove the masking tape. And as you see, I didn't get clean edges. In spite of pressing the masking tape firmly, I didn't get it. So no worries. I'm just taking my weight acrylic friendly critics and am going to fill them. And yeah, I hope you like this painting. I'll see you in the next session of the class. 4. Day 2 - Airplane: In this session, we are going to paint an airplane in a cloudy sky. For this amusing, our sky blue from equal line. This is a liquid watercolour. There is no competition to have a liquid watercolour. You can always use your Sierra Leone blue or yellow, blue or any kind of blue. And then you also need a wireless or a purple color. I'm using a blue violet for Magellan mission. And I have slightly sketched out the app lean. And now the paper is fixed to the board. And again, the same process continues. Take your flat brush and start applying an even coat off water. Once it is done, I'm loading my number 28 brush. Using the sky blue. The paint starts to fill it out beautifully. So there is no effort needed to paint the clouds. Just dropped the paint hearing that, and don't filter paper entirely. Otherwise, you will not get the cloud chips. I'm just randomly making some cloud shapes here and there. So clouds don't have any far more shape. So just go and randomly and just follow the flu. Don't control your brush too much. And now I'm cleaning my brush and slowly blending the outer edges of the clouds. This makes it looks more real and the clouds look more softer. Venue to do step. So don't forget, step, clean your brush and gently blend that all the edges of the clouds to the white background. I'm using a tissue paper. I'm keeping it in the other hand and then just dabbing my brush every time I blended so that there is no residue left on the brush. And now I'm using a purple color status or blue violet color. If you don't have a darker rhyolitic and always mix it with a lighter blue to get a darker shade. And now I'm painting the shadows here under clouds definitely have shadows. So dark in a single area. Don't darken the entire cloud, dark and adherent dev. So this gives a monetary loop. And make sure your paper remains wet during this process. Otherwise you're clouds will look harsh and it will have harsh edges. So we do not want that. And now I'm mixing the sky blue with a bit of weight. So this makes it even more lighter. And I'm just applying the sky blue beneath the clouds. So this makes the clouds look more for LA. Make sure you mix a tiny bit of blue to a large amount of white so that you get a nice space to blue. Or if you have a base to the blue, you can straight away use that. I don't have a base to alkalosis, so I'm just mixing it on your own. And I'm filling a children birth to lamb. Satisfied. So continue to work to less satisfied and stopped it at the right point to not overlook your painting. And at this stage, perhaps cleaners are lost, completely lost behind the clouds. So in case if you do not wanted, can always use a micron pen and sketch it out so that it will be visible. I am using a black color and assigns 0 pressure and I'm starting to fill the airplane. You can always careful of your images from the internet in case if you're not sure about the structure of the Abilene. I just drew a really basic airplane with no details at all. So this is very easy. You can also follow the same sketching process in case if you cannot find any pictures at the moment. And carefully fill the entire plane and make sure your background is completely dry. When you do this. Otherwise, the black will start spreading and mixed with a blue. And we do not want that situation at all. So weight. And then you can always fill the black color later. Okay, now the painting is almost over and our plane is soaring in the cloudy sky. And now it's time to remove the masking tape. I'm repeating this lines again and again. Just because I have ripped off a watercolor paper most of the times, I do not want that to happen for you. So that is the reason I'm saying it in each and every session. So make sure you're gently pull off the masking tape. And now it's time for a close-up. And I'm just adjusting the borders as the paint has slightly seep through the masking tape in case if it happens to you, use a white acrylic paint or a whitewash. And here is the closeup of Tokyo ugly painting. I hope you enjoyed the session and I'll see you in the next one. 5. Day 3 - Daisy garden: In this session, we are going to paint a garden filled with beautiful DCs and a cloudy sky. So the colors required, sky blue from E coli. Use any kind of sertraline blue or yellow, blue, pressure and Blumer do. And permanent green number one term Mozilla mission. Yellow-green from Juno mission, Sap Green from juno mission. And yellow squash from inserted Newton. So you don't have a log wash, no worries, you can always make a bit of yellow paint, your whitewash. So I'm not making any sketches before I start. I'm straight if applying a coat of mortar. And then I'm starting to integral. So for the clouds, I'm taking the scribe blue, randomly applying it. Make sure you leave some white spaces as they always mentioned, so that your clothes look more fluffy. As you notice, I'm not painting anything but the modern bushing. So we are going to straight away apply cleaner. I'm using the bright yellow green from juno mission. I'm Muslim mixing the permanent green along with the bright yellow green and can just applying it at the multimedia. So don't apply blue. There are the ways the clean won't. Same slowly blending the green with the blue would give us seamless background. And again, I'm documenting the clothes to make it fuller and more fluffier. So my paper is still read some applying blue in case phi_p Padres don't work on the background. Just concentrate on the grass. And then once the entire paper trace, you can again make some adjustments to the clouds. And waiting for the green layer two tray so that we can start the dinner de ses. So meanwhile, I'm just working some more area. So the sky is almost done for painting bases and generally using the weight worse, which are used previous curses. So if you don't have white worse, you can always use a normal weight we're developing to make sure you don't mix too much of water. So now it's time to start painting the day cease. Make sure your background is completely dry while you do this. And embedding bases using a simple method called one stroke method. So one stroke method is one of the ECS to me to paint Florence. That is slowly approach with whitewash and then press your brush firmly to the paper and drag it down. Make sure the gaba persuader and the bottom part. And once you complete the flower, then you get a blight, yellow squash or yellow paint to the center of the sludge. And I think floss in different shapes and sizes. So diaper flux will not treat. You can also paint a few, but she chose to uplift a painting. So white painting these, I realized I made a tiny mistake. That is, the green background is so down so that I felt my white flashes are not popping up. So what I decided to do was just to apply a darker green. So that is why I choose the sap green. So now we have squeezed some sap green and violet. And I've seen all this am just applying sap green on top of the lighter green. So don't worry, making mistakes are common in water colors. So you can always go back and connected. I never applied any water to the background and straight away using the Supreme from the tube. I haven't diluted it with much water and just diluting it with a bit of water just to make it work. And I'm leaving all the flowers in case. If you apply green to the floss, no worries, you can always go back with the white wash. Since white washes of paint. You need not worry about the green spilling onto the white. So once a blank Sap Green, Now it's time to go blended with the band. As you notice, I have some harsh adjacent top of the grass bed. So for that I'm going to clean up my brush and gently blend that green along with the blue. So now I am giving a second layer to a disease. So this makes the Florence look more brighter. So that is the reason I'm going. And again, so since our background stalker, now, the Florence pop-up even mode, and it looks more beautiful. So that was the reason I use the sap green made my grass, but even more darker. Now it's time to have some fun. So I'm just going to displace a white clothes and bubbles to DC's. So just I'm using an old brush and I'm loading up with white and gently spraying it. And one status Stan, I'm using yellow squash and painting the centerpoint of the floor. Make sure you apply it. A brighter yellow so that the flapper looks more realistic and more natural. So the yellow just gives a whopping effect to the flux. That is the reason I use to a look washed in case if you don't have it. I say always same. Mix it with white wash. That is mix a bit of yellow paint that await wash. And a painting, it's done. So I love this painting. I think this is a most favorite one. Time to reboot the masking tape and gently remove it. As you see, I was about the Bushmen paper. So make sure gender domestic. Now, it's time for a Glossary. I hope you like this painting and I'll see you in the next session of the class. 6. Day 4 - Bird on a fence: In this session, we are going to paint a beautiful bright sunset with a bird on offense. For this, I'm using red violet from Mozilla mission. Use any kind of purplish wild that you have. And then you need a bright pink. I'm using bright Opera and also yellow. It is Uganda from Daniel Smith. Now, I have already sketched out the fence using a pencil. I'm using a micron pen and I'm just outlining the fence so that it remains visible even after applying many layers of watercolors. So be careful when you sketch it out. And the outlining process is almost done. So once you have outlined, depends on lines. Make sure you tap on the pencil lines and there are no graphite in the paper. So now I have rubbed off all the pencil lines and now it's time to paint. I'm using a large flat brush and I'm applying an even coat of water. Now I'm taking the red wireless and I'm just done applying it, drove the vapor leaving the bottom portion. And Walter mixing a bit of things to the red wireless and then adding it spread Violet is a beautiful purplish pink color. In case we don't have this particular Colombian always mix a bit of things to any kind of writer that you have. And we'll be using a burden, right? Gameboy jello, and a hint of orange at the bottom. So mix your gameboard yellow with the bright operatic, get a beautiful orange color. And now I'm using the bright operand and filling up all the whitespace says that I have left before. So I'm planning for a single layer. So as I always say, I'm going with the full intensity and I'm just darkening all the areas. So till my paper domain sweat, I'm just again going with the same. Think under red, violet and embedding it. Since bright opera is already rich and vibrant color, it goes really well with the red violet. So always choose colors that complement each other so well so that once you laid it on the paper, it looks more nice. So I'm almost done with the first layer. And let me see once a trace it has tried and see how vibrant looks. And I'm really happy with it. So I'm just going to spray some gold paint. So instead of cold, it can also spray some whitewash. Our white paint that loads or give a nice effect to sense it is a purple background. The goal looks more beautiful. And now it's time to paint the celebrate. So I'm just using when size 0 brush and I'm filling up the fence and IMRT using the black color. So I love painting silhouettes. Ms. Stein would always have the silhouette painting. As I really loved the process and it's more satisfying. And I really hope you also felt that and I hope this session was helpful. And do post your projects on the project session that are 15 projects to choose from. And you can choose whatever you like and try. Now it's time to paint the bird. So big, baffled by looping the bird. So since it is very tiny and delicate, Make sure you paint with more patients while please take your time and walk through it. Take breaks in between so that you get more idea, more thought process on how to take the painting from that point, say always recommend you take breaks in between your painting sessions. That helps me a lot. And I really wanted to share the process with you. And the painting of Stan are now at Stanford and with masking tape. And asks you should, I'll show you a close-up of how it looks. You can see the gold shimmer. And that's why I used to go paint for contrast. So I really hope you enjoyed the session and I'll see you in the next one. Ok. 7. Day 5 - Sunset with Branches: So again, we're going to paint a beautiful censored, I think this class has about two to three sunsets. And this is tau, simplest one. And for this I'm using orange from juno mission and Yan Bhatia law from Daniel Smith. So these are the two colors that are required and you also need a black to paint the branches. And that's it. Let's get started. I did not make any sketches for this session, so I'm just typing down what regular people to the book. And I'm starting to apply an even coat of water. So I'm just going with a light yellow and I'm slowly and gently applying it at the book and pushing. So this is a Gameboy Jello from Daniel Smith. So in case if you don't have, again modulo, you can always use any kind of, you know, that you have a permanent yellow deep or a 100 PSI a law. Any kind of yellow will do, make sure it is a bit bright. You can also use alimony or low, but it will be a bit lighter. So always add a word of orange to the lemon yellow to make it look over dark. And now I'm taking orange from juno mission, which is a very bright orange. And I'm applying that proposition. So when I'm blending water, Carlos, I'm cleaning up my brush and I'm gently using a clean brush and blending it. And again am darkening the top portion. And as I come down and reduce the intensity after orange. So now again, I'm using the modulo and I'm applying it at the bottom portion, I really wondered BPR Lu. So again, I'm applying earlier referred in case if you're happy with a single layer, you can always stop with that. And the background is almost, and this is the most simplest background and easier B. And the background is dry and my painting looks vibrant. So I'm straight away going with the branches. They're going to paint a few simple strokes. These branches are very easy to just follow along the process and it is a meditator one. Make sure your branches are thin. And normally the branches to straight always makes sure all the branches are twisted and the nature has its own beauty. So just feel free and being a few punches. And the main branch is comparatively thicker when compared to the sub-branches. So make sure that your main branches are big, thick. And I'm also adding a few leaves here and there, just to give it a more fuller look. You can also paint bad branches that also has its own beauty. So it all depends upon your preference. And here I'm showing you. Close up of how I paint the leaves and branches. We hope this helps and engaged. If you're not happy with how the branches look, no problem. You can always try it out in a separate piece of paper before you put it in the final composition. And I'm also painting some tiny leaves. So adding a few leaves, you need not add leaps for every branches like credo. I simply like the process and so I'm doing it so there is no competition. Process is repetitive. So I'm adding it by field will branches. And once it's done, I'm just going to create a button called ductile to totally optional. And I have a chart of few parts sensitive stripper to tooth. And you really wonder we do to be too long. And I'm just bringing up enough water on a goal Pinterest are activated and using an old toothbrush. And I'm spraying some gold paint only at the top portion of the people. This is totally optional if you want to get spray white-collar gold color, or you can just leave it plain. So that has its own beauty. So I am just doing it since I like the process. So there is no condition of using gulping. And the painting is done. Now it's time to remove the masking pip. So make sure your water masking Pip gently. And please don't too puffy watercolor paper. Half patients and Stoli philosophy, the kids to people. I show you a close-up and I really hope you enjoyed the session and then see you the next one. Why? 8. Day 6 - Sea horse: We're going to paint underwater this time. And there is a sea horse. For this. I'm using cobalt blue number two by Magellan Mission. Use any kind of blue that you haven't heard. And then being scraped. And a black and white wash, which is common in online classes. And we also need to apply decennalia. Use any kind of bright blue that you haven't had. And I have already sketched out to see house. And now it's time for paint. Our play, an even more perfect Porter. And I'm applying the workbook on top of the sea horse as we're just going to paint black over it. So it's more of a cigarette kind of painting. I'm using the floor trader from Princeton. You can also use a round brush or any kind of pressure that you have in hand. And I'm loading it up with the cobalt blue. Corporate law number two is a lighter blue virus descending year Blue is a bright blue. So I have always said, mix up a few sheets, the cup of lighter colors, and a few darker colors, and then mix it up so that you get more where IT and more dimension. Now I'm cleaning up my round brush and I'm gently lifting off to paint. So the light source is coming from the top portion, especially the left side. So that despite the light is coming. So bags my assumptions or I'm painting a backbeat. Now, amusing. Veins create, ma'am, darkening the bottom portion of the sea. Apologies for the change of lighting. So I didn't really notice what was happening. So while editing an opus two soil, try to correct it. But if it bothers you, I am really sorry for that. And now darn toward the painting is done. So it's very simple. Just make sure you make some strokes of blue and green screen. And now it's time to pain proceed house. So my pencil lines are visible here just using a pointed brush and a black colour. Slowly filling up the sea horse. Make sure your background was tried by you apply the black color so that the seahorse looks more consistent. So the seahorses almost done, and now I'm spraying whitewash. So far, Orlando, Florida paintings, I highly suggest you to spray some white beep. So this gives a nice contrast with the painting and abusing whitewash and painting. And also there are bubbles. So this is a very simple painting. And only process here is really they're sketching and the underworld person. Otherwise, it is very easy. And the painting is done thanks to remove the masking tape. And in case if you want the reference pictures from C has, you can always look up on Pinterest or any website. A much easier process, and that's red and included in the video. As really didn't want to make a video too long. So I hope you really enjoyed the session and I'll see you the next one. 9. Day 7 - Humming bird : This beautiful hummingbird innocence that I'll show you, the falling follows the pie used. The first one is permanent yellow light by Magellan Mission. Use any fend off yellow, lemon yellow, pale yellow, yellow, green, blue, and an orange color. This is also from Missoula mission, and a permanent red deep, a bright red from Magellan mission. And then a barn CNR for the branch. And we also need a CPR, chose our dark brown color. And that's it. Start painting. So I have already sketched a hummingbird and I pick up the paper to abort. And now I'm using large flood brush. And I'm doing the same process again, which is reading the paper completely. And now I'm loading up a brush with hominin yellow light. And in this picture, the sun is at the center. So I am applying the permanent yellow light in our circular motion in the center of the paper. And then I'm using a pre-pay a lot are orange color. You can use a Gameboy or even an orange with the yellow, make sure they are known as blended. Since it is a small area, the blending process will be easier. You can also do this painting and larger sheet of paper. It all depends upon your preference. And now I'm using a tissue paper and cleaning up the edges in case if your water comes out. Always make sure to clean it out. And I'm using an orange color, are darker orange and filling up the paper. I'm just going in with a single layer. So i'm applying on the Carlos with its full intensity. Once you apply the orange, then by using the prep, make sure your red is bright and deep. Here I'm using a bright red that is the permanent threat deep from Magellan mission. Again, using orange and the yellow and blending a value for the background. And now I'm using the color that I mentioned before. Him, slowly blending in with the orange. Make sure you're blends are seamless. Blending is everything in watercolor. So take your time. Blended slowly. Fitness satisfied, right? I'm almost done with the first layer. I'm just making some final adjustments and I'll wait for it to completely dry before I start painting the hummingbird, make sure your paper who's a 100% right? Otherwise, the brown color that they are going to put on the hummingbird will start coming out and it will start feathering and drawn the entire painting. So wait patiently. And now maybe by a stripe. And I'm using the burnt sienna and amp slowly filling up the branch. Asks you notice I'm just using the barn CNR. Cpr only at the left and the right. I'm not painting the sun area for the sub area, at least for the area that the light hits. Amusing. I might put brown. You can use any kind of lighter brown. Are you can mix up Rudolf yellow to brown. And you suceed Hello. I'm just using a mixer. Phenomenon, yellow light and burnt sienna. Now I'm painting the hummingbird. Sure, I'm using a number eight drawn brush, which is appointed round brush. You can always use a liner brush that gives you more control. Being the hummingbird with much patients, especially the week for the beef, I change the brush. This is a size 0 by Princeton and amp slowly filling up there. The beak of the hummingbird tends to be sought in. So delicate. So make sure you use the right brush and painted. A painting is almost over. And I'm just documenting a few here and there just to get a contrast to the hummingbird, are best used. A mix of browns and yellows so that there is a nice contrast with a painting. Otherwise, by painting it looks so flat. Now it's time to reveal the masking tape. Slowly and gently pull off the masking tape. A painting, a stamp. And I'll see you in the next session of the class. 10. Day 8 - Garden Silhouette : So the colors required for this painting are sending their blue. If you don't have sanitary or blue, you can use the little blue bar. Feel free to use any kind of blue, bright rose by Magellan Mission. Use any kind of dark pink that you have. And then a bright orange by Magellan Mission. And Gameboy Jello from Daniel Smith. Feel free to use any shirts that you have. And the final one is Ivory Black to decelerate. So let's start painting. I have taken the same size of watercolor paper, and I have roughly made a sketch. But I'm not sure whether I'll follow the sketch or not. This is just for my reference. And now I'm using a large flat brush and I'm making an even coat of water. Make sure you're caught the paper evenly so that no particles are found. And now I'm loading up my ground brush with bright ROS. And I'm starting to apply it at the propulsion. I'm stored in bringing the right rows filled the middle section of the paper. And then I'm applying gameboard yellow from the bottom. By using this blending technique, you can make sure that watercolors are blended evenly and no harsh into Safari. Make sure you clean your brush than your brush touches the other color so that the blending is soap. And now I'm using a dark blue, that scenario blue. And I'm applying it only at that portion. And then slowly blending it with a bright ROS and bringing it down, make sure it doesn't match their law. So that again, using a pink, which is too bright ROS and gently mixing it with the yellow. Now when you notice the pink and the ALU output, and we need a color for complement period. So I'm using a bit of orange and him slowly blending it with the pink color. The idea here is to make the blending look more flawless and more seamless. So that is the reason I'm using the orange color. Just to compliment both are pink and yellow. Blending looks much better. Ones to oranges added. Now by firstly a strike, and I'm happy with it. So I'm not going in with a second layer. I am straight away using the gored by Feinberg and I'm just praying it goal it is not necessary. I'm just using it simply as I like the contrast effect. And I'm using the liner brush from Princeton. And I have no littered with black color. And I'm slowly painting the flowers. I didn't use any reference for this picture, so I'm just going in with the flow and fainting the flowers. So don't worry about the shape. Nature has its own beauty. Just go with the flow and don't forget to enjoy the process and don't make it too stressful for you. Do not worry about the final result, about the main goal of the class. This just to enjoy the process and get some new IPS for you so that you can apply it in your future paintings aspect. So feel free and beat your heart out. Let us make only advice in that direct glass. I hope you'll do that. And I'm continuing to paint the flowers. I'm just adding a cure and that makes sure you're Adam flowers in all the direction so that it looks more balanced. So if you're adding two flowers, the left side, make sure you add to the right and a fewer number they'll section so that the overall composition of the painting looks lonely. So I am not falling the pencil lines as you see. I'm just going and randomly and painting the flowers. Now it's time to paint the stems. Stems are the most liquid part of the flower. So make sure to spin. You cannot a best practice these lines in a separate paper before you go on with the final composition. And I'm just using the same line approach that I used for the flowers and gently making some small, tiny leaves instance. I'm also going to add a few parts. I don't write a composition could be full of elements. So I'm just going to add a few leaves and few parts here and there. And then a painting will be complete. Okay, take your time and complete the process. I have got a few potions since it is repetitive. I have also fast-forward a bit so that the video doesn't go too long. So now I'm going to paint the butterflies. Don't worry about the details, since it is a syllabary. Suggest. If the outline of the butterfly and fill it in with black hole buddy up with the shape of stabbings, etc. Make sure it looks like a butterfly. That is enough. I'm adding one more butterfly on the right side. If you feel oneness enough. By Lundberg, I'm just adding one more. So this faces us. Now I'm filling it with black color. Make sure you apply the black elaborate full intensity as once the layer dries, it may look Sam using black, but less or more. So once close-up. No. 11. Day 9 - Red sunset: To paint this beautiful red sunsets, I use the following pillows. So the first one is a Permanent red deep from Mozilla mission. Use any kind of bright threat that you have. The next one is orange, again from Magellan mission. And then a gameboard yellow. This is from Daniel Smith, CPR. From Magellan Mission. Burnt sienna, again from Angela, Michigan. And now it's time to paint. So I have taped on my watercolor paper to the boot. And now I'm using a mechanical pencil and sketching out the shoreline. I'm also going to add a horizontal line. And I'm also going to make some leaves. Make sure pencil lines are very light as watercolors show through. So we do not want a pencil lines to be shown once the painting is done. So always make sure you sketch it out very lightly. And I'm also adding a sun in the center of the paper. And now I'm using my own brush and I'm quoting the paper with water. I'm only quoting the area above the horizon line. So first I'll paint the sky park and later dried. And then I follow it up with the waves and then I'll paint. So I haven't painted the Sun also. So make sure you leave to sun. We can paint it at last. And now I am taking the bright red with full intensity and applying it the top portion and blending it with the gameboard your loop. Once again, watch your limbic system and the permanent trade. It pretty, it's a beautiful orange. So in case if you don't have orange bone problem apart, you can always mix your own orange by mixing upward of yellow and red. As you know, purse and carefully painting around the sun. So in case if you drop the beam from the Sun nor problem, you can adjust reducing white wash at the end. Now I'm picking the orange and I'm just slightly adding it around the sun. And I'm also making the blending or even so that the sky looks more naturally. So you can continue to blend two new satisfied till your papers sweat. Manchu paper is tried while it may stop the process and let the paper completely dry before you proceed. So I'm planning on a single layer for this painting. So I'm using all the colors with its full intensity. In case if you are going for the second layer, you need not apply this much of infants colors in the first layer itself. I am also making the horizontal line even so that the sky is distinct from the waves. That is the C. So now the skies almost done. And I'm lifting it to dry. And I'm letting there'll be fs area. So we are going to paint tiny little Beers selling feature how prototype. I'm continuing with a Cambodian law as it is the reflection. So first comes to gam watch your load, then I'm using orange and I'm slowly blending it out. And as you see, I'm trying for the first layer of VBS. And now I'm going with permanent red and darkening the first layer of the VBS. Make sure your waves are introducing her darker color. Pseudoagouti shone brightly. Using permanent trade deep. I'm just making some strokes. So now I'm bandwidth the first layer of leaves and letting that dry completely before I proceed with the second layer. So now I'm painting the shoreline amusing band CNR, CPI. So use a mix of two rounds. They give some dimension to the sand. And now I'm taking white dwarfs and painting the sun. I'm just adjusting an ordering the edges to make sure it isn't perfect round shape. So now time to pain, the second layer of thieves. And as you notice, I could apply anymore. Since it is a very small area, it is easier for me to control without applying water. Swam Josquin for distinct the first layer, the second layer. And I'm just using one later, orange so that the first layer is also shown properly. So a smart clip looping cleaves the Start Menu painter BFS using a darker color. Always use a lighter color beneath it. So this mix of the bloop more dimensional and it looks more natural and realistic. So again, am darkening the first layer of needs using a permanently deep. And then beneath the first layer of Thebes, I'm using a lighter orange color somehow astronaut poster first layer looks more bright when compared to the secondary rough leaves. And now again, I felt that my sky looked up at the end when compared to the waves. So again, I'm using an untrained deepen orange and then straightaway applying it to the sky portion without applying any amount of water. So as I already said, when you're not or playing war, the pains will automatically look more vibrant. So make sure you work a bit faster, then you do this technique. So one mortar curator stack, if you want your son to glue, don't use any darker colors around it. I just used gam modular around the sun and I only darken the areas away from the Sun. So by doing so, we have some more and you will get the natural lighting effect. So again, I'm documenting the shoreline. You sync CPI. So I am using sepia only at the top portion of the shoreline. And as I come down, I mixed it with Herb would've point CNN. And now it's time to paint the reflection of the sun. For that, I'm using white quash and making some tiny lines randomly beneath the sum. So I say come down, I'm just making some more lines. And now it's time to add some mom pins. So these mountains are firing me. So that is no need of any details. Just use a lighter brown and arts Amonton's on both sites. We are almost done with the painting. And once the mountain and stand up painting this finally complete, I felt that we used a lot more sheets in this painting particularly. So if you don't have the orange or red or any other sheets, don't worry US. What w have. I really tried to let you start nonprofits, but somehow this meeting ended up with using our Lorna colors. So now it's time to reveal the beating southern border masking tape. And I'd show you a close-up of how this looks. And I hope you enjoyed the session. I'll see you in the next one. 12. Day 10 - Pine tree: You're going to paint a pine tree in a beautiful nights gray background. For this, I'm using a blue by Magellan Mission. Use any kind of dark blue that will perfectly work. If you don't have about Nick's cupboard of black to the blue that you have already. No need to buy any extrapolate this, feel free to use the seed pillows that you have. And then a blue Sydney Leah and upright opera Magellan mission. There no blue is the ordinate for decennalia Brooke. And I haven't sketched out a pine tree abstract debate going like that and see how the pellet beautifully crown ellipse. It gets if you prefer grand leaping colors and that drug blue friend Magellan mission is such a beautiful color. And now I'm taking the blue, which is a bright, invents blue and applying it in the same proportion. And now it's time to apply. And using the pried apart from Magellan mission, you can use permanent rose, bright draws in the kind of rose up included. And now am darkening though layer. I'm just going in with a single layer. So I'm putting it to perform in concert. So my people to still bed. So I'm planning to add lot intensity as I'm not so happy with how it looks now. So I'm using conductor on blue and seemingly blue again. I'm documenting as it is, a night sky. I want the background to look more dapper. I'm almost done with the background. And one step back, ground dries completely. I'm going to add the pine tree. I'm just going to add a single pine tree here. In case if you want, you can add fine trees throughout the entire horizontal line. And no abusing our size. Number eight, brush, which is appointed brush by Princeton. And I'm making a line at presenter. And now it's time to start beating the foliage. The top portion of the pine tree. And the port proportion. This wide. So I'm just making some tiny speckles here. Okay, I have changed my camera and there now and I hope my brush strokes are possible. And make sure you're balanced podocytes evenly so that the tree looks more natural. In case you're not confident. You can always sketch your pine tree. You sing, curriculum, mechanical pencil, and then you can go in with the brush. So it all depends upon your preference. That is no compulsion that you need to go with the brush directly. And then if the tree is ruined, you'll not be able to correct fit. So always sketch it out if you're not confident, you can also use some reference pictures for the pine tree in case if you want. And absolutely pride truly making the foliage bigger and the curve has a approach down. And I have thought how to paint the pine tree in full bass in my previous class, that was how to paint trees in watercolor. So if dispatchers not helping, you can go back and check out that Michel that I have short door base of how compete pine tree. I hope that helps. I'm Craig. I'm just making some final adjustments to the tree. I'm just balancing or the sights. And absolutely. I think the foliage. And now it's time to add in the stars for this amusing whitewash and using a brush, just Blackbird. And amp obeyed the crescent. I'm using a size 0 from Princeton and white wash to paint the tiny crescent moon. Once you've made, the entire mode of the painting changes. So I love adding to all the paintings that are usually paint. And also the stars also make a huge difference. So I'm going to add a few because tasks urine but just to give a glue to the painting and wants to painting a start time to review the masking tape. And I'm just adding a few more stars. As I felt I needed to. Will the masking tape and I'll show you a close-up. I hope you enjoyed the session and the next session of the glass. 13. Day 11 - Birds in flight: So in this session we are going to paint some tiny birds can a beautiful reddish background. The colors used, her 1 million. This is from equal line. In case if you don't have this liquid water colors, it's totally fine. Use any rate that you haven't heard. Adapt under bright red. And then bragged operand. Bright operands used in almost all the glasses. So make sure you have a big colonial Hunt. And I have already sketched out these tiny but using a regular mechanical pencils and, and outlining these birds with a migrant pen. I really didn't want to lose my birthday. So I'm just going with my grandchildren and outlining it so that they remain visible. Even Afghan blind, typically layers of paint. So let be completely sketching and then get onto the painting process. So now I'm using the large flat brush and I'm just making an even gulp of water. So once the system and when did all of my depression with 1 million. And then I'm dropping it. Top portion of the paper. Sony pianists do apply the red at the top ocean and dipping at the bottom portion so that it compliments to painting nicely. And i'm just applying it randomly and not filling the entire paper with dread. And loading up my brush with the bright operand. And I'm filling up the whitespaces that I left while painting the vermillion. So make sure you always mix up a few colors, faded paint. Don't always use a single colored that will make the painting look more flat. So we don't want that. Always mix a few sheets that you have in hand. And later down with the people. So now I'm using the bright opera and I'm just bringing it down. And I'm also using a bit of speech here, which I forgot to mention in the color section. So excuse me for that. And I'm using cupboard of beach mixed with the protocol ranges. If you don't have the beach, just bring down the bright or fill the bottle. And but we'll also look great. It'll look more beautifully asphalt. I don't know why I just implemented the beach. Maybe a just saw volumes painting. So I'm going in again with a bright layer of pride or practice time. And I'm just including it in the central portion. So now I'm making some final adjustments to the background. I'm going with only a single layer this time. So making word underpinnings are bright in the first layer itself. So again, I'm going with the same colored statistical vermilion, the bright opera. And I'm not using the PH. So I'm just using the ping command. So you can always use that. You haven't had 1 million colors restore building not necessary. So just going with what Tom, you haven't n I'm just repeating the same landscape again and again, I say related one. Any of you to feel stressed about not having a particular shade on a colored. Even if you have cleaver for Carlos to fine, you can always mix up your own sheets. So having a limited amount of colors should not stop you from doing what you love. So while it may start with whatever you have and you'll be amazed at what you put create with those simple and yet the most powerful tools. So now time papain, the words, I'm using an ivory black and I'm just filling it up. Black and gold are common colors I haven't mentioned and the color section. So make sure you always have a team of black in your hand. And make sure your layered is completely tried. Before painting the birds swing back. The black bean doesn't, combined with the background that we created earlier. Okay, the inventiveness almost done and counter mode, the masking tape. I hope the sprinting much easier. And a whole painting is so gorgeous and do post your projects and the projects session. And I would love to see them. So make sure you post. And now it's time to reveal the masking tape. So once you to move a painting, a stone, and I'll see you in the next session of the glass. 14. Day 12 - Twin Palms: For the print bombs, we just need a few colors. I'm using a Sierra Leone bloop material mission. And a great truths, again from Mozilla mission. And you also need a whitewash and black colour. Whitewash and black are common Fellows and the entire glass. And I haven't sketched out the palm trees here. In case if you want, you can go ahead and sketch out. And I'm applying an even coat of water. Make sure you're on our play a lot of four-part, otherwise you can't blended properly. And now I have loaded brush with pride Rose, and I'm applying it only at the bottom part that I'm applying it in a diagonal. And now I'm nodding my brush with Silurian blue. As you know, this, I haven't blended it. I have clean my brush and then only I am starting to blend. By doing so you can get more even looking blending. So that's the only reason, make sure you're always clean your brush before you blend two colors. I'm just making the blue and the bright rose boats full intensity as the worker color feeds once and trace. So always going with bright colors so that the painting doesn't lose its vibrancy. If you don't have pride throw. So you can always use bright opera or any kind of rose. A permanent rose will do so on what if you don't have the same exact sheets, the Bible? Feel free to use any sheets that you have. And now I'm using a flat brush. This is a flat shader from Princeton. And going back and forth and blending the colors. Flat brush is not necessary. And just using it as a habit and rehab. And make sure the area that Bob bought a column needs to the Ciceronian and the Waitrose. This more. So again, I'm loading my brush with both Silurian and breakthroughs beating at the center part. But both the column meets the colors should look even and blended and it should not stand out. And you should not be able to find that, please. Smart water column needs. So that is the only target here. And now we firstly Australia unhappy with it. I'm not going into the second layer. And I'm just using the gourd, which I'm using it oil paintings, which is not necessary. If you don't have coal, you can always use a white paint and it will create the stars effect. Now I'm using. Appointed drawn brooch or Princeton. You can always use a size 0 or size one. And we're going to paint the palm trees. I have already part how propane, different types of trees in watercolor in another class. In case if you haven't, I highly recommend you to check it out. So after easier my bird to paint bombs, especially eating the paper. So I'll show you how I do it. I'm just turning the paper and I'm reading the foliage. The skips much control, papain, the foliage. I highly suggest that you Ponyo watercolor paper around and try for yourself and see whether it works. In case if it works, do let me know. I'd be very happy because I have found this mapper so effective. And every time I paint palm trees, I always found the paper around to my preference. Make sure the foliage pin so that you can add more foliage so the tree looks more food. I hadn't asked many foliage as you want. In case of Vietnam. So on food and papain per foliage directly, you can always use a pencil. Sketch it first before you go in with a paint. And you're done with the first tree. I'm going to use the same method. And one more tree. As we need a balance in appendix, MID decrease in gears if you're happy with the lead group. But I'm adding one more tree here. For the second tree or planning the foliage. You can also do this. This helps you get a better control of the tree. And I'm going to follow the same steps that I did for the first tree. I'm just going to repeat the people around and start painting the foliage. I'm using a size eight brush. Nice and comfortable with it in case if you're not, you can always use a phase one notebook. Using a size will not prove you can get a better control. The brush I'm using is around pointed brush. So it has a find by and helps me get Boston and delicate lines. So I'm almost bandwidth the second tree has and just making some final adjustments here and there. Just to make the tree look more fully and more bins, make sure your tree looks more dense so that it looks more real and natural. I'm going to add ammonia using the whitewash. If you don't have whitewashed, can always use a whiteboard. And I'm painting a tiny crescent moon using yeah, done after masking tape. And I show you the close up and I'll see you at the next session of the class. 15. Day 13 - Flower vase: In this session, you're going to paint a beautiful flower ways. The colors required, bright yellow, green from senior year. Use any kind of brain green that you haven't heard. And then you also need a bright blue. I'm using Silurian blue from the Juno mission. And burnt sienna, again from Mozilla mission, use any kind of brown. I'm using hogwash from Newton and the shape permanent yellow deep. This is totally optional. I'm just using it for the center of the floss. In case if you do not have it, you can always mix a bit of yellow paint to your whitewash. So don't worry if you don't have Kellogg wash. You can use any other color that you haven't heard. And now have slightly traced out the base. And then I'm taping the paper for the boat. Now, time to coat the paper with water. I'm quoting the waste in case if you're not comfortable with coating the ways, you can always leave it alone. And I'm using a flat shader from Princeton and I'm applying bright yellow green from say, nuclear mass. You have noticed I haven't used any. Has a bright yellow green mixed with syrah, gives a beautiful green. In case if you have gleaned in hand, you can always go with that. And now I'm picking the salary in blue in its full intensity and then applying the corners. This is because there is a light coming from the center of the picture. That is my assumption. So I'm not painting in a pin in the center. I'm just covering up. And now we're taking the bright yellow green and I'm brightening the central part of Legos glue. It looks beautifully. In case if accidentally pain comes from the central area. Don't worry on risk linear brush and then the cup, the color from the center of the paper. And you'll be good to go. Also, please excuse the lighting voice. I totally forgot to see Mark was happening as I forgot everything like painting. I hope you understand. And now I'm using the Sertraline blue and darkening the outer areas. As you notice. Now my papers looking almost black, but don't worry, once the paper dries, it will turn green. Color feats of Whit. And I haven't applied anything in the central except the bright yellow green. And also I haven't touched dummy's. So we'd be using a ground for the base. So in case of schools into the base, no problem. It won't be shown. So don't worry. And now as you see, the painting is looking more like Franklin compared. And now I'm using the white quash painting, the flowers. This is a one stroke SLA painting and one of the easiest method to paint. So that is why I have included in this class. Just fill up your brush with whitewash and press it against the paper. Make sure the God part is a bit wider than the bottom. And make sure everything connects to the center. And that is where you have used yellow goulash Dart in case if you don't have any hogwash, you can always use any other colour that you have are a mix of yellow, right? Quash. So everything is going to be frame. I really hope that you get the one stroke picnic. You can always practice these techniques in a separate piece of paper and then come back to the final composition. So am, paintings, glass facing different direction, does gifts more dimension to the painting. We can also paint some small bacteria and bad. And I'm not going to paint the leaves. I'm just going to paint the flowers here. And a slight change in the Cabinet position. Super small recipe is here for you to see what I'm doing. And planning to add a few flowers here and not so much, just to balance it out. And I have added this tense using a darker green. Or you can use to stain blue mixed with a bit of brown. And now time to paint the words. I'm using the burnt sienna flagella mission, and I'm using the flirt and filling up, please. Forgive dimension to the base and just sharpening the left side. By doing so, the base will look three-dimensional. Otherwise should look so few. And so we should not look cylindrical shape. So to make it look like that doctrine, when VCE can lead to another site. And for the NIC area and just using a lighter brown, that is a brown mixed with white. And now damping sprinkled some gold. So I'm using the same frame. And an old toothbrush and abstract in nature, you don't scatter tomb which by the way is obese, will become world poverty and climate of Burmese condense. And no time to remove the masking tape. I hope you enjoy decision and it'll tissue grows up in case if you don't get clean borders, you can always use why two pretty good wake wash and then clean it up. As you notice, my beta. So I'm just opening it up with white acrylic paint. And it's almost, I'll see you in the next session of the class. 16. Day 14 - Blue Landscape: In this session, we are going to paint her beautiful blue-colored landscape with farrowing motifs. So just take all the shades of blue to have. The first color is integral. I'm using integral from the brand sandy layer. And then a blue Centralia. Use any kind of brighter blue that you have. And the final one is a cobalt blue. Number two. So now it's time to paint. And I haven't made any previous sketches with the pencil. So if you want, you can always do that. And I'm just going in straight away and applying an even coat of water. You see cobalt blue number two. And I also wanted to address another question. So every watercolor brand uses different big mitts too. So even if the color names seem the shared and the vibrancy, everything differs from each parent. So don't worry if you don't have the exact shared and the exact vibrancy that I give. So it all depends upon the brands. So here I'm using an integral from scenario which has a blue. Don't do it at the same time. Indigo from Daniel Smith is almost black. So don't buddy a pre-planned, use different pigments to make watercolor beans. I guess if you're buying new beans. While this make sure to check out the techniques. And now I'm using satellite blue and cobalt blue number two. And the entire background. And the first layer is almost dry. So I'm just loading up my brush with a darker blue. So this is a blue scenario and I'm making some applying for the mountains. So after making the outlines and just adding two lines in what he called Mono. So this represents the trees. So these trees are so no details and detect. Just make sure you make some tiny lines along the horizontal line that we are going to repeat the same process two more times. So just make sure you let that dry completely before you go in with each layer. So follow the same process now that I'm bandwidth the first layer by lipid completely dry. And now I'm just using the same blue with much more intensity. And if we just go to the same person, now, the second layer is almost done. And once it dries, I'm going to use integral from Sydney layer, which is a very dark blue. If you don't have integral, use AD paradox. Blue mixed with Hubbard of black. And for the final layer beach word, the trees are a bit Turner and sharper. Has a somewhat closer to us. So I'm just filling up the water push and using the integral and then slowly bringing it down. Good one statistic that we can also hold your breath at 90 degrees to make the trees. If you're comfortable doing that, by holding the brush at 90 degrees, you will be able to get them and straight lines, the lines will be more sharper. So here I am holding the brush at 90 degrees and then gently making some strokes along the mountain, adding a few birds. So I'm using the same integral painting, tiny birds. The painting is almost turn. I really hope you enjoyed this painting session and to post your projects on the predicts session of the class. I cannot wait to see them. That's it. I'll see you in the next session of the class. Yeah. 17. Day 15 - Hot air baloon : So the colors required for the final painting are ultramarine deep. So the ultramarine deep, I'm using this for Magellan mission. You can use any blue that you haven't had it. They love Blue Ribbon, even a Prussian Blue Lou. So don't worry if you don't have ultramarine deep and then I'm using a saloon blue. You can also use any kind of sky blue that you have, and an orange and a bright orange to paint the hot air balloon and as you shoot a black color. So for the final session, we are going to paint a hot air balloon in blue background. So I have already sketched out the hot air balloon service. Already. Simple structure. So I thought it'd be easier for you to sketch. And so it chose to subject in case, if you have any doubts, just use other friends for the hot air balloon and sketch it out. So I have asked you, dip the paper to the boat and m2 is applying an even coat before, but as you know, because I haven't applied any water onto the hot air balloon. I'm just applying it only for the background. So the background is going to be a nice blue glow, the Skype. So for that, I am using an ultra marine blue. So to system on trauma by molecular machine, you can also use any other ultramarine, et cetera. Any kind of glue will do a tailored blue, Prussian blue. So use any kind of blue but you haven't hand, make sure you use two shades of blue that this wonders are like a one and the other one, a darker shade of blue. So make sure you always use two to three sheets so that you're painting looks more natural and more realistic. And I am applying the sky blue, which is the Silurian glue around the hot air balloon. This makes the Harper balloon pop and it'll look Monet's. So that's the reason and applying the lighter blue around the hot air balloon. And in case if the paint spills into the hot air balloon, no problem. We can always collect reducing awake gosh, are the orange color that we are going to apply. I'm almost done with this guy. Makes sure the sky that is the background price completely before you paint the parabolla. And just making some adjustments, some tiny adjustments to the globe. As you have noticed, I have left some tiny white spaces here and there, just to make the clouds look more fluffy and mouthfuls. So don't cover the background entirely using solid blue color. Always make sure to leave some whitespaces here under. In cases if you forget to leave, you can clean your brush and then you've got something. Now, I'm using a bright orange, which is a sunnier orange. And I'm starting to fill up the hot air balloon using that. And make sure you use a thin brush here and I'm using a size 0 by Princeton. You can also use a liner brush or rigorous or any kind of leverage that you have. Carefully follow the hot air balloon, you sing. Any kind of bright political happened hand. Make sure to colour complements to background. Use any kind of break validity habitat, a pink or red. So that is no condition that you have to use the same exact color. So if you don't have orange, no worries, you can use my yellow or red. Now, I'm using a micron pen for the fine details. You can also use a brush if you give it. And I'm just going in with omicron Ben. And now I'm filling up the basket, whip, the black color. So once the system are painting is done. So this painting nearly thickening just five minutes. And I hope it was easier for you to follow. And now it's time to remove the masking tape. And as usual, I'll show you a close-up. So this is our last project. And I really hope this was helpful and easier for you to follow. And I'll see you down Ultra session of the class. Thank you. 18. Thank you for joining!: So we have come to the end of the class. And I really hope you gained some knowledge on how to paint many landscapes. So try out a variety of subjects here. I have just shown you 15 subjects, but the possibilities are endless. So I really hope this was helpful and enjoyable aspect. And I really cannot wait to see all the gorgeous creations I have planned. May first given me for the skill tree glass. More details on that will be absorbed. So meanwhile, enjoyed a glass. Paint your heart out, create something. And that's it started on a positive note. I really wish good luck to each and everyone who's watching it. And so show you all the 15 projects together now. So this class was so fun to create for myself, and I'm so happy to share it with all of you. So thank you for watching and I'll see you in the next class very soon. Take care. Bye bye.